this record, the thinkers ep was heavily inspired by these thoughts and research.

ein aeußerst kraftvolles stück tanzflurglorie tritt hier an den geneigten hoerer heran und bezeugt erfolgreich das feingeschliffene koennen gui borattos mit tracks, die zum besten aus gezaehlt werden koennen, was ihm bis dato aus den potis geflossen ist. ein perfekter grund, um endlich mal wieder die beste tanzmontur aus dem schrank zu holen

dark maneuvres is a track which lives up to its name, the original expressing pumping, dark and crunchy sounds interspersed with string arrangements and overdubs which move the track in various different directions. the 1996 original is a great example of some production techniques of the time and is of interest in identifying the direction of the techno sound in that era, as well as being eminently listenable. slam were very much involved in the progression of techno at the same time as envoy was creating tracks such as dark manoeuvres and as such they have a real handle on how things have evolved, enabling them to bring a classic release such as this bang up to date. the distinctive hook, attention-grabbing melody and strings which are distinctive elements of the original are all incorporated in a full and fresh dynamic which sees some of these elements regrouped in individual sections such as the strings or moulded with deeper, darker resonance into a new expression.

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

the case (nabis) ep is the debut effort from brooklyn-based hound scales, releasing on his own fifth wall imprint, which he runs with fellow brooklynite divvorce. the two originals and two remixes are driving but subtle and textured techno. remixes come courtesey of icee hot co-founder ghosts on tape and swiss producer isolated lines. support from george fitzgerald, locked groove, sei a, goldffinch, tiga, sinden, xhin, troy pierce, moerbeck, totally enormous extinct dinosaurs, breach, randomer, hackman, and more. the title track case (nabis) was featured in george fitzgeralds essential mix for bbc radio 1. coverage by xlr8r, resident advisor, mixmag, earmilk, hyponik, and more.

nice price deal !!! rob amboule is a relatively fresh name on the scene, the young artist stepped onto 2020visions radar following the london based producers self released white-label, kerri01. a record which put amboule on the map and was heavily supported by the likes of paul woolford, who closed the space terrace with one of the cuts last year, and heidi on her radio 1 show. this introductory single has now led to a full ep of original material for 2020 here, joining the likes of ejeca, huxley and maya jane coles on the roster.

for the 13th release from paris ghetto club label, clekclekboom turns to coni, the man who released their sophomore effort in december 2011. the ep also marks the start of a new artwork series featuring futurist portraits of the artists. conis *my secret diving* shows a distinct progression in the young parisians sound since 2011s highly popular *luz in the pool / suma / crush*. whereas the former was aimed at peak-hour clubbing with upbeat house rhythms, 808s and big bass lines, *my secret diving* takes a more relaxed and confident approach.

old future music is an exciting new independent record label based in naples. the label prides itself on understanding and delivering quality deep house & funky music. its founding members are all specialize in various different areas of the business, from promotions to web design, from investments to industry contacts. every possible part of business/industry relation has been covered, enabling this young company to meet the same level of professionalism found in many of the already larger, long established record labels.
but of course, old future music was not set up just with business in mind - far from it - the founding reason for this label is simple ... for the love of house music because the future is in the past! our influences are: all the things makes with heart and love for music.

this release is supported by ricardo villalobos, rhadoo, raresh, martinez, valentino kanzyani, etc... and was plaid all summer in cocoon terrace - amnesia - ibiza

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

nice price deal !!! oh how we love the dancefloor and its magic! every weekend we lose ourselves in endless grooves and jacking beats. we forget about time and space and let the music hypnotize us. we move our bodies. we sweat and feel happy and high. for moments like this snuff trax 009-b with tracks by affie yusuf, john red hawk, ricardo miranda and arttu was made. dedicated to all you dancers out there.

