digitaline, the swiss experts in organic grooves and trippy rhythms, are releasing the second record of zurich based label cityfox. the vinyl features 2 long tracks, both telling their own story. the title track seeking attention builds up slowly, a perfect tool to integrate in dj sets, and starts its full power towards minute 5:00. with the catchy vocals and perfectly simple percussion, seeking attention is for sure one of this years summer anthems. it has one thing in common with the b-side track altra - a smart vocal combined with an undeniably tricky groove that makes all of you dance, with no exception. summer can come!

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

larry jon wilson is the first larry jon record in nearly 30 years. previously only available as a high priced import, larry jon wilson is now available, reasonably priced. in addition to his own originals, larry jon wilson performs songs by mickey newbury, dave loggins and stuart wright as well as willie nelson & bob dylans heartland.

its already well-known that cocoon recordings is a sucker for tracks that stand out of the usual field of - lets be honest - often uniformly reduced tech-house, and the past nine years of the labels history have proven this sustainably. and the rhein-neckar area based team flatner/lopazz are again two hot candidates to leave their very special mark on the summer of 2009. after all, circlemusic manager alex flatner is rocking the floors as a dj and producer for already 10 years now, having been releasing for labels such as harthouse or black nation, whereas the heidelberg-born stefan eichinger aka lopazz has made himself a name with releases on imprints from the likes of output, international deejay gigolo and mainly get physical. together they celebrate a very funky understanding for percussive techno, which is setting highly meaningful moments for the primetime, particularly by means of lascivious vocals. i wanna take you all night long, for sure! and you definitely cant find a better expression for the perfect pounding symbiosis between bass-focused club stompers and economically dosed pop elements than its time to make up your mind.

this will be a big one in both techno and disco circles... do not sleep!
subdance is proud to announce their debut ep by the italian techno music legend lory d! last year we already heard some brand new things from lory, when, after 6 years without any new releases, he published two new twelve inches on the scottish label wireblock. æplisskenÆ on subdance is another stroke of genius from the roman as he comes up with two more classic examples of his unmistakable trademark sound, sombre and enigmatic, disturbing and fascinating, euphoric and energetic, powerful and direct! the a sideÆs æbank robberyÆ is a fresh interpretation of the track of the same name from john carpenter s æescape from new yorkÆ soundtrack. lory musically transports carpenterÆs apocalyptic visions of the last days into the new millennium. the brooding bass line and haunting atmospheres push the listener to an otherworldly dimension. this is loryÆs own masterpieceà lory d in technicolor and cinemascope! the b sideÆs ædisso bassÆ aims for the dance floors immediately. a perfect techno-electro track where exploding synthesizer cascades meet fragile melodies and archetypal lory d bass lines, each with a mind of their own. redshape, another techno music legend, is responsible for the mastering of both tracks. amazing stuff!

toms 1983 masterpiece. already wayward, here waits rethinks his sound entirely incorporating a rich and unique new sound palette inc harry partch instruments, lots of percussion, bag pipes, marimbas, harmonium etc topped off with waits visionary lyrical storytelling approach and incredible vocals. wonderful!

after 3 years the second chapter of the various artists compilation urbi et orbi! this time with the romans composite profuse and fdbk, and 2 great tracks from rude 66 and mick wills. dont miss this one!

after three long years spent in their clandestine research facility, vienna s prime electro scientists once again emerge: binary systems is the title of their lastest transmission, a five track mini-album to be released this june on trust. generated on microthol s formidable array of vintage analogue gear, binary systems sonic spectrum ranges from classic, hard-hitting techno bass to sähko-esque sine-wave assaults and fragile detroit-style electro.

killer new moby single!!! on pale horses my friend amelia is singing, shes holding a $20 microphone, no headphones, just singing it with me holding the lyrics in front of her pointing to the words. she didnt know the song before she sang it, so her performance has a vulnerable and almost na ve quality. after, i put her vocals on an old 1/8ö tape machine and re-recorded them back into the song. i wanted them to sound as if they were recorded 50 years ago... including remixes from gui boratto, apparat, and empyrean...

