after the reception of “battle anybody” from luminaries like dj premier (#19 on his best of 2013 picks), dj evil dee, dj eclipse and more, dawhud and ace-one started working on a proper follow up to their emceeing anthem. one track turned into an ep which then quickly turned into a full length project. the project... d&g (david & goliath) - “the scepter & the sword” the concept for the group simply came from dawhud’s name (david in arabic) and ace-one, who was in the midst of fnishing up his “rapmonster” series. those two elements and the sheer chest pounding vibe of their prior track led to the creation of “david & goliath”. epic, biblical, and loaded with imagery that paints what the duo are trying to convey in just a name. produced entirely by dawhud, the duo trade verses over his landscapes to join forces and reign together. from the opening battle cry of “something’s coming” to the closing of their p-p-p-p-p-premier approved track, “the scepter & the sword” is a rap odyssey. assisting the duo on this legendary journey are emcees like masta ace, rock (from heltah skeltah), sadat x, kokane and pacewon alongside longtime friends/emcees joe harvey, jo and otomatik. with a title like “david & goliath”… legends should be involved. something’s coming…

features the hit singles * walk this way*, * my adidas*, * its tricky*, * peter piper* & more

here it is... a project i unofficially had done since 06Æ. it started when dilla passed february of 06. to cope with the death of my unofficial musical mentor & favorite producer, i started making donuts, uncontrollably. i never planned to release any of the material out of respect for dilla & his craft. iÆve shared some of the music with others, in which they would constantly ask me to hear it, so i decided to put a lil sumthing together and make it official. just for yall. this is a collection of beats i made in 06. some donuts style, some just around that era of 14kt beats. now & laters was always a favorite candy of mine. i used to go to mindells pharmacy in ypsi back in the day and buy all of them. sadly i even stole change from my grandmaÆs (rip) purse for them. ironically, i fell back in love with now and laters around this era. enjoy. 14kt

quazarz came to the earth from somewhere else, a musical ambassador from his place to ours. somehow, through fire or through fury, the palaceer of shabazz palaces caught wind of the tale, and it is through his prism that we hear the story. the beach was there, and atlaantiis, and chemical alterations and cell memories and andre norton, richard k. morgan, and always octavia butler. there were killings and there were votes, and brutality in both. there was sound and there were other worlds, and there was a vastness so participation sometimes came only at the edges. and the palaceer coasted down with the alien notion, like quazarz, and so became. on quazarz when they look at this place they see the inhabitants, the humans, but they don’t assess as we do. and so quazarz was sent to meet a cat with vibration, a creative and courageous, caring, compassionate dude that stood out. the dude was a drug dealer, but that was neither here nor there, until his dealings squashed the rendezvous, leaving our alien alone to figure out what this place is really all about. the vinyl release includes a download code.

…speaking of air and darkness, “born on a gangster star” came into the world in a big damn hurry, like nightfall on an island. you can see it happening, but then again it’s so gradual that the next thing you know - it’s dark.
imbued with the energy and ideas from all the creative embers floating in the atmosphere like fireflies, shabazz palaces recorded this entire album over the course of two weeks with blood in seattle. new gear and new equipment disintegrated comfort zones into dust and a new path appeared in the rubble.
herein the palaceer continues the tale of quazars, a sentient being from somewhere else, an observer sent here to amurderca to chronicle and explore as a musical emissary. what he finds in our world is a cutthroat place, a landscape where someone like him could never quite feel comfortable amidst all the brutality and alternative facts and death masquerading as connectivity.
the vinyl release includes a download code.

a fantastic afro-beat album from a fela anikulapo kuti disciple and kalakuta republic member. a sublime spiritual and political session recorded in 1979 at the emi studio in lagos (nigeria). arranged and self-produced, this second kingsley bucknor‘s album, hopelessly obscure and impossible to find ranks alongside the best afro-beat album in history!

