limited, first time on vinyl!

craigie knowes welcomes ocb

dip friso aka grim lusk,sunny balm is back with his new experimental album >crocodile or real?<

1lp, co-release with jahmoni music & svs records special

second instalment by music mania reprise gives belgian 80s synth classic crocodile tears a new life. music mania is proud to present the next instalment in their reprise series. following the highly sought after classic elle et moi (mmr001), comes the blissful belgian synth pop anthem ‘crocodile tears’ (mmr002). the track was one of the first singles of kuruki, the minimal wave project spearheaded by ghent-based musician gerry d haeyer and alain bureau (sally joy). in an age of electronic sequenced experimentation, the band managed to find a distinctive sound that easily puts them between the likes of telex. the original ep such a liar was released in 1981 and clearly echoes the new wave of its time. the scenes described by vocalist sally joy as well as the melancholic keys of the main track crocodile tears breathe tristesse. nevertheless, it has a playful sound full of catchy synths. a dualism between such beauty and melancholy: this track was undeniably made in belgium in the eighties, but should also appeal to lovers of italo disco. be aware: for their second reprise music mania managed to include an exclusive instrumental version of this belgitude. even more synths for your listening pleasure.

>i wanted to capture all the weird and wonderful things that i imagine would be trapped inside the head of an old texan with his back against the wall in a coffee shop in new york city.<mutado pintado last october from mixhell, joe goddard (hot chip) and mutado pintado (paranoid london), brazil, london and the usa came a great mix of unexpected sounds. dropping via delayed records, the crocodile boots ep offered a cacophony of musical elements and spoken word thats myriad intricacies made it one of the most sonically intriguing releases of 2016. the title track crocodile boots, a funny, funky poem about daily life, politics and miscommunications, has received a special remix and accompanying visual from close friends and confidants, soulwax.

includes remixes by john tejada and in flagranti.
early support: andrea esu, audioprophecy, avanti, brendon collins, brothers in progress, chris fortier, cosmonauts, dima studitsky, dj rocca, ekkohaus, rotarydisco76, fresh prince, fromage disco, irregular disco workers, king dj, leri ahel, makossa, mark ambrose, martin patino, space rager, rodion, salvatore principato, santonio echols, shir khan (exploited rec), slg, velferd, waxlife, zoe wilder ...

expanded reissue on turquoise coloured vinyl.

limited vinyl release of the debut album from naomie klaus.

compositions of jean-jacques birge

original television soundtrack of the legendary lost tv serie ! jack and kate are back !

stef mendesidis with the first vault records release, delivered on hand-stamped 180 gram vinyl with download code included.

limited edition jungle green double vinyl. dlp donkey kong country ost dlp 2 recreated, mastered for vinyl, fully licensed, half speed mastering, colored vinyl (jungle green).

2x black lp, 5mm printed sleeve, 2x heavy weight printed inner sleeve, marketing sticker.

2021 erschien die wiederveröffentlichung des ikonischen mixtapes beam me up scotty von nicki minaj. nach dem das album letztes jahr als cd erschien, wird es nun auch als 2lp veröffentlicht.

two synthesizers and a microphone - the debut album from electronic trio dina summer.

funk, jazz-funk, synth-pop, boogie

veslemes debuts on invisible inc with a jg ballard inspired album

fourth part of samosa’s funk purpose compilation series.

ltd. red transparent/black splatter vinyl. nach der cd veröffentlichung im september, jetzt auch als limited colored vinyl. mit ‚inherent brutality erscheint das debütalbum der berliner trash metal band annexation. sie wurde 2015 von lizard gonzales a.k.a. uncle crocodile gegründet. mit der grundintention schnellen und aggressiven thrash metal zu spielen, inspiriert von bands wie slayer, exodus, demolition hammer, power trip und violator, und dem ziel, brachiale gewalt in den vordergrund zu stellen.

double vinyl reissue, celebrating the 40th anniversary of elton john’s historic first tour to russia with ray cooper.

wenn die sonne durch die offenen fenster scheint und lichtbilder auf die wände malen. wir hören wellen mediterraner wärme, die über pazifische synthesizer und tropische trommeln taumeln - und synchronisieren unseren puls langsam mit dem klang der fernen flut. großartiges erstes album von s&w.

new lyon based label with their first showcase! incl silat beksi, romain proust, crocodile soup and loxique

if youre familiar with public release’s sibling, face, a series of parties, you’ll already know that jee day, né dennis mcnany, has been in the bay area label’s orbit for some time as half of the dfa act museum of love, he joined the inner circle years ago. here, with amot herga laxy, he makes his bold debut on public release itself. the single begins with “crocodile tears,” an abstract, impressionistic tapestry of african rhythms, meditative synth washes, vangelis-esque horns and pads. it recedes and jee day plunges deeper into the jungle with communication masterbation, a propulsive number built around a psychedelic, droney bass that’s wrapped with gritty, distorted effects and layers of topline keyboard licks stacked high. a raw club track cut from transcendentalist cloth thatll lift you off the dance floor. the b-side is a dub of communication masterbation, with an emphasis being placed on pulling out, unraveling, extending the rhythmic elements and emphasizing the electronic veil the piece is shrouded in. a trancey, menacing sprawl that could be an extended sonic youth live jam if they swapped their stringed instruments for roland and korg gear and dusted the whole thing in an unknown psychoactive slime.

the ultimate collection of elton john’s greatest hites - newly remastered and pressed on 180 gram double vinyl. housed in a gatefold sleeve

unreleased archival tracks from the on-u vaults! serving the same purpose as the recent return of the crocodile set did for african head charge, this lp illuminates the early development of one of the flagship acts on the label, allowing some truly magnificent versions to be heard for the first time. mostly stripped-back raw takes, they highlight the rock solid rhythm foundation laid down by such incredible players as style scott and charlie eskimo fox, as well as three vital soul-in-the-echo-chamber interjections from the late, great bim sherman. essential early-80s dub damage.

