stockholm-based mikael jonasson is a long serving dj and producer who continues to push the boundaries of modern club music with his amazingly crafted, rather rare techno productions. with recent releases on labels like drumcode, figure and exile, mikael has earned the support and attention from the key players all around the globe. with a busy schedule of gigs all around the world, including several stops at legendary berghain in berlin to the world s biggest club priviliege in ibiza, mikael have had the pleasure of sharing the stage with talented colleagues such as adam beyer, len faki and sam paganini. right now mikael release his first ep on wall music. he is build his own intricate sound, characterised by an unique sound design and his attention to details. heavy supported by fans, radio-stations and djs around the globe. have fune while listening.mastered by alhek mastering. cover made by radu tanasa.

some records are timeless and never age - -happiness is just around the bend- by the main ingredient is one of those records. originally released in 1974, -happiness- was a record before it s time - had it been released a year later it would undoubtedly have been one of the first 12- discs - so as a result, most discerning djs at the time chose to play the album cut. the song is actually a cover of uk prog-jazz band brian auger s oblivion express s version from the year before but main ingredient took the song to a whole new level and, 44 years later, it has become one of the most revered dance tunes of all-time. main ingredient were unlucky with 12- releases, which is why we re delighted to give -evening of love- it s first-ever 12- release! once again this was a 1981 album track which years later it would become a modern soul anthem and rightfully be regarded as one of their best records. fully remastered on limited edition 180 gram heavyweight vinyl.

fur coat s new label oddity aim to showcase a darker, more tripped out techno sound. their second release is by hugo ibarra and antü coimbra aka natural flow. founded in mexico city, this innovative duo of producers and djs, known as natural flow, is formed by hugo ibarra (mex) and antü coimbra (arg), each with more than a decade of musical background. natural flow amazes long-time fans and new listeners alike, with their sets in the most important clubs of mexico. each performance delivers a fresh and stunning experience. lined up for remix duties they have dubspeeka & roman poncet

following a run of local transmissions from a sagittariun, crump, rob smith and atki2, idle hands turns its attention to berlin and the straight-up, no-nonsense techno thrust of johanna knutsson and hans berg. both respected artists and djs in their own right, the pair have been turning out 12inches together for the free spirit society, klasse and crime city disco over the past few years, but most importantly they ve been steering the excellent ufo station recordings as a vessel for their punchy, primal techno tracks. the sound on this ep taps into the pure form of stern, dark dancefloor tackle favoured at idle hands – no extraneous filler, plenty of space in the mix, but equally built with warmth and personality rather than monochrome functionality. if you need further proof, just look to the fact the ep is named after a swedish soap opera from the 90s. the bleeps and bass tones that pulse through -taggen- are so finely crafted they need not skip and dance around the arrangement. the melodic interplay on -klimax- is subtle but ultimately uplifting and optimistic where so much techno concerns itself with oppressive gloom. -bimbo- finds the pair embracing a more psychedelic approach, but even here the modulating effects processes are kept within certain boundaries so as to not dilute the impact on the floor. after all, this is music to dance to, to be felt over a large system (where possible). moving from leftfield bass excursions to minimalist 2-step, uk techno and now onto this much more continental sound, themälarviken ep continues to widen the range of idle hands musical tastes without losing sight of the complete picture.

after putting out kito jempere s stunning sea monster album earlier in the year, hell yeah now serve up a bunch of remixes from it that have been secret weapons for the last few months. behind them are black spuma, lipelis and bell towers and they all serve up real heaters. first up with possibly their best ever remix are black spuma—a collaboration between phillip lauer (tuff city kids, arto mwambe) and fabrizio mammarella (telespazio)—who flip ampa into a bootylicious house cut with fat bass stabs and sci-fi synths. it s retro in flavour and riddled with melodies that are brightly coloured and emotive, and when the vocal is layered in it helps carry you away on a wave of bliss. for djs who prefer to keep things raw, a dub version without the vocals is also included and bangs that bit harder.

