doubtingthomas has recently got a lot of love, and his new two-tracker on mayak shows why. * telegraph* delivers dance rhythms with the speed of light. on the other side - hypnotic groove of * taking control* comes through the bones and makes your skin go goosebump.

the riveting new full-length from terranova, featuring a smooth blend of instrumental and vocal house. der mitreißende neue langspieler von terranova, mit einer lässigen mische von instrumental- und vocal- housetracks für tanzflure, wohnzimmer und weltraumkapseln • mit gastauftritten von stereo mcs, mandel turner, cath coffey, bon homme & lydmoor • 2xlp+cd edition auf 180gr vinyl

the tracks here are in the brutalist machine house vein and the source material for * we come together* (by mazi as asp and john griffin as awoke) will be familiar to devotees of roots chicago house. the brodanse brothers * sleep won t come* is remixed by audio soul project and awoke. chicago based multi-instrumentalist jonn wallen contributes the dense * aesthete* under pseudonym *by gordon gartrelle*. * we get together* is a tribute to the 90s house that inspired us to start making music years ago. people reminisce about how things used to be better, but you must breath in the present. we keep with us those hallowed bones but let pain and suffering fade into the mist. we let memories fade in the depths of our neural web so as not to be paralyzed by the burden of sentiment. we forget to stay sane.

len faki initiates a new series on figure. a hybrid of picture disc and classic vinyl, 65.5 looks to the future of the label in a bold statement both musically and aesthetically. already well known for his precise works, and with a wealth of remix credits under his name, djs have come to know exactly what they can expect from a len faki production - pure quality and dedication to his art! with other key figure artists expected to contribute to the concept too, we re excited to offer up this beautifully crafted series of collectors items. the classic rattling techno stabs of basic pain procedure are reworked into a storming deep quest for the floor - one for the heads, the original was produced by a certain and much heralded uk duo in their early years of operations… len faki takes the haunting, bare bones of the original and modifies it gracefully, resulting in this high-end reprise. emerging from the hazy echoes of a late 90s rave in the uk, by way of chicago, the classic synth line could be the epitome of a genre that seems to live on timelessly without borders or the need for hype: dub techno spirit 2015!

second vinyl release of the va10y mini-series with 3 new and previously unreleased tracks from 3 different artists.

ausgabe #9 der * about berlin* reihe mit 31 tracks auf 4x12 inch vinyl. limitiert auf 1000 stück, inklusive downloadcode.

former padded cell and bronx dogs man richard sen has made some great records in his time, and songs of pressure is up there with the best of them. joining the dots between murky dub disco, horror soundtracks and ebm, it layers spooky, delay-laden synthesizer motifs and wonky vocal samples atop a heavy dub rhythm and punchy machine drums. pals andrew weatherall and timothy j fairplay deliver a bongo-laden, dubbed-out revision (part wayward exotica, part humid balearic dub), while acca strips the track down to its nare bones for a ket-addled dub. its a fantastic 12inch, and limited to just 99 copies. you snooze, you lose.

180gr. kent strips the original disco masterpieces down to their bare bones, letting the splendour of betrami and verocais arrangements really shine through. triumphant disco in the style of tom moulton and walter gibbons.

range between technouse and deephouse

the disco hooligans ! vol 1!hot of the heels of our last release ,we bring you a lovely four track ep from the disco hooligans a new outfit to bulletproofsonics that specialize in upfront disco re edits and reworks. this ep features re edits of classic disco gems such as billy pauls bring the family back, tony rallos holdin on fonzi thornton, someday and lalo schifren ,theme from jaws, which is quite ironic as theres plenty of meat on the bones to get your teeth into with this lot. i think we re going need a bigger disco

ltd. 12inch private pressing of 251 pieces includes hand-stamped and indiv. numbered golden inlay in a heavyweight black cardboard sleeve.

second time out on the label - this time as the cyclist - the derry producer who also records as buz ludzha returns with a 7 track lp of pure pedal power, building on 2013s bones in motion foundations. the vinyl lp comes with download code included.

the first release on freerotation brings together 4 core residents, juju, jordash, move d and soulphiction with the organizer of the festival steevio in a joint project of live hardware jam sessions. the high on wye quintet: 5 men, a modular synthesizer and a mountain of hardware, crammed into steevios bijou studio in the welsh hills for 2 days after freerotation 2012. they had one ambition, to somehow transmute the energy from a weekend of heavy partying and performing, into a live improvised album of tripped out, ambient and deep techno. the result: the hafod jams (in several parts).

esteemed conductor of the black science orchestra, dj supreme, top selector and all round legend ashley beedle delivers the third release on his warmly received and fast rising new house imprint back to the world teaming up with electronica artist earl zinger. earl zinger for those with a longer memory may better know him from his days fronting galliano, or his spoken word epic *escape from ibiza*.