whether he is travelling the world djing at some of the finest parties on the planet, or producing tracks that gain support from the cream of the worlds elite players, noir (a.k.a. rene kristensen) remains one of the industrys most respected and hard working individuals. already with over 10 years experience under his belt, noir got his debut with signings on more than 10 labels including toolroom records, data, juicy, oxyd records, deeplay, and warner. dj support: sebastien leger, chris lake, audiojack, funkagenda, jim rivers, mark knight, paul harris, grant nelson, paolo martini, wally lopez, atfc, daley padley, lucien foort, trophy twins, rhythm code, timo garcia, sarah main, roog, hardsoul etc...

kirk needs no introduction, as a long serving electronic music devotee, a quick glance at kirks discography shows the scale this extraordinary talent has contributed to electronic music over the years. it is therefore with huge excitement that abstract forms brings you jitter world. featuring three tracks of deep techno business, jitter is a full on, peaktime dance floor mover with extra drive, that will undoubtedly appeal to the djs as well as the deep techno lovers amongst us, whilst back in my head and traject lay focus more toward the deeper end of the techno spectrum. its kirks groove on the dance floor and his deeper experimental electronics that make this ep fit perfectly within the abstract forms ethos.

organic house from john roberts who used to play drums & violin for 15 years. thats one of the reasons why his music is such playful, rhythmic, challenging and melodic

nice price deal !!! nils hess and henry cullen has been going for 2 yearsnow, and is the concept of henry cullen, otherwise knownas dave the drummer, and pat-trix henry has worked asan engineer / producer for many years with nils hess andwhen nils re-started the eukatech label it seemed obviousto bring their talents together as a collaboration on thelabel.
a: coalix - a poetic arrangement of rhythmic subbassline and synoptic kicks builds nervously into soft lyricalvibraphones giving the track its melody. with the additionof the fast monotonic synthesizer, nils hess & henrycullen completes this piece of dance floor magic.
b1:coalix (mutate to survive remix) - the funky remix withexhilarating build-ups producing a sexy and vibrant floorfiller. everybody should believe!
b2: red fifth - the warm synthesizers and playful melodies create a supernatural sci-fi feeling with some retro 80s sounds towards the end. the guys have created a tight arrangement with minimal acid build that takes the mind to another world.

2raumwohnung is back with their new single wir werden sehen taken from their upcoming longplayer lasso hitting the stores in late july. inga humpe and tommi eckart aka 2raumwohnung are definitely the most successful german club / pop duo to date. although their previous albums have always topped countless mainstream charts over the last years they never forgot where theyre coming from: the club scene! thats why they always keep on putting out groundbreaking dance remixes of their songs by top notch producers. this time its up to paul kalkbrenner, lately starring in the techno movie berlin calling and goodgroove & yapacc early morning extravaganza!

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

please welcome the 2nd youngster in our rooster. with just 20 years, he is already a professional in the swiss scene: stefano tropeano played at the internationally well reputated oxa in zurich, at loft luceme, acqua zurich, club q and many more. he is definately one to watch in the future. for his first production he received maximum support of namito, well known for his releases on kling klong or great stuff, rounding up this powerful package that should make it very difficult to decide which track to play, just because they all work out equally great.

hot on the heels of phonica records inaugural release comes a new 12inch on the label from jc freaks, with a very special remix from the revenge. jc freaks is the duo of anthea nzekwu and werner niedermeier. like hector, who helmed phonica 001 with ben bryant, anthea is phonica through-and-through, working behind the counter at the london store. an award-winning dj, she produces with werner as jc freaks and has already released two acclaimed 12inchs on mojuba offshoot wandering. dub praise is a sultry, funked-up assault on the dancefloor, incredibly direct and immediate but full of subtle modulations and dub chords. theres a jacking, almost boompty feel to the track, but the blissed-out vocal snippets, rich synth-tones and burbling acid licks give it a timeless, rolling quality beyond that. this is seriously addictive stuff. on the flip theres a remix from the revenge, aka graeme clark. phonica have been huge fans of clarks releases on labels like jiscomusic and instruments of rapture over the years, both solo and as part of 6th borough project. here he reimagines dub praise as a deep disco track which is all spaced-out percussion, breezy keys and low-slung bass but has real character and intensity to it. so it is that the eponymous label run out of londons best electronic music store continues its march on the worlds dancefloors and dj-boxes - with a 12 inch of hypnotic house class that fizzes with ideas and, more than anything, groove