nice price deal !!! the idea for the sundowner sessions came about when mike found an old tascam cassette 4-track recorder at a garage sale in maplewood new jersey a few months ago. he went home and recorded some songs over a few extended sessions in his living room with headphones while his daughter napped upstairs. taking influence from early belgian trance and the diy noise and power electronics records simonetti released on his old label troubleman- the idea was to capture a moment in time and document it, and never revisit it again. projects like this is why new jersey exists as a label.respect to come org, united dairies, steinklang, american tapes, transmat, hospital prod, and tesco.

zurich, switzerland. its ad.lib & silvision again. its not often that a debut release gets as much attention and support as collide did exactly one year ago. it was played by artists like chris liebing, tommy four seven or samuel l. session.

since jasper & maarten played at one of the first ever-concrete partys called twsted ii, they knew this parisian movement was something rare and unique. as an ode they made these tracks keeping in mind these magic early sunday morning hours. the result is two melodic and atmospheric influenced tracks. their brother in crime makam is responsible for the remix. machine soul techno music are the keywords of this paris-amsterdam affair.

the corner was listening to the streets and answered by finally releasing this monster by fred p. splitting particles is a forward thinking futuristic techno stormer with unrelentless tension as we move through textures of techno this ep further moves to the deepest darkest movements in music to inspired improv-jazz keys ... the corner sees this as a very inspiring record and is proud to be releasing it... note must play loud!

a dream team if ever there was one, kid fonque and rising star dj whisky have crafted a seductive, richly-textured composition which songbird zaki ibrahim has taken to sublime heights. be is a afro-tinged, drum-driven deep house number that is guaranteed to inspire some arm-raising, hip swaying dancefloor action. showcasing the enthralling vocals that only she is capable of - zakis intimate conversation draws you into a hypnotic realm of rhythm before expanding into a breathtaking ballad.

i am sure joe goddard needs no introduction, the co-founder of greco-roman and leading member of hot chip + one half of 2 bears releases this stunning 4 track ep. the title taking over is, as joe says: a reference to that moment when the music at a club starts to really hit you, when it forces you to focus on it and the night ahead. featuring collaborations with boris dlugosch and mara carlyle, taking over is an attempt to make synthesizers sound nice. the lead single from the ep is the step together which was premiered on the b traits (in for annie mac) on bbc r1 last friday. since that announcement step together has received more plays across the bbc networks. we have big plans radio wise for this track and we expect to see a lot more plays forthcoming across, bbc r1, 6 music, 1xtra, xfm and kiss fm.

deep shit is brought to you by jack savidge of friendly fires and edwin congreave of foals. deep shit is the newly founded dj collective, promotor and vinyl only record label based in the capital with a celebrity status. the label was founded by indie superstars jack savage of friendly fires and edwin congreave of foals as well as adam parylak. managing to work a glitzy electro pop into their day jobs in the underbelly the trio have a fancy for the deep sounds of future bass music. the debut release from the deep shit label came last year from congreave with the afterhours moody house monster heal, including remix by a1 bassline.

wilde calm records is proud to present some say, a recently discovered song from the archive of arthur russell. the track was produced and mixed by arthur in 1985 for a solo project of steven halls that was originally intended for release on rough trade records. legendary disco producer bob blank recorded and engineered the project at his connecticut-based studio. some say features arthurs classic cello basslines, cracking boom bap drums and stevens floating vocals and synth pads. in true arthur fashion, the song abrubtly stutters, slinks and lurches halfway through for steven to complete his buddhist pop mantra. the b-side features an extended rework of some say by pocketknife using arthurs boss dr. rhythm dr-55 drum machine.

the first taste from joseph capriatis self portrait has landed, as drumcode drop a double shot from technos heir apparent hugely anticipated second album. the tracks fratello and awake, have been highlights of capriatis sets in recent months, punctuating performances at landmark gigs such as his main room closing set at the internationally respected time warp festival in germany and maiden coast-to-coast tour of the us. awake was born out of josephs longstanding love affair with hollands famous awakenings parties and is a homage to the fanatical fans who turn out en masse at each event

