the mythical liquid pegasus returns - this time on clandestine boogie, firmly setting out his stall as one of the best around when it comes to modern synth boogie. ‘makin it hot opens up proceedings, synth stabs and squelchy basslines a plenty, married with layers of intricate melodies and a vocoder transported straight from the 80 s. matt hughes takes on remix duties converting that squelchy bass synth into a more straight up funk bass guitar, adding shuffling high hats and weaving in a little jazz flute for added effect. on the flip side it s prime low rider cruising courtesy of sparkle combining a full-bodied bass, cosmic pads and woozy synth flurries to create a soundtrack perfect for late night coasting. to close out the e.p. dave allison adds his own sparkle to the track, upping the tempo, adding a range of hazy arps and sweeping synthesis alongside a perfectly executed bass breakdown, taking sparkle from midnight cruiser to boogie bomb.

5 beats from zuckell, non-skip looper stems and samples on the flip.

clandestine boogie are back, enlisting omsk s sunner soul to provide the goods for their third release. the title track voyager 84 sets the scene perfectly drawing you in with dreamy swelling synths, fizzing hats, and chunky hits alongside choice lo-fi vocal snippets & cosmic top lines - smooth as you like! kim and buran then steer things on a funkier flex with their take on voyager 84 . staccato guitars laid over the top of a heavy bassline, succulent pads and spacey keys provide an intergalactic disco journey with you strapped in the front seat. on the flip side sunner soul team up with fellow russian producer, scruscru. spring mood picks up the tempo working bouncing arps and wobbly synths behind a thumping rhythm - a killer slice of disco tinged house as we move into those sunshine months. closing out the e.p. it s peak time, boogie laden, blissful goodness in the form of joy . funk-fueled guitar licks, an instantly catchy melody and the perfect amount of effects to enhance those build ups and break downs lay the foundations for a sure fire summer hit!

a fifth edition of the mosaic split series arrives, pairing up productions from anne errez and clandestine, the production duo consisting of uk house/techno mainstays, neville watson and justin peace division drake. errez, of course, featured on the previous edition of this series and it s clear the leeds-based artist has made an impression on steve o sullivan with her tough stabs and dub flecked groove of * discovery inn* a perfect fit for mosaic. complementing this, the clandestine project looks to be a most promising endeavour for watson and drake on the basis of their two searing contributions with the urgent machine funk flex of * slave to the system* a proper highlight.

the first in a series of clandestine plates devoted to exposing the production talents of brighton town. presenting two producers destined to go a long way: ultrasound and hizzle guy.

reissue - miraculously rare and seriously obscure killer dubs. one of the very few hard core seventies dub albums mixed by errol brown. a selection of solid dubs originally recorded in 1978 by bb seaton at duke reid s legendary treasure isle studio and mixed in-house by the duke s nephew errol brown. a radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the new york rounds at the time. mojo by david katz - extremely rare 1978 dub album stands up against any from that era - -errol brown began engineering through family connections, producer duke reid was his uncle. trained by the highly-skilled byron smith, chief engineer at reid s treasure isle facility, brown cut his teeth mixing alton ellis, the paragons, peter tosh and marcia griffiths. -orthodox dub- dates from 1978 when bb seaton of the gaylads was working closely with brown at treasure isle, cutting tracks with ken boothe and mikey dread along with self-produced work, and although only ever issued in tiny numbers as pre-release lp in the bronx, these dubs pack a mighty punch, easily on par with any of the dub sets issued in the era by channel one or joe gibbs. outstanding tracks include -roots rockas-, a stripped down cut of boothe s -who really cares-, and -black forest rock-, a bass-heavy reading of seaton s -is life-.-

eduard zimmermann hat mit aktenzeichen xy... ungelöst fernsehgeschichte geschrieben. wir, die tramp crew, ist mehr als stolz ihm und seinen fans mit dieser schallplatte ein denkmal gesetzt zu haben. gern geschehen. verkaufsargumente: - mit einem text von peter hohl, zwischen 1967 und 1979 engster mitarbeiter eduard zimmermanns - erstmalige veröffentlichung aller titel auf tonträger - hand-nummerierte, limitierte auflage von 500 stück

debut release

vinyl only

new magic wand various balearic edit 12. 140 g vinyl

debut ep

versalife returns on 2020 vision with another electro bomb

vinyl only! this may be the first release on alternate facts but if you look deeper you’ll find the culprits have been lurking amongst london’s underground for a while now. dexter kane and thoma bulwer have been solo-navigating the circuit for some time, however the past year has seen them converge to throw a string of successful clandestine events across the capital under the same name.the fact that the pair are both producers and sound engineers in their own right shines through on this well crafted 4 tracker. 300 copies.

