the aliens return with another anthem. there has been a lot of speculation as to who these bad men are, with most guesses being people who have released on the ssds label or other south londoners. some of the main guesses have been kromestar, coki, cotti, f-1, n-type, and kosha, but i am not convinced anyone actually knows who is in it.

finally released on 12 inch vinyl is the funk ethics & lucid directions (formerly rld) dub that was flying around last year entitled >give<, stepping up on the remix duties is von d who pulls out a truly sublime and sexy refix featuring one of the tastiest bass-lines for sometime. the original sits firmly on the electronica shelf, subtle stabs and lush vocal licks with support coming from the likes of mary anne hobbs, kidkut and gilles peterson.

the onset of autumn brings this new release from is it balearic..? recordings head boys coyote. featuring the vocal and lyrical talents of gavin gordon, a madrid based singer songwriter who has previously worked with mock and toof. minamoto is the tale of a 12th century samurai beautifully laid over a heavily percussive and slightly psychedelic disco groove. for the remixes, dj steef creates a more dubbed out 4/4 bouncy synth affair. the hardway bros concoct a proper mid-tempo acid house workout fitting for all the more discerning dancefloors. the third remix from shocks is a reverb heavy breakbeat trip into the darker side of hypnotic balearic/cosmic beats. there is also a bonus track el sueno oscuro a beautifully evocative solo flamenco guitar track by gavin gordon.

dave tarrida, a man who needs no introductions, joins forces with gynoid audio once again for the damage ep. the original brings us funk driven bass lines pushing and pulling under haunting bell like stabs, all with a twist of daves special blend of glitch. on the remixes we have funk d void, beroshima and angel alanis.
supported by markus suckut, bas mooy, chris liebing, advanced human, speedy j, dave clarke, shin nishimura & many more !

mannheim based plastic city has been around for the best part of two decades now, working with some of the most exciting artists in house and techno and maintaining an output of electronic music that is unrivaled. now the label behind artists such as terry lee brown junior and the timewriter is looking towards the release of the debut album from the awesome nikola gala. gala is part of the exciting wave of greek talent that has risen through the ranks of the house and techno scene over the last decade. he is a prolific producer who has released music on some of the hottest label around including rekids, ibadan, his own escada music and of course plastic city.

the classic music company by luke solomon & derrick carter continue to play the game under their own conditions. as a label it never died it just retreated for a while in order to come back stronger. all hail the king because the king is back. long live classic!

nang powerhouse sare havlicek bursts back into the synth-scape once more with the first track from his second nang album. sare is a firm favourite here in nang towers and the mercurial, slovenian dynamo has hardly stopped for breath since his last releases on nang (a well deserved new masters comp, a co-mix credit on beach disco and also as part of the transatlantic disco alliance ep). to remix vibe on you nang have called in the talents of fellow adriatic funkster ilija rudman, who places his seal-of-authority on the sonics and gets brassed up. uk based head of bear funk stevie kotey pairs up with this lightning-fingered-keyboard neighbour manestar to create a cool cross between haddaway & ten city. sare contributes an instrumental and a slowed down, pitch-bent, 115 bpm version. his slyly retiled nothing you can do version jumps forward 4 years to 1985, sounding like a long lost stock-aitken and waterman extended 12 dance cut. stay tuned for sare album number 2 later in the year. weve heard it.. its a goodie.

nice price deal !!! incl the mega track >in a blink of an eye< - pure euphoria! decks tipp.. it would be to easy to categorize satori as a techno producer. of course there were the clubhits with his partner in crime el mundo, there were long hot nights, exuberant dancefloors, pounding beats and pure ecstasy. but the person behind satori has another side, a side that also wants to pour his personal impressions into sound. meet in to void, a remarkable debut in every sense. forget about those dancefloors for a moment, the place where satori left his mark so clearly these last years. place yourself in the person djordje petrovic, born form a serbian father and south african mother, raised with balkan music, afrobeat, jazz and world music in all shapes and sizes. someone who educated himself in playing guitar and piano and also wants to showcase this other side of his music. produced in the moments in between his sessions with el mundo a series of tracks came about that characterize satori most accurately. deep, sensitive and worldly, but mostly compelling and utterly beautiful. in to void is a musical moodboard, an emotional blog if you like, where thoughts and impressions by djordje petrovic force themselves to you in a hypnotic trip, subtle but irresistible.

