80s cult on double vinyl incl blue monday, take on me, love will tear us apart, golden brown, chain reaction... !

regular pressing on black vinyl.

limited pressing on clear vinyl.

jazz

classic black double vinyl edition.

limited edition hotlanta orange marbled double vinyl.

techno / electro / dub album by scott monteith aka deadbeat

this is the fourth release of the future roots series, the trials and tribulations of the first three download releases overwhelmingly convinced producer dj deep that a vinyle series was of an utmost necessity to authenticate the project..the aventure thus starts here..future roots is dedicated to new talents and is a subdivision of deeply rooted house .....future roots is very happy to welcome english artist alexander ross to the label. born in sheffield and now residing in berlin after a number of years traveling and working throughout the world, ross credits his formative years in his birth town with its rich, diverse musical history and world renowned community of passionate musicians and promoters as his greatest influence and the place where the foundations where laid for his dedicated and inevitably lifelong relationship with quality music in all of its many forms. ross first official release earlier this year on these days records saw him collaborate with greek artist argy on the hugely powerful see no evil which gained widespread praise from a broad range of djs and fans of the label alike. the apparent line...ep is made up of three spacial, driving drum tracks which draw influence in equal parts from alexander ross interest in reverb washed dub, deep techno and the cyclic, rolling grooves of percussive african music. the pieces utilise tight dynamic rhythms and expansive, echoing reverberations to create three striking and effective moments. support from carl craig, josh wink, laurent garnier, loco dice, argy, manuel tur, martin landsky, manoo & more!

reissue of this italo disco rarity from 1986. comes with flemming dalum and f. ricci remixes.

from the “minions: the rise of gru” soundtrack. limited 7 inch vinyl with etching on the flip.

acclaimed vibraphonist and composer joel ross returns to blue note with his 3rd album for the label. comes on double vinyl lp, housed in a gatefold sleeve.

all songs recorded for motown in 1962, remastered from the original tapes. pressing on 180 gram heavyweight vinyl.

we are racing towards a common goal. 2018 repress

70s hits, b-sides, dub- and extended versions from junior ross & the spears.

invada are thrilled to announce, in conjunction with our partners lakeshore records, the release of the original score to “before the flood”, a documentary serving as a call to action from long time environmental advocate leonardo dicaprio, pressed over 3 discs of black heavyweight vinyl and housed in a triple-gatefold sleeve.
acting as music supervisors for the first time, reznor and ross (the social network, gone girl) worked in tandem with santaolalla (the last of us) and mogwai to compose a blend of music with a cohesive vision.

reissue of the chic version of the album, originally released in 2001 as part of the “diana” 2xcd deluxe edition. previously unreleased on vinyl. pressing on translucent pink vinyl.

003 is en route and third time is definitely a charm for the entity crew. monika ross heads this resident’s ep with a combo purely for the dance-floor - ever after receiving some wonderful remix treatment from dutch maestro julian alexander to cap off round 3 for the london label.

forte techno is a uk label ran by ross alexander and steven mcdonagh that has a firm focus on championing the underground, as the imprint returns with their second vinyl only package.
the first venture featured david meiser, ross alexander, jake conlon and kereni, picking up support from luminaries such as bas mooy, radial, sunil sharpe, rebekah, dj hyperactive, thomas hessler and many more.
this time there are 4 original tracks by all uk based artists including paul mac, binny, ross alexander and john mitchell.

the supremes, the most commercially successful girl group in pop history, were one of the jewels in motown records artist stable. given wonderful material by motown s amazing songwriters, the group scored numerous number one pop hits, as did singer diana ross when she left the group and went solo, and motowns bright, modern, and uptown image as a label had a lot to do with the way these ladies gracefully and elegantly presented themselves and took over a song. two dozen of those number one hits, both as the supremes and as ross solo, are collected here, including the timeless classics *come see about me*, *you cant hurry love*, *you keep me hangin on* and *stop! in the name of love*. the album also features a bonus remix of *you keep me hangin on*.

limited edition deluxe vinyl of 300 numbered copies. 180g heavyweight vinyl, dvd of the film, 8 page booklet, download of the soundtrack plus an additional exclusive bonus download of the soundtrack being performed live at the saint-merry church in paris, april 2011. housed in a black paper inner sleeve and packed to reverse printed black and white outer sleeves. a very special limited edition release, from the founding members of farewell poetry.