with electric rescue, the french dj d jedi, who is known all over paris, becomes a part of the cocoon family. he is connected with the development of techno in france already since the beginning of the nineties. despite being busy as a producer for commercials and soundtracks, he always finds some time to release exciting electronic music on imprints such as f comm, communique, elp media and paul nazcas label scandium, where he has released his debut album >el.ue< three years ago. with the two tracks on >the darkest star<, electric rescue succeeds in the daring feat of transforming the energy of rave tracks from the early nineties into the present time without producing an anachronistic impression. besides a tectonically shaking bass drum, the title track relies on the power of sound, a superlative of raw club energy with a twist of irony, which can set a surprising climax with a steadily rising noise level, even after almost ten minutes. >the devils dance< is grafting a comparably brute state-of-emergency techno in a somehow restrained way, rhythm-wise, but is no less effective with its distinctive acid sound effects. and who said that modern techno cant use the tradition of belgian rave-signal-floor-burners?

20 years time, when vinyl diggers are hunting the most obscure house and techno treasures from the 90s and noughties, theyll probably turn to expert patrick specke for assistance. this dj and producer from düsseldorf is dedicated to the machines that he uses to craft his metallic, shimmying tunes - but hes equally committed to collecting the best pieces of vinyl that walk the earth. you can hear it in his tracks for this desolat release: a solid understanding of the space between the beats and the subtly textured samples that help make up a fine dance-floor groove. tracks like get me out and bitchual linestepper use tight drum loops to build the kind of stealth attack that lends itself to dancefloor damage. on naggin me the building blocks that make up the classiest 4/4 recordings are reshuffled and stretched out - from here to mars and back

dub records is an independent house music label based between munich & rijeka, focused on funky minimal house music from all over the world. in the year 2009, after many years of djing, playing and producing music on croatian electronic music scene - daniel & lukka from dubsupliers decided to start a record label called dubrecords with a simple, but yet a challenging goal - to unite the croatian dj s & producers with the worldwide pool of house music. because of their long presence at the music scene, some well known friends and artists will support the label with their remixes and releases. names like trick & kubic, robert babicz, oliver moldan, markus lange, stephan hinz and def disko will surely make the releases on this label more essential and professional. dubrecords 01 has already big support by many dj s worldwide. 4 different tracks made of well know artists will surprise the dancefloor. dark, melodic,funky minimal house to techno. between them trick & kubic from greatstuff with a masterpiece again. supported by dubfire, eelke kleijen, florian meindl and abe duque.

the rustys crew strike again ! no 4 on the label and another expertly mined duo of underground classics first up we have the awesome savarese produced 1979 killer >come inside my love< from bonnie oliver championed by ron hardy at the seminal music box, this uptempo vocal joint still sounds fresh 30 years after its original release !! on the flip we have the ludicrously rare & sought after >good love< by rome jefferies, a celebrated and super soulful boogie joint released in 1983 on the crazy rare rain label. both tracks have been remastered and are essential additions to any serious collection, not to mention impossible to find elsewhere ! as usual, theres only a small number of these around - 500 in fact, so dont delay as we have a >first come, first served< policy on the limited goods

delusions hits the spot once again with number 3, this time highlighting the production skills of a certain zepp001. the seattle based disco obsessive has been leaking out high class edits over the years under a dizzying array of deliberately forgettable pseudonyms but feels the time is right to push his original tracks. who better then to make these beauties available for you discerning djs than delusions of grandeur. dont sleep is a dark, brooding groover with throbbing bass, cute cuica fills and intense strings that lalo schifrin would be proud of. a real heavy mood setter and as good an introduction to the sound of zepp001 as you re likely to need. next up we have the mighty revenge in for remix duties on dont sleep. the much hyped master of the edit keeps the vibe of the original well and truly in place but opts for an even more stripped back approach leaving all the space for crisp claps, slowly building strings and bowel wobbling bass. flip over for giraffe, a more upbeat affair where the filtered keys come to the fore and things steer in a hyped up deep house direction. show your luv...

