Releases from artist / Veröffentlichungen von : Inga

house / deephouse ep

reissue of the 1971 jazz-funk classic.

reissue on heavyweight vinyl

das zweite album von inga.

disco, funk, jazz inspired ep.

two funky tracks from lego edit & vito lalinga b2b on the new legofunk records. pressing on black 7 inch vinyl. 2022 h2 repress

limited repress of the 2020 album from nightingales.

limited pressing on red coloured vinyl, a3 theatrical poster, booklet and download code included.

blue vinyl / vinyl only

legofunk series continues the series on 7inch with two tracks with afro house & funky influences. for starting the day in a good mood, you will find yesaye the greatest way...definitely not to be missed.

latin house & disco grooves on black 7 inch vinyl

latin house & disco grooves on transparent green 7 inch vinyl.

sam binga and particle go skrrrrr.

abstract techno

the solo debut from domingæ of föllakzoid fame. limited pressing on white vinyl, download code included.

sixteen unheard works from mexican jazz synesthete, german bringas

limited white vinyl pressing.

regular black vinyl pressing.

second part of the dark outer space ambient series from albert kuningas. limited to 200 copies.

pressed on dark smokey marbled vinyl, housed in full colour embossed sleeve with extra varnish, download code included.

raw, slightly ebmish electro tinged techno trips

ltd white vinyl! next disco funk shooter from legofunk

black vinyl ! next disco funk shooter from legofunk

yellow-orange marbled vinyl in label sleeve with download code included.

tanzbarer afro-jazz und funk der im vollen vito lalinga stil verfeinert ist.

albert kuningas legendary “music for ufo document programs” finally available on vinyl, limited to 200 copies.

two funky tracks from lego edit & vito lalinga b2b on the new legofunk records. pressing on yellow 7 inch vinyl.

vito lalinga reicht vom orthodoxsten afrobeat bis hin zu exquisiten jazzphrasen.

real funkyness ! tip!

more dj-tools from sausage fibngaz on orange marbled 7 inch vinyl.

vinyl ep with download ciode included.

next ringard deep house floor weapon / the label turns 5! to celebrate, ringard delivers a 4 tracks ep.

pressing on red vinyl with yellow dots / sprinkles.

and again 13 tracks for the space ior from the space .. all aliens welcome to the world of inga mauer and hellboii

future music for the space! tipp!

pressing on transparent & white mixed vinyl, comes with download code.

limited hand-numbered 7 inch vinyl.

emotional rescue begins the first in a series of reissues looking at the music of guitarist carl weingarten and his multiphase records label, starting at his highly sought after collaborate album with walter whitney, dreaming in colors. with an early interest in photography and super 8 film leading to a degree in cinema production, weingarten s other, self-taught, love was the slide guitar. taking its blues roots and merging them with his visual arts background created a unique painting in sound style of playing.

baptiste letertre is ringard and comes from rennes, britanny s biggest city with a strong electronic music culture. ringard has a label called dance around 88 because he was born in 1988. ringard released 8 vinyl records. -lacrima rossa- is his first 12- outside his own label so it s a great pleasure for us to have him on board. ringard music is deep but raw, woolly, melancholic yet emotional. think soulful techno, steamroom slo-mo, warehouse heat and euphoric minimal. morphine electronics at its best with amazing strings and killer frequencies like lobster theremin meeting boards of canada in a fantasy balearic island. in french, ringard means tacky or outdated. it has never sound so cool being ringard!

after a one year hiatus, ringard is back with a 3 tracks ep. recorded live in rennes.

much wanted south african disco gem from 1979. now reissued for the first time on johannesburgs afro synth.

dr. love is a veteran and key tastemaker / vinyl junkie on the montreal scene and laura ingalls is a wandering french person of no specific sex who has recently landed in the french canadian city and they both bonded over their love of anything disco and poutine, the main local dish which consists of potato, cheese, gravy and maybe sometimes added meat! dr love likes to dig but doesn t really produce while laura ingalls is not the most efficient digger and only seems to unearth old folk and obscure arabic music for their personal collection but has serious production skills.

