andy burrows reiht sich mit seinem neuen album musikalisch in die fantastischen werke von razorlight, we are scientists oder smith & burrows ein. das neue album *fall together again* erscheint auf pias recordings und ist der nachfolger von *company* aus 2012. musikalisch verbindet das album moderne pop-elemente mit dem vibe erster mccartney solo-alben aus den 70er jahren. *fall together again* wurde ende 2013 in nord-wales aufgenommen und beinhaltet zehn songs, darunter die neue single *as good as gone*.
180 gramm vinyl im klappcover, cd-version des albums inklusive.

cowboy rhythmbox are nathan gregory wilkins and richard x, latest signings to phantasy. coming together to create their own singular strain of music for dancing, they draw on a collective love of outsider house, bargain bin cut-outs, hard drive debris, rudimentary jack trax, obscure tv themes, euro disco, ebm, detroit techno, the smith & wesson model 3 and horses. we got the box brings to life the playground game of repeat-a-word-until-it-sounds-weird, pushing and pulling a disembodied voice by milliseconds to create a hypnotic mind episode. on the flip rattle takes off where their debut track shake left off, a devastating barrage of industrial drums and frenetic chants. the vinyl ep comes with download code.

waiting for heaven is one of the cult releases by discomagic in early time of italo disco.waiting for heaven is one of the cult releases by discomagic in early time of italo disco. written and produced by ricky persi and stefano previsti, vocals by australian singer david sion. three decades later italian records proudly presents david an ricky together again with the dutch duo shambok and their updated versions of this fantastic song. a real floorfiller for all italo disco lovers.

hanfry martinez & javier carballo present overall music limited series (vinyl only). for the first release ovllmltd001,label owners get together with their good friend hector to bring us the daggers track.a trip threw the lower,dark hipnotic house,taking us back to the golden days of this sound during the first years of the decade of 2000,reminding us of the works of legends like peace division or terry francis.this release is completed with 2 remixes,the first of rumanian duet livio & robi aproaching a detroit sound in focus,where the chords and a strong bassline are the remix s leading rol,techno for the tough minds.guti is the chosen for the second version of the daggers,a mix of techno & house deepnes where guti plays with the original sounds, adding percusive elements,pads and distorted voices,giving the track some tension and mysticism.

cultivated electronics presents the first in new series of collaboration eps which sees ce label head sync 24 joining forces with other artists. the first instalment is with the the dark electro purveyor the exaltics (bunker, clone, trust, solar one etc). together they serve up 4 moody yet diverse electro tracks synonymous with the style you would expect from both of these producers.

here comes a new project on philpot records, bringing together two of the most consistent german producers of the last decade: soulphiction and move d are pairing up to bring you some deeply rooted, funkafied house music on this one! >the limelight< is a subtle, shiny piece of neo-disco for the believers, rolling along with funky licks and a demanding bass, a sureshot for the music lovers! manchesters trus me takes it up and delivers a fantastic remix, adding his trademark sonics as well as a new bassline, played by tom >boom boom< johnstone. the third track >the essence< is a nod toward a great jazz label and a blueprint for further things to come by soulphiction & move d! shake it!

the first release on freerotation brings together 4 core residents, juju, jordash, move d and soulphiction with the organizer of the festival steevio in a joint project of live hardware jam sessions. the high on wye quintet: 5 men, a modular synthesizer and a mountain of hardware, crammed into steevios bijou studio in the welsh hills for 2 days after freerotation 2012. they had one ambition, to somehow transmute the energy from a weekend of heavy partying and performing, into a live improvised album of tripped out, ambient and deep techno. the result: the hafod jams (in several parts).

after a short hiatus, blawan & pariah return with their influential works the long nights imprint. teaming up together once again as karenn, here they display three tracks of all-hardware muscular techno experiments. highly essential, therein keeping with traditions of the label and artist s previous output, of course.

some believe music developed as a way to bring early humans together into a close-knit community, and this collection of songs is a perfect example of that theory at work. beautiful vocals from lindsey flowers, an oklahoman ospovat met tokyo. killer sax blown in portland, oregon by noah bernstein, an exceptionally talented friend of ospovat s brother. a driving remix by pablo bolivar in barcelona, without whose generous advice this project would still be a work in progress. a mesmerizing remix by canadian label partner, fellow deadhead, and sound manipulator extraordinaire craig oldring (c_olvrin). and the words of david moufang, who speaks with conviction in *movin to the d* – *…music has a lot to do with communication … working with other people is really essential.* we couldnt agree more.

the original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. you can distinctly hear the 80 s like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. the grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere. the remix, done by the widely loved tech-house duo pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. there s an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. all i can conclude is what a tech-house bomb this is from the highly talented pleasurekraft. they always manage to bring something new and unique to every single track they ve ever remixed which truly shows their remarkability as consistently good producers.