2013 sees the release of norwegian disco viking rune linbaeks latest long player, on his drum island label. its his first album since the 2000 release (sondag) on paper recordings repap offshoot. last years single wonder feat kurt maloo on the label was a day one sell out here at all ears and marked a significant maturing of runes trademark sound. the influence of norway on the worlds forward thinking disco scene & beyond is more than evident, with countrymen like todd terje, prins thomas and hans peter lindstrom all leading the charge for years now. the creative cauldron of the infamous club in a public toilet skansen has much to answer for! krasava is a very much vocal led project, with a cast of featured vocalists which includes norwegian popstar anneli drecker alongside recent collaborator Øyvind blikstad. the album is steeped in norwegian folklore, visually and musically and the gentle lilt of the norse/balearic sound, sits comfortably alongside more cosmic flavours, rock and beautifully crafted pop.

discovery recordings is proud to release coule ba by analog players society, a collective melting pot of musicians lead by amon. couleba draws from west african influences and features the incredible missia saran diabate of guinea on lead vocals. we came across couleba while finishing the catalano ep at the hook studio last summer. amon was doing his final mix-down of the track and we fell in love with the song immediately. shortly after we lined up the release, the studio and surrounding areas endured hurricane sandy. with the red hook initiative, amon and his family began helping out wherever they could. when power finally returned and the debris was cleared, it seemed only appropriate that the record should benefit the organization that did so much for red hook during that time.

for our 9th release, we give you the opportunity to grab 4 fantastic trax done by one of the best deep house producers in france right now: concept e25. they are a french producers duo (frederic boeuf & lionel cadix). their passion for electronic music was ignited in the early 90s when they discovered labels such as f communications and fnac. the pair both had strong musical backgrounds but only joined forces in 2009. since then they have continually been developing their sound and exploring new and diverse ways of making music together - with a burning proclivity for making good ol fashioned grooves - but not without a chic, modern twist - as noticed by pulse radio.net. coming after back to the source ep on seven music, garage sessions l is their 7th ep and is released by wax classics - a sub-label of the famous skylax records. garage sessions i continues their journey into the 90s underground house world, with 4 tracks featuring funky basslines, classic.

located in eindhoven, the netherlands, ivo hartman has been producing and playing gigs using a variety of pseudonyms. presently, he is focusing on his own imprint ‘ivo hartman music’. this label will present his vision on todays (dub-) techno and acid. expect deep, obscure soundscapes and techno rhythms that seem endless. his first release “ih001&#8243,,,, was well received by both acid freaks and techno heads from all over europe and beyond. so now it’s time for “ih002&#8243,,,,, two brand new dark acid tracks on clear marbled vinyl

all 10 releases + brand new dpk11!! dapayk solo is a studio workaholic and he strikes a blow for vinyl. in 2009 he started his very own vinyl only series called dpk, next to his well established labels mo s ferry, fenou and rrygular. the idea was to present vinyl in striking colours as a special format for his liveset tracks and beloved edits by artists such as format:b, super flu, sascha braemer and jon hester. it s a feast for the eyes and the ears all in one. now, four years later and after reaching #10 of the series, dapayk decided to compile all tracks in a collectors box. in addition to the previously released records he also included the brand new dpk #11 with a remix by aka aka. this big bundle contains 23 tracks and ranges from minimalistic to funfair tunes and also some edgy b-sides.

sneakers first solo ep for uncanny valley is a record of high humidity. the java / sumatra ep evolved in large parts in indonesia when sneaker lived there for almost a year and it literally conveys the indonesian heat to dance floors in the rest of the world. compared to his acid house-inspired you think you think which was featured on the uncanny valley 004 compilation, this four new tracks show another, rather ark, pop and new wave side of sneaker

migs most recent artist album outside the skyline was released in 2011 on om records and saw ample amounts of love and support from a wide range of industry and music fans alike. the album showcases a diverse range of musical styles and quality song craftsmanship featuring an impressive array of top notch special guest vocal talent.
the skyline vault remixes aims to finally release some previously unreleased remixes crafted by some talented producers sharing their reinterpretations of various songs taken from the album.

