soulful cosmic indigenous dance music presented by afrofuturistic, a chicago crew known for spreading their vibe on the dance floor in chicago. to further push their sound afrofuturistic has teamed up with jordan fields & expanded into a label with this special edition vinyl produced by sean.

limited to 300

dark leader bringt uns eine weitere veröffentlichung, die irgendwo im spektrum zwischen techno und disco landet.

jac the disco kicks off new label spin on this with remix support from prins thomas and i:cube.

incl. d.k. remix.. house tunes with acid vibes

first ep in a trilogy of wild analog experiments from destiny71z.

archie fairhurst aka romare ...

dothedu continues to channel his inner blake baxter. comes in hand printed sleeve, each one unique.

wicked new ullis tapes! must have for fans of the first wave of delroy edwards and funkineven

deep house groovers with an african touch from philou louzolo.

2019 remaster

acid-infused electroid deepness from polytunnel.

phat house 10 inch

annibale o. is back! for this second, and very limited release on pace keepin records, annibale o. has seen a techno spirit taking control of the drum machines. two acid techno bangers, one deep experimental track and one disco-house gem make the backbone of this versatile ep that will keep your body in a jackin state.

housed in a stickered sleeve with a3 poster included.

kicking off with four classic cuts of quality house.

1987 chicago house classic available again!

alma & mater with 2 house groovers for ancient future, backed up with remixes from ada and hade.

incl great dj fiskars remix

cool tracks!

cosmic resonance with a showcase of the toronto electronic music scene.

born and raised in algiers, dj and producer f.d.m processes his musical and cultural roots on his first release as a solo artist. “it’s a personal journey through time and memories”, f.d.m explains. on the 5-track ep titled “yalil” the dj mixes nineties acid sounds with african rhythms and arabic elements. he also conveys his love for disco and funk as in“papasunik”, a powerful energetic track which is indeed dedicated to his first born music-loving son. on the deep house track “deep mind” f.d.m collaborates with leipzig-based producer and artist duktus. the deep melodic “la nuit” closes the ep and f.d.m’s journey through the night

for all friends, with our smiles :)

brand new esoteric exports!

phat classic chicago acid house

freaks cuts by dj fiskars

fifth release of discos nutabe

bajram bili presents his new 4 track ep.

third part of the remix series from ancient future now.

twisted acid house psychedelica b/w uplifting, warm detroit techno vibes

housewax presents ron maino. great atmospheric club tracks are the reult of rons debut on our limited series! worth to check!

nach einer wunderschönen, auf childhood electronix veröffentlichten epoche, liefert erell 4 original-tracks für den club. erell ranson ist definitiv wieder da!!

strong acid house record!

following releases from mituo shiomi / drum machine and takeshi kouzuki, italian imprint alley version is back courtesy of their third release, the split e.p. ‘parallel journeys’. limited vinyl only release.

we want the p.a.v. to be full of house, and full of houses! through this five-tracks release, annibale o. sets the stage for a novel, genuine house music dedicated to those who suffer from restless feet syndrome.

dutchman william caycedo graces adult only with his presence, as the label hits its 49th release. one of the newest members of the slapfunk family from the netherlands, william is young, hungry and talented - bringing that fresh energy to adult only with aplomb.

northern powerhouse kick things into gear on their sixth release with snarling and grizzly analogue bass on the a and machine heavy percussion and distorted tones on the flip. one for dark rooms and deafening sound systems!

dos attack are two childhood friends come djs and producers from madrid who ve have managed to create their own little space in the electronic music landscape. the masterminds behind cult label riverette, with releases by such exciting and forward-thinking artists as legowelt, oskar offermann, kornel kovacs, and minor science, the two are insatiable diggers to a point that they opened their own record store in the center of their hometown, named after the label. both as djs and producers, their creations are a reflection of their collection and taste – sometimes trance-y, sometimes hyperactive, always weird and wonderful, mixing the energy of late 70s new york with the good vibes of 90s rom-coms – pure love.

limited edition of 300 copies.

a wide range of artists remixing tracks from mr. fingers latest album cerebral hemispheres on this three part remix ep series. remix duties on the second installment go to mr. fingers himself, joey anderson, kode 9 and upsammy. part 2 of 3!

gifted culture collective is ready to unleash the second jam session of the announced trilogy.