after six years exploring music production in an extended meaning, oscarfly decides to go into the professional field and starts a new project with his friend and colleague zippitcher.they ve been working in projects like www.colorsopenlabel.com a netlabel website designed to promote young promises in the music business. as well in the www.putocolectivo.com a group of musicians, sound designers and video artist who played for a couple of years in barcelona and around. soon after that, they decide to create their own record label >poco< (powered by colorsopenlabel.com) in order to release their best tracks, col s artist tracks and even well know artist tracks. first release of this new label born in barcelona emanate freshness, sexy grooves and these beautiful colors that people love so much at the dance floor. this first work includes a great remix of mihalis safras.

since its foundation in the year 1995, reykjaviks gus gus are working hard to make this world a less boring place. initially tagged by the press as the next big icelandic music export after bjoerk, the band swept away all cliche thinking with their highly infectuous metrosexual multimedia pop and secured themselves a deal with the prestiguous 4ad label. &#8233,,,since then a lot of hot water has been ejected by icelands geysers but gus gus miraculously always managed to combine avantgarde with pop, soul and of most prominently - with electronic music. especially with their furious live shows they ve earned themselves a devoted following worldwide. &#8233,,,&#8233,,,this years september will bring us the release of their sixth studio album that goes by the name 24/7. at this point, we dont want to let too much of the cat out of the bag but its certainly right to say that they ve once more reinvented themselves and the result is truely breathtaking. as we re convinced that the world-embracing harmonies and impeccable catchiness of add this song should be heard during this summer season, so we ve decided to already share this with you now. &#8233,,,&#8233,,,the remixes all sound as excellent as their producers: patrick chardronnet, lopazz & zarook and gluteus maximus...

we proudly announced the debut release of john daly on mule musiq! his music was already released from wave music,irr and his own label and he has made an excellent remix for rekids,compost,internasjonal. title track of a side is sounds like a spacy mr fingers! b1,morning moon is a melodic deep house and b2,light years is a cosmic house. all 3 tracks are timeless pices but could fit to the current deep house scene at the same time

attention - triple album for the price of a double! mothership tranmsission 019 – >voodeux - the paranormal<
two years ago, on the east coast of america, a couple of highly technical production wizards joined forces and created their own genre of strange and creepy techno under the moniker, voodeux. one from boston and the other from philadelphia, tanner ross and james watts first released >the curse< ep on mothership in 2008 with great success. with dj support rolling in from everywhere claude vonstroke soon commissioned them to record a full-length album of this new moody sound. voodeuxs debut album, >the paranormal< is a concentrated vision of myth and mysterious beats, exploring the eerie after-life side of techno like no other artists have done to date. it is a vision of ghosts and goblins hiding in the closet ready to scare the daylights out of you. using dark funk, ghoulish atmospheres and futuristic production, voodeux is staking their claim as the next generation of american techno and >the paranormal< is a techno masterwork for the modern underworld.

peter kruder is one of those emblematic names that lead a whole decade and inspire myriads of djs, producers and clubbers all over the world. while he enjoys unprecedented success with kruder & dorfmeister and crossed into the platinum range (selling 1 million copies of the k&d sessions album), he never lost track of the underground. probably his stellar career would never have happened exactly this way if there wasn’t the other kruder: the adventurous dj, the deep producer, the challenging a&r at g-stone, the producer behind dj hell’s highly acclaimed “teufelswerk” album. in 15 years peter kruder has done only 3 singles under his own name though. when you get your ears around “chordal” and “law of return” it becomes totally clear why this rare outing happens on macro. kruder meets his macro debut full on modernism - showcasing his deep, dark, dancefloor grounded side. with a crisp harmonic sequence reminiscent of tchaikovsky’s nutcracker suite, “chordal” hijacks brains on the dancefloor with its vacuum depth and sizzling details. “law of return” on the other side is a kruder signature take on deepness - solemn chords wrapped around a hypnotic groove give you tears of joy. a masterpiece!

limited re-issue on 180 gram vinyl.
great compilation of marlena shaws jazzy soul work that spans her years at chess/cadet, blue note, and columbia, 16 tracks on 2 lps including her most sampled songs *woman of the ghetto* and *california soul*.

new years deal - returning to present the third in archipel s excursion series is label boss himself, pheek, and his partner in aural beautification of the world, stefny, who both bring their passions together to form japan excursion joint 3 .