“i’ve said it before, but dancehall and its influence on uk music has been a massive inspiration for me, going way back to hearing chris goldfinger on radio 1 playing music that was like nothing else i’d heard before. i love that fundamental rhythmic pattern, and i love how within the same world you can have some tunes that are built around the sweetest melodies and harmonies, and others that are built around super-tuff minimal drums and crazy squeeks and bleeps.
when it came time to build another ep for critical, i decided to link up with my good friend and long-time collaborator rider shafique, who has a much deeper knowledge of this music than me, and together create something that references both old and new dancehall, while still being playable in the kinds of sets i ve become known for. there’s no halftime and no chopped-up jungle breaks here - we wanted to make something really focussed and even disciplined - and hopefully we’ve succeeded.
big shouts to the vocal collaborators - super hyped to work with stush on a tune, irah came through with the righteous fire, and tiffanie malvo absolutely bodied her beat - but ultimate biggups have to go to rider. this wasn’t a project where i made the beats and rider voiced them - for pretty much every tune, we worked and reworked the riddims together. we’re both stoked on the results, and it seems like people in the dance feel the same way.” - sam binga

for this debut release, the munich-based crew behind fayah chords has turned to two experienced vocal talents: south african dancehall mic man crosby and veteran toaster longfingah.
this release provides enough musical fuel to light every dance on fayah. by the way - the cover and vinyl presentation is delicately finished. a matt sleeve with white walled finish with an artwork depicting the artists fight against injustice. the vinyl itself is uniquely white.

cosmic bridge continues to move forward with a two-track release featuring the dynamic duo of munich s danny scrilla, an early member of the label s roster, and bristol s sam binga, a close friend and collaborator of the label s founder om unit. created during a weekend session at scrilla s home studio, the release sees this long overdue anglo-german meeting of the future minded go deep into unexpected sonic terrains and fully live up to its title of weird in munich. the trip begins on side a with frolic in brine , a brooding roller that sets up the mood: deep, hypnotic and sweaty. the track unfolds from pulsating synths with a percussive rhythm underpinning a gentle procession of elements including synth arpeggios, languid guitar licks, and echoing sound effects. ignoring dancefloor conventions, frolic in brine instead opts for a minimal approach that delivers a shot of pure body music.

special edition 10 inch cut on a 12 inch plate.

keeping up the hectic release schedule of strictly one (1) record per year, om unit & sam binga are proud to present the final instalment in the trans-continental trilogy: the trans siberian ep, on their very own bunit imprint. following on from the trans atlantic and trans pacific, the trans siberian ep showcases a further four innovative yet dancefloor-ready takes on uptempo dance music, ranging from the quarter-speed modular depth of baby steps, through the baile funk-meets-acid intensity of 2000 dogs, the ghettotech-jungle mania of up & under, all the way to the unique grime-boogie-dub hybrid that is optimist prime.built using an equal mix of lo-fi and cutting-edge production techniques, the trans siberian ep continues the progression of the bunit sound, referencing themes and approaches that have subconsciously threaded their way throughout the trilogy while still sounding nothing like any of the pair s other releases. available direct from the artists on vinyl and digital via bandcamp, vinyl only copies will be appearing in the finer record shops around the world via unearthed sounds distribution. where next for bunit? as of right now, we have no idea - but the journey will definitely be worth taking.

after her debut ep for hivern discs, shtum is very happy to welcome inga mauer to the family. the russian born but constantly travelling artist delivers the goods in form of four dust-dry and psychedelic techno tracks that celebrate the obscurities. starting with -dno- she sets the tone with an anthem for dark skies and basements. -silences- is captivating with its dysfunctional sounds. after the whirling dance of -my flights without you- you can t help but feel a little dizzy. and -dystopia- feels like hypnotic techno with a punk attitude. the artwork comes courtesy of carl-johannes schulze

joining forces for the latest in critical’s systems excursions are two of the uk’s most trusted electronic hell raisers sam binga and chimpo. delving deep for five tracks of naughty, booty swinging bass music, “for those who like it sweet” signs systems off for the year in style.
comes on translucent, purple marbled vinyl with download code included.

god, reviews can be lol. so we ll presume you know your own mind and taste. let us scrub all metaphor. we ll resist comparison. today s musical tenor overlooked, we ll refuse to dissect. moments preferred are muted. we won t highlight respite or forgiveness. there s no considering of geographical fact. we ll shut our ears to technology.

label owner fracture, fresh from landmark release ‘loving touch’ on exit records, and sam binga, of ‘ayo’ and ‘lef dem’ fame, team up to present fdgd, three alternative takes on minimal sub­-led dancehall at the higher end of the tempo range. all three riddims are vocalled by rider shafique, a key member of bristol’s young echo collective, who deviates from his trademark conscious lyrical content, choosing instead to roll out some of that dutty slackness in the finest traditions of yellowman and shabba ranks.
alongside this heavy pressure, man of the moment logos (known for his collaborations with mumdance and groundbreaking releases on keysound recordings) provides a next­level ‘devil mix’, taking inspiration from classic eski and grime but travelling far beyond that starting point to end floating, in beatless hyper­space.
as ever, astrophonica team up with utile creative to bring hand finished, magenta rubber stamped artwork to the limited edition vinyl sleeves.