as björk continues to make waves in the electronic scene, we are now presented with exclusive remixes by boundary-pushing artists and djs selected by the icelandic artist. the vulnicura remix project will be released in very limited quantities for collectors only, as a series of single-sided etched translucent 12” records including download code, each with their own unique etching & die-­cut vulnicura wound sleeves, designed by m/m (paris).

special deal! eduardo de la calle presents his new brand, the monogram systems. the new and fresh 12inch will be the first reference catalog number on the monogram series. four new solid techno scifi tools especially made for vinyl dj lovers and dancefloor killers. this time eduardo has left his imagination, leaving stereotypes and minimalist alucinations to focus on a more technical mode and puristic style in terms of music production. the whole ep is a musical journey based on a concept >modern tools for the current time we are living< and its defining itself. with a science fiction touch that remembers the earlie work of luke slater, these 4 songs certainly have a peculiar and internal energy with quantum touches that will be the choice of many current djs, worldwide. without any doubt a very special and sosphisticated work.

four triangles focuses on sharing music from upcoming producers whose talents are limitless, but have never before shared their work with the world.
asok’s label is at it again on this third release, showcasing five tracks from brighton-based charles green, best known as one of the resident djs at one of the city’s most lauded clubs, patterns. by tapping into his understanding of dancefloor dynamics and a lifelong passion for machine music, green has delivered a debut that’s as assured as it is thrilling.

the original >chained to a dead camel< is a seminal track in techno history, and is still being championed by many djs worldwide. clouds have tuned their original to create three new, alternate works. perc completes the set with his own club-ready version.

yo! good music for strange places. back from another world, ready to be stared shocked/amazed at. djs like dixon, jackmaster or tale of us will probably never know about it. ask for more information. ask for yo!

10th anniversary limited edition on translucent 180 gram vinyl.

tropical discos first vinyl outing serves up 4 stellar disco reworks tailor made for dancefloors worldwide. upfront support: house fm / mi-soul support djs

from the underground sound of house the second release of black angus rough, love on wax gives you a personal experience with the raw sound of four on floor tracks. hush hush brings lush pads and heavy kicks in marriage to bring you 4 club ready tracks on vinyl for your spinnin djs or for your vinyl collector.

new yorker anthony parasole provides three powerful, dancefloor productions for the third release onjoseph capriatis new label redimension. the exceptional opener ‘velocity wastes no time setting the theme of the record with its supremely-tight drum programming, jerky bassline and synth notes that spiral into space. ‘bang has similarly skipping percussion and a looped melody which reveals itself for a moment midway through the track before the pulse beats on. a killer, minimalist combination of drums, bass and the sample that the track takes its name from. finally, the restrained, warehouse feel and human touch to the rhythm of ‘hot zone again finds the berghain resident exploring the sweet spot between house and techno. his sonic voice between the two genres is founded on his wider influences, and the result carries a subtle funk, muscular beats and hint of nyc swagger. tried and tested by joseph capriati and sure to stay long in the bags of djs, parasoles fine productions have the hallmarks of an artist who knows exactly how to move a dancefloor himself. at once you both expect the unexpected and find that every progression or pad sweep arrives exactly when it was meant to.

after releasing space control an intergalactic journey into synthesizers, back in 2012, the theremynt duo went on to release a successful, if steady, stream of eps, including robotique de l amou r and vampiros discos (a tribute to brazilian filmmaker ze do caixao). with remixes coming from the likes of david carretta, acid washed and club bizarre, these were playlisted by scene djs such as marvin & guy and ivan smagghe, amongst others. now yann and eva are striking back with their second lp, parallels. it s a record that sees them changing their colour palette and mood, but one that s still haunted by ghosts that lurk within their synthesizers and drum machines. the 10 tracks still exhibit peel s ever shifting vocal style and yann s sophisticated arrangements. but the second lp oscillates between ballad and dancefloor, landing between cosmic disco influences, krautrock and other progressive techno sounds. as a bonus, the album also features a cover of famous 80 s anthem self control. (raf & laura branigan).