what happens if such restless souls like akiko kiyama and laurine frost start to melt their sounds together? the result is that one of the most interesting piece of art of the forward-thinking techno music becomes alive. ’through the mountains ep’ is a golden section of their utopistic musical imaginations, influenced by classical minimalism, live instruments and the ordered chaos of contemporary techno and found sound elements. all the four tracks contain their recognisable fingerprints. the gently and respectful collaboration is proven by the perfect balance of chemistry. in the collage of their musical layers every tiny sound and every tiny breaks have its own weight and meaning. waving and playful structures, exciting journeys on the edge of reality. 

it is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of santería and vaudou mix with raw electricity into burning diabolical polyrhythms. we here present cut hands and festival of the dead.
the double vinyl lp comes in gatefold sleeve and includes mp3/flac download code.

limited to 300 copies only - triple vinyl plus cd!
*treat me right*, the third album from trus me, featured plenty of modern club anthems and was lauded by a gamut of the most respected djs around, including ben klock, guy gerber, tini and maya jane coles. reflecting the trus me musical palette and chosen by him for this very reason, prime numbers has now put together an undoubtedly excellent collection of seven remixes by a stellar cast of friends and collaborators. this limited triple vinyl release comes in a bespoke wide spine sleeve and includes a bonus cd featuring a selection of the remixes plus a few handpicked tracks from recent prime numbers vinyl releases including fred p, mosca, xdb & adesse.

huge d e l a n o s m i t h remix
negghead and lex wolf form acid mondays and together the two have released music with 20:20 vision, circus, deep vibes and illusion recordings. illusion give acid mondays the full treatment after the duos salvia sessions 12inch from last year sold out almost instantly. smith, who appeared on the original 12inch, provides an additional unreleased remix while deepblak label head aybees reshuffles the original, burying it deep in chords and reflective vocal delays. not to miss out on the production action acid mondays provide their own east end dub to watching eastwood and invite z records producer dan goldman to play keys over the top as jd73.

the hot new black booby release for 2014 is a homage to none other than the mighty roach motel (terry farley & pete heller). the 4 tracker completely rips apart the pairs discography and re­blends and knits dozens of parts back together to give something new, fresh and above all house.

for most people, seth troxler is a name associated with detroit-leaning house and techno. yet this only scratches the surface of troxler s musical outlook, hence the formation of soft touch records, an imprint focused on peeling back the layers of the exotic and the strange, where interstellar guitar, calypso disco and seductive techno tracks can come together in unison and feel totally at home. on the labels first 10- release, long time friend and guy gerber collaborator, clarian, collects three tracks for soft001, a kaleidoscopic journey through 6am electronics, afro-beat indie pop and sixties west coast heartbreak. it s a bold opening statement for a label prepared to break the mould, get you on the floor with a whispered promise through the dry ice.

promised land is a hands down acid house anthem. fact. released in 1988 on chicagos dj international label it became one of the first crossover hits of house music. transcending electronic musics boundaries it entered the worlds minds & ears with its positive lyrics & chicago house rhythms. this 2014 reissue brings together 4 definitive remastered original mixes of this all time essential classic.

balearic maestro max essa joins the dots seamlessly between the ambient imaginings of sakamoto, the krautrock rhythms of neu and the beach pop of chris rea, while making them all dance together like waves on the beach. this is some of his very best work to date and demonstrates a producer at home at the controls and a real musician with a vision. your carnival sounds like this…

father & son aka gerry franke & max graef from berlin - 2 generations of musicians bringing their style of music together.

after first performing together at sonar festival with what was essentially a live version of our respective b.o.a.t.s. and adamant albums, thomas and i decided to expand on these ideas for something more broad and improvisation-centric.

tokyo-based composer phil gerus gives man make music a summer record par excellence, warping classic rnb and disco into five highly original and up-to-the minute tracks.

respected black dance music dj, jo wallace, was commissioned to create a bespoke track to accompany this summers must see exhibition return of the rudeboy by its creators, dean chalkley and harris elliott. in order to deliver the track in a limited vinyl format, jo had to create a label. thus, ramrock was born. paying homage to the glorious heyday of jamaican rocksteady, jo tailored the sound to fit the flavour of the exhibition - more argyle socks than on the rocks. gathering together the production skills of the legendary ashley beedle, the talents of musical supremo darren morris and the mighty mc doxman, jo oversaw the whole project in the studio even lending a hand on backing vocals and percussive teacup.gentleman rudeboy is a track that will continue to fill dancehalls for many years to come. welcome to the world of ramrock

7eventhirty and gensu dean. rapper and producer. mello music group stalwarts and jackson, mississippi natives turned dallas denizens. their working together was fated, rooted in shared soil before it was written in indelible ink. with 7eventhirtys sophomore album, the problem, the duo have committed their destined collaboration to wax, giving rap listeners an album that wrestles with the rapidly changing present and carves out a much-deserved space in the forever-uncertain future.