gravetemple was formed in 2006 as a side-project of the band sunn o))) by oren ambarchi, stephen o malley and attila csihar. the group formed initially to tour in israel summer 06, creating several recordings which eventually became the holy down album, which was released on southern lord recordings in 2007. at the time of the israel tour, the lebanon war started and was in action. in summer 08 the trio reformed together with the addition of australian drummer matt skitz sanders for a short european tour culminating at a headlining performance at supersonic festival in birmingham. in late 2009 the original trio reconvened for a special one-off concert at londons institute of contemporary arts. april 2013 marks the first set of live action since that period, and a new chapter in the ongoing system of the related network.
ambient/ruin was created with the 2008 quartet, elements of tape collage, concrete, field recordings blend within a strong geographically diverse (parts were recorded in japan, australia, paris and israel) suite of heavy minimalist/maximalist music, black/death metal and drone. the culmination of these efforts become the music, literally, of sadistik exekution meeting phill niblock.

george k, dj and producer, born in 1981, based in milan. his first steps in music date back a long time, when he began taking an interest in mixing and scratching techniques. his roots are hip hop and reggae, but in a short time thanks to breakbeat (rockit - herbie hancock) he abandoned that sound for experimentations in electronic music: techno was love at first listen, detroit and acid above all. with the passing of time he has begun to dedicate himself as much as possible to productions using synth and drum machine. now he has begun his new venture as owner/manager of his label fu.me where he will focus his work on promoting new and old sounds - without forgetting his roots - offering bad and dirty sounds .

since the release of his impressive debut album, rush of the moment, on our x-series, agazzi continues to deliver innovative music and to develop his sound in new directions. the album received a warm reception from the music scene and confirmed aggazi as an artist who always pushes his concept and vision to the next level. in accordance, agazzi is now experimenting with several exciting and fresh collaborations. it was from one of these collaborations that ex terrestre was born, a project that brings us 2 expansive mixes with daniele papini that re-interpret modern techno-swing. to give the boost to this ep we asked to our extremely talented sonja moonear to rework a still unreleased agazzi tracks.

it is no secret that ben watt has chosen to close his acclaimed label buzzin fly to new music after ten great years as one of the uks leading dance independents. but the label has chosen to go out with a bang with one final single. unearthed from the vaults are two dazzling tracks from cornerstone artists, rodamaal, and manoo and francios a. rodamaals fortune was originally completed back in 2007 but scheduling problems prevented it from being released at the time. produced by the franco-portuguese trio (rocco, darkmountaingroups alex santos and manoo) it is a stark but emotionally-charged deep-techno masterpiece, that deserves its place alongside their other classics for the label, musica feliz and insomnia. on the flip, and originally produced in 2005, is other places a long-lost track by manoo and francois a. full of summer shimmer and heavy bass tones, it was produced by the duo during their heyday at the label, and was a secret favourite of label boss, ben watt. two perfect swansongs. buzz buzz.

early support from surgeon, shifted, perc, steve rachmad & many more. alpha code is the project of a milanese producer who was inspired by the emerging techno scene in italy during the early 90s.

ltd 2013 repress
prime numbers return with m7. the first side is taken by a remix of wireman’s >armour<, the original of which was included on pn04 released at the end of last year. the remix is from move d (deep space network, source records), he ups the tempo and in trademark fashion softens the surfaces of the original, warming the core of the track whilst creating a bass heavy groove with twisting beats, synths and a husky hypnotic vocal sample. the flip includes two tracks. to start we have >crushed< by actress. darren j. cunningham aka actress runs the much lauded werk records and this track is taken from his limited cd only album >hazyville< (released on werk in the autumn of last year ) >crushed< is slo-mo, extra bass heavy, low slung house with an addictive lofi synth riff and submerged strings. the track bumps along with hiss and crackle to good affect before turning into a badalamenti-esque loop to finish. to round things off be, the up & coming manchester based producer provides >when you left<. be cut his teeth with the chicago based still music and a great al hudson reedit which found extensive dj support on its release. >when you left< is a shuffling downbeat house groove with a jazz sentiment featuring deep rhodes keys and clipped drums, the track breaks up into a bluesy accapella section then builds up to a more direct 4/4 groove to the end