two more recent 70s, modern soul-style discoveries were issued last year on the “hotlanta soul 4” kent cd. lorraine johnson verified that the sumptuous vocals on ‘a love like yours’ were indeed hers, though again the author of the song is unknown. deep velvet give a much more harmonious take on ripple’s ‘complain to the clouds’, transforming it from a funk growl into a true soul song.

the aristocrats were originally from bridgeport, connecticut, but came to philadelphia in 1973 where they recorded five tracks with bobbi eli at sigma sound studios. only one single was released, the philly classic “let’s get together now” on warner brothers records. original pressings can fetch up to £150. the expansion pressing here is extra special as the ‘b’ side “loving you is mellow” has never previously been released on 7” or vinyl. it is in fact the original version of a song later made famous by major harris but in it’s own right an exceptional piece of philly magic.

die reggae anthology-serie präsentiert zwölf ausgesuchte singles auf longplay-vinyl, die alle zwischen 1972 und 1985 veröffentlicht wurden. inklusive der beiden 12-inch maxi-single versionen -promised land- (extended mix), der in kooperation mit der renommierten uk-gruppe aswad entstand, und -children of israel- (special 12- mix), produziert von ossie hibbert. darüber hinaus gibt es seltene 7inch single a-seiten, die von jackie mittoo, niney the observer, phil pratt, herman chin-loy, joe gibbs & errol thompson, derrick harriott und dennis brown & castro brown produziert wurden. die aufnahmen wurden von den musikern der backing bands eingespielt: the taxi gang, the professionals, the now generation, crystalites. aggrovators, roots radics und soul syndicate. erstmalig erschien diese lp parallel zu dem 2cd+dvd set -crown prince of reggae- im jahre 2010 und ist jetzt wieder erhältlich!

der nigerianische musiker fela kuti gilt als begründer des afrobeat. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als neue vinyl-edition vor. diese entstammen ursprünglich dem von brian eno zusammengestellten set -vinyl box 3/compiled by brian eno- und waren einzeln nicht erhältlich. schwarzes vinyl / 180g. das 1971 aufgenommene album -shakara- begründet das genre des afrobeat und experimentiert mit dem einsatz musikalischer mittel: erstmals mit zwei gitarristen, die ihre riffs parallel anlegen, werden Überlagerungseffekte geschaffen, die der musik einen starken drive und eine hypnotische wirkung verleihen

kutmah wird anfang august sein lange erwartetes albumdebüt “the revenge of black belly button!” (oder trobbb!) via big dada veröffentlichen. mit dabei ist eine lange liste hochkarätiger gäste, darunter gonjasufi, jonwayne, natureboy flako, ta raach, jeremiah jae, zeroh, zackey force funk, n8noface, sach, akello g light und dj chris p cuts. gemeinsam erzeugen sie experimentell-medidative zen-loops, schrullig berstende beats und abstrakte raps, glasklaren punk und noise und sogar folk- und blues-inspirierte nummern.
gepriesen von flying lotus als -einer der einflussreichsten djs des beat-movements-, werden kutmahs fähigkeiten und seine vision als produzent auf “trobbb!” in den vordergrund gerückt. dabei ist das album eine äußerst sentimentale angelegenheit, die stark seine vergangenheit referenziert, aber auch der zukunft entgegenblickt.
heavyweight (180g) doppelvinyl inklusive downloadcode.

after a run of successful mixtapes over the last fve years, self provoked released his debut album triangles on october 28, 2016. production has been supplied by la natives nobody, kenny segal, louden, big game huntaz and daddy kev.
hailing from the los angeles county region of san fernando valley, self provoked’s music career has been elevating through his crew on a high note, building on 70.000+ subscribers over his streaming channels and opening up for hip hop legends such as bone thugs ‘n harmony, talib kweli and dilated peoples. triangles is the summation of his endurance and discipline as an mc, running through unique wordplay and imagery over the 43+ minutes of the entire album.
every line of triangles opens up the most honest of windows into self provoked’s thinking process and the beats ride through west coast tinged ?avors of the darkest and brightest sides. the frst track to premiere from triangles was launched this summer, galvanizing his perspective on the realities of society with the nick rodriguez directed music video “supposedly.” bringing in 150.000+ plays in the last few months, “supposedly” was produced by long time working associate of provoked’s, louden.
triangles was recorded, mixed and mastered by low end theory co-founders nobody and daddy kev at the cosmic zoo.