plant43 is releasing his next album, scars of intransigence, on shipwrec in autumn 2014.

it is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of santería and vaudou mix with raw electricity into burning diabolical polyrhythms. we here present cut hands and festival of the dead.
the double vinyl lp comes in gatefold sleeve and includes mp3/flac download code.

special anniversary edition of the former last poets cult album from 1973 on 180 gram vinyl in gatefold sleeve. includes limited edition dollar bill print.

der titel *shelter* beschreibt die wahrnehmung und anschließende emotionale resonanz auf eine sammlung von klängen und motiven. lieferten moirés bisherige veröffentlichungen bereits fragmente dieses gesamtkonzepts, stellt *shelter* diese vision in gänze vor. die verschmelzung von motiven früherer arbeiten und neuer produktionen komplettiert die idee und zeigt moiré außerhalb gewöhnlicher muster experimentierend. das ergebnis ist unerwartet, roh und dynamisch und spornt dazu an, sich musikalisch und physisch auf die erfahrung einzulassen. *shelter* schafft eine parallele situation zwischen dem künstler, der die grenzen seines mediums erkundet, und dem zuhörer, der das gehörte individuell interpretiert. man folgt der einladung gerne, sich in den persönlichen und ehrlichen klangmustern von moiré fallen zu lassen.
die doppel-vinyl lp erscheint inklusive download-code.

for a brief moment hermans are cut free from their shackles and venture out from the black dungeon, dragging xylophones made from kraken bones and drums fashioned out of reptile skins the duo summon a battle chant from deep within. scores of allies join, endlessly banging the same rhythm relentlessly until the clouds draw and the red sun is no longer visible. a basic soul unit appears from the murkiness and descends upon the racket, bringing with him booming thunder and electric lightning, a dark army marching alongside him. the massive beat continues for days, shaking all those that hear it. slowy and steadily, the din subsides, the clouds part and the sun returns as hermans retreat back to the darkness to wait patiently until they are called upon again. zaires is the third of 12 releases from z o d i a c 4 4. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever

4 remixes by maurice fulton from brandi ifgray’s stargazer album.

before the full installment of jaws collaborative project for circus company midtown, let us whet your appetites with the midtown ep featuring a kaleidoscopic handful of teasers. contributing artists such as canadian renegades art department, berlin dj/producer and bar25 alumni britta arnold, dirtybird kingpin claude vonstroke, hamburg scene staples philip wolgast & benito winberg and berlin based duo the/das, all lend their unique electronic footprints to the already unique and instantly recognisable voice and charisma of jaw.

>i am ok<, reads the title of the new album by the berlin-based producer, dj and label-owner oliver koletzki. the heading0s ambiguity is, of course, deliberate: theres a deeper meaning hidden behind the humorous facade that is chrisse kunsts hand-drawn cover, which depicts an unadorned thirteen-year-old oliver sporting nerd glasses and a striped jumper: i am oliver koletzki, raw and authentic. because musically, on his fifth studio album, oliver koletzki looks towards the unaffected freshness of back in the day, and thus, consciously returns to his roots.

ltd to 180 copies - max 1 copy per customer / max 1 platte pro kunde.theres something thrilling about the ludicrously limited nature of this debut album from sometime mathematics, live at robert johnson and lets play house producer san laurentino

morphine continue to expose more destructive electronics from the u.s. underground... 4 bare bones tracks that owe as much to grimy techno as they do to the late 80s industrial pioneers ... right on point... tip!

weve always thought catz n dogz are well mannered gentlemen. here they prove it with their ghetto-minded twist on the most important gesture a man can make ladies first

stargazer is brandi ifgrays second solo album. it was recorded in nyc summer 1998 and was produced by jimi tenor. maurice fulton was playing on several songs. prior to the album release he remixed 3 of the album songs on puu-14.

the central executives what can we say ? not much as it turns out - the generally very forthcoming golf channel crew are remaining tight-lipped about the architects of this, frankly mind-blowing debut long-player from this new nyc collective. a walk in the dark is exactly that, a situationist song-sheet & sonic chaperone to guide us through the back street escapism these troubled times demand. from gently over-driven punk funkin mascara stained hymns, to house that has been thoroughly smudged to the edges of its live music incorporating limits. sitting very comfortably, in a moment of stewed elevation alongside sound signature style machine jams, bare bones vocal led improvisations, discordant arthur russell moments & the distorted reflections of roots house that run to the very core of the big apple. a drop-jaw debut then, that wears its influences proudly, but takes them somewhere entirely new.