acidic powerhouse bill converse makes his debut on fit sound. his sound is a refreshing perspective informed by the midwest warehouse parties of which he was schooled mutated into his own blend. treading the line between melody and brutality, while never being heavy handed, converse has proved himself once again to be a true original lurking in the underground today.

tuskegee music welcome jamal moss, better known as hieroglyphic being, with his epic house tunes on 2x12 inch vinyl

wonder stories heads over the pond for their 24th release finding the aussie/uk collaboration between dawn again (returning from his excellent ep on ws019) and uk underground champion rothmans (known for his vinyl only label of the same name). psychedelic, melodic, and grooving are the name of the game here with timeless odyssey venturing into melancholic ethereal territory while rainbow perch is an uplifting and bubbly affair. on remixes, timothy j. fairplay submits a jacked up sleazy version of timeless odyssey while emile strunz tackles rainbow perch into a 4/4 techno stomper with a new wave ethos.

marc & oveous bring the classic bruk flavours to atjazz’s label with their new e.p. ‘on again’. the original harks back to the old co-op nights with a tough bass synth and oveous’ soul laden vocals, tied together behind a punchy, syncopated broken beat rhythm. dress to sweat, this one will make the bodies move. first up on the flip side the ‘4x4 dub’ switches the rhythm to a straight up 4x4 house beat, but that subby synth carries through the broken beat touch. the original mixes’ vocals are dropped in favour of one of oveous’ short spoken word monologues before he steps back to let the music do the magic. the ‘dubstramental’ gives you one final interpretation utilising the same dubbed out template as the b1, but reverting back to the original broken beat pattern to give you three different flavours to throw down with.

rob belleville is a producer from the netherlands. his music can be found in the same space as producers such as arne weinberg, microworld, sean deason and drivetrain. he is know for moving between ambient electronica and atmospheric techno sounds, always warm and well produced. this release is no different, as here we have two very special tracks with the same integrity as anything rob has written in the past. on the a side we ve got implacable force which features a driving techno foundation and washy synths, interwoven for perfect headspace. the second track in is sungazing, which takes you into a more lazy groove with swirling, warm pads and more good drum programming. the b side features rise n shine and sands of time, both blurring the line between deep house and techno, with a fine balance between the melodic textures and tech house percussion. if you like atmospheric, melodic textures and quality music in general, this one is for you.

second round of our remix rampage ! this time with four tracks on the edgier side that will leave no dancefloor undisturbed, be it through percussive precision (jay shepheard), brute force (inigo vontier), acidic complexion (yuki tosaya) or some vocal batshit crazyness (mr ties). because rough is right!

this new chicago based label is runned by steve poindexter and traxman. the first release comes also from the label heads. track a2. is an remarkeble co-production between steve poindexter and legendary armando. on b2. traxman remixed armandos -snare yo azz off-. must have - not only for all chicago house fans!

linea beat 5 the fifth collection in our dance-floor only series is the aptly named -dance-. arriving in two different versions for those times when you need alternative vibes on the dance-floor, music is backed up by a slamming, jack-time remix from passarani, a.k.a one half of tiger & woods.

2lp comes in gatefold! follow up to a blink of an eye (rblp06/cd06) + i ve got my eye on you (dfa). written and produced by maurice fulton!

saverio celestri is back, this time teaming up with late consequence, who’s the new moniker of an already known fellow italian producer. expect house and techno grooves with feeling and power, made fresh, but with the clear influence of past days.

beautiful strangers marks the return of theo kottis with this sampler of his debut lp. it reveals a new chapter in his artistic journey in which he resets his creative output, free of compromise, conveying his devotion to the dancefloor, and revealing a new concept that everyone can ascribe to. reasons kicks off the record with a slice of disco tinged house music overlaying infectious guitar and string loops, with slick piano flurries to make for a sure-fire summer winner. the a2 houses the get down a more heavy hitting workout packaged for the dancefloor, with a percussive bassline over the top of a choice breakbeat, tied together by a thumping kick. flip it over and you unearth the lovechild creation of a 303 coupled with a brazilian classic in the form of acid disco. a driving kick / hat combo, squelchy acid and pitched down brazilian vocals offer up a raw but energetic stomper. finally, u need to keep it simple takes you on a more emotive and powerful acid trip. the sweeping synths building throughout the track coupled with soaring strings, alongside an alluring acid line proper!