erstklassiger northern soul-sampler mit zwölf einzigartigen raritäten, die alle zur zeit ihrer entstehung unveröffentlicht blieben und nur über das abspielen von mastertapes im laufe der zeit popularität in den clubs erreichten. mit chuck jackson, the mayfield singers, the platters, len barry, roscoe shelton, u.v.a. laut gemastered und somit ideal für soul-djs (und -fans).

original first (and only) pressing, not reissues, represses or bootlegs.

original first (and only) pressing, not reissues, represses or bootlegs.

we’re seeing red! promnite’s absolutely mental snake charmer ep gets the physical edition it deserves. this ain’t no soundcloud special — snake charmer is a four-track dive into life itself, showcasing the collaborative songwriting chops, elevated sound design and alwaysfunky approach that makes promnite one of the most exciting young producers in the game. this cali-via-nyc producer (and co-founder of la’s beloved athletixx dj collective) eschews run-of-the mill bangers for the bittersweet turn up of “gunsmoke,” featuring denzel curry, nell, j.k. the reaper and twelve’len, and short-story worthy clubland tales on “ride around” with adam vida. meanwhile, prom’ssmooth stepper “call me” with mark johns nuzzles up against the space-age trunk rattle of “cruise’n usa,” featuring ladonnis. promnite is bringing the love back to club music. for all their futuristic thump and sonic precision, the tracks on his snake charmer ep are wonderfully, messily human.

es gab kaum orte, die in der northern soul-szene der 1950 /1960 er jahre detroit ernsthafte konkurrenz machen konnten, philadelphia kam dem aber sehr nah mit amerikas damaligem nr.1 independent-label cameo-parkway. die outta sight-vinylkollektion -here comes the night owl- präsentiert 16 klassiker des legendären labels, von chubby checker über christine cooper bis bunny sigler.

unterschätze nie die, die still sind.
auf den ersten blick ein leiser mann, doch gib boshi san ein mic und du begreifst es. seine musik inspiriert durch die schritte, die er geht und die einflüsse, die ihm auf seiner reise begegnen. mal geht es hoch hinaus, dann wacht er am nächsten morgen wieder am boden auf. durch höhen und tiefen, upgrades und abwege. hauptsache nicht aus der bahn werfen lassen. Über 30 und immer noch ein rapkid, das genau weiß, was es will.
das doppelvinyl erscheint inklusive album-cd.

official mr bongo reissue. licensed from george prah, founder of gapophone records.
marijata was a group made up of three members – kofi electric addison on drums, bob fischlan on organ and nat osmanu on guitar, hailing from ghana. ‘this is marijata’ is the groups first lp, released originally on the gapophone label – it is pure, rootsy, raw, driving african funk music of the highest order, now highly sought-after in both its original and previously reissued forms.

we’re excited to announce the first in a series of rare nigerian releases we’re putting out with the help of uchenna ikonne. sjob movement’s friendship train was the second lp by the group and one which saw the group rise to new heights. it’s a masterpiece of african music with it’s fluid afro beat grooves and spaced out moog synthesizer sounds.

the mysterious 13 productions crew from london have been making beats for a minute and this is their debut release on wax, featuring long-time dwg/fresh pressings collaborator emskee on mic duties.
limited to 300 copies on black 7 inch vinyl.

l one ist ein junger münchner hiphop beatbastler und drumcomputer-liebhaber. mit nur 24 jahren hat er bereits eine beachtliche diskographie als produzent vorzuweisen. darunter die projekte der rap-crews atp “c’est la vie oder was?” (2016 auf bumm clack) sowie weltuntergäng’s “dogmatikers elfen” (2014 auf tieftonkultur) entspringen seiner mpc bzw. seiner sp1200 und haben für aufsehen in der münchner rapszene gesorgt. als teil von akere oder manufaktur wagte er sich in vergangenen jahren auch in neue genres und lieferte neue ansätze zu triphop und dubstep ab.
auf der “farska lp verarbeitet l one seine impressionen seiner kroatienurlaube 2015 und 2016. jeden tag ist hier ein stück am strand mit nur einer mpc60 entstanden, welches entweder die mahlzeit (2015) oder das getränk (2016) des abendessens des vorabends im titel trägt.