teatime dub encounters is the result of a few clandestine hotel room recording sessions, that began a few weeks after underworld and iggy pop had each released their last albums (barbara, barbara we face a shining future and post pop depression respectively) on the same day (march 18th2016). it is neither historical or a tribute to past work. it is the work of artists in motion, engaged in a process that both bring to all of their work – one that uses spontaneity as a spur for creativity.

zuli’s new offering trigger finger is a game of shadowy atmospheres and unquiet spirits. it functions as a spacial and temporal compactor, using sampling and field recordings to reconstruct reality’s dissonance, while at the same time reverse its own introspective character into bass weight and outworked tension. a kind of extremization of zuli’s own roots as a beatmaker for the cairo rap scene, tinged with the clandestine and delirious urbanism of grime and jungle, and fronted by the necessity to face its own dark side. but the dark and crusty sonic palette does not limit the possibility for the tracks to display various layers of emotional content.

dead man s chest aka alex eveson makes his debut appearance on myor massiv sublabel diamond life alongside head honcho coco bryce. dancehalls seem to be the common denominator on this 12”. and where mr eveson prefers to drop a tab of acid, coco opts for a helping of mandy to work his way through the night. both sides find the respective producers operating at the 160 bpm mark, wading through a hazy mist of sounds reminiscent of clandestine warehouse raves. but whereas dmc utilizes a fairly straightforward, 93 style hardcore drum loop in combination with acidic undertones and atmospherics which clearly reveal his love for the “golden era” of mo wax trip hop, señor bryce s jam is a far more hectic sounding affair, layering a chopped and re-edited apache on top of an already-frantic, percussion- laden break beat, adding even more to the rushy feeling induced by the nervous pads and rave stabs. quality, yet slightly off-kilter hardcore junglist exercises.

x5 myths forgotten by day following his return with 12inches on vakant and boddikas nonplus throughout 2017, avatism lands on parachute with 4 90s-inspired emo-trance breakbeat summertime anthems for people who despise summer. vinyl comes with a digital download featuring a track we couldnt fit on the record because we are not good with maths.

techno, disco, italo, electronics, house, library, cosmic and ambient frequencies - these are the bedrocks of the midnight drive ethos and sound. a label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. a label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them. drive001 sees us step back to 1998 and into the hands of the duo of damon wild and mederic nebinger, recording together as blue maxx they quietly unleashed some of the finest futuristic widescreen techno and electro to emanate from nyc in the late 1990 s. utilising a small sub-label of wild s seminal techno imprint synewave called deja vous the pair embarked on a slew of ep s released over the space of a couple of years with private life being one of the last. across 3 tracks private life opens up a new sound world, from the driving, tool-like qualities of the a-side cut - all swinging drum programming, synth stabs and deranged metallic percussions to the deeper, more clandestine leanings of the b-side tracks, mining a more musical and electro infused vein, the whole ep stands out as something truly original. a hallmark of the blue maxx sound. this is the first time private life has been reissued, almost 20 years has passed and somehow wild and nebinger s style remains utterly fresh and contemporary. a truly rare and essential piece of hi-tech techno expression that could easily have been released this week. such is the quality on display within these grooves. remastered by curvepusher. artwork and design by atelier superplus.

alex tsiridis of cassegrain debuts on avian as rhyw. the extended ep, which represents the second outing for tsiridis under this moniker, sees the british producer pit a handful of elastic dance-floor workouts alongside a pair of more experimental, ambient reductions. despite careful processing rendering them decidedly monochrome, the dance-floor recordings maintain a curious colour and musicality. lead synth sequences drive much of the work, ducking in and out of the sonic backwater with considerable dynamism – almost hook-like in their execution, sharpened with ample distortion and melding with intricate drum work to create subtle shifts in tone and energy that propel the work forward. whilst reduced in it’s elements, like much of the best of the genre – the music sees those elements hard at work. tsiridis places atypical focus on groove, eschewing a more linear approach in favour of a kind of greyscale funk that finds its potency in the contrast between components. ‘iroquois’ and ‘aversion two’, the beatless compositions that appear on the ep isolate the ambient constituents of the work – with tonal nods to drone and noise musics whilst managing to hold on to the clandestine tunefulness that runs through the whole body of work.

vinyl release of danny wolfers aka legowelts unfolding the future with amateur space jazz.