london based artist, shamos, takes sze on a trip through mutations of rugged and tripped out analog house, techno and left field cuts.

the finnish dumpster raider is back with three loud, old school jams.

first release for the italian label alley version is a split built up of rugged jackin patterns and brutalist house jams, all recorded on tape by mituo shiomi and drum machine.
limited to 200 copies.

shot of t is back with the second release. sj tequilla s second record on his own imprint. he keeps on exploring the deep and mellow side of house music. this time with a sound aiming more towards techno, but still with the deep and melancolly feeling that we know from the japanese producer from previous releases. on the b side the tempo and vibe will be taken up a notch with two recreations of sj tequilla s tracks by dj fett burger and dj dog. dj fett burger recreates the sound into a deep norway-detroit techno track with some tripping jazz hands synthesiser features and and atmospheric touch. dj dog on the cut with a real crazy party acid track, with some underground synth impro from the burger dog!

warm dj tool house journey / analog feel

gu (glenn underground) pays tribute to armando gallop & earl smith jr better known as armando & spanky on acid saga 1. the legacy of gus 303 can be felt in these latest tracks with bubbling acid lines seeping throughout both spank n gallop & peaceful rage(acid revenge).

alex handley (auto sound city) and nigel rogers (perseus traxx) catch up on a regular basis to casually jam out on various machines in a kippax basement, then edit, twist and re-jam them in a york flat. housed in a white paper sleeve, this is a fantastic example of beautifully handcrafted yorkshire electronics, with a distinctively raw and rustic feel. the label, screen printed on a kitchen table, is a reflection of the punk ethic of the duo just doing as they please to please themselves. 100% handcrafted yorkshire honesty. limited to 200 copies!

ltd 100 copies - taking it back to the old school and manufactured in the space of 5 week, this handmade nugget of black crack beat the previous release and all it s issues. dr spaventi once again provides the expert mastering to some artisanal yorkshire electronics from northern powerhouse. the full range of frequencies have been lovingly captured and set for eternity into nice and solid, hand pressed plastic before being bound in gorgeously minimal white paper -inners-. adding individual nuance to each and every record, is a stylised image of the visionary york philanthropist, joseph rowntree. details of which tracks are which are lovingly incorporated into this image using a black ink to stand against mr rowntree s brilliance. the hand screened label, uses the latest in dual pizza/kitchen table printing technology™ with a tried and tested lounge floor drying system to ensure any moisture is gone before the vinyl is shipped, so that transport weight can be kept to a minimum and savings passed on to you.

chrissy & alexs new label. chrissys acid house bubbler hello?, backed with a driving, spaced-out remix from alex burkat. 2018 repress

part 1 of this eargasmic acid house comp jumps off with bishops latin influenced acid drums. the b-side sees jamal moss (aka hieroglyphic being) and eargasmic label boss daryl cura team up on the dirty deep confused transportation a stomping spaced out acid bit. isoke follows & captures serene early morning vibes on albion beach.

part 2 of the eargasmic acid comp starts with the smooth clear remedy by chicagodeep. its followed by tres amigos from secret studio & chicago skyway. on the flip, melt is a relentless, dark acid track by newcomers heuristics. b2 is a drum/acid machine workout by dcook on litmus test.

repress , phat raw e-beamz release... house , acid house and breakish feel

strap yourselves in as post pluto takes flight with french duo, rbdp, on their fresh self-titled ep. the record features four tracks of high altitude cruisers, soaring through the elements of acid, deep house, breaks and dubbed out synths. we depart the troposphere with -acid r-, a mellow and low-end fusion of dubby textures and acidic lines. -like dat- follows, with moody pads, percussive grooves and celestial tones. on the flip, -st san- takes the record into an acidic journey of 303 sequences and saturated 707 drum patterns, with a sublime zero-gravity remix by red ember records bossman ewan jansen.

raw, trippy, and mysterious.

phat deep dope shit ... from acid house to deep house

autodidact ventures into the area of jungle/dnb music with the first part in a series of two by selva massiva, a project by roger gerressen and alex jansen. on the b-side chris geschwindner takes both tracks and makes sure the ep is still suitable for dance floors with two excellent remixes.