following his self titled lp, illa j sometimes known as “john regal” (born october 13.1986 in detroit, michigan) is a singer, songwriter, rapper, producer, multi instrumentalist. he takes us on a trip to his hometown detroit with his third solo album home. his last lp successfully took illa j out of his brother and hiphop legend j dilla‘s shadow to show he is in his own lane. yet, yancey still felt as though he was in a box labeled rapper. teaming up with producer calvin valentine, who entirely produced the album, home is illa j‘s first album to properly showcase the full extent of his vocal range to put him in the singer-songwriter conversation. the listener can feel the soulfulness of this lp through illa j‘s singing and valentines‘ smooth production.

reeeeal hip hop

frisch und kraftvoll: die malische weltmusik-diva mit runderneuertem sound.
pressung auf weißem vinyl, downloadcode inklusive.

the best of jimmy cliff on 180 gram vinyl with download code included.

limited edition of 300 copies.

a burning desire to just fuckin rhyme. on my last couple of albums i challenged myself with regard to formats, trying to push the envelope as far as what exactly constitutes a rap record. talking (bleep) and problems were my last two lead singles, both markedly unconventional. i adore both of those songs and i adore both of those albums specifcally for the new creative fulfllment i enjoyed while making them. there’s much more of that to come, but after spending 3 years outside of the box i was left with a burning desire to just fuckin rhyme. thats veins. - homeboy sandman

find a moment of clarity. ¡eureka! is the new lp on alpha pup from eureka the butcher, a collection of intense, involved tracks with deliberate arrangements and undefnable style.
the vinyl release includes a download code.

auf -ennanga vision- begleiten wir den londoner produzenten jesse hacke (owiny sigoma band, elmore judd, gorillaz) auf einer klangreise, die uns von der englischen kapitale nach uganda führt, und damit von der hauptstadt des pop mitten ins herz von afrika. co-steuermann und erster kollaborateur von hacke ist der ugandische sänger und multiinstrumentalist albert ssempeke. bei ihrer eigenwilligen, um nicht zu sagen abenteuerlichen unternehmung erhalten die beiden beistand durch eine reihe von gastsängern aus dem norden ugandas, die unter der dortigen bevölkerung einen legendären ruf genießen. damit setzt sich die formation aus einer runde von experten zusammen, welche die dj-ikone gilles -acid jazz- peterson zu den worten -one of the finest musicians, thinkers and world selectors in the uk- hinriss. sie sorgen für einen hypnotischen sound, der traditionelle ugandische folk-musik mit aktuellem pop der westlichen hemisphäre zu einem organischen ganzen verschmilzt. dabei findet die einsaitige, für afrika so typische geige genauso ihren platz wie eine 200 jahre alte mundharmonika. für das infektiöse klangbild bestimmend sind jedoch in erster linie elektronische instrumente aller art sowie parallel gespielte xylophone.

pop makossa - the invasive dance beat of cameroon 1976–1984 the pop makossa adventure started in 2009, when analog africa founder samy ben redjeb first travelled to cameroon to make an initial assessment of the countrys musical situation. he returned with enough tracks for an explosive compilation highlighting the period when funk and disco sounds began to infiltrate the makossa style popular throughout cameroon.

in october 2016, snoop dogg took to instagram to preview a new song that includes a sample of badbadnotgood s -lavender- featuring their fellow canadian beatsmith, kaytranada. the internet pounced on the track that addresses the police killings of black men in the united states, with coverage from fader and fact magazine to complex, xxl mag and pitchfork and more. now snoop dogg s long-awaited nightfall remix is being released on badbadnotgood s la based label innovative leisure. comes with a poster insert & b-side etching of the original artwork.