some 100 years ago, sweden was a miserable dark and damp habitat. august strindberg captured the soul of the country, ingmar bergman psyched it, and lena nyman sexed it up. nowadays, we add nostalgia about the swedish model to that mix. this record is a story about the sweden you might not know, in which you need a special permit….to dance

monocraft was born in debrecen, hungary. he came from the underground techno scene and started djing and buying vinyls in 1999. he received lots of inspirations and energy from artists like: the advent, steve stoll, plastikman, la monde, oliver ho, jeff mills, surgeon, james ruskin, adam beyer

big luck for rainer weichhold to discover such an amazing new talent from triest in italy. matt keyl convinced quickly with his sophisticated beat constructions and driving grooves full of wicked little details. monaberrys breakthrough artist scheibe was responsible for this great remix

.und am ende ist es doch musik! was armando quattrone und ben freyer (big white dog lost) sich dabei dachten, als sie diesen vocal auf band brachten, ueberlassen wir mal der interpretationsfreiheit derer, die bedarf und zeit haben ihren gedanken freien lauf zu lassen.

what do you do when a live project exceeds its own ambitions? just keep doing the wonderful concerts and eventually head to the studio. sounds simple and conclusive. in the case of karocel, that was exactly how they went about it and surprisingly, all six band members made it happen. though the four marbert rocels, mathias kaden and michael-mitchi-nagler have known each other from their hometown along the gera-jena-erfurt corridor, and the karocel live shows have been well received: an album is an entirely different beast.

this is the third and last release of >unknown possibilities 3< trilogy. >unknown possibilities 3-1<, the first title of the series, was released in 2005, and the second one, >unknown possibilities 3-2<, followed in 2006. both of them were released only on vinyl from torema records. all tracks on this double pack were remastered by rashad of dubplates & matering to offer even more beat-oriented sound

2 years ago this producer was approached by miss kittin to remix a track of his choice, from her recently completed solo album. for various reasons, these mixes have never seen the light of day, apart from sporadic airings in said producers dj sets. now, finally, these unofficial remixes are released lovingly, on vinyl only, in a finite number, with the permission of the kittin herself... btw, already played by dxon

golden age thinking was previously a three part, split lp but the three tracks featured on golden age thinking were to be an additional footnote to the project before the complete lp was released as a whole package digitally in june this year. written just before martin passed away in late-2012 the tracks featured on this, the 12 release, are the sort of timeless house music the duo shared a deep love of and the decision to release them was taken by giles and martins father.

nice price deal !!! auf dem snow ghosts debütalbum auf dem fabric-sublabel houndstooth vereinen sich die düsteren electro-sounds von throwing snow (aka ross tones) und der erhabene folk-gesang von augustus ghost (aka hannah cartwright) zu einem gothic-dream-pop, der wie eine fusion aus massive attack, björk und zola jesus klingt. die beiden einzelkünstler supporten dieses jahr atoms for peace und bonobo. auf ihrem gemeinsamen album wirkte auch der angesagte londoner dubstep-künstler blue daisy mit.