rising sun, dj fett burger (as fett birger) and tijana t grace the second remix package of spencer parker s different shapes and sizes series on work them records this february. following on from the first remix release, which featured dj deep, akirahawks and setaoc mass, part two will see more reinterpretations of spencer parker s 2017 series from an array of talented producers. rising sun has earnt a cult following for his otherworldly productions as well as curating labels such as kristofferson kristofferson, styrax and millions of moments and here we see the accomplished producer deliver two hypnotic and classic sounding variations of riff shapes. sex tags and freakout cult cofounder dj fett burger then provides an acid-laced mix of size:yes as dj fett birger. finally, respected belgrade techno dj tijana t closes the release with a robust and evolving rework of a different size

cfcf has swooned many with his heart breaking acoustic arrangements and mallet saturated arpeggios. it s about time the grammy nominated artist returns to the dance floor with self service.

the label limbe discloses itself with its first release ‘le bord du disque’, a compilation of 4 french newcomers ready to take you on a journey between house, acid and lo-fi.

contemporary producer e. myers has self released four limited edition white label 12?s since 2015, whilst managing to remain low profile. whoever they are, we guess they?re huge fans of late 1980s chicago house, shep pettibone, colourbox and most of our reissues. so much that they asked us to re-release their second 12? ?hate / love? from 2016 backed with new remix of ?hate? made for dark entries. ?love? kicks off the a-side ?beats out a wood-cut tattoo of tuff drums rubbed with balloon-squeak synths to sound like gesloten cirkel meets helena hauff,? said boomkat. ?hate? is a dreamy house number that ultilzes a roland tr-707 drum machine with a rounded bassline, horns and strings that lift it into the stratosphere. for the new remix of ?hate? myers subtly shifts the pace and deepens the groove, stretching out the song to over 7 minutes of dubbed out new beat phantasia. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the 12? is housed in a die cut disco jacket that features an original design by eloise leigh.

for house heads of a certain persuasion, dj duke is a name that resonates for all the right reasons. the u.s. veteran has been responsible for some of the 90’s most seminal moments, chiefly through tracks such as 12 minutes to do it (under his pleasure dome alias), party time and the prosumer-endorsed deep house classic, heard. he returns here courtesy of emerging imprint solo werks, who host his latest ep, green pastures. a momentous house-led workout, it compounds duke’s reputation as a producer of considerable panache while also acting as an auspicious start to life for the dublin based label. the title track is a grainy, old-school cut that bears all the hallmarks of a dusty analogue-jam and harks back to the days of vintage chicago with the sort of zest you’d expect from a man of duke’s credentials. the other original, skyscapes, is packed to the brim with industrial motifs and is characterised by the sort of effortlessly catchy baseline with which duke has made his name. mysterious and ethereal, it takes the listener on an uncompromising and throughly captivating house journey from the off. on the flip side, we have two stunning remixes, the first of which arrives from new jersey don, ruben candelario aka nicuri. a long-time favourite of nyc-based producers a la joey anderson, nicuri turns green pastures into a dreamy, acid-led space, adding layers of suspense and a glittering vocal intto the mix as he goes. last but not least are dublin-based producers slowburn, who serve up a stunning version of skyscapes. a carefully construed voyage into the deep, it caps off a fine ep with some aplomb.

hot off the heels of cdh005 by dj lettuce, french imprint chineurs de house releases chabha dassin hakku, an ep by established swiss producer pascal viscardi.

featuring dj spank spank & lothario lee (phuture), fast eddie and houz mon, acid house legends from chicago. this title is 4th ep of bigfire, electronic music band in tokyo / japan, including one of posthumous works of earl smith jr. a.k.a dj spank spank died this past september. moreover, this is his last works with lothario lee who has supported earl as phuture for a long time. but his familiar acid house style is well in the disc. and minimal remix suggests that challenging spirit of these phuture’s members still has not been lost. this title has more two chicago house remixes. one side is the creator of hiphouse music, -king- fast eddie. his remix is contemporary and universal house music every one demand. the other side is houz mon known as aclose friend of earl. this underground style with his awesome vintage roland sounds should be called ghetto acid, one of tidemark of house music. last but not least, original track is ingenious future electronic rock opera. we can say this as the originality of bigfire. -general of the universe iv- compares favorably with previous work.

