although better known for his euphoric uptempo european disco edit style across labels such as public possession, ostra discos and most recently bahnsteig23, here the melbourne based collector and dj steps away from the dancefloor and presents two slower paced and (dare we say) more mature, sample-based efforts on this double-a side limited edition 7 inch.

limited edition of 500 copies on galaxy blue coloured vinyl.

2024 repress.

the anoma tree grows another branch, carrying a pair of succulent offerings written and produced by ohm hourani. the record is carried by a vibrant sleeve crafted by the brush of laucolo. an astute and tranquil portrait is juxtaposed against the flowing imagination of a soul enchanted by the music.

next spatial release comes from aural imbalance. delivered on grey & green splattered vinyl.

chunky house music

bladder by the light is a conceptional compilation between obsolete future and the parisian painter marion guillet. it was compiled by marion guillet & conor walker.

handstamped vinyl

remastered reissue of the 1978 album from flautist lloyd mcneill.

revelation ep is the debut release of australian record label denude, showcasing the latest work of melbourne based artist eddie hale. the title track revelation is both driving and warm - layered percussion lines rise and fall amongst detroit inspired stabs and subtly textured elements creating an infectious and uplifting groove. a2’s surging is both tunnelling and driving - straight into late night / early hours territory - with swirling sounds forming a hypnotizing sonic bath for the body and mind. rounding up the a side with a change of pace, aperture’s syncopated percussion leads us on a peaceful detour through ethereal synthscapes as we follow the round journey of an evolving sound that travels full circle. on the flip, joel mull’s hypno mix of revelations propels the listener with mechanical precision through dizzyingly expansive atmospheres of truly mind melting proportions. closing out the ep is terrace of an elephant, tranquil and reflective synth-work juxtaposed with coloured stabs striking through like comets across the night sky - brings us back down to earth in a contemplative mood.

stoked to welcome naff to the family!

gestanztes 300g karton cover! alle elemente auf dem cover wurden von hand gestempelt.kommt mit download code und nummerierten einleger. gemastert von ruud lekx vom originalband. limitiert auf 200 copies.

tranquil layers of lush instrumentation and intimate vocals - the 2nd longplayer from la based beatmaker, multi-instrumentalist and songwriter somni. pressing on translucent light blue vinyl.

next phase records presents two tranquil yet powerful excursions into the leftfield world of 125-130 bpm electronica.

official reissue - remastered and pressed on 180 gram vinyl.

an official reissue of the collectable disco 12 inch version of space princess one of the standout tracks from lonnie liston smiths 1978 lp exotic mysteries, alongside the soothingly serene quiet moments remastered and released for rsd. sort after cosmic, jazz-infused disco on one side and a beautiful tranquil journey on the other. a must for any collector, dj or home listener out there!

brand new from modular synth makers make noise! tranquil atmospheres and adventurous dub-influenced production from evan caminiti

limited edition of 150 hand numbered copies with screen printed artwork.
this is what happened when keimpe koldijk (one half of bebe fang) and wouter venema (musician and visual artist) locked themselves up during the summer 2011 in a 14th century church in the village of blessum. this frisian village, in the northern part of holland, consists of less then 100 inhabitants. in this tranquil and withdrawn environment the musicians recorded their improvisations on the church organ (which is the second oldest in europe)... accompanied with subtle electronics and a few other instruments... the result is a stunning experience of free spirited music ... meditative soundscapes, lo-fi ambient music and drones including accidental recorded sounds of the surroundings during the sessions... all of this has a charming lo-tech and -live- feeling which only enhances the listening experience... turn off the lights, light a candle (or a few), lie down and let go.

circle of live is a brand new, live act only event series concept and record label curated by sebastian mullaert to honour the values of spontaneity and improvisation. for the inaugural release on the new circle of live imprint, sebastian mullaert presents a joint ep with long time collaborator eitan reiter. the duo previously met on the 2014 album reflections of nothingness, (mule musiq) borne out of a week long jam spent together at sebastians tranquil rostanga studio. following the albums release, they arranged two live shows at ozora festival in hungary.