hochwertig produzierte lp-kompilation für anspruchsvolle musikliebhaber.

liebevoll gestaltete funk-kompilation mit remasterten hits vergangener jahrzehnte.
das französische label wagram veröffentlicht im rahmen der kompilationsserie -wanted collection- zeitgleich vier optisch attraktiv in szene gesetzte lps rund ums thema black music. alle platten erscheinen als 180-gramm-vinyl und bieten ausschließlich soundtechnisch auf den neuesten stand gebrachte floorfiller aus den genres funk, soul, afrobeat und reggae. abgerundet werden die sampler durch exklusive schnappschüsse des britischen fotografen chris steel-perkins. die -wanted funk--edition bietet ein dutzend schweißtreibender stücke von größen wie ray camacho, the fatback band, robert jay, uncle louie, little beaver, king floyd und the philly armada orchestra. für liebhaber und kenner ein augen- und ohrenschmaus!

jalal salaam and ewonee’s past lives stands among the top releases of 2015. and in 2016 it sees a deluxe vinyl release via house shoes’ street corner music. the 2lp will be complete with all instrumentals, and an insert containing all lyrics. the urgency of these recordings is reflective of the times we live in. jalal salaam’s raps are a perfect marriage to ewonee’s production, eschewing contemporary sounds for an album incredibly well balanced between tradition and progression. “this is one of the best albums i have heard in years, and i’m proud release what i consider a new classic from some of the new guard of new york city’s storied history of hip hop music...” • born in mount vernon, ny, ewonee is the first signee of east coast record label & producer collective, beat haus records, and featured on boiler room (link here) • jalal salaam is out of ardsley/dobbs ferry ny, has collaborated with artists such as ivan ave and fredfades and known for his radical, in depth, and emotionally free lyrical style • this deluxe 2xlp includes the full vocal album along with instrumentals and a lyric sheet.
“best rap album i’ve heard in a long time..” -house shoes

das coveralbum “radiodread” von den easy star all-stars erschien ursprünglich 2006 als nachfolger ihres kultalbums “dub side of the moon” von 2003. für “radiodread” diente radioheads album-klassiker “ok computer” als inspiration, und so wurde aus dem masterpiece des modernen rock ein energiegeladener und trippiger ausflug in die welt des dub & reggae. eine imposante liste namhafter gäste machte bei diesem spaß mit, darunter toots & the maytals, horace andy, morgan heritage, sugar minott, frankie paul, citizen cope oder israel vibration. nun erscheint das album in einer neuen edition mit 15 tracks, inklusive “high and dry” featuring morgan heritage, auch als limitiertes, goldfarbiges doppelvinyl im klappcover.

nach sechs mixtapes, drei eps, zwei büchern sowie seinem debütalbum “loop up” (2015) veröffentlicht us-rapper mod sun aus minnesota nun den nachfolger “movie” mit features von d.r.a.m, maty noyes, blackbear, gnash, dej loaf, rich the kid und mansionz (mike posner & blackbear).

devil woman is an album designed to set young hearts aflutter and draw approving nods from seasoned musicians. it succeeds in both.

produzentenalbum featuring ill bill, goretex, planet asia, chief kamachi, und anderen für fans von jedi mind tricks, vinnie paz, non phixion etc. die vinyl-lp erscheint inklusive downloadcode.

since its 2000 release this influential record, which heralded the return of alternative hip-hop, has never seen a vinyl reissue. with that, get on down-always on top of giving the greatest hip-hop albums their due-is proud to present this re-release of the platform. the rhymes are still fresh, the production is still pristine, and the album is now back on vinyl for the first time in 17 years.