deep and tripping stuff from argentine producer, ana helder.. the label say: ana helder, the argentinian girl with the special twist, is back with a hand full of tracks. they are mean, dirty, harmful, amorevolous, seductive and addictive. surrender tunes from a producer and dj that does not think in boxes. for müstique she looked into her always-growing production crate and found some post-punk waving funk odes, which want more than just to dance this mess around. they bring soulful lsd-melodies for jazz lovers with techno legs that like to get high on liquid liquid. they are electronic but yet so organic. and they move deeply while spreading the feel of a meditative rest. when diagnose heard them first, he came to the idea of writing a script for a flick that tells the story of a music-making machine, which has more to offer than answers. it forms sound with no traces of reality, but is so human that humans fear it. why did he think that way? only because of what ana helder recently got to say? well, let the music play

2nd vinyl release sees leonidas and kay suzuki (analogue producers and djs in london s underground music scene), re-join forces to bring you the 2nd installment of their synqlock project: synqlock vol ii. available on vinyl for the first time, we re very excited and proud to open the ep with interstellar meditation

more rough analogue business from switzerland, this time coming from hot jam with a 5 tracker signed by matsuki, matto & young pantero. exclusive remix by tuff city kids.

vinyl only - chiwax welcomes daniela la luz! we ve had already the honour to present this outstanding lady on rawax & housewax. now it s time for some acid house on chiwax. come into my land is a very promising ep including 4 club tracks with the remarkeble touch of daniela.

byron the aquarius fires up the mpc for a journey into the stratosphere, bringing the heat for ele records 3rdedition with planet rock, a jazz infected keyboard jam with chopped hip hop samples echoing into the cosmos. cozy bear follows with nudi riddim a delectable mix of african percussion, jazz samples and acidic basslines. on the b side we find more hip hop infused methodology, with glenn davis digging into salsouls back catalogue with his huge summer anthem holdin on. finally, unknown artist is back on ele following on from the huge anthem ru$h. this time it s back to the mpc with a daft punk style 90s disco banger fade (never know).

some might say jordan fields is one of the most criminally underappreciated figures to rise out of chicago in the late 90s, not for people who know what s what though. after a career spanning more than 20 years he has established himself as one of the key figures of the underground. coming out of where everything started, chicago, jordan released records on a handful of key labels like catalyst, track mode, som underground, mood groove, maffia. he did not stop there and today he is still releasing bangers having never lost that magic touch that has kept him firmly grounded on the purest form of the underground, and that, after more than 20 years is pretty much unheard of. when we first contacted jordan we wanted to go back to where it all started, we wanted to be transported to late 90s chicago, to a time where it was all about the dance floor, when tracks meant something more than songs, when purely club-oriented music was the purest form of the underground. to be honest we were not expecting to get exactly what we wanted straight away, he immediately sent us a collection of tools straight out of dat tapes he had, going all the way back to the 90s and early 2000s, so yeah to say that we are excited with this release would be a huge understatement. this is a collection of tools meant for the dancefloor, not reminiscent of some gone by era, these are the real deal, made by a true master, 20 years ago, for the future.

do yourself a favour and dance across the floor when listening to the new jacob korn-record, aptly titled son of gx. the music is heavily based on the good old yamaha electone organ. the home organ for the world s gentlemen was modified by jacob himself and is now an integral part of his studio. as you ll hear it on the ep, it injects a decent dose of fun into jacob s vision of house music. at least, you will instantly notice that when listening to singlefinger chord, a track that conquers the floor with its disco elements. rumours say that jacob s cat toddled on his poor man s yamaha cs80 when producing cats on organs. if that s true, the cat provided an irresistible hook to an already slamming, italo-inspired track. son of gx is every bit as compelling as the first two tracks with its synth trumpet glory while the slighty darker fun blocks sustains us with heavy percussion works straight out of the yamaha electone organ. on top, you ll get a remix for singlefinger chord by new york s jacques renault (let s play house) as digital bonus.

sometimes a year becomes 20, and this is the case with jesper bellfrog rydbergs second coming on borft records since his debut in 1997. as dj jespha galore, he is a super solid dj arranger and inspiration on the swedish electronic scene since mid 90s. and hailing from borft records friendtown helsingborg this record differs a bit from the traditional karlskrona sound and goes into softer territory with classic acidhouse sounds and friendly melodic funky electronic disco, at times almost bordering to italian pouch pouch vibes with shiny cars and prosecco. buy doubles and you got a cool little set bordering between acidhouse and electronic disco. / joakim cosmo

new deep house 12 inch! donoussa: rhodes and guitar, plus percussions and vibraphone, supported by tr-808 drums, conte d ete: tr-909 + vibraphone, grand amour: electric piano rhodes, supported by sp-1200 and tr-909 drums and hi-hats

everybodys darling rahaan is back with three hard knocking acid tracks.