limited, vinyl only, label from melbourne, australia blowing over from the west comes hame djs debut on vulcan venti, with three tracks carefully constructed for the discerning disc jockey. stretching out over dubby breaks and tranquil textures, this is one twelve inch youre sure to get trispy to!

a year from its inception, artesian sounds proudly presents ars002: a debut ep from emre can swim introducing his unique brand of dubby, atmospheric low-bpm house music.
envisioned as a visit to a distant island, the ep opens with ‘another shake’, greeting you as you come ashore with a warm and tranquil mood. with ‘golfclap’, you venture deeper into the mainland, the rainforest thickens and tribal dance ensues. flip the record and things wind back down with hazy after-hours groover ‘slide in deep’. finally, aleksandir makes it a family affair and joins the expedition with a remix, packed with juno melodies and and rhodes-tinged broken beats.

this mirror-like musical progression starts with lots of dynamics and harmonies which then continue with a more sonically tranquil section while heading towards a dynamic ending, thus completing the symmetry and binding both parts in a seamless album.

unterton kicks off 2018 sideways with three tracks of high-octane electronics by mark. 0-160 bpm in 15 minutes. previous eps for a colourful storm had a conceptual focus: the destructive effects of tech start-ups on berlin’s cultural landscape. sound-wise, they paired frenetic, experimental d‘n’b with musique concrète. on his unterton debut, mark continues further down a path of dark and psychedelic beat science. at times tranquil and hypnotic, other times charging forward between cracked whips and whiplash left-turns. “comedy is the dog that walks out of the room when you call its name.”

boris bunnik is no stranger in the world of electronic music. he released several albums and ep’s under a variety of monikers since 2007 on labels like delsin, shipwrec, frustrated funk and his own transcendent imprint. fauxpas musik welcomes him for a new project called severnaya.
originally hailing from the island of terschelling, the most northern and remote part of the netherlands he now made a piece of music dedicated to this special place. severnaya means north in russian and refers to the bright frozen landscapes of the northern archipels. boris often plays with the influences and elements of ambient in his music. if we have to believe the man himself, polar skies is his most personal sound trajectory to come from his mind. drum programming is scarce and what remains is a lush and profound listening experience floating on scapes and melodies. we clearly hear his roots and intentions represented in the airy, tranquil sound design of this new album project. things sound spacious, and life is at ease in these melancholic compositions. crispy crackling percussions and icey pads place you in the midst of a resonant arctic landscape. you can hear influences drawn from producers like biosphere, pub, brian eno but we also hear more contemporary influences from modern day film composition but most of all we here boris his own signature. the tracks were composed over a couple of years (2015-2017) in a more contemplative mindset. at some point this selection formed a consistent piece of music and as a result you hear his most personal and fragile works to date. fauxpas musik is proud to release this new project in 2018. written and produced by boris bunnik aka conforce at the pasadenaoceanlab studios special thanks to family, friends and fauxpas musik for their support. this release comes in 180g vinyl and a hot foil stamping on the cover. vinyl tastes better...

clear vinyl

yet more blissful listening comes your way courtesy of the impeccably talented deepchord. as we prepare for the release auratones, the detroit native’s 5th lp for soma, rod delivers the calming northern shores ep.
epic aural formations are always at the forefront of deepchord productions, every minute detail is constructed perfectly as each track gives off subtle nuances that nod to each aspect of modell s sound designer skills. the crystalline sonic formations in cirriforms blend together effortlessly allowing you to drift beyond while the ethereal pads of sky maps guide you through each unending swathe of reverb, each track bonded by subtle rhythms. crystal horizons sees modell delve even deeper, working more with percussive elements as his quintessential synth work seems to sit just beyond perspective, gliding in gently to remind you of an ever reaching presence. sand and shore has deepchord near strip the track of any clear rhythmic structure, with only faint sub bass allowing his uniquely processed field recordings and tranquil yet fluctuating synths to enhance the flow of the track.
a producer like no other, deepchord creates new sonic realms with each release.