endless flight happy to announce the debut release of arthur james denton. arthur james denton is a new moniker of maelstrom who had released on eskimo, mindless boogie and running own label >solardisco<. the both tracks are funky, bumpin early 90s new york house sound. it reminds the sound of kenny dopes house syndicate. one more release from arthur james denton will be released in this year. its included massive legowelt remix. watch out for this new artist!!

daphni is the alias of dan snaith, aka caribou, a man who needs no introduction, having conquered the hearts of music lovers around the world with his latest album >swim<. we at amazing sounds are very proud and excited to present a dancefloor centric release from dan following his seismic reworkings of radiohead and virgo four, - >ahora< is a slinky, trippy, eastern tinged piece, with a stunning, tweaked out synth riff that blows apart the uneasy equilibrium. on the remix tip are margot, border community s super gifted italian duo, who deliver an even more wonky take on the original, with pinwheeling oscillations, burbling flutes and subdued piano notes.

having launched blkrtz to wide spread critical acclaim with his album drawn and quartered in june this year, deadbeat now enlist the aid of two fellow berlin residents who need no introduction for remix duties. working with the source material from the first quarter, scuba dons his scb guise and turns in a slow burning sci-fi techno monster sure to appeal to fans of monolake and his own early work. rife with reverb drenched sonar pings and mechanized groans in the periphery, the track lurches toward its epic crescendo like an alien infested star ship nostromo sliding slowly to its demise into the center of a black hole. bringing things back up into the light on the flip, efdemin tranforms the fourth quarter (calas house) into a chugging deep pocket house journey. riding the cusp of a rubbery bassline and molding the chords into a timeless house organ motif, the originals dubwise leanings are heard loud and clear through a cloud of crackling unintelligible vocal samples and thunderous spring reverb crashes worthy of king tubby himself. without a doubt two floor ready reinterpretations and a great sign of things to come from deadbeats new curatorial ventur

after gunnar stillers latest release- the upon you 050- had been served together with marcus meinhardt, wich grew on quite a few dancefloors to a club hit, everyone is of course curious to know what he will put on the dancing feet next. the a1 title >way to wollongong< has been inspired by his australia-tour last year and is tying smoothly on to the agility of his former releases. >antipodians< on side b1 is therefore taking more time for the housework and is sprouting his introspectively chords through the bush of the outback. the remixes are coming from our upon you shooting star marcus gehring who adopted to wollongong and timid boy who is doing the digital exclusive remix.

> polybolo< is a monster that drags you into the abyss, and hits the dance floor like an avalanche. dusty kid starts the survival training that every raver who calls himself professional should have passed in the acid shower. constant knocking wears the stone: like the peak bagger who finds himself awe-struck by the earths elemental forces, > polybolo< reveals the pure longing, the archaic natural forces, only by means of pure synthetic tools. and in case you are not such a hard-raving member of society you will find your satisfaction in popofs stripped down monster groove remix of > argia< on the flipside

since the last senking album >pong< (r-n122) was a great success in 2010 and sold out quickly raster-noton swiftly asked for a follow-up of massels sound cosmos. on >tweek< senking again reveals his sense of cineastic atmospheres and dark abysmal depths of sound, which are subordinate to extremely slow choky basses and delayed beats. references to dubstep are rather the result of testing the outlying areas of the frequency spectrum than a direct relation to the genre. nevertheless it seemed very obvious to release senkings sound on 12inch vinyl to follow the footsteps of >plasticstar< (r-n081) and >pruitt igoe< (r-n124), >tweek< is meant to be a dj-tool for a club environment. >tweek< refers to a character of the well known us series >southpark<, who plays with feelings of incertitude and nervous decease. the album documents the eagerness to experiment and indicates astonishing ideas shining through the dark substance. the tracks even reveal cheerful and comical features.

nice price deal !!!

soul jazz records are releasing this latest studio one compilation which features non-step 100% stone-cold classic studio one killers! spanning 40 years of the legendary label, this album is a fitting tribute to clement >sir coxsone< dodd and is a who is who of jamaicaan reggae.