for its first release of 2014, sammy dees ultrastretch label has called upon monsieur georget. youre forgiven if the name is unfamiliar. his bio offers few clues—he likes his bicycle, vin rouge and analog hardware, the latter of which was apparent on his recent debut for le loup and seuils hold youth label. bold and auspicious, the ep may have left you wondering if it was something more than a first record. and as it turns out, monsieur georget is none other than chris carrier, the long-active french purveyor of hypnotically minimal house.luckily we werent left waiting for very long for more material from carriers new alias. his second release, le vicieu / colle de la bonette, shows that monsieur georget and monsieur dee share an affinity for pared down, wonderfully elastic club tracks. like carriers best work, the compositions themselves are minimalist, but their hardware-based sound pallet ensures theres plenty of meat on the bones. a-side le vicieu is a subtly melodic shuffler, where deep bass growls at the core of an expansive drum set and whispers suffuse the negative space with mystery. on the flipside, colle de la bonette takes the sound someplace stranger and more psychedelic. whatever weird place were whisked off to, though, its every bit as funky, with brittle drums undulating to the kicks deliciously irregular throb. >monsieur georget< might be a brand-new name, but we’re willing to wager you ll quickly get to know these rollers well.

apartment kickstarts 2014 with a various artists compilation focusing on irish talent from all across the isle. following on from their collaboration as bande apartment in 2013, tr one and new jackson once again appear together on apartment. this time around new jackson remixes tr ones bruising techno beast >viceroy-9c< (the original of which appeared on the last apartment release, a split 12 with phantom planet outlaws), turning it into an emotive, acid-laced breakbeat gem. house duo slowburn, coming off a year that included appearances on lunar disko, appian sounds and grounded in humanity deliver the off-kilter and immersive >riders of the sea<. hints of the work of artists such as drexciya and kassem mosse are combined with their own unique stylings to create an intoxicating, tripped out journey to the deepest recesses of the dancefloor.the cyclist garnered huge praise last year with his >bones in motion< lp on leaving records/stones throw and apartment is excited to deliver his first original material since then. his individual brand of over-driven electronics – >tape throb< – combines distortion with the most delicate of inflections and >crax< surmises this approach perfectly, an uncommonly euphoric slice of wounded electronica. last but by no means least is the superior inferior. after his debut release on belfast’s one electronica label went so far as to be licensed by sven vath to his sound of the 14th season compilation, he returns with the throbbing, rapturous >a bit much confusion<. wave and electro influences carry this bass heavy number towards it’s crescendo of skyscraping synths and skewered monopoly madness.

compilation of early blue beat tracks featuring laurel aitken in various guises. 16 track 180 gram vinyl album of early laurel aitken related blue beat releases. featuring the blues beats, the caribs, the boogie cats, ken richards, ruddy & sketto, juke reid.

label boss dj bone mans the controls for the 38th release on subject detroit, laying down a typically fierce, three pronged auditory attack. *what he said* tactfully yet forcefully treads the line between house and techno, cherry picking physiognomies from each side of that ever-blurring line and constructing something fresh but bristling with familiar subject detroit elegances. a favourite fixture from bones more recent dj sets, *i do* sees bubbling, arpeggiated chords simmer and swoop from foreground to background loosely as one solitary, remanipulated ticking hat keeps things in formation. watch out for the thunderous, doubled-up drum arrangement that crashes in to the picture out of nowhere! b side track *rhythm soul funk* is a genuine hard hitter and another that tiptoes between the old school and the nouveau.

fabrice lig on dj bones subject detroit label backed with killer remixes from aaron carl and dj bone! allegedly stored in the subject archives for some time, *hmong dignity* is finally unleashed and the original will be familiar to anyone that has witnessed a dj bone set in recent years.

german techhouse producer marco riemann is back on imola-music with*klangzeit*, cooperation with internationally known producer someone else! after two releases on steve bugs pokerflat, *klangzeit* is now marcos latest releases on his own label imola-music which he manages together with the cologne producer jens zimmermann. all tracks on *klangzeit* are straight forward minimal-/techhouse stuff which are clearly oriented to clubs peaktime. the beats and hooklines are stripped down to the minimal bones which sucks you into its groove from the first kick drum beat.

bedroom community releases daniel bjarnasons over light earth on september 30th 2013. this is the icelandic award-winning composers second solo-album and third release on bedroom community, hot on the heels of his solaris collaboration with labelmate ben frost. bjarnasons critically acclaimed debut album processions was hailed by time out ny as coming eerily close to defining classical musics undefinable brave new world.on over light earth the intensity of bjarnason s orchestral voice is captured through meticulous close-micing and multitracking, a recording process that sets this recording radically apart from that of conventional orchestral recordings.

double lp + colour insert collectors edition of 500 copies only. features 32 of the most sought after tracks from the 2cd, 50-track set highlighting jamaican r&b and the birth of ska, one of fantastic voyages most anticipated releases of the year. compiled by genre authority mike atherton, youths boogie features 32 examples of prime early ska by artists including owen gray, hortense ellis, laurel aitken, wilfred jackie edwards, derrick morgan, and keith & enid. disc one is devoted to major players on the jamaican production scene, duke reid and chris blackwell, while disc two investigates the work of other producers vying to make their name.