sonoras 54th digital release and 6th vinyl release *the remixers* was put together with selecting the best remixes of their past catalogue. each song selected has been chosen for its unique sound and with the best quality of production.

bek audio with 2 prime time numbers by labelhead gary beck himself. ready for the peak time? this one is a sure shot. handstamped and shrinked.

rsn004 brings together 4 tracks that set the scene of harsh terrain, cut through with icy winds and menacing soundscapes. ** a shot across the bows** is sure to solidify pris as a force to be reckoned with and fits perfectly within the resin canon.

this is the first work published by subspecies, a new label of techno music based in spain. the north gate volume 1 wants to show how different artists like david meiser, ritzi lee, victor martinez or demon.i/o can work together and make a special release full of good sounds and good taste, enjoying themselves...

the 18th installment from aesthetic audio brings together four deep architects to form a collective that methodically articulates a symphony of sublime textures, lush chords and unique musical visions. keith worthy (detroit - u.s.a.), miruga (japan), jose rico (spain), and michael zucker (orlando – u.s.a.) are the unusual suspects, and they are here to remind us that it is okay being labeled as unorthodox … it is okay to move to your own rhythm … and in fact … it is okay to applaud the unusual.

praktischer rahmen um deine vinyls optimal zu präsentieren (vinyl auf dem bild gehört nicht zum lieferumfang) useful frame for your favorite vinyls (only the frame, without the vinyl)

12 inch vinyl - pink coloured , vinyl only, 300 copies worldwide

the people without can only be described as a body of work that seamlessly showcases the artists attention to detail and knowledge of sound design and texture. the people without as a whole takes the listener on a journey that is at times eerily beautiful and at others, powerfully mystical. metrist has managed to pull together a superb follow up to rsn002 that shows the depth and vision of resin over the years to come.

for crimes of the future number 3 we present the ubiquitous black merlin, trevor horn heads to berghain at 3am friday and stays til monday.completing the release timothy j. fiarplay and scott fraser remix together for the first time in the adrian tripod mode, taking amazing exotics back deep into early 1990 s new york and kicking it out bonesbreaks style.

disco bucuresti is an audio homage to romanias capital, bucharest. growing up between the citys communist blocks of flats and maturing in the citys underground discos left a distinct creative mark on andrei idu (the legendary 1979 orchestra). ever since leaving bucharest for amsterdam, andrei felt the need to tribute the place that shaped him. however, it was only until recently that he found the means necessary to express the feelings he felt. thus, records released during the 70s and 80s in romania as sole sample source, analog drum machines, delays, filters and reverbs, all recorded in live takes come together in this evocative ep.

a special dj double pack from emotional rescue brings together a collection of razormaid remixes, plus unreleased originals, of two projects from georg kajanus, the founder of 70s pop group, sailor and 80s synth poppers, data. with a career spanning late 60s psychedelic folk-rock in eclection, through to chart success as a member of 70s pop group, sailor, before embracing the synthesised sound of early 80s new wave and synth pop via the excellent data, georg kajunas music has covered a lot of ground.

straight from the berlin pioneer of house alex agore, comes his new track the prayer remixed by the uncle of house james johnston. we have already been introduced to alexs eclectic group of productions, his many signings with past or respected house labels like: wilson records, 4lux, defected, washermans deepdownslam and kolour recordings. alex and james also own together no matter what records a vinyl label full of quality and soul. these two together create a vision of sound for the future and soul thats a blast from the past, together they bring you the crème de la crème of house music. welcome to the sound of axe on wax.

with more than 10 years since the beginning of his carreer, el mundo is part of the well-known artists within the international electronic music community. together with a sound that is best described as psychedelic, deep & groovy, it is his refined musical vision that have made him a respected name in his league. as a dj, el mundo played worldwide and at the nation’s best venues and festivals, including awakenings, welcome to the future, doornroosje, studio 80 and utrecht’s poema. he s joining 8bit with a strong 4 tracker right on time for the upcoming festival season.

re mastered for 2014 from oscar gaetan & ralph falcons original murk dats for 2014. fantastic re issue of these legendary producers early catalogue from 1992. containing all the original versions and dubs. these will sound better than anything on discogs.