the first track sees villem step up to remix false alarm by total science, quadrant & iris. flexing his technical prowess with this chest-shattering offering, villem teases sonorous atmospherics around sharp percussive hits, building to a medley of full impact subsonic weight and aggressive drum patterns that cut right through the mix. for his debut appearance on the label, critical impact teams up with vocal powerhouse jakes to deliver geeks and geez. critical impact combines deep, rumbling subs and resonant mid tones which go hand-in-hand with jakes raw vocal energy and no-nonsense lyricism, making this a sure-fire dancefloor heavy hitter for the masses. for the third track, total science drop what i need , a beautifully crafted composition filled with tranquil pads and articulate rolling drums serving as a solid backbone. reversed atmospherics and glistening pianos swell in and out of the track with a deep, warm sub to bring it all together. finally, arcatype s cascade is an immersive roller bursting with ethereal tones and snappy percussions, taking you on a journey of rolled out sub lines and mid-range stabs washed with subtle reverb and delay. classified v3 delivers an across-the-board, cutting-edge offering of their signature d&b blend. combining the raw energy of false alarm and geeks and geez alongside the deep overtones of what i need and cascade classified v3 is solid proof that c.i.a are always at the top of their game, rolling strong since 1996 with no sign of turning back.

the elusive stl returns with a 3-track ep on his newfound home of dark matters. ‘nonzero sonics is the sixth label release to date, and their first to emerge this year. stephan laubner has enjoyed an accomplished career with releases on labels including perlon, smallville and echospace. despite a scarcity of interviews and public appearances, his reputation as a devoted audiophile and hardware enthusiast has afforded him a loyal following in underground music circles. this release marks the beginning of a new chapter with amiralis dark matters imprint. ‘nonzero sonics explores dark and twisted sentiments in avant-garde structures, consistently executed with impeccable detail. ‘no more words meditates on elements of dub and techno in an extended form, whilst ‘smooth selector establishes a stripped back groove replete with sub frequencies and cavernous echoes. closing track ‘out of the one places peculiar harmonies in a tranquil framework, exemplifying the diversity of a producer with true dedication to his craft

deepchord co-founder mike schommer is back from a 15 year hiatus with an entrancing 12 on steve o sullivan s mosaic records. after withdrawing from production for an extended period, the enigmatic producer revives his legacy with an unrestrained session using analog synths, drum machines and cavernous sound manipulations. invitation to love uses minimalist 4/4 percussion and unfurling delays whilst remember when explores echoed synth stabs in a broken beat framework. lastly, tranquil stepper into the night carries floating chords and cyclical melodies through airy acoustics. anamnesis presents three quintessential dub techno methods - offering a masterfully engineered package by one of the genres most revered figures

wrapping up the summer with a bit of a 90s throwback number by st. david, &#8203,, * fools jam* . the ep opens with the titual track, a crunchy, crisp deep house burner, and moves on, with night lovers, into speedier, smoother floor-filling fodder that’s all wiggling, weaving pads and synth leads. the b is a little gentler and more contemplative, but no less melodious dream it (emphasi mix) is a playful yet gauzy piano-led tune that serenades the listener, and la luna (spiritual dub) is a tranquil ditty that serenely glides off into the distance. a calming, mellow conclusion to a particularly emotive 12inch.

antipodal movements reflects the connection between two australian producers straight out of melbourne, and paris, the hometown of ville nouvelle. yardley and river yarra display eight summer joints on this lush split-tape. international feelings and a beautiful artwork from aliyah a. hussain to complete the recipe.

desiderii marginis long out of print debut album from 1997 “songs over ruins” is given a proper re-issue, carefully remastered by johan levin himself and with new artworks as cd and limited edition lp. a landmark in the genre, with it’s desolate, minimalistic and grief stricken odes to religious and spiritual burdens. a foray through abandoned ruins and a reflection on the passing of time and the impermanence of all things physical. outstanding in quality and production skills, this mesmerizing and foreboding journey is at times tranquil and melodic and also dives into more martial like percussive elements and industrial atmospheres. classics like these definitely need to be discovered still and also rediscovered, and it’s with great pleasure that we make it available once again.

the a-side is perfectly suitable for peaktime club use – merging unconventional synthesizer sounds and proper kicks with dark and crisp vocals.
the b-side is a flawless exhibit of raw ambassador’s ebm influences: the beat in clidro forcefully pushes things forward, while scissors, a slow eight minute jam, brings the ep to a tranquil, yet impressive close.