12inch with printed inner cover sleeve! the stl project continues on another dope something vinyl pressing that will take care for shaking bodies and overt minds in order to feed you with stellar emotions and the need for moving your bodily parts. this cosmic transmission comes in a typical stl manner with dirty raw cruising beats and infectious scoring synth activities, ranging from freaky danceabilities to more relaxed and groovy house coolness in all maniac beauty. something for your heart and bones.

ridley road market, dalston, london. august 2013 before the outbreak, the market was full of exotic food, clothes and spices. now all thats left is a sea of mindless undead beings roaming the streets, a non stop 808 low­end rumble and the stench of chicken bones. all this because of a record. it looked different. it sounded different and the results of playing it were catastrophic. as soon as dawn day nights 2012 debut ep was played, a ritual began . . . unbeknown to music lovers all over the world, they had given dawn day night the power to walk the earth once again. that power now grows stronger and he is almost ready to re­animate 4 undead booty shakers: the re­animations ep. with his undead army growing and a diary full of festival shows this summer, ask yourself, are you prepared for survival

heavyweight soul providers fat freddys drop are about to take flight once again with the worldwide release of new album blackbird.

continuing his extraordinarily productive 2013, the industrious daniel steinberg returns once again, still riding high off of the success of his critically acclaimed sophomore album treptow which was released mere months ago. despite being profiled on pete tongs show as one to watch in early may, hes certainly not been resting on his laurels

transparent red vinyl 2x12 lp in gatefold sleeve with artwork by paul laffoley, cd copy of the album included.<br >the annoucement of the cave rave comes with the unveiling of the introductory track from the album, separator - a perfect example of crystal fighters expanding their sound palette further than the manic, multi-genre rush of star of love.

few people stand for a real underground approach to techno like adam x does. for over 20 years he has been right in the center of the scene. before moving to berlin he ran the sonic groove record shop in nyc for 15 years. the sonic groove label also owned by adam is still a dominating force in the scene and has released music of legends like abe duque, blake baxter, frankie bones, kevin saunderson and many more. with djing, producing music adam in recent years has received a lot of support from people like chris liebing and many others for his productions as adam x as well as for his aliases traversable wormhole, admx-71.adam’s sound is dark and heavily influenced by his passion for industrial and old school ebm music. with coercive persuasion on the a-side he combines these influences with a functionality that can only derive from his extensive touring as a dj and live act. it is a dark anthem that will destroy all real techno floors. no doubt. the b-side deprogramming sequence comes along with driving bells that give the stomping beat of the track a little uplift and therewith balances out the heavy dark side of the ep.

300 x limited vinyl only release, hand stamped and numbered “it’s quite overpowering… no point in standing round” the first release from a new producer rarely sounds like this. swaggering through your speakers with a distinct lack of concern for weak hearts or brittle bones, the first record from blured is a focused combination of dirty funk and malignant, pig-iron bass.

bernard badie who is the creator the undisputed chicago house classic time reveals to many also know as i can feel it (original released 1994 on night club records and re-released as mojuba 010) returns to mojuba after his most recent cooperation with the incomparable dajae on bones!

2nd album , from the editors

crosstown release the triple vinyl sampler to the acclaimed get lost v album compiled and mixed by acid pauli. the album features loads of exclusives, some of which have been featured on this vinyl version of the album.

the first new album by soundgarden in over 15 years! double 180 gram vinyl lp in gatefold sleeve, includes code for free mp3 download of the full album.

here we go with the next release on frank mullers mad musician from the techno headquarter berlin. some might know this track from franks live performance as beroshima. ken ishii heard this track in japan and offered to do a remix. we dont have to explain ken ishii and his nice releases. he has been on the scene for almost two decades and has influenced the japanese techno scene like no other. two other mixes are done by frank muller himself. his alter ego beroshima mix is is pure techno spirit and simply rocks the shit out of your lazy bones. brand new and good for you!

black vinyl pressing, including a2-sized poster.

>we came to< is the 4th single by the crystal ark, the developing collaboration between gavin russom & viva ruiz. the song is a dance music rally cry, profound in its bare bones and raw production, and equally for the spanish/english lyrics, which praise ancestors and call out for liberation. the house and dub versions featured on the single were mixed alongside the album version, which will be released later this year as part of the self titled debut lp by the crystal ark on dfa records.