this release is a very special one for us… indeed, roskow kretschmann has been for years one of the music makers that surprised us constantly and teased our appetite, displaying his rich musical background inside of projects like jazzanova, kosma or sygaire. the tracks selected by dairmount (after hours hanging out in roskows sound lab over the years) are genuinely outstanding in his entire discography. they sound like no others and reveal rare aspects of his >musical persona<. this is why they are representing perfectly our quest for >hybrid club music< crossing the lines of the original spirit of house & techno. the ep opens with the futuristic techno soul of the time is now. perfectly named, the tune fuses with class, dusty jazz samples, obscure soul vocals, juicy claps and overwhelming detroit techno keys. the result is a timeless club monster for the deepest moments. the second track that blasted us is mono:poly rightly shaped for audacious djs that enjoy to play >special< things. the track is supported by a solid programming as fellow beatmakers like mark pritchard, recloose or kenny dope originated in the 90s, mixed with biting analogue pressure, crazy batucada elements & a magic breakdown for all the lucky ones that will play it in the sunrise this summer. and last but not least, one of the label mavericks, marlow created a hell of a remix by delivering a 10 minutes techno epic that would make our detroit godfather c2 blush of satisfaction. thanks to all of them for the fantastic music

for over fifteen years, orphx has been exploring the grey areas between techno, industrial and electro-acoustic music. using an assortment of synthesizers, samplers, feedback systems, and various homemade instruments, orphx combines the dark, experimental aesthetics of early industrial music with the pulse of techno, electro and dub.

the junkies style has continued to evolve over the years under the influence of various genres of electronic music, ranging from deep soulful house to techno and everything in between. the junkies production and remix work have been fundamental in pushing them forward both as artists and dj s. the duo just never seems to stop releasing and remixing tracks, which have gained much support from many of the world s top jocks the junkies are enjoying a string of stellar releases and chart topers , including the hugely successful d-mode ep a collaboration with rawthentic music head honcho, carlo lio. today one thing is very clear.plenty more is still yet to come from the junkies

massive support by extrawelt, ortin cam, tony rohr, the advent, xpansul, xavier morel and many more!
frederik hatsav and jamie kidd joined forces to create the new metalogic sound - edgy, dynamic and highly rhythmic electronic music. their first output on nachtstrom schallplatten has been a true highlight full of fresh and deep techno-tracks, containing 4 bass-driven heavy monster-tunes that rocked the dancefloors around the world.now it s time to present the remix-vinyl of this masterpiece!!!
we are very proud that we could sign 3 of the most famous and established techno-artists worldwide:the first remix is coming from brian sanhaji. brian is releasing since years on chris liebing s label clr, enable and sonata (just to name a few) and is also mastering-engineer of labels such as sven vaeth s legendary cocoon, clr, spinclub, electric deluxe or intergroove. he just released his latest album on clr and since then is touring the world and playing on all major festivals and clubs.the second remix is produced by dietrich schoenemann, who is the man behind new york s legendary hidden agenda and addon records. he released countless ep s together with his long-time friend tony rohr and is known worldwide for his brilliant dj-sets and live-pa s.london based producer perc is completing this outstanding remix-package. he is the owner of the english label perctrax and released various ep s on the most famous and respected labels on the planet, such as adam beyer s drumcode, chris liebing s clr, ovum records or kompakt.

with mind reflection ep vol 1, franck roger is going back to the early years of house! in fact he shows a lot of himself, musically, and vocally (feat mani hoffman). some may call it old-school, franck simply calls it 100% pure house music. supported by main djs!

after the success of last years music got you movin, je devu is back for more! this time with a double a-sider! two super funky house bombs to set the dancefloors on fire!

building on the momentum of last years hard loving, william takes it to the next level, spearheading his own unique sound. big with mathias kaden, 2000andone , raresh , kabale und liebe , brothers vibe, lauhaus, karotte, d julz and many more

the new tom hades (marco bailey s co-producer since years) is absolutely stellar. this will make your club go off like a satellite!! the mark antonio remix is also an ultra funky affair that will make it impossible for your crowd to stop shaking. mas, por favor!