als vinyl streng limitiertes debütalbum des aus der bay area stammenden und in los angeles ansässigen künstlers harriet brown, das auf seine ep -new era- aus dem jahr 2014 folgt. es ist kein geheimnis, dass der multiinstrumentalist und produzent stark von prince und sade inspiriert ist. die musik der one-man band ist ein mix aus elektronischen sounds aus drum-maschinen, synthesizern, geloopten live-aufnahmen und sinnlichen vocals. die atmosphäre ist sinnlich, sexuell, vieldeutig und androgyn. das album erscheint bei innovative leisure aus los angeles, heimat von nick waterhouse, badbadnotgood, hanni el khatib, etc. für fans von prince, classixx, kelela, nao, sade, blood orange, u.a.!

same track on both sides.

in celebration of the 10th anniversary of “force fed” we have teamed up with fat beats to release this limited edition colored vinyl. “the debut album from ide the shanty one, “force fed” is a verbal maelstrom whipping through the placid seas of 21st century underground hip-hop with thunderous beats and lightning-strike lyrics. ide displays his furious command of the mic over 23 dark and storming beats, his imaginative and visceral word-warping and unrelenting flow striking listeners with gut-punch directness.

fredfades is a norwegian producer specialising in the uncut raw hip hop. here’s his debut solo album, “warmth”. (vinyl includes download code) in 2013 he dropped a classic with ivan ave called breathe on kingunderground records. warmth is his debut solo album following a long line of singles, collaborative albums, cassettes and load of independently released projects. the album has 16 tracks made from jazz, soul and boogie samples with gritty drums and a dash of synth stabs, mixed by fred and mastered at strype audio in oslo by christian obermayer. the title track warmth is the last track on the album and was sampled from a live recording off one of fred’s favourite jazz records that is always on heavy rotation at the crib. guests at the table include med (stones throw), mndsgn (stones throw), ivan ave, (jakarta), moruf, koreatown oddity (stones throw), chester watson and more.

with their first two daptone albums – get an understanding, and as featured singers on como now – the como mamas established themselves as three of the strongest voices in gospel music today.
in december of 2015, they cemented that reputation by taking their first trip from their home in como, ms up to harlem, ny to crush the apollo theater as part of the daptone super soul revue. taking full advantage of their presence in town, the daptone crew brought ester mae wilbourn, della daniels, and angelia taylor into the house of soul the week after the show to join forces for the first time with the musicians and studio that has defined their label’s sound. jimmy hill, thomas brenneck, homer steinweiss, and bosco mann, all stalwarts of the daptone stable, came together as “the glorifiers band,” to put down a churning musical foundation for these amazing singers. the results are some of the heaviest tracks that daptone has cut to date. if you don’t like raw, soulful gospel music, you’re really gonna hate this one. move upstairs is a real mother!

suns of dub is a performing ensemble and production team, creating unique sound experiences that blend live instruments and dub influenced genres. their hybrid reggae sound includes live melodica, steel pan, nyabinghi drums, live dub and dj effects. the group has been working and releasing music together since 2010.
riddimentary - suns of dub selects greensleeves pairs the group with the greensleeves and vp records catalogue of reggae masters for a musical tour through the crucial tracks that have formed the outlook and output of the ensemble. the set is a continuous dj mix of seventeen songs on cd. twelve selected full tracks on vinyl lp and both the mix and seventeen full tracks on the digital album.
among the featured artists on the album is the legendary augustus pablo, whose son addis is a founding member. riddimentary is the perfect bridge for dub reggae and progressive music fans to connect with all-time reggae classics from greensleeves and vp records.
producers credits include augustus pablo, joe gibbs, errol thompson, prince jammy/lloyd “king jammy’s” james, henry “junjo” lawes, sugar minott, linval thompson, winston riley
for fans of diplo, prince fatty, mr williams, rockers and roots reggae.