for its eighth release apartment delivers its first long player, by mysterious producer, vernon (dixon avenue basement jams / night gallery). little is known of this artist – what we do know is that his formative years were spent in belgium, immersing himself in the emerging new beat and ebm sounds emanating from the countrys dance clubs. for his release on apartment he has created 6 tracks that reflect these early influences, whilst also taking in other techno, house and electro influences. pounding drums, rasping hi-hats, rave stabs, twisting acid lines and grinding synths all come together under the unique tutelage of this most skilled of producers, all the while watched by the experts…

big with: adam beyer, dave clarke, luke slater, surgeon, chris liebing...
after the glowing success of bouffmyhre s first album on sleaze, we decided to put together a remix ep featuring new mixes of tracks selected from the album. on the a-side, hans himself has produced a 2014 remake of fortress, while polegroups oscar mulero provides a classy remix of bring it back. flipping over we have rebekahs version of fourteen, which perfectly demonstrates her pounding, dungeon-like style. italian producer giorgio gigli delivers a dark & droning remix of dominator, to round off this excellent release

on the back of an exciting debut album in 2012 that saw him perform live at sonar festival and later with his band at viennas volkstheatre, before disseminating music on permanent vacation, suol and connaisseur recordings, enigmatic basque country producer el txef a returns with his sophomore longplayer >we walked home together<. the double 12 inch lp comes in gatefold sleeve with cd-copy of the full album included.

rothmans are back with there first release of 2014 - coyote - the socrates ep. this time the guys are paying hommage to one of the more contriversial stars of the late 70 s/ early 80s the absolutely legendry dr socrates! this 6th release by the the retro, football mad, perm loving lot sees them take a step away from the various artists format into the world of ep s. and what a stomper they have in the form of the is it balearic...? boys coyote. featuring on last years claudio gentile release the boys are back on rothmans and in fine form with a mixture of psychadelic disco and funky balearic beats that would make dr socrates himself stand up and shake that afro all over the dancefloor. and joining them on the team sheet are a pair of knock out players in the form of mark e & ste spandex. mark e putting his silky skills, and attacking mark on passing memories, and then ste spandex bringing it up the rear and joining him in attack with a live vhs remix of act like you know. the rothmans label seems to be taking shape now and looks like it could be also putting together a dream team of releases

quantize recordings presents this united front of artist, producers, and remixers that have linked together to give the world a healing, an insight, and a voice to address the homeless crisis. the list of singers, musicians, and producers that are so extensively dedicated to this barbara tucker organized charitable project is unbelievable and heartwarming. pressed on limited edition red heart shaped vinyl exclusively for record store day, once theyre gone… theyre gone!

marvin gaye and tangerine dream together in an elevator in detroit for the second time!

red axes is niv arzi and dori sadovnik, two young men who have always lived in tel-aviv and have been making music together since the noughties. ballad of the ice is their debut album. their artistic travels have taken them from the rock scene to the dancefloors, and to creating an album. more than a summary, this lp is an invitation to discover a singular musical identity: a ballad of the ice, a song as light as love and cold as a tunnel, springy as a dance step and deep as nostalgia.

at some point in 2013, friendly fires, andrew weatherall and timothy j fairplay (aka the asphodells), convened in an east london pub to discuss collaborating on new music together. the plan was to produce music that came from a place outside of their respective usual musical styles - a loose, open-ended process embarked upon for the pure joy of experimentation and collaboration rather than a specific end goal. the collaboration came on the back of two hugely successful friendly fires albums - 2008s debut friendly fires and 2011s follow up pala - and an acclaimed debut album from the asphodells in 2013s ruled by passion destroyed by lust, the latest in a long line of classic releases from andrew weatherall’s own rotters golf club label. the result is *before your eyes* and *velo* - two brand new tracks that take close to ten minutes each to reveal their full hypnotic glory. the tracks will be released as a aa-sided single on translucent, orange colored 12 inch vinyl and will be the inaugural release on friendly fires own telophase label.

brett johnson makes his second appearance on the mighty visionquest imprint with a superbly nuanced ep the secret place. packed full of rhythmic and melodic complexities, johnson embarks on a supersonic head trip for the senses. lead track the awakening is awash with eerie keys and a building framework of warping fx, clicks and bleeps, all pulled together by the emphatic groove. on the flip, voyage 34 feat. ryan is a rolling, hypnotic and futuristic odyssey with the tougher edge of techno and ryans creepy, disembodied voice. finally you can count on me indulges in an intricate, percussive groove with glitchy machine tech funk.

light year came to be, many aeons ago, in a celestial orb - just slightly to the east of australias dance music capital, sydney.

david k represents something thats all too rare in electronic music today: an artist who makes music first and club music second. for him, emotion is paramount, melody is important, the pop format has its perks and original material is always better than a sample. late at night and early in the morning he dances alone in his studio, tapping away on his keyboards and throwing together arrangements on the fly (a pianist by training, he cant bear to make music slouched over a mouse). his only goal is to make something that will keep himself dancing.

is it his love for details that made him known as the micronaut? at least the atmosphere of his productions evolves from a multitude of intricate elements. these little bits and pieces might be of very different nature but together they complement each other in perfect harmony, creating the big picture, the panorama of a soundscape that is one of a kind.