renowned house veterans d’julz and jordan fields drop two tracks each for a split release on radio slave’s rekids this december. one of the key components in parisian electronic music, the a side sees a display of groove led cuts signature to d’julz as ‘shy town’ combines sultry bass tones with mesmerizing atmospherics and tranquil piano chords, making way for the crunchy drums and trippy synths of ‘in your soul’. meanwhile, from across the pond in chicago, jordan fields’ raw productions begin with syncopated percussion and fuzzy notes until ‘mformation’ concludes the package with thudding kicks and ethereal melodies. both artists have been commanding forces in electronic music for 25 years each making this split release very special indeed.

enigmatic berlinbased producer algorythm provides the debut release on the new vinyl imprint neptune records this november. initiating the package, stuttering percussion and echoing effects form the deep and mesmerising santos express . syncopated rhythms and thudding bass hits then make up lfo as twinkling melodies work their magic, before bird cage introduces soaring chords and tranquil notes. tying things together, thudding kicks and snappy snares drive omar s deli forward as various layers of serene synths and pads are blended together.

mysterious dj & producer, roy comanchero, follows up his largely successful debut ep on running back and a recent 12- comp contribution to deliver his second ep on the mysidian label. the signature sounds created with the budget hardware in comanchero s first offerings continue on beach & parasol. from the opening listen, a beautiful atmosphere with a mellow, bright & clear theme to the record ensures that the ep is accurately titled. no matter the season or the weather outside, beach and parasol will take you to the tranquil seaside of your mind s desire. super limited us imports

lithe clarinet dances around tranquil piano, relaxed guitar decorates velvet synth textures and unhurried percussion makes an occasional appearance, as if to remind us that times still passing. growing beards more like, proper deep one. tip!

damien lynch enjoys countryside a drive in the twilight hour. this is his second offering for the esp institute. on side a, brunette opens with a straight-ahead techno thump of hi-hats and a pulsating 16th-note bassline—a subtle playing field composed solely with a rare 1970’s italian machine, the godwin drummaker 32, unearthed from the secret back room of a music shop in rural ireland where it hid among wonderful vintage russian synths and oddball electronics. this elegant track drips with warm and phasing pads, gentle staccato keys and beautifully simple arpeggios that blur every now and then—all affirming damien’s less-is-more ideology. with side b’s forced relax, damien continues to exercise his restraint, arranging his instruments in a band-like fashion, affording each player the sonic space to project their individual qualities whilst supporting an overall dialogue. there is a soft ebb and flow to every machine’s role, whether the swelling of bass or the interplay of percussive keys, but when these characters arrive in one place, the result is a tranquil euphoria. these two songs will accept you for who you truly are.

with two releases already under his belt on clone, gary gritness aka slikk tim lands on hypercolour with the sugar cane chronicles vol. 1. gritness may be a relatively new name on the block, but his session work for artists like kenny bobien, louie vega and grant nelson has marked up this multi-instrumentalist as a clear talent. hailing from france, gritness had been spotted by underground resitances mad mike banks as one to watch, and on his hypercolour release, displays a deft hand of producing futuristic funk sounds. a spot on blend of raw drum programming and blissfull jazz funk riffs, preachin some tight game sets the eps tone just right with its infectious melodies and cruising groove. darker 1980s soundtrack vibes are explored on stayin strong hand with its thick analogue atmosphere, whilst the laid back and freestyle vibes of working girls demands to be played in the cadillac with the top down! ep closer, fly shit, continues with the tranquil melodies and g-funk factor.

ep opener >air rising< is melodic cut sublimely crafted over stripped back drums, tranquil drawn-out keys and soft pads with a resonating vox that seamlessly dominates to dish up a an emotive start. >carpathia< oscillates into life through bouncy tones, shifting percussion and lively atmospherics to build towards a powerful crescendo to finish the healthy three-track single off in fine form. novio dub tribes steps in to somehow cultivating the original over rippling drums, warped atmospherics and shimmering synths, the culmination of which is a dubby fusion of sounds geared towards the dynamic dance floor.

we are very excited to present -collecting the moments-, the debut full length album from the vastly admired producer and mastering engineer, nikos fragomanolakis. this double lp (180 gramm) masterpiece is constructed of tranquil soundscapes, minimalistic rhythms and warm dub undertones. a deep and expressive sound that resonates with all, yet is totally unique to nikosf.