straight out of sligo, ireland, brame & hamo have expertly produced some of the most effortless house music of the last few years. following acclaimed releases on labels such as dirt crew and heist, the duo now take full control with their debut release on a fresh, personal imprint, simply titled brame & hamo . b&h001, trants , is a versatile three-tracker that expertly captures the light and shade of the duo s production pallette. opening the ep, title-track trants (say it aloud to trace the inspiration), provides a hugely satisfying denouement. awash in a retro-futurist haze, flavours of early bleep techno, dusty drums and yes, outright trance flavours provide the ingredients for a euphoria-inducing trip that culminates in a melodic call to arms-in-the-air. things get much tougher throughout hurt you , which begins with an immediate strike of chunky percussion, jacking chi-town rhythms and an unapologetically menacing organ line. as the requisite vocal sample delivers emotive threat, the mood only gets darker still, delivering something akin to an outsider house rendition of a lost dance mania cut. finally, providing a soft landing with an early-doors on-the-floor heater, clarence lives up to it s smooth mix subtitle, as a lounging piano line gently gives way to vibrant sax and a soothing female vocal sample, while still maintaining a precise and irresistible groove for the club. expanding seamlessly on their reputation as djs and producers with an instinctive understanding of the genre, b&h001 is as soulful, tough and deeply satisfying of a house record as anything in brame & hamo s already impressive musical repertoire. indeed, here s your trants, now dance!

for their 12th label anniversary, jazz & milk have decided to launch a new series called “twelve inch jams” in order to celebrate vinyl culture and the legendary 12&#8243,,, format! jams002 sounds the bell for the second round of the series including a 10 years re-issue of the classic sam irl cut “you don’t feel enough”. originally released as a b1 tune on his “african dance ep” debut on pulver records in 2007, this jazzy house gem found its way into the record bags of many influential djs over the years. from session victim, glenn astro, max graef to hodini… the record never disappeared in club sets but certainly from discogs a good while ago. so it was about time to give the tune a second life and finally press it on the format it deserves - a whole 12&#8243,,, side. the german production duo session victim are well-known fans of the track describing it as their secret weapon playing it in quite many dj sets for years, including their 2015 appearance for mixmag’s dj lab. hence, it is a great pleasure that session victim contributed a remix to the new release. their absolutely elegant and groove-driven version with a charming 90’s touch to it makes a brillant counterpart to the original with its jazzy piano-, drum- and double bass samples leading to an epic synth break that regularly causes ecstatic moments on the dancefloor.

marquis hawkes marks his fifth release for aus with another classy 2 tracker titled, æthe phoenixÆ (part 1 and part 2). the phoenix follows up summer hit æthe basement is burningÆ which saw midland, the black madonna and gerd janson all supporting at festivals worldwide. the phoenix is two takes on one concept. part one takes the disco and house amalgam which marquis has developed in recent times to itÆs logical conclusion, perfectly walking the tightrope between joyous abandon and classy depth, and giving djs the perfect weapon for all floors, from sweaty basements right the way through to much bigger dancefloors. part two then flips the program with the same raw materials and sets up the perfect shot, directed at a big room house/techno crossover, building on the foundations laid by the detroit techno originators by infusing contemporary production values and a more modern twist. the phoenix is something of a landmark ep for marquis hawkes, once again redefining his sound. we canÆt wait to hear what he does next.