inga mauer loves trains. -it s a fantastic chance to be nowhere-, she says. from cologne to clone is, in many ways, a celebration of this nomadic sense of existence. -i don t need a home, only a studio-, she confirms. recorded in a period when inga lived between cologne and rotterdam, home to the famed clone records shop (hence the title), the music on this ep is inspired both by the emptiness you suffer in futile non-places such as airports and the chasm you experiment in majestic scenarios as a russian forest. both by solitary travels and first encounters with machines you always wanted to touch like an 808. six tracks constructed with razor-sharp drum-machines, penetrating synth sequences and estranged vocals. raw sounds that capture the type of clairvoyance that one can only feel when in transit, far from the chains of our comfort zones. from cologne to clone is much more than a train journey. it s an introspective voyage to a beautifully warped soul. a reminder that, in fact, sometimes you only need your self-expression to feel at home.

something special from camp critical as two of electronic music’s leading lights lock horns for a vs battle of epic proportions. taking the jungle fleck of “mind & spirit” from sam’s “wasted days” lp of last year and one of breakage’s most memorable cuts from way back when (2005), the results are as you’d expect from these two. utterly essential listening.

ringard is back for the 10th release on dance around 88! comes with printed sleeve drawn by mioshe!

the above-average-height duo of sam binga (critical) and om unit (cosmic bridge, metalheadz) return with another white label set of next-level studio jams on their bunit joint venture.
known for their own take on drum & bass music - and in particular their unique approach to blending influences from a variety of worlds - their first collaborative ep “small victories” was picked up for exit records by dbridge back in 2012, and since then, their influence on a new generation of up-tempo music has been far reaching and undeniable.

ringard is back for his 6th release! 300 vinyl only limited copies

since his first forays into the limelight sam bingas name has become synonymous with some of themost forward-thinking, genre-defying electronic music to have emerged from the uk in recent years. with a string of successful releases on critical and exit garnering support from the likes of pitchfork,fact, resident advisor and xlr8r with radio endorsements from bbc radio 1s mistajam, friction, toddla t, b traits, rinse fm and more, critical music now present his debut long player *wasted days*. an album of pure street-felt expressionism drawing influence from global multicultures, his cascading eclecticism runs throughout making for a raw, uncompromising journey trueto the sam binga sound.

special edition 10 inch vinyl with ivy lab remixes of greatest distance (ft. romaine) & ayo (ft. redders).

limited edition hand stamped white

vinyl only release, limited to 300 copies.

le quatrième!! vinyl only. limited to 300

sam binga returns to drop his debut ep for critical music. inviting back the infamous redders for vocal duties, picking up where his trail blazing single ayo and the much loved lef dem from criticals underground sonics lp left off. a deft combination of low slung beats and bass with a nod to the jungle tradition.

limited vinyl reissue of the amazing *rock africa* album from 1977 by malinga five, a short-lived group made up of french, caribbean and african artists.

third release of the french label dance around 88. with a featuring from rennes too, calcuta!! all tracks recorded live machines. vinyl only. limited to 300 copies

self release from the artist formally known as inga copeland. pop length songs, instrumentals & abstractions. to the point and powerful. featuring a co-production with actress. an excellent record thats swept us off our feet! limited copies... tip!

second release of the french label dance around 88. all tracks recorded live machines. vinyl only. the old fashioned guy. ringard in french, find his inspiration in several styles : between acid house, old school raw house, deep house and deep techno. his productions, reflect of 10 years collecting vinyls, are made only with the spontaneity of a live act >one shot< on machines. owner of dance around 88, his aim is to propose a label where you can find different flavors on the same record. let there be house!

the latest incarnation for bliq comes in the form of brazilian future primitive thingamajicks and his lysergic quest through sound on >patricks last trip<, with vernon felicity channeling a different kind of synesthesia. drop out – turn on – tune in.

sonnentanz (klangkarussell) style

first release of the new label dance around 88, presenting a newcomer from rennes, ringard. a four track e.p developing 2 facets of the artist, obviously linked by the love for deep house. a side features two tracks designated for the dance floor, >amuse-la-bouche< and >you know that<. on b side, we have two melodic tracks with deep pads and heady baselines, >i saw you last night< and >empty streets< . all tracks recorded live machines. vinyl only. the >old fashioned guy<. ringard in french, find his inspiration in several styles : between acid house, old school raw house, deep house and deep techno. his productions, reflect of 10 years collecting vinyls, are made only with the spontaneity of a live act >one shot< on machines. owner of dance around 88, his aim is to propose a label where you can find different flavors on the same record. let there be house!!!

next up on critical musics modulations imprint comes a showcase from one of the most talked about names in uk hybrid bass music right now. heavily supported by the likes of kasra, shy fx, dbridge, mark pritchard, rockwell, dj die and many more, sam binga talks us through this dance floor fire release in his own words…
for the first time in critical:modulations history, this vinyl is available in hot pink.