“a safe place to be naked” is s. fidelity’s debut album, which will be released on may 5th via jakarta records. it features 12 tracks, capturing the producer’s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in berlin. evolving from there the he has also released an ep with feelin music in 2014, and “sidekicks”, a joint project with long-term friend and collaborator bluestaeb in 2016. by working with artists like tru thoughts singer harleighblu and label mate juju rogers as well as fellow producers bluestaeb and shuffle jack, his lp “a safe place to be naked” plays with sampled vocals and even his own voice – often distorted, but still present. s. fidelity was born in st. gallen, switzerland, mainly works in berlin and currently resides in london. as a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. s. fidelity’s laid-back eclecticism is marked by a deep knowledge and fascination for pop culture as a whole. his idea of fresh hiphop references to various genres, including jazz, ambient, disco and electronica. the lp contains an a2 poster & download code.

with the release of his third album just being me myles sanko has truly arrived. following the worldwide release in autumn 2016 the ghana born british soul singer and songwriter played sell out shows across europe and gained extensive airplay on all major radio stations from germany to france, from spain to the uk. this ain t living is a strong statement in troubled times and the second single from just being me. myles sanko will embark on an extensive european tour from march 2017.

back to back 70s roots shots from joe morgan, his first and second ever tunes. while many know joe from his wackie s anthem basement session, joe was already producing himself in the mid 70s on his own afro black label in jamaica before coming to nyc. both of these tunes are stone cold classics long hunted by roots collectors, and the rhythms used should be familiar to astute listeners from other brilliant cuts. joe continued to record and produce himself and other artists on his own main imprint fish tea, and other labels label thru the 80s. the two tunes issued on this fish tea 12inch both originally appeared as afro black label 45 s in jamaica, and the b-side also on a pet shop label 45 in nyc

repress! 2lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

2x12 inch lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

best of 50 cent is a career-spanning chronicle of one of music’s most compelling and influential artists. the compilation will be packaged as a 2lp, including classic cuts from his 2003-2009 albums, get rich or die tryin’, the massacre, curtis, before i self destruct, and the bonus cut how to rob. pressing on heavyweight 180 gram vinyl, housed in a gatefold sleeve with downloadcode included.

comes with a free funky chimes 45rpm adapter. sampler 2/5: francis coppieters funky chimes / georges hayes and his philarpopic orchestra concerto for right foot and orchestra

comes with a free funky chimes 45rpm adapter. sampler 1/5: the soul scratchers – scratch my back (pt. 1 & 2) / patricia burns – paddock

comes with a free funky chimes 45rpm adapter. funky chimes sampler 4/5: experience pink movement / the indian sound of...black foot smoke signal

al sunny is a young composer emerging from the french soul music scene. soon after learning the guitar, he started composing and became involved in numerous projects and collaborations. al has been influenced by pop, rock, and electronic music, always with a foundation in the “black” and “soul” sound.

diese 7” ist auf 500 exemplare limitiert und kommt in einem super coolen company-sleeve!
nebenprojekt von the slackers mit gastmusikern von the far east, all torn up!, choking victim, leftÖver crack crazy baldhead wurde 1997 von jayson nugent - seines zeichen gittarist von the slackers - in nyc gegründet.

birthed from deep within london s burgeoning jazz resurgence, native dancer have been setting levels across the capital s live scene (and beyond) over the past two years. five individual artists who together set out to create a music that speaks from the heart and denies none of their influences in a genre twisting mashup of styles with elements of pop, soul, electro-funk, jazz, rock and dance music. submit records release native dancer s eps vol. i & ii on 12- vinyl with gatefold sleeve. limited to 500 copies, the release features an eric lau remix of big blue and a digital exclusive remix of in clouds by slugabed. already having received airplay from gilles peterson, marcia carr, support from alexander nut (eglo records) and afropunk - native dancer are one of london s most promising musical prospects, and submit001 sees their remarkable duo of eps pressed to wax for the very first time.

passafire s longshot, the full-length follow up to vines (2013) and the interval ep (2015), finds the band continuing to stretch in new musical directions, while still maintaining a strong core of reggae elements. some songs tread into 90s grunge, hip hop and even current pop, but for hardcore passafire fans, this genre-bending style will come as no surprise for a band that has always pushed itself through experimentation, with a foundation of hummable hooks and vicious musicianship. a guest spot by rapper mr. lif also contributes a new angle on the song -blow. vines debuted at 1 on billboard record chart.