tom tragos new 12inch, the album sampler to the upcoming album the light fantastic. featuring the dancefloor stomper two together which was co-produced by steffi, true friends featuring breach on the vocals and the non album track avenido. big tip! tom trago is back, giddily dancing out of the studio into the dizzying light of a european summer. tucked under his arm are the masters for his third album, the light fantastic

nick lapiens debut release as metropolis garnered little attention when it materialized last year. a skeptical yet dedicated network of underground heads built up a subterranean buzz that has yet to spread into the daylight. that initial transmission was thick with the raw analogue flavors that have become ever-present in dance floor fare recently—but his is a sound that is dedicated to the emotive, narrative aspects of electronic music rather than simple fetishization or passing curiosity in the days of yore. this, his second release as metropolis, shows a more focused and patient hand at work. the titular track on the a side is a deep, psychedelic groover. melodies, textures and sequences undulate and intertwine within a lightless atmosphere guided by lapien with optimum restraint. equally pensive and gorgeous, the flood serves as a machine’s beat-less foil on the reverse. made up of little more than feedback and two slow, echo laden arpeggiated sequences, this is reminiscent of jean michel jarre’s more sinister moments: a brilliant paradox of economy and indulgence. expect to hear more from lapien here at sequencias. he has many more dark corners left unexplored.

the curatorial direction appleblim has always chosen to take with apple pips is rooted in his dj sets, testing tracks to the nth degree and searching for those cuts which engender the desired emotional response in the club. arkists 2011 banger rendezvous held plenty of that weight in its original form, and it wasnt long before scuba wanted to get his hands on the parts for a more houseminded revision in line with his scb output. kept as a secret weapon of blims ever since it was first crafted, scubas dj kicks mix in 2012 finally brought about a public airing of his own edit. with the dust settled on that particular chapter, it is only fitting that this rock solid interpretation receives a full vinyl release over which the eight minutes of poised keys, unflinching bass and swelling atmospherics can prowl undisturbed.

eklo 021 was the first 2x12 released on eklo by le loup. here are the remixes of 3 cuts out of it. brotherland, reverie feat. seuil and ghettos of the mind, respectively reworked by daze maxim, g. marcell and vadim svoboda, the latest addition to the eklo team. essential 12 inch.

we are excited to present the remixes of the amazing album behaving like a widower by producer holger zilske and swedish singer-songwriter august landelius. the album was released on our label in 2011 and was nominated for the award deutscher radiopreis in the same year. behaving like a widower is so good, it actually wouldnt require any remixes. nonetheless, our friends went down to work with great care and passion for detail. monokle, nocow, almunia, kim brown, stimming, dave dk, irrelevant and lake people have contributed to this double vinyl. its up to you to choose whom you prefer! vinyl tastes better

chasing kurt, das sind pascal blanché, wojtek kutschke und lukas poloczek: zwei langjährige deep-house-fans und ein einzelgängerischer funk n soul-typ, den sie unterwegs aufgabelten. alles begann in einer schicksalhaften nacht in gießen, wo die jungs zu hause sind. wie die meisten zufälligen rendezvous unserer zeit geschah es in einer bar: dj legt bis tief in die nacht auf und barkeeper mixt, was das zeug hält. als für beide das ende ihrer schicht naht, wagt barkeeper ein paar gesangseinlagen. das fällt dj auf. er lädt barkeeper zu einer jam-session ein, im bescheidenen studio eines dritten. barkeeper ist hocherfreut. house ist eigentlich nicht so sein ding, aber er tritt seit jahren auf und jammt, und so sagt er sofort zu. das ergebnis ist daydream , eine sanfte und doch satte, glutvolle kleine ballade – die dabei so gut ist, dass für ihre veröffentlichung ein brandneues label gegründet wird. es folgten verschiedene weitere releases, die den fokus auf chasing kurt lenkten. so ist der track money von maya jane coles für ihre dj-kicks-mix-compilation ausgewählt worden. innerhalb kürzester zeit hat das trio mit riesenschritten sein ganz eigenes dance-podest erklommen. from the inside , das debütalbum von chasing kurt, begeistert mit schleppenden beats und verschleierten dancefloor-rhythmen, wunderbar gepaart mit verführerischen legenden von verlorenen lieben und gewonnenen schlachten. eine runde, sorglos dance-platte und ein alles umhüllendes hörerlebnis.