studio one women is the latest in the series of studio one compilations released by soul jazz records. ska, rocksteady, funky reggae, roots, dub mixes, disco mixes, they are all here from the queens of the jamaican music scene. studio one women features a wide mix of classics and obscurities from the finest female voices in reggae. until now most of these tracks have only ever been available as extremely hard to find jamaican 7 inch and 12 inch singles and even if you were lucky enough to find them they d cost you a small fortune! marcia griffiths and rita marley (here with her first group the soulettes) are two of jamaicas most famous female singers hugely popular today. both these artists became internationally famous as the i – threes (along with judy mowatt), bob marleys backing singers alongside the wailers. also featured are hortense ellis, sister of alton who cut many smash hit on the island and jennifer lara, a lady who had a long career with studio one, singing on countless sides until she sadly passed away earlier this year. studio one is the greatest label in the history of reggae and is the foundation of all reggae music. it is where virtually every world renowned jamaican superstar started out, bob marley and the wailers included. under the guidance of the legendary clement >coxsone< dodd the musicians at studio one recorded hundreds of instrumental rhythms which still provide the backbone for many of the records made in jamaica today.

panacustica’s fourth release is amongst cosmic metal mother’s finest work. “time is now” the track in question, defies definition by mastering a style on it’s own, by fusing elements echoing from prog-rock drenched with emotional content into an adult and contemporary way of delivering which is unique to the cmm writing style. the original is melancholic bliss. a vocal line at the center of the piece whispers words about oscar wilde and mr. death accompanied by a cello melody that grows bigger and bigger into an angelic cascade of notes. the track begins and ends in the most bare way with just a drum beat leaving you with the feeling you have just entered a loop where time is irrelevant. commodity place has the second cut of the a side. the duo from rome, known in the global underground of the vinyl tribes for their signature guitar style, chooses to call their mix “experience”, clearly paying homage to the gods of rock, delivering a guitar solo that will fire up your speakers and fill your eyes with the brightest psychedelic colors that we all so desperately need in this age of grey anonymity. the b-side is a full eight-minute mix by the man who needs no introduction and made us all dance since day one, larry heard, a.k.a. mr. fingers. his version is a fast “four to the floor” track, where a shaker drives the house beat into the melodic lines and voice borrowed from the original, making it one hundred per cent dance floor efficient with the modernity and mastery of his touch

heavy austrian dub mechanics from group niob aka phlox conspirators gerhard potuznik and martin sovinz. this is their 2nd release to date, a dedicated follow up to last years >vector ep<. opening track nexus takes dubtechno one step further down the road to the lowlands. it manages to keep the atmosphere dread and melancholy but balanced with light skipping percussion and whispering snippets over a four to the floor beat, creating an uniqe kind of bass music. second tune aldo glows with warm chords over thick and dreamy rhythms, rendered in spacious minimalist dub style. side two starts with a vocal drenched acid-rework of nexus by no other than tin man. the words >doesnt matter who your are< will settle down deep in your subconsciousness and refuse to leave for some time. already an anthem and that kind of tune that should not be missed on future dancefloors. the ep ends with a fierce and forward shifting, floor shaking nexus-rework by londons bass cadetts dark arx

düsseldorf based sello is producer treading creative end of the deep house spectrum. after the great feedbacks received on his ep debut on neovinyl and his latest work on wazi wazi, he is back in bussinnes with - feel this -. enter the universe of sello and explore two new tunes by the master of deep feelings! simply quality.
subsequently to listening carefully his new work, we are pretty sure thereís something extraordinary about a lot of these tracks. they definitely recall the sound of the old classics. in this ep you will meet up the soul of this young artist who keep his style fresh and original in any track he signs up.
among the original tracks you will find two remixes featured by two five stars artists: brendon moeller and elef, who have remixed plombir with two very differents results. brendon moellers music is well known in the scene, with releases in third ear, mule and echocord. he made a solid version of plombir giving it a super dub feelings. on the other side elef (dirt crew, back and forth) just twisted the original track with a superb interpretation adding some moody grooves on it.