forgot 001 is the debut release from london based record label forgot. the compilation is comprised of four tracks by four different artists: harry orso, aka ratomagoson, was last year picked up by gilles peterson’s future bubblers project and has gone on to drop a succession of well received releases on labels such as twosixtysix, polyop and tru thoughts. forgot residents hoffy and joe s both come from beat-making backgrounds while phillip russel aka pila boasts an impressive catalog of material online. since its release campaign launched earlier this year, the forgot 001 compilation has received a wealth of positive feedback from a number of revered and respected djs such as dom servini, adam scrimshire and david hanke aka renegades of jazz. the release gained considerable airplay during the summer: dom servini on soho radio, risha on radar radio, selassie tbc & amy frenchum on worldwide fm, toshio maatsura on tokyo moon and adam scrimshire on balamii radio.

after his contribution to our last va-vinyl, oleka is back on genesa with nothing less than an album which will be released in full length digitally and as a sampler ep on vinyl. broken beats, grinding machinery and unexpected turns of arrangements make this package a must-have for daring djs.

rodhad’s debut album ‘anxious’ sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. it was the natural next step to present the sound he began cultivating with his recent eps “kinder der ringwelt” and “söhne der erde” as a full length lp. the experience the album is trying to convey is being thrown into a world that is ready to crush you.they have you with your back to the wall, and you are ready to give way to despair. will you be able fight back? how is it even possible? rodhad is the spearhead of a new generation of techno producers and djs. with his bass heavy grooves and dubby atmospheric soundscapes he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. he fully immerses himself into the music, yet never loses himself. growing up in berlin’s rougher outskirts, as a teenager he was able to grasp the final flashings of berlin’s mythical nightlife of the 1990s at legendary places casino and ostgut. in the late 2000s the dystopian crew began their own series of parties and then the label with two seminal releases by rodhad, “1984” and “blindness”.

jules etienne has been skirting around labels such as apersonal music for a few years, but here makes a strong statement with a new record for cocktail d amore. triangle des bermudas is a swinging yet cosmically inclined jam powered by warm synth arpeggios, which regular collaborator massimiliano pagliara then nudges up into crafty deep house territory. cuban omlette is a delicate affair that interweaves pattering percussion and nagging synth lines to make a particularly heady brew before johns job finishes the record off with a richly layered drum track that should have djs across the board getting tricky in the mix.

first installment on gravity graffiti for the talented brothers central and dj sports as palta & ti with a fresh percussive ambient-house ep floating through a spell of space whales. pure class breeze from aarhus for the djs all around the world.

after unleashing the enigmatic middle eastern funk bonanza the nile files earlier this year the fossils crew return to western shores with a new ep from uv & nen , revealing long forgotten newly interpreted disco funk nuggets that are bound to become classics in their own right. with newly recorded synths, vocals and nasty bass-lines thrown in the mix, the bump s anthemic qualities are evident from the minute the chorus kicks in and will most likely stick in your head and keep you humming for days... trust us - this bad boy has been tested on dancefloors from new york to tel aviv to london s boiler room until finally finding its way to the pressing plant. love makin is a horny (no horns here), psychedelic disco affair, seasoned with sexy moans lifted by abnormal synth activities and followed by beatcoin , a steady slow stomper that will get booties shaken & shaking across the dance floor. as with the previous fossils release, these are all killers and true crate essentials for the seasoned djs.

yandom are not new to the scene. but then again they are. the project has been kicked off by yannick labbe and dominik marz, already renowned producers and djs before they decided to join forces in in january of 2017 with their remix for dekodeko on leipzig-based label ors. yandoms productions are discoid excursions to the dark side a sound spanning from leftfield italo-esque productions to straight up techno-bangers. a sound already loved and played by artists like michael mayer, solomun, kornel kovacs and many more. at the moment, yandom are working on eps following their next release on &nd music (scheduled for september 2017). as djs, yandom deliver an infectious and very musical freestyleapproach, dropping anything from techno to vintage classics and held together by a strong foundation of electronica. a yandom-set is anything but random and yes, they do look as good in reality as on the photos.