808 master addison groove meldet sich mit neuer kollabo-ep mit sam dinga, bristol s finest, zurück. bouncing 808 grooves mit 170 bpm! der track 11th schaffte es bereits auf kode 9s neue rinse fm mix-cd. nun erfolgt die offizielle vÖ!

limited coloured release

so you didnt get that last firecracker that came in an incredible sleeve and was limited to 45 copies? well now you and the other 99% of humanity can at least own the music contained within it with this regular re-release, and to be honest although the sleeve isnt hand-weaved by a peruvian tribe centuries known for their mastery of textile craft, the one yer getting here is pretty goddamn sweet. bringing together calypso rhythms and bernie worrell-does-acid lines, fudge fingas >untytled< is an exemplary example of why everyone is in admiration of the geezer, and that is because he can actually make actual music, with compositions and melody and all that. excuse the lofty jargon. linkwood bring equal heat in the form of >secret value<, but guess what? fudge fingas has gone and blessed it with the refreshing audio equivalent of yer girlfriends mint & tea tree shower gel, adding liquid bass and lush keys. the fingas finishes off the e.p with one of his most interesting tracks to date >minus 616<, a dense, immersive piano piece that proves that getting this e.p out to a wider audience was just simply a righteous and necessary move. take that skinny tie off, wrap it round yer arm and mainline that uncut funk, baby.

uks fudge fingas debuts on rush hour with his s.v.t.ep, which includes the modern soul classic snow day.

nice price deal !!! after three releases of darkened house, proto rave and weird techno, hollands boutique purple maze label takes a detour into funky disco territory with prime numbers and firecracker craftsman fudge fingas at the helm. his amaranthine labyrinth ep is lively, bright and sugary, but still features plenty of complex analogue machinery to get you dancing.eyes on the prize opens proceedings with some distant bongos, glassy percussion and punchy kick drums. its a jostling track with insistent claps running right through it that really comes alive when some sweeping chords bring irresistible colour and funk.

after three albums for as many labels, dean blunt and inga copeland, also of the group hype williams, release their debut hyperdub lp, >black is beautiful<. amid rumours circulating, and confirmed by their advisor denna frances, the album was recorded during a tremulous period for the two: inga copelands arsenal girls tryouts, deans waschbärgate trial (he was implicated in being behind a one night robbing spree across 16 taxidermists based in london and the south east, allegedly only for racoons) and his subsequent conversion to nation of islam upon being acquitted. >black is beautiful< is laced with their signature hazy glow and is full of crunched eurovision lullabies, kinetic drum machine jams, unsettling funk, smeared walls of synth, moments of unadulterated opiated bliss, mogadon rap, infinite coughs and insights into the odd sexual behaviour of crackers. the word ebony occupies the albums entire front cover space in bold white print. >black is beautiful< is red and white.

build007 sees one of the hottest tracks from baobingas critically acclaimed joint ventures collaborative project flipped by one the fastest-rising producers of the last 12 months. >gun talk< by baobinga & i.d., featuring the dread vocals of rider shafique, attracted support from across the world of forward-thinking djs – most notably appearing as a highlight of mary-anne hobbs 2011 sonar performance… to a crowd of 10.000 in barcelona. for this release, we enlisted kahn to rework the tune with his trademark blend of grime-vibes and soundsystem bass-pressure. having appeared twice on the legendary punch drunk label, and fresh from remixing joker, its pretty much an open secret that kahn is the bristol producer set to blow this year. alongside the original >gun talk<, a fresh baobinga & i.d. beat is blessed with riders unique vocals – >lickle further< blending funky, bashment and dancehall vibes together into a gyal-friendly dancefloor killer.

two killer dub versions of mass x from fudge fingas what works ep. check! vakula turns the original tropical cut into a brain-melting, dark warehouse soundtrack. meanwhile, juju & jordash slow things down and get lost in a shimmering bass odyssey. very special, limited package with gold and red screen printed sleeves.