the summer ends and the slidebar-crew is back to show up a new label project called suspect music . the first release combines a special line up of german top producers who bring a banging 4 tracker to the crowd. straight minimal techno as it should be with unique grooves and a guarantee to rock every floor. felix bernhardt (afu / snork), alec troniq (ipoly / microtonal), mentalic (ipoly / microtonal), kork&mcweird (9volt)

as the us retire each of their space going shuttles it appears that exiting the stratosphere is more difficult than ever. yet there is one pilot who still makes aural excursions into the cosmos, roland sebastian faber. since the beginning of aube records rsf has been serving up his brand of analogue astronomy, creating lush interplanetary sounds and otherworldly vistas. the french voyager, across three 12 inches, has introduced listeners to his astral world, one of deep electronic tones, cosmic undercurrents and 70s electro disco passion. once more this moog veteran is setting off on a journey into the synthesizer stars.

glass tear groove is the new concept release from drum machine rookie, inkswel. a follow up to the random yet bubbling >get to my party< release, this ep cohesively mashes together drum machine sounds and new wave funk tendencies. the title track featuring vocal funkster zackey force funk (baron zen/jellphonic/mike gao) brings forth a timeless love song vibe into inkswels popping and locking approach to song composition. >good times< is inkswels ode to post disco and pre house sounds, fuzzy yamaha synth stabs and watery chords. backed with the bonus beat vibe of >whos fooling who<, a stand alone banger for beat heads and party animals. also packaged with stellar remix work from ppu/superior elevation s tom noble aka disco tom.

nice price deal !!! steindor kristinsson, well know for his work in einoma, comes with his first solo ep. dark scapes, advanced beat programming (e.o.g. style!) and oriental tantraistic moods take you straight into unknown territories. limited to 300 copies including code for free download, handnumbered and with beautiful artwork. another highly recommended shipwrec release, who keep on delivering the goods for both the mind and the feet!

120 days are a 4 piece from oslo who released an acclaimed self-titled record in 2006. in the time since, the band has been developing and honing a sound, the first taste of which is >osaka<, which will come out on club mod.
a brooding, tribal, baggy acid beast, the >osaka< single, with remixes by sidwho? and diskjokke, is now available in 12 inch format.

the third release on the world unknown label is a very meaty affair that coincides with the second birthday of the club night in brixton. on side w timothy j. fairplay fuses ancient egypt with late 80s belgium and drops it slap bang into the near future with the monolithic techno beast that is >cleopatra loves the acid<. its already been played in discos and on the bbc by andrew weatherall, for whom tim handles engineering and co-production duties in his day job, and is set to become a pounding anthem on the more adventurous dancefloors over the coming months. side u is a more throbbing psychedelic affair. kalidasa is the production alter-ego of tim rivers who runs the always excellent theacidhouse.com website. it<s exactly the kind of heavyweight midtempo tune that causes sweaty pandemonium at world unknown. if the word balearic still meant now what it did to from 87-92 then thats precisely what youd call this, most likely with the prefix >heavy<. but it doesnt so you cant, or can you?

gethigh is a new track release from laid back. the lyrics may instantly lead your mind onto thinking of cannabis but try to think about it in a broader context, in a more universal way. we all want to get high whatever we do in life, in all walks of life, in spirits, sports, politics, showbusiness, all kind of business, in school and education and not to forget love. musically the groove is kept in the recognizable family of the horse, with an updated twist. actually the song was born in key of major, as a more rock guitar riff kinda song included in the package. also included is an ultra minimalistic version, mainly made on ipad. danish electronic musician and dj kasper bjørke has done a really cool remix. finally we made a space mix, mainly for our own pleasure and for those who like to get out there and more into it. a video is in the final editing stage, following the style of beautiful day and cocaine cool, with self made animation. music is more than a trendy sound and a fancy look. laid back is always going for something personal, original and timeless. copenhagen, september 2011.

love it or leave it. stl has done it again. another four tracker of raw electronic beats and mind rumbling grooves. jacking house tracks composed on analog hardware, executed without any static computer arrangements, to keep the true spirit and feeling of each session alive. these sounds are like mad colourful old school gaming, taking the listener on adventures to head, feet and soul in all it s full maniac beauty. number 17 of the something vinyl series is another lovely manifest of an artist mind picture which is not easy to categorysize. surely it won t fit in any style and ear, but those who are already sold to stl s lo-fi kind of sounds will get another dope piece of vinyl in order to make them dance and listen. sweet transmissions from a universe dominated by sound. pressed on a handsome 12inch in very limited quantities !