from the irish techno front line , rlsd land again with a heavy batch of dancefloor pressure. jon hussey has been one of the islands most celebrated djs for the best part of 20 years and makes his long overdue debut as a solo artist with dark motif. his deep understanding of the music is on display as he delivers an immersive techno cut with acidic touches & crisp bleep techno character. takaaki itoh steamlines the ideas into a pilerdriver suited for the peak hours. on the flip fran hartnett grinds out a typically floor burning track loaded with his trademark poly-rhythms and modular bleeps. rory st john rounds of proceedings with an ever shifting rhythmic workout which has an off-kilter sensibility guaranteed to make more adventurous floors freak.

bursting from the bubbling underground club scene of tel aviv, bauhaus records is a record label headed up by veteran scene originators and world renowned the block club first residents dj’s amichay matyas and yogo, in partner with well-experienced label and artist manager, udi niv. buahuas records aims to provide a creative ground for a collective of local underground electronic producers & djs, emphasizing the art of organic & analog sound and down to earth house music. their experience of nearly 20 years of playing for tel-aviv’s underground dance floors, regularly rubbing shoulders with pioneers and leaders of house, disco and techno as well as their vast milage in the dj booth, enables them to cherry pick the hidden treasures and unknown local gems of their scene whose highly secretive to many others while unofficial edits and tracks have already played in biggest clubs and venues in the past year, bauhaus are finally ready to share their official debut release, presenting the label’s prime producer.

hailing from bristol with a string of releases for the likes of king street sounds and remixing the likes of dennis ferrer, evelyn champagne king, carolyn harding, blaze, and roland clark. he s amassed an impressive discography of nearly 100 releases, delivering inspired reworks for labels like local talk, strictly rhythm, vega records, tribe, and quantize plus an original solo album for z records. we are super hyped over sean s first release on boogie cafe, providing us with three cuts of sublime house music, with a nod to kerri chandler and and glen underground this ep is sure to get a lot of heat from the house heads. early support from neil diablo, alfresco disco, melon bomb djs , dave harvey futureboogie, noel watson, deli g.

summers here! ransom note records continue their search for the finest dance music from planet earth with a carnival-ready curveball of a new release the sleazy, playful ghanaian afro-ghetto-techno-pop that is brytes word-of-mouth classic i like your girlfriend. originally surfacing on a couple of youtube dance videos, the shitty quality video rip of brytes bizarro lyrics leaping over gafaccis impeccable grime-meets-afrohouse beat has been a much-loved secret weapon in the sets of djs that know for a minute now - bok bok, mixpak and gang fatale have all supported heavily. coming from accras booming azonto dance scene, where tracks are knocked out in makeshift home-built studios then swapped through social media apps on smartphones, a proper release of i like your girlfriend has long remained a holy grail. now, after months of searching, several western union transfers, hundreds of whatsapp messages and no lack of determination, ransom note have finally managed to legitimately sign the track, and are all set to give a modern classic the 12inch release it deserves making history with what is quite possibly the first azonto track to be released on vinyl. alongside brytes crazy vocal version, the release features the original beat from producer gafacci its bouncing techy minimalism carving a unique path between techno, house and uk funky that defies genre with glee. vinyl buyers get a special bonus brytes acapella, coming in at 128 bpm, is the perfect mixing tool

fine fulfills djs and dancers needs alike. fresh edit-styled hits as always. come as you are.

berlin legend charlie smooth is back at it, spreading good vibes with a new ep packed with delicious cuts. after seven years of organizing and playing his infamous get deep parties at about blanc where he was a pioneer of bringing the disco and baleric sound to berlin’s house scene, charlie has started a new chapter as one of the founders of smooth operators. while he still rocks the decks on a regular basis at his new party disco train and plays around europe spreading his disco and baleric sound, charlie’s focus with smooth operators is all about translating the years of knowledge gained digging and playing with some of the greatest djs of our time into putting out records with only the best quality tracks.
on this debut release, all four tracks are examples of true digger’s delights and super rare, esoteric sounds that djs can use to really set off the vibe on any dancefloor. with smooth operators vol 1, the label is making a strong statement that they are ready to put out real top quality tracks that can be enjoyed by diggers, djs, disco, funk, and soul lovers alike.