strictly limited vinyl with no re-press, silkscreened artwork by house of traps, hand-stamped labels, housed in japanese poly jackets... this fudge fingas leviathan-like ep has been simmering for some time now, and is finally available as the next installment of the cult firecracker series. ukraines vakula re-shapes it slavik style on the flip and fingas completes the package with a bass-heavy, tropical cut >mass x<. as usual, artwork and silkscreening by house of traps. strictly limited with no re-press!

just in time for the beginning of a vivacious summer, foliage records are ecstatic to present the long awaited full package of the already globally revered and anticipated summer breeze. the remixes from raw artistic soul encapsulated the euphoria of summer within south africa. undeniably bold yet gently assertive, summer breeze was a phenomenon, an unquestionable statement of the nations love for pure and deep house, a statement which foliage records joyfully respond to with the full release of summer breeze.

if you thought we were spoiling you with the last build release (baobinga & hyetals joint 12, loved and played by pretty much everyone), then you should probably look away now. yep, once again, the game has been upped most thoroughly: build006 sees guido, one of the most original talents to emerge from the fertile bristol scene, team up with genre-blind bass-music badman (and label boss) baobinga, for another collaborative 12&#8243,,, of impeccable quality and taste… and of course, weird artwork.
support from: crookers sinden jackmaster scratcha dva alex nut braiden simbad starkey geiom seb chew shortstuff, brackles, bok bok, hyetal, pinch etc…

>now about how< is an album that fuses diverse styles, tipping its cap to a world of sounds absorbed over the course of a lifetime. it is the sound of fudges childhood spent learning from his record loving family about the many wonders of 20th century recorded music, filtered through the classic house and techno template which was the soundtrack to his formative years. fudge fingas is a man very much immersed in his music. as well as producing he manages edinburghs best dance music record shop >underground solu shn< whilst also lending his musicianship to tracks by other artists on prime numbers such as linkwood & trus me.

we kick off 2011 with the latest collaborative plate of bristol-based build badness – label boss baobinga cooking up two what-do-you-call-it tracks with one of 2010s breakthrough producers, the man they call hyetal. starting 2010 with a huge punch drunk release alongside shortstuff, hyetal further refined his sound through collaborations with peverelist, and the massive prince-tastic anthem >phoenix< on orca – which can be found sitting proudly at number 36 in fact magazines tracks of the year run-down. with some big releases due in 2011, and more velour beats (with julio bashmore) on the way, we are very excited to have him involved in a build release.

this is a super limited and super special item... two separate album in one package of this true master player. when they are gone they are gone...tip!
em records (osaka) and meditations (from kyoto, www.meditations.jp) are pleased to announce the reissue, on double 12-inch vinyl, of two classic 1969 and 1970 lp releases from indian bamboo flute legend t.r. mahalingam, known as >mali< to his fans.

the fourth release on build, again mixing and matching the tempos and styles for maximum raving fun. support from skream, plastician, mistajam, jackmaster, mark pritchard / harmonic 313, brackles, l-vis & bok bok, 2562 and more.

following on from their own ep, the latest offering from hanuman and atki2s steak house imprint sees baobinga, poirier and a host of mcs join the steak house family. steak 003 sees the label moving into bashment territory with the original bass music badman baobinga serving up three prime cuts of juicy vocal raggastep. backed by a remix by karnival king poirier, this record is crammed full of party heat. sam baobinga has been one of the most important producers on the british music scene over the last five years. with releases on labels such as soul jazz, ninja tune and positiva as well as his own build imprint and remixes for artists like guru, the ragga twins, and the wu tang clan, baobinga has consistently reinvented and reshaped his sound and stayed several steps ahead of the game. this release sees binga push his heavy raggastep sound, bass heavy vocal bashment with a nod to the lush full synth sounds of future garage and featuring original voicings by some of the uks hottest mcs. fire!

future house, funky, dubstep, techno whatever its called i think its safe to say, a corker. possibly the best yet. 3rd release on build, great support from sinden, jackmaster, redlight, mungos hi fi, modeselektor, mista jam, mary anne hobbs, mj cole, drop the lime, and telepathic support from martyn.

fudge fingas provides a three track ep for this solo release on prime numbers. >about time< is a taster of his forthcoming debut album set for release in april. after a handful of highly regarded tracks featured on prime numbers >signature ep< series and the much coveted firecracker 10 inches, fudge fingas has produced a set finely displaying his instinctive ability to fuse sounds from a wide spectrum of styles.

seven years of love is our second label compilation with nine original tracks by resident artists and friends from around the world. the versatile vibe spreads across two parts, each dedicated to a certain dancefloor mood: system 108 and radugadiscoclub. outstanding artwork has been created by uno moralez.