what is amateur space jazz? one could call it a lo-fi minimal wavish version of cosmic space jazz and anything closely related to it...from spiritual soul, g-funk, ethiopian jazz to ambient and everything in between...no knowledge of musical theory is required...played with a d.i.y punk approach on crappy digital synthesizers - preferably with dubious renditions of real instruments. warmed up to the right temperature with some offbeat effectsbox. multitracking is a technique widely used...to create a one person band with all its members oneselfs multidimensional copies in time........comes with a 24 page graphic novel written and drawn by danny wolfers himself and a nightwind amateur space jazz gummy domed sticker.......lets enter world of amateur space jazz!!!

first release on weevil neighbourhood by clandestine artist anthone.

third release on weevil neighbourhood by clandestine artist anthone.

mr. statik returns to amam with * a boy named crow*, a deeply personal release that draws its inspirations from murakamis beloved * kafka on the shore* novel. with it the greek producer further explores his favorite topics of sub consciousness & subliminal sensitivities in the form of 3 tracks that, although still aim at the dance floor, bear a strong sense of unconventionality via surreal sampling exercises, a healthy dose of surrealism and of course humor. complimenting the release xdb appears in precise remix duties, applying his particular skill set to transform clandestine into a late a.m. euphoric roller. mr. statiks * a boy named crow* ep is out on amam records on a vinyl only format .

anthem alert !! great 4 track journey from tech house to house

having previously used their dnuos ytivil offshoot to release material from their nearest and dearest (think batu, bruce, hodge and alex coulton), bristol’s livity sound crew turns to unknown french producer simo cell. the two tracks showcased here are a rather fine introduction to this newcomer, with opener “piste jaune” offering a clandestine blend of stuttering electro bass, discordant analogue percussion hits and spooky electronics. the mystery man goes for the jugular on “cellar door”, with pitched-down, bleep style melodies and liquid electronics riding an off-kilter, broken techno groove. another fine livity release.

the third sources package comes from one perhaps one of the most radical of the new york underground independent labels in several different areas avant-garde, dance, hip-hop/rap and freestyle, so welcome to the one and only sleeping bag records from new york.

having previously used their dnuos ytivil offshoot to release material from their nearest and dearest (think batu, bruce, hodge and alex coulton), bristols livity sound crew turns to unknown french producer simo cell. the two tracks showcased here are a rather fine introduction to this newcomer, with opener *piste jaune* offering a clandestine blend of stuttering electro bass, discordant analogue percussion hits and spooky electronics. the mystery man goes for the jugular on *cellar door*, with pitched-down, bleep style melodies and liquid electronics riding an off-kilter, broken techno groove. another fine livity release.

laid down with authority by l/f/d/m are four no nonsense cuts blasting fresh air into that perennially en vogue phenomenon known as acid house. after stunning eps for glasgows prestigious optimo trax and clandestine traxx, an equally crushing full-length for kompakts ecstatic imprint, and two brain melting eps for diagonal with factory floors dominic butler as bronze teeth, it is an honor to have his sounds grace cgi with a release that sees him playing right for the heart of the dance floor.

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

marking a clandestine arrival out of, seemingly, nowhere, black swan emerges from the shadowy billows of smoke to immerse listeners in a lucid, cavernous dream, tracing silhouettes in the darkness with drowning ambience and orchestrated drones that screech and howl intermittently amongst the disorienting magnetic tape disturbances. black swan operates under a guise of far-away sounds traveling through murky waters, drowning the listener in its heavy-handed layers of ghostly resonance.
12 inch vinyl lp only limited to 500 copies worlwide.

sixth avenue express have been gathering a lot of momentum recently with their mid tempo, emotionally charged productions striking a note with a larger and larger audience. while they have put out releases across a plethora of labels their home has always been at house of disco records and thats where sae is now releasing their next solo ep titled i see. full of the clever touches and the warmth youve come to expect from them this ep delivers on every front.

high up in an isolated valley in the himalayas a group of anglican nuns reside in a former house of women . the palace of mopu, near darjling, is the setting for emotional tensions, sexual repression and psychological drama. a themed 6 track limited edition vinyl only mini lp from a clandestine and sometime rephlex uk producer/artist.

whilst mystery continues to cloak the artist sawf, theres nothing clandestine about the greeks bold and inventive take on techno that has been accruing on perc trax over the last few years

next up on crosstown rebels clandestine off-shoot label rebellion is the dexterous and versatile producer behind latest alias, siopis. adorning the master plan ep with a far murkier quality than previous works as silversurfer, the siopis sound is destined for the darker recesses of the club.