once again, erol alkan and boys noize have teamed up, for what has become a stunning re-imagining of last years smash single >avalanche<. determined to avoid a taking an obvious route, the pair originally intended to commision a spoken word interpretation - the natural choice was the melifluous jarvis cocker. on the remix tip the duo enlist the maestro himself ewan pearson, who supplies the deeper underground re-version, that reroutes proceedings to dubbed out berlin basement afterhours to stunning effect. not to be out done, hot talent canblaster interprets the original as a low-slung bleeptastic old-school electro workout that rounds the package off in glorious style.

this is the third of the black dogs liber series of releases that are purely aimed at the dance floor. it follows the previous, well received liber kult & liber temple 12s, these singles all lead to liber dogma, due on soma in october, and further chapters. high rise choir reprise opens with clattering percussion taken straight from recordings at forgemasters before a face-ripping gut-wrenching bassline cuts through with one of the black dogs strongest minimal grooves yet. built to move heads and feet, the hypnotic groove hooks you instantly while the haunting strings bring the emotion in massive dark waves, you cant help but fall into this track. beautifully simple, addictive and massive. dissident bleep is just that. over the years the myth that sheffield is all about bleep and bass has gathered ground but those who live here know its all about the bass. industrial repetition gives way to twisted vocal samples of >over, over<, a sure-fire nod to cabaret voltaire, before the kicks and filters pummel you.

limited repress on blue coloured vinyl with self made black printed labels! vinyl only release with great acid touched tech tracks on the quality vinyl, quality music, quality artwork. first pressung comes with handmade 2 color silksreen artwork. so be fast

cadenzas latest release comes from a man who has made an undisputable impact on a host of a-list labels since he first began spreading his unique and invigorating sound spectrum in 2008. hailing from frankfurt and dividing his time between a hectic touring schedule that see’s him travel the world and his studio where he compiles his exciting and technically compound productions , robert dietz joins cadenza for the second time with the >slinger< ep

sophomore ep by brooklyns new house prodigy willie burns, who has been honing his craft under various guises for the better part of a decade. expanding on the foundation laid on his l.i.e.s. ep earlier this year, here we see willy take a more aggressive approach towards more commercial territory... errrm as if... in any case, classic house tunes with a ny twist.

heavy support from mary anne hobbs (who earmarked >ghosts of eckerville< as her unofficial track of the week) on her xfm show, along with additional dj support from asc, boddika, 2562, goldffinch and more.

second release in a series of four of this ann aimee compilation series, featuring a diverse selection of techno tracks. part two of the four-part inertia sampler again serves up four heavy-hitting techno bangers from different artists of the new-school techno generation. again, each of the tracks is previously unreleased. first up is frenchman marcelus who offers a heavy house and techno fusion, before londons sigha goes deep and ominous with >finding myself.< redshape and area forty_one close out the package with frozen, static coated sounds and textured techno respectively. reading like a whos who of the days most pioneering techno producers, inertia #2 is another connoisseur selection.

justice, the french duo formed by gaspard auge and xavier de rosnay, is the band of a whole generation. when the two friends were still bright students in graphic design, in 2003 they made justice a place to experiment a hybrid genre between music and image, which blends pop and electronic borders, and showcases the talents of 2 fascinating passionate pop culture craftsmen, bored with hierarchy. they met pedro winter who had just founded his label ed banger records, he immediately signs them after listening to >we are your friends< which, with its joyful and vitamin-enriched electro beats combined with exhilarating voices, became the hymn of a whole generation and one of the most important tracks of the year 2000, celebrating a reconciliation of pop music and the dancefloor.

the ghettoteknitianz are a formidable clique of footwork djs who count rashad and spinn (who have previously released eps on mu) among their members, as well as veterans such as traxman, gant-man and younger producers like dj manny and dj earl.