there is a long-standing love affair between dj harvey and pikes, ibiza. as well as coming back for his third consecutive ‘mercury rising’ residency, the legendary ‘djs’ dj has been appointed ‘cultural attaché’ for pikes, meaning his magic touch and feel-good presence will create even more special moments at pikes this summer, including the launch of new label, pikes records.
in 2015 dj harvey made his hugely anticipated return to ibiza and made pikes his home for his mercury rising debut, a concept inspired by the beauty of the real ibiza, the incredible history of pikes and a genuine love for music. the love, the dancing, the music and the balearic spirit perfectly and poetically encapsulated by dj harvey has seen mercury rising widely recognised as the most special night to embrace the island in over a decade.
the next step in the harvey and pikes story sees him launch pikes records – the first record label founded by pikes owners and ibiza rocks co-founders andy mckay and dawn hindle. on the label, harvey explains: i see so many avenues to work together to release music, everything from live recordings from ibiza rocks and pikes, mix tapes, original productions, showcasing new artists, theres all sorts of avenues to open up. with the finer details still under wraps, its safe to say fans can look forward to the first release being harveys very own mercury rising compilation. but what can we expect from the third instalment of mercury rising? putting it quite simply, just a serious good time really says harvey.

‚cosmic future groove’ landet in der nächsten galaxie… auf volume 2 gravitieren sage und schreibe 18 bisher unveröffentlichte spaced out disco, funk & elektronik grooves! aus den tiefen diverser library musik archive aus deutschland, england, frankreich und den usa gezogen, präsentieren sich die verschollensten perlen in ganz neuem gewand! kaum einer der tracks existierte bisher in der digitalen welt, lediglich auf den originalen library lps, die auf diversen gebrauchtmärkten von rare groove und elektronik djs gejagt werden und ihre besitzer zu horror-summen wechseln…
pressung auf blau-transparentem vinyl.

mannheim based music & creative network be9. a fusion of the local underground scene consisting of djs producers and labels from the neighborhood. the first record of the collective by fabe & toby t already gains love by our family and cristi cons. enjoy be9s first piece of wax.

cult status for those new york disco cuts pioneered by legendary djs such as larry levan, franckie knuckles, junior vasquez, david morales.

for our fourth we are pleased to welcome russia s denis kolomensky to the clandestino family. denis is part of a collective of moscovian djs, producers and promoters throwing interesting parties in the cities simachev shop & bar and dewar s powerhouse venues. when denis sent us his demos, we knew they were a perfect fit for the clandestino ethos. recovery opens with a lively conga section, snappy snares and a classic detroit-style drum sequence takes hold while emotive pads elevate. man of the moment felix dickinson ramps up his remix and turns in a modern jack track by intensifying the bass, introducing firing drums and darker pads. santa monica takes a slower pace gentle sunset chords complement marimba hits and atmospheric key stabs. balearic gabba sound system s stunning rework is an extended blissed out reinterpretation adding a dreamy female vocal over heart wrenching synths

the revenge is back at the controls for home taping!!! the scottish dj and producer kicked things off on the imprint back in 2009 with his forever in their debt release, which grabbed the attention of house djs around the globe. now he drops another timeless ep of killer house music on the imprint lost grooves part one demonstrating his musical depth and amazing production skills as he drifts effortlessly between jackin dancefloor trax, deep house grooves and looped up disco business. the result is a totally authentic and raw sounding homage to house music delivered by someone who has lived and breathed it over the last decade or so. home taping all night long!