arbiters of the finest sonic skullduggery, foot & mouth returns with a slice of summer madness, featuring four highly effective fresh cuts of summer sonic edits from four clandestine movers and shakers.

i light another cigarette in the tittery the sparrow has landed. we have returned from our excursion to the modern and would like to share what we brought with you: some showtunes and a twelve tone row. the show, as it turns out to be, is our very own. we started out writing new material to perform on stage, after we had found out it was great fun to refrain our instrumentation to vocals, piano and bad acting. originally very attracted to the- as our label told us- very clandestine idea of releasing three 12inches with very limited playability for djs, we agreed not to ruin our dial friends and work on an album instead.

on their fifth release, back to you goes digging around through analogue sounds and comes back with ample dirt beneath its fingers. this is dusty house that could have originated at any point along the us/european axis as it crosses the atlantic.

the constant carousel like shift of unreleased tracks on his soundcloud and sporadic twitter sessions, south london ordnance relishes his clandestine, shady persona, keen to allow his craft to act as spokesman instead. following early support from electronic musics matriarch mary anne hobbs, a marauding mixtape for glasgows luckyme earlier this year and big support from mosca, hackman, dark sky and tessela, the amount of hype surrounding this south london (obviously) based beatsmith has been ridiculous. and we are very pleased to say this is his debut release, and a killer 12 inch to pop his recording cherry!

the ep begins innocently enough. but as you progress into the tracks, entitled a1, a2, and a3, it feels like searching for pleasure where you know you shouldnt. the beat in this clandestine affair has just enough restraint. by the time darkside concludes, you know the catharsis is worth the sin.

clandestine techno/house imprint, meanwhile records reveals a one-off opus from two highly respected techno producers, niels luinenberg (delta funktionen) and samuel van dijk (mohlao). the deeply mystical >inward content< session represents the leuwarden sound of their native north holland (also former home to another master of hypnotic repetition ((of the graphic type)), m.c. escher) with an elegant, classically informed and deeply refined brand of 4/4 also identified on celebrated 12inches for ann aimee and delsin. the albums six tracks use an economical production palette, but we wouldnt call them minimal. the emphasis is on subtly monotone melodic shades, from the rippling black masses of bass which power each track, to the bluest hued pads and unfathomably expansive atmospheres which lend them their spectral grace. listening to this album is almost a mystical experience, like hearing the results of a seance conducted in low-lit surroundings calling upon the spirits of basic channel, convextion and the black dog circa 1995. >inward content< took over two years to assemble and techno connoisseurs can clearly discern why. recommended!

until now duffstep has hidden in the seedy undergrowth of london always in disguise, clandestine and covert, ever plotting his imminent escape. this bid for freedom then, is called >getting to sirius<. sirius is the brightest star in the night sky, in ancient greek times sirius was said to mark the beginning of summer, where women became aroused and men became weak. duffsteps debut album >getting to sirius< is a blend of dub influenced, down tempo beats winding through layers of melody, synths and vocals softening the blow and giving a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you dont have to wait long before a nice big bass-line knocks you down on your arse again.

azari & iii, pronounced a-zar-ee and third, is the clandestine collaboration between toronto based producers dinamo azari and alixander iii. with a sound both futuristic and reminiscent, bold tracks like hungry for the power (released on im a cliche records) and the now following brazen reckless (with your love) have made their way onto the top of the taste makers charts and into the sets of many renowned djs.

faisty records returns with its second offering of up front bass music, featuring two tracks crafted by dj and producer dom. suntime is a dark, brooding stomper sure to give your subs a workout whilst the flip side, tall tales has a lighter more energetic feel that is sure to bring a crowd to life. the brighton based producer dom has had a string of successful releases both on faisty records and on clandestine cultivations and his tracks regularly get crowds moving in clubs everywhere. watch out in the near future for forthcoming releases on faisty, clandestine and l2s.

two of italys most formidable electrosonic programmers, composite profuse & kobol electronics were handpicked by veteran covert intelligence agent wilhelm von erwache to decode the encrypted archives of sismi, the italian secret service, and bring to life these clandestine events onto a 12 inch vinyl disk. on the a side, composite profuse (minimal rome, bunker) uncovers his tracks, blackfriars bridge & patience and charcoals and sets them to an ominous electro soundtrack that his name is synonymous for. the b side sees kobol electronics (minimal rome) deliver two sonic binary programs, code01 & code10 that will devastate both internetworks and dancefloors worldwide.