after the success leonid neverminds light is here ep, we invited a few artists to reinterpret and reshape leonids work. first up is dutch duo duijn & douglas, who already released on nowar, who took on thymus stimulator and turned it into a deep and funky time bomb. very basic and strongly efficient grooves layered with riffs and counter-riffs, making you hooked instantly. a wonderful hip-shaker! on the flipside detroits kris wadsworth, with solid releases on nrk and boe recordings, applied a more machine funk approach turning feel into a deep jack workout with leonids original dreamy sounds enveloping kriss rawness. finally miles sagnia, whose releases on his own atmospheric existence and aesthetic audio prove to be timeless gems, also combined the raw and the soulful. a true deep house gem with funky basslines, straightforward beats and a sweet deep almost detroit techy vibe.

terrence parker presents music works volume # 3 (catalog pmw003)this is a special 3 track ep personally compiled by legendary detroit producer & dj terrence parker. the a-side features a classic tp remix from his former intangible records label entitled >secret fantasy< by james sims. the b-side features a funky house swing track never release on vinyl by hot new producer dj mo reese (a former detroit resident who now lives in the us city of cincinnati). also featured on the b-side is another jazz-house fusion track entitled >love 4 sale< by dj leandre of paris, france (the man who brought you soul juice). all 3 of these tracks have been specially re-edited by terrence parker in august of 2011 for this vinyl release. for fans who like tps classic 1990s sound, these tracks are guaranteed to light up the dance floor!

rejected look to round out the summer and call in the autumn with a track that has been igniting floors all season for label chiefs edwin oosterwal and joris voorn. >mike loves the horn< also sees a rejected debut for two artists who individually have rapidly risen to the top of their game.

after a handful of smashing remixes and compilation features on nang records, lusty zanzibar returns to the fold with a cracking solo effort named the >the feeling ep.< title track is a spaced out exercise in immersive square-wave programming, reminiscent of the pre-internet computer gaming age when colours were 8-bit and vivid, and soundtracks were hyper-colour opuses. the complex synth work is underpinned by a driving beat with ethereal vocal wisps and crystalline pads. nice. the first of three remixes for >the feeling< comes from ilya santana, with his >celestial version<, and celestial it is indeed! a picturesque scene is set, the rhythm is wound back and a super laid back vibe allows the vocal line >remember how you are feeling< to sit more purposefully in the mix, alongside the tip-toeing bass line and often euphoric chords. up next comes the max essa dub version, introducing some arp-synth subtleties, replacing the main vocal hook to great effect. to finish we have a mix from fear of theydon who brings a touch of arpeggiated femininity and tasteful woodblock percussion to the table. its a fulfilling yet sultry up-beat journey.

new release by oliver deutschmann, vidab label boss and vinyl did it extended family member who delivers another top notch strong ep for the label that showcases his wide musical range and solid production skills. supported by anthony collins, arnaud le texier, audiofly, big bully, toby dreher, brothers vibe, dirty doering, mr. statik, larsson, alland byallo, beaner, giuseppe cennamo, and more

there are still around, real environmentalists for whom the term preservation means more than just a trend. paul-david rollmann alias even-tuell belongs with his artistic productions (among other things, one of the creators of the enthusiast label workshop) to the class of those who answer the call for effective art, design and indulgence. the maxim is always the free will, emancipated from szperfluous market mechanics and the falsehoods of the zeitgeist. for musik krause, his activity is recorded on 2 releases. a split with metaboman and a formidable remix for ian simmonds adorn the catalog. with his quasi-first complete musik krause ep he shows a raw and coarse club music sound without losing even a breath of the aesthetic and compelled movement. all three pieces sound as if they were crafted from centuries old tools, in the way that his music is filtered through the machines humanizedm discharged in a kind of essential honesty.

in 2010 the la based label halo cyan records re-released vladislav delay s sistol project. for this deluxe 2cd reissue various well known electronic musicians remixed the recordings from 1999. the whole project received enthusiastic reviews in pitchfork, resident advisor, etc. one of the remixers is mike huckaby, who transferred sistols track >keno< into an outstanding dubby detroit-house masterpiece. it was immediately clear that this track had to be released on vinyl. we are delighted to announce the collaboration between halo cyan and slics of life for mike huckabys s y n t h remix of keno. on the b-side, mike huckaby remixed a track originally produced in the same time period: poles >silberfisch< was released in 2000 on the highly acclaimed yellow album >3<, re-released by scape in 2008 as part of the 3-cd pole box. in 2011, mike huckaby keeps the dubby and slightly melancholic crackling atmosphere of the original, but his s y n t h remix is beams >silberfisch< straight onto the dancefloor, where it arrives as a driving deep techno track.