slow hands & tanner ross are set to reveal the sonic alchemy thats been bubbling away since the pair first got their production juices flowing poolside, pina colada style last summer. a definitive slice of heady, bittersweet house all the same is the first gem to drop from their forthcoming collaborative album and includes a mighty remix from the bamboozla aka eli soul clap and baby prince.

once a distant message written in the stars, the wisdom of soul clap has been beamed down to earth in the form of efunk - everybodys freaky under natures kingdom - their debut album on wolf + lamb. now the label presents efunk: the remixes.

boston beat boi tanner ross is finally back, with another embodiment of his signature take on future efunk. ranging from creamy nostalgic r&b featuring pillow talk, slow hands and jesse rennix to tripped out weirdness in collaboration with lonely c and 80s synthesis romance with jules born, the straight to the moon ep on double standard will take you from palm-fringed miami sands to deep outer space. across five originals (side a and b on pure white 10?) and two instrumentals, tanner ross once again casts his sonic spell with a master class in originality with support from select members of the wolf + lamb collective, having already made his artistic footprint on labels land no.19.

ross alexander payne has always been interested in the earth and its relationship to all in its vicinity, this includes earths place within the universe, and the presence upon earth of both natural and manmade systems and processes. drift and expansion are tracks designed to represent a view of earth from space. it was previously believed that the earth was expanding and thus the continental land masses were moving as a result of this process. modern scientific evidence does not support this idea, and the theory of plate tectonics is now almost universally accepted. this ep represents a view of the idea of these two disparate theories as if taken from the direct space around earth. ross explains in his words >everything i do, be it music related or otherwise, is driven by this fascination with the universe around me, the quest to discover this universe and the desire to expand my knowledge of all within it<

2009 was a great year for these days records, and 2010 promises to be even better. the platform stood out for its innovative yet functional club sound and unique artwork concepts. the new year begins with a new split series under the name universal consciousness, based on the idea of connection between all things, and that all things have been coordinated, and they combine to make up the same universe. the first part is dedicated to two very different takes on spiritual, cosmic space techno. on the a-side argys >sometimes im blind< generates a long and uplifting emotional climax, which features a solo that will forever stay in your heart. the track was recorded at the end of 2008, and despite numerous offers to release the record elsewhere, nothing was finalised and the recording never saw the light of day. soon after the birth of his own label, it naturally fit the platform and seemed a perfect way to start the new year. on the flip side, sheffield born alexander ross, brings forth a cavernous techno piece awash with reverberation and spacial echos that brings a driving yet non the less emotionally captivating moment perfectly in balance with the depth of the a-side.

dojo is about getting back to the roots of american techno and house, and getting away from the computer. we want to help bring back the spontaneity and freedom of live performance and recordings. we want to celebrate the raw physicality of the music, and the dj who still likes to mix. ross since, 1997, ross has been in the background of the westcoast canadian techno scene, particularly the victoria family that included mathew jonson, cobblestone jazz, the mole, and hrdvsion. in 1998, he released the now out-of-print compilation album ôgarden city dubs, that featured first material by mathew jonson, and cobblestone jazz. he left for california in æ98, but kept his finger on the pulse as the art director for itiswhatitis recordings. while in the bay area, he listened mostly to soul,rap and early american techno music. heavily influenced by his time spent in the u.s., he started to develop a musical aesthetic, which he is now ready to express. young florent florent moved to vancouver from switzerland to attend art school. he began to get into making techno. tapping into his french-martinique roots, florent quickly developed a unique sound, which caught rossÆs ear. a few live jams later, it was clear that they worked well together, so they got a studio space and got to work. one month later, dojo had its first release. florent has only been making music for a year, but his swiss work-ethic is dangerous

ross says 'house is the power..the begining...' the hymn of the disco's... and funky junctin make the rest... two remix inside: splashfunk remix and fc nond ( from rio ) remix....the begining of the future... revelation in wmc 2004..

techno / electro / dub album by scott monteith aka deadbeat

uk garage house with breaky feeling

80s vinyl collection incl duran duran, aha, spandau ballet and many more !

toby ross joins the shall not fade family with this heavy weight ep foundation. delivered on red coloured vinyl.