on this record ben sun presents an old style lp format - 40 minutes of moods and grooves interwoven with an intimate story, of individuals struggling to live freely in a time of oppression. after a sultry jazz opener where the characters are introduced, the lp kicks off with a sweet and slow soul track in work again, underpinned by a rotating acid bass. third comes salty tears, the underground disco floor-filler (original limited 12 version) finding a second home on vinyl. your camera and monday usher in some moody rhythms to complete the first side. sin casa opens the flip with some minor-blues improvisation that gives way to a spacious deep house jam, where the protagonists emerge again. still missing shows deeper shades of a eurobeat style - an emotionally compelling club tune that sounds somewhere on the italo side of 1980s manchester. the story comes to a conclusion with cowardice, and the casual jazz-house sounds of mamans lover. killer album!!

300 copies - vinyl only - no repress!
a new berlin-based label coming from the russian wilderness. our first release is a 4-tracker of the analog sound enthusiast chizh and includes a secret circuit remix.

repress - fresh from drops on clone jack for daze, non plus & ultramajic - san fran’s vin sol returns to uttu where he debuted his first material (the incredible edges of a vortex back in 2012 one of the 1st ever uttu releases!). nutthin butt ghetto azz acid bombs for the klubb!

as with his previous offerings - that have found a home on the likes of red rack’ems smugglers inn, horn wax, ruff draft, plus his co-owned end of label boss imprint – cyclonix continues to explore the deeper and more leftfield spectrum of underground dance music with a futuristic vision. made up of two original tracks, ‘alien drug store’ ep draws on a host of electronic influences ranging from deep house to detroit beatdown, alongside subtle hints of acid house and dub techno, whilst both retain the producers trademark sci-fi aesthetic. the release is completed with a sterling remix of ‘you’d better not’ from a pioneering legend of the uk underground - 4hero’s marc mac, under his nu era guise. heading up the a side is ‘you’d better not’, a slow-grooving techno cut bolstered by punchy kicks and a rubbery bassline, where foreboding sci-fi vox samples are interspersed with dubbed out chords and crunchy offbeat snares, as the arrangement shifts from one mood to another. the sub-aquatic vibes of ‘two face’ follows, which is set to a hypnotic two chord pattern, 4/4 kicks and a lashing of moody synths that gradually entices you into deeper realms through the aid of rippling hi-hats and rhythmic percussion with a submersed quality. on the flip is marc mac’s nu era take on the 12”s lead cut ‘you’d better not’, who transforms the menacing original into a blast of uplifting broken techno, where the soulful musicality of sustained strings and piano chords complement snippets of the original’s vocal sample that drifts atop adept drum programming, bouncy synth bass and a flurry of glistening synth melodies.

room ii records is a new imprint run by two brothers based in london, which focuses on giving a platform to up and coming artists. ‘the black ep’ is the first in the series.
kicking off the series are three tracks by tr all varying in style and technique. soft pads and playful keys bounce along a grooving bassline on ep and every future summer set opener ‘fantasia’. ‘ub city’ is made up of field recordings taken from a recent trip tr made to india last summer. the flip side shifts again culminating in a live drum breakdown that’s supported by a subtle, acidic bass line - ‘10am acid jam’ is an outright dancefloor weapon.

weiss blasts off via “brain fever”, where raw, mind-altering arpeggio bass, fuzzy drum machine hits, spacey chords and alien electronics thrust our hero skywards. think of it as techno for funk-fuelled, italo-disco loving astronauts whose journey to the end of the universe is only just underway. this intergalactic funk blueprint is explored further on the deeper and more melodious “you want a cigarette”, where weiss’s vocoder vocals wrap themselves around mutant tb-303 lines, rush-inducing chords and clattering machine percussion. on “space ghetto (booty)”, our hero celebrates the discovery of previously unknown worlds in the only way he knows how. with kaleidoscopic, full-throttle electronic motifs and funk-fuelled synth-bass to the fore, weiss offers his own unique take on electrofunk. pleasingly fuzzy and tightly wrapped in the syncopated drum machine handclaps of ghetto-house, it’s a typically far-sighted and attractive proposition.