a_000 is a project born from the spontaneous encounter between two italian djs and producers: alan backdrop and enrico rlt. their productions are the outcome of studio jam sessions, recorded live so as to capture the alchemy of the moment. the sound reflects their fascination with 90s electronic music, nature, and travelling: -road to nauta- was inspired by a journey in perù

nice price deal !!! following on from the in demand subliminal kid release earlier this year, this sick new ep from label boss matt o brien serves up a fulsome diet of deep, dark and mindbogglingly wonky house and techno, in a release that is the apex of matts production skills to date. kicking off, the aptly named gauntlet throws down fuzzily tweaked and flanged raw beats, married to dizzying, tremelous synths, darkside stabs and general dancefloor frenzy. dodaso flips the script, sounding like a million orthogonal genres colliding and combining in deep dub sub space, underpinning the delicate melody while splurges of colour obliterate your senses. this is very different to anything else out there and will appeal to a wide range of djs and floors. rounding off the ep, blackwood freestyle at first sounds deceptively simple, hiding its dark secrets like an insane clockwork puzzle, unfolding like hell raisers lament configuration with each listen revealing uni-maginable contortions that pull you further into the groove.

having helped launch the sugarhouse label with his paradise forum brethren, jamie paul gets a chance to show off his talents on his debut 12inch, adding to the labels already impressive catalogue with another swathe of classy house jams with a modern twist. double g definitely sports the chops for the peak of the night, but it s also shot through with a welcome weirdness and a fuzzy warmth that should find favour with a wide range of djs. even so is a more laid back, bumping affair that matches the smooth finish of the a-side, but says something different altogether. label mate maurice jnr meanwhile serves up a remix of even so that nudges the delicate tones in a techier direction

favorite recordings presents this new official album reissue of sunshine by junior byron: a real modern-soul/disco masterpiece, originally released in 1981 by canadian label formula records, and very hard to find today.
based in canada, junior byron had quite a short career as a singer and recorded only a few singles and this stunning album between 1981 and 1985. produced by andré perry and joe la greca, two famous names in the canadian music scene, sunshine is not just a one track album, but a complete whole piece of music, including some brilliants highlights such as “inch by inch”, “galaxy” or “sunshine”, which are today must-haves in many dj’s lists.
as another longtime favorite collectable piece for charles maurice, it’s a real honor and proud for favorite recordings, to finally officially reissue it for the first time on vinyl. in order to insure the best sound quality, the original tracklist has been dispatched on a double vinyl version, which should please all djs and music collectors.

toby tobias joins delusions again for what will be his sixth(!) 12inch entitled the rain. the prolific londoner whose releases have graced such venerable labels as rekids, esp intistute and lets play house, is back with a vengeance, delivering two mighty fine originals plus a remix from nebraska. in true toby tobias style, the rain got made on an mpc, sliced and edited from a single live take through the desk then accidentally deleted so no further mixing, sequencing or editing could be carried out. but what is an a&r mans nightmare, turns out to be the record buying djs gain, as the improvised, dubby vibe and raw as mixdown give the track an authentic feel and energy which could only come from the madness in tobys method. fresh from his brilliant releases on mister saturday night and razor n tape, we have our man nebraska do his thing on the remix of the rain. dropping down the bpms a bit from tobys more frenetic original, nebraska adds a healthy dose of moogy lead lines to the lo-slung house groove, perfect for warming up the dancefloor.

french artist marc nguyen tan released two renowned albums in the early 2003 and 2006 under the artist name colder on trevor jackson’s seminal label output recordings. in november 2015, colder returned after a decade in hiatus with his third, highly acclaimed album many colours followed by two other lps titled the rain and goodbye in 2016. kasper bjorke is one of the most acclaimed and versatile producers and djs hailing from denmark. kasper has released five renowned solo albums over the past decade and remixed a wide range of artists, from rebolledo to weval. the two artists first started working together when kasper remixed colders single ”your kind” - and colder in return remixed bjørke s track ”marbled blood”. the idea to take their collaboration even further was formed when the two of them met in person during sonar festival in barcelona in 2015. in 2016 they then teamed up in the redbull studio in paris for a three day improvised recording session. the result is the black magic ep in stores on september 8th via throne of blood. a collection of five raw, driving post punk / new wave and techno influenced compositions, recorded via the studio ssl desk in paris, using hardware synths and drum machines played through some exotic vintage effects. colder recorded his mesmerizing vocals on the spot along with french drummer julien sabourin and saxophone player thibaut javoy. the ep will be followed by a stellar remix package from the golden filter (optimo music), mutado pintado (paranoid london) and french producer and dj pilooski.