the launch of this russian imprint in fine style, with two intricate, beautiful, house groovers. a journey in four variations, chemin tracks through hills and valleys with striking vision and fullness, propulsive yet restrained. premature takes a slower, deeper approach, packing its energy into a stomping bassline, whilst subtle melodies and relentless, bubbling sound course through, beaching us in a place both sinister and tranquil.

following up after the mental drop by detroits master of repetition, population one, we have a new signing hailing from the land of the rising sun, helping us to set the standards for this new imprint— uncompromised techno funk! japanese producer imugem orihasam has spent the past 3 years slowly evolving. his early work on ilian tape and esperanza sounds like that of an already seasoned craftsman digesting detroit bit by bit, with a focus on lush textures and swooning eerie melodies. this past year has seen a spike in activity for imugem, with releases on patrice scotts sistrum recordings, berlins nsyde, and adam marshalls new kanada—all showcasing a more focused and exuberant approach that has sharpened his reflective compositions. with gem, imugem steps away from the supple melodies and tranquil atmospheres for a trip deep into the power plant.

just in time for summer, pampa issued aimlessness, the long-awaited new album from dntel aka los angeles producer jimmy tamborello. his latest electronic suite brought forth stronger leanings toward house grooves, building upon the pop and idm approaches he explored earlier in his career as half of the postal service and a member of figurine - with a healthy dose of pampa otherworldliness on top. now, robag wruhme steps in and recontextualizes two aimlessness cuts for a remix ep. wruhme is already a beloved member of dj koze’s extended family, having released the full-length thora vukk about one year ago, which was deemed another success for both him and pampa” in resident advisors four-star review. first up is robags kloff mottüré mix of bright night, a starry-eyed transformation of dntels work that twinkles like fireflies in the clear midnight sky.with symphonic splashes, playful pitter-patters and a tranquil breakdown, it sounds a bit like teenage toads skinny-dipping amongst the lilypads. next up, robag finds inspiration in dntels jitters,not once but twice: the marf labo mix takes the title quite literally,offering a jittery breakbeat interpretation with a metallic angel chorus swirling over the haphazard beats. finally, on the flip side,the emmens worsch mix brings things more closely aligned with the grooving, heartfelt house thump that pampa has engendered. its the eps most dj-friendly cut, while at the same time showing off robags gentle production touches and letting tamborellos sweet, subdued voice shine through.

after the warmly received part one of golden age thinking it is now time for part 2. this one is all about a banging club track on the a side theme a relentless pounding groove and 2 deeper cuts the chugging flatlining and the tranquil these feelings on the flip. we dont believe too much in describing them to you further than this but we hope you will agree they are quite special.

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning

a first collection of on this new us label that is dedicated to bring contemporary edge by up-and-coming producers from chicago: garo, lokua, slava. and thats what they do here. a sweet collection of 7 solid tracks. given the locale, there is an undeniable house presence. its spirit spreads far and wide and permeates a great variety of styles of both slower and faster tempos. this album is as much for the club as it is for the tranquil home-listening environment, the deep synthesizer textures, ever-changing rhythms and rich melodic content will speak to you independent of setting. limited and well produced release! check!

lunar disko records presents a stunning debut ep by texas producer, submersible machines. five beautifully crafted electro-techno tracks for lovers of the deep... the tranquil >upwelling< introduces the ep, deep pads, warm melodies, and supreme 808 programming prevail this outstanding opening track. >when whales fall< submerges you into even more mysterious melodies and curious sounds from the deep. the aquatic >blue hole< concludes the a-side, delicate twinkling melodies, precise 808 beats, and an analog acid bassline which will have you lost on a journey into the depths of the oceanic abyss. the flipside offers two more cuts of equal quality from this new talent from the third coast... >braving the benthic< opens the b-side with its bubbly and pulsating bassline, while expertly blending more intricate analog sounds to create another timeless track. finishing the ep is >cold seep<, combining both the 707 & 808 to brilliant effect alongside an inducing chi-town bassline, and a deep mysterious string which sweeps over the track perfectly...