previously unreleased on vinyl - now available as 180 gram 2x12 inch in gatefold sleeve

coalmine records is pleased to relaunch ‘land of the crooks,’ the collaborative extended play project from the late sean price and melbourne’s go to producer, m-phazes. the project finds the longtime underground legend lending his distinctive, brownsville-bred grimy vocals over phazes’ rich tracks full of dramatic pianos, rich bass-lines, swinging horns and hard drums. the a-side includes the main passes, comprised of four original tracks with the addition of the small professor remix for ”murdah type thinkin (feat. guilty simpson).” for this special edition rerelease, coalmine has also added the divided souls ent. & dj pain 1 remix of “land of the crooks,” which was only previously made available on the label’s remix compilation, ‘remineded,’ which first dropped back in january of 2015. the b-side includes the instrumental passes of all of the original tracks, as well as the small pro remix, in addition to the “crookapella,” which includes various scratch stems taken from the ep, in addition to various isolated drum sounds, sound effects, and acapella of the “land of the crooks” single. additional features on lotc include roc marciano, billy danze (of m.o.p.), maffew ragazino, loudmouf choir and the dilated junky, dj babu. vinyl is manufactured on classic black discs, and comes complete with the andres guzman designed artwork, inspired by the vintage ‘80s movie, ‘crocodile dundee.’ sean price was hip-hop’s gray hulk, a barbarian with the pen, with the sharpest of wits. a true brooklyn legend...rip!

this is a collection of works from british musician gp hall, recorded between 1994 and 1999. for over four decades, guitar in hand hall encountered many styles, jazz, blues, flamenco, rock, folk, and classical improvisation. all contributed to the creation of his unique style. emerging from the british blues boom of the 1960’s, he then followed a long and winding path through various scenes and cultures. in spain, he was influenced by flamenco master manitas del plata before touring europe with liverpool band casey jones & the governors. he was commissioned three times (twice by the arts council of great britain) for original music and was immersed in the avant-garde scene of the 1970’s as an improviser, a pioneer of electric flamenco and a composer of large-scale ensemble pieces. during the 1980’s hall turned his focus to soundtrack music before reinventing himself as the solo performer he is today. with this strong foundation he branched into a tactile expression of his craft, discovering a new style which he called industrial sound sculptures. these sonic compositions are performed on electric and acoustic guitars as well as the six-string bass and are played with various techniques and implements including slides, battery fans, the psaltery bow, razors, toys, velcro and crocodile clips which are fed through sound processors to create a rich sonic environment.

das dritte studioalbum der pariser electro swing-pioniere caravan palace endlich wieder auf vinyl erhältlich! caravan palace haben sich der musik der goldenen zwanzigerjahre verschrieben und verpassen jener mit hilfe von treibenden dancefloor-beats einen futuristischen glanz - und das auf ihre ganz eigene, freche und sorglose art. nun darf man sich auf das dritte album <|°_°|> (robot face) freuen, ebenso wie auf die dafür geplante tournee, die caravan palace auch für vier termine nach deutschland führen wird. die instrumentalisten und studiovirtuosen charles delaporte (kontrabass), hugues payne (violine, backing vocals), antoine toustou (posaune, machine), arnaud vial (gitarre), chapi (klarinette) und paul-marie barbier (vibraphon) sowie die sängerin zoe colotis stehen für eine energiegeladene live-show, die alle anwesenden in ihren bann ziehen wird.

jamal moss aka hieroglyphic being veröffentlicht sein lang erwartetes soloalbum “the discos of imhotep” auf technicolour/ninja tune! jamal moss hat sich einen einwandfreien ruf als produzent sowie als live-performer von hypnotisierendem, experimentellem elektro und free jazz aufgebaut, der in seiner heimat chicago und seinen beziehungen zur schöpferischen underground club-szene wurzelt. inspiriert durch ron trent, dj rush und ron hardy, wurde jamal moss von den visionären und produzenten steve poindexter und adonis ausgebildet. diese brachten ihm die drum machines näher, die das rückgrat der bewegung waren und ihn zu seinen frühen streifzügen durch die musikproduktion ermutigten. seitdem veröffentlicht er fleißig über sein eigenes label mathematics recordings sowie labels wie rvng intl. und soul jazz / sotu. seine stellung, als unverwechselbare, kreative kraft, verfestigte moss auch durch seine zusammenarbeit mit marshall allen von sun ra arkestra und noleian reusse (als africans with mainframes). unverwechselbar ist auch seine art, musik zu machen: er vereint seine antike herkunft und musikalische dna mit einer leidenschaft zum experimentieren, erschaffen und setzt musik als heilmittel ein.
die vinyl lp erscheint inklusive downloadcode.

the jena based label solid rotation started with an versatile various artist ep. the following first whole artist extended player of mbeck is a hypnotic, minimalistic journey. the cover side is reserved for an 11 minutes, dizzy appregiator crocodile ride. on the flip side, you can expect two ravin afterhour sidekicks, which are a hot standby.

reissue

reissue des debütalbums (1981) der legendären psychedelic-dub-formation african head charge um den jamaikanischen produzenten & percussionisten bonjo iyaginhi noah, dessen damals undefinierbarer sound maßgeblichen einfluss auf experimentelle bass-labels wie hyperdub oder tectonic hatte. mit dem clubfavoriten *stebenis theme* und dem track *far away chant* aus david lynchs *wild at heart* soundtrack. re-cut by dubplates & mastering, berlin, for maximum bass pressure! lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).