2 blue & black splattered lps in gatefold with printed inner-sleeve. sfor someone who went from growing up in a secluded norwegian forest to producing for some of the biggest hip-hop and pop megastars on the planet, peder losnegÕrd has had quite the journey. it was through a series of remixes that lido catapulted into the sets of the most high-profile djs around the globe, capturing the ears of numerous notable tastemakers. reworking acts like disclosure and bill withers, the producer set the internet ablaze with talk of his four-note piano tag and speculation as to who was underneath the moniker. while his playful, restless musicality saw him adopt an array of aliases - but hell keep those under wraps for now

toot toot, beep beep, out of the way! kinks taster for his up-and coming album on running back is here. perth is a prime-example of the bulgarian producer s unstoppable good times ware. taken from playground, the three versions here are dripping with grease. split between the original, a chord mix and a beat version, it s all you ever wanted from a single. perfect house music for techno djs and techno music for disco djs. we strongly recommend the use of two copies back and forth...fun, fun, fun!

for over forty years, the apostles of aba have stood as the jewel in the crown of the music scene in eastern nigeria. since their formation in 1973, the band has turned out memorable performances in a variety of styles including rock, soul, funk, pop and reggae. even today, the apostles continue to thrill audiences in their hometown of aba with dazzling shows. cultures of soul is proud to present one of the apostlesã more obscure¨yet relentlessly funky recordings in a full-color custom reverse board jacket. banko woman, originally released on the eponymous lp on love day records in 1977. straddling the world realms of afro-funk and disco, the track has long been a coveted dance floor filler amongst djs, and for the first time is available for a wider audience. on the b-side is faith, luck & music, also from the original banko woman album.

going one above todays current wild wild west landscape of digital sampling and officially licensing a legendary 60s-era song thats made its rounds in the golden era of sample based hip-hop. akshin alizadeh, the man from azerbaijan, is the lucky one tapped from the label’s roster to remix marlena shaws woman of the ghetto. the producers strong funk and nu-jazz influences, as well as his ability to combine funky grooves with punchy hip-hop beats, are on full display once again. rightfully dramatic orchestral strings give way to bluesy rhythmic wah-wah guitar plucking, slightly cabaret-ish piano, pitch bending keys, and a totally sultry sax. the percussion sounds like signature alizadeh with a flickering hat pattern, well placed snare rolls, and punchy interplay with the kick. for the djs needing to spice things up, an instrumental is included.

with his newest ep goa tee, moscoman finds himself seven releases deep into his 12 part treisar series. living up to its name, the seventh piece of the puzzle is the trippiest of the series yet, kicking off with some of my fears, a piece if outer space hypnosis carried by a rolling percussion and bass combo that will keep firmly stomping across dancefloors. reflecting the mood set on the a side, moments in space sees moscoman channel his italo flair while reaching out for a rave indebted sonic palette. final track chinchilla closes on delirious sounds and 8 bit melodies rubbing shoulders with a lovingly syncopated beat. a weapon all exotically inclined djs will be reaching out for a their next jungle party.

huge collection of 100 rare breakbeats / drum loops sourced from rare records found across the planet. ready to chop, loop and layer, international breaks 606 is ideal for producers and djs alike. whether you’re looking for unique sounds or simply want more variety than the usual over-sampled breaks, this sound library is a must have. worth its weight in gold!