mentalic is back after his successfull -cartoons for cash- ep (ipoly008). this time he shows his outstanding skills in a very special field of music – techabilly. this can be described as -slapstick techno with a rebel attitude. so grab your pocket comb s, get your hair right and start dancing. as guest dancer we can announce mister alec troniq who is cheating mr. lee in a very dark way.
played & supported by anderson noise, broombeck, max cooper, paco osuna and many more.

we are very happy and proud to announce yippiee?s fourth release. your dudes from hannover, filtertypen and benny ferkel just signed five great new tracks for the upcoming indoor season, but for sure they will work also just excellent for the last open air events as well. the yippiee004, as every release by yippiee, again is a hannover based production. yes, even if you didn?t know mario aureo, the only bird that has flown away and now has his nest in berlin is from hannover as well as chris lattner who was born near our wonderful homebase.with the ?all night long ep? mario tried to do a record with different tracks for every part of a long lasting night. the track ?under pressure? is a digital bonus, but the vinyl itself will show you yippiee?s and especially mario?s point of view for the night in a deep and groovy way.
played & supported by dubfire, solomun, butch, martin eyerer, re.you and many more.

following up the scorching debut release another night, deep&disco recordings sidesteps the sophomore slump with elisco, an infectious electro-funk groover that both cements the labels commitment to quality and expands their musical range.
a chunky nu-disco track with hints of metro area and a catchy vocal hook, the seeds of elisco were planted in the early 2000s when label founder jkriv and lou teti were sharing a loft space in williamsburg, brooklyn. after an afternoon of cowbells and synths, the skeleton of the track had its shape, and their other roomates girlfriend was enlisted to sing the hook. she had no singing experience (or rhythmic sense) to speak of, but somehow it all worked and elisco was born! although its always been a personal favorite of the producer duo, the song remained shelved for almost 7 years until they dusted it off in early 2011 and readied it for release on the newly minted deep&disco recordings.
providing remixes for the vinyl release are the legendary leftside wobble, who turns in an extended and bpm-d-up version quite true to the original, taking the machine vibes to the next level with added loops and fx. brightons alphabet city brings the disco-boogie sensibility to the package with a deep mix that features jkriv on live bass, and whiskey disco regular sleazy mcqueen rounds it out with an indie dance stomper.

supported by: ricardo villalobos, reboot, mathias kaden, markus fix, sascha dive, ray okparah …
jax is a collective of like-minded artists, musicians, thinkers movers and booty-shakers, who believe there is more to records than just some grooves engraved into black plastic. their vision is to treat each release as a presentation in itself, complete with original and individual artwork, features and an exhibition. each production will feature artwork shown in a cube of about 8 cubic meters. every record-released will be strictly-limited to 500 copies, which includes a poster referencing the piece made by the artist! daniel roth was born in seeheim near frankfurt. he started to experiment with different styles of electronical music using an akai mpc and a juno 106 in 1997. by this time he wasnt thinking of making music his profession. he then started his studies in skulpturing at the städel in frankfurt. after having finished art school he took up producing music again, influenced by his art and contemporary dance music styles. with his jax release he showcases his ability to combine different elements with his unique touch.

dresdens cult label uncanny valley returns with the charming catalogue number six. following up jacob korns first artist ep for the label its c-beams turn now to continue the series of artist eps. break sls and sandrow ms project can be referred to as a true labels child. musically, both artists got to know each other only when the label was founded. for >strollin< they lend the vocal talents by tina slotta who is associated with uncanny valley as well. the result is an irresistible house-jam. easy vibrant beats are complemented by birds twittering, warm keys and tinas carefree lyrics. jackmates remix toughen things up and transfers the tracks with mighty detroit-chords into a real monster for the dancefloor. the slightly murkier >scrapyard< takes its strength out of the interaction between its vehement beats and the c-beams-typical sound excursions. finally, the instrumental of >strollin< rounds up the ep.