this is the new intellectual sexual ride with the worlds most sensual voice kim cooper and jamie lewis. after so sexy one of the biggest tunes in 2006/2007 that rocked all the dancefloors and radios around the globe, here comes the next floor killer! it s all about mo butter, the sweetest key to life with a message to all those who like it hot! mo butter was included on this years miami sampler after big requests from allover - the butter is here. enjoy and let your fantasies come true!

keezako records is proud to present his third release, machine divine ep, composed by hypnobot. two tracks made for the dancefloor offering a fresh and mind blowing approach of electronic music. hypnobot presents his last two productions. he is active on the underground techno field since 15 years but also in the contemporary classic music arcanes. his productions have a unique taste mixing electro-acoustic approach and techno efficiency. hypnobots music describes the fall of an effete world with violence, melancholy, and an innate dance floor sense!! already supported by dj skurge (underground resistance / detroit) and nomadico

if we ever called it a classic…this is what we meant . after releasing one of the best artist album of the last years on carl craigs planet e label, kenny larkin joins now forces with one of the most influential artists of the recent times shlomi aber, and his acclaimed label be as one imprint. shlomi aber and legendary detroit pioneer kenny larkin are two artists that needs no introduction to the techno crowds. while the first one is recognized as one of the most forward thinking artists of the recent years, the other one is responsible for releasing some of the finest pieces of electronic music ever produced. sketches ep comes with 2 different versions of the same track, both having old school vibes reminiscent of the days when house and techno went hands in hands. kennys version is a superbly produced slice of techno, with an amazing drums progression in a typical larkin style sustaining a hypnotic lead pattern, all conjuring together to take the dancefloor into a 10 minutes long, deep and mind tripping tour. label boss shlomi aber, takes a different approach by putting out a tougher version, a loopy phat bassline and a jazzy rhythm with snare hits makes this tune a funkier techno shuffle a pure classic to come, already supported by basically everyone, from the detroit old school guys to the recent house and techno leaders

autonation s sit on the bass was released on esteemed label r&s , 18 years ago in 1991.. (shit! was it really 18 years ago??)
autonation kindly agreed to a re-release two years ago after a meeting in a pub in ladbroke grove. sit on the bass has been a mainstay of label boss jerome hill s sets since it s release all those years ago and still sounds relevent and rocks crowds today.
autonation is none other than seasoned producer dave campbell who over the years has released a vast body of techno, drum n bass, and ambient music under the aliases kibu, hiryze, xtro, greenback and of course autonation on labels such as rising high, certificate 18, r&s, cue and guy called gerald s juicebox.
its an absolute techno classic, but not one of the obvious ones that get rolled out for every old skool back to the 90 s set.. so get on board and be in the know before everyone gets on it!!
jerome hill steps up for the remix on the b-side utilising some fierce rumbling sub bass and keeping the energy levels on 11 for the dancefloor..
this release has been cut super loud and is the first 2-tracker on don t for just this reason.

weare proud to welcome marc antona as the newest member on the highgrade artist roster. unless youve spent the last few years living under a rock you will most likely already know his name! the french producer has recently put out releases on several hot labels like freak n chic, micro-fibres, sender and mobilee . the opening track, >red faces< instantly proves why marcs sound fits perfectly into the highgrade musical universe: highly energetic and hypnotic, it develops slowly but relentlessly into an irresistible groove. the first track on the flipside >wheel of chance< skillfully picks up this train of thought, throwing some more percussion into the mix, which next to some bleeping synth lines will guarantee effortless intoxication on the dancefloor. hustle< on the b2 grooves on relentlessly as well - with some slick seeded reverse claps and detroit inspired synth stabs. our hats are definitely off to this release, and we look forward to many more from mr. antona!

clone v 2.0 comes with another serie... the clone club series... you guessed it... a series dedicated to release club music in its best form. no better start was possible for this series then this huge track by mina jackson. mina jackson delivers some incredible deep and warm gospel vocals on top of the irresistible groove of mike dunn. a unusual combination that works like crazy. mike dunn did again an amazing job. somehow he always manages to create such a simple but effective groove... and not just the last 4 years... but for more then 20 years... respect!! big summer track!

a triumphant return from the canadian rocky mountaineer himself jon delerious, whos back in the fold with his first release in over 2 years. jons dub influenced housey bits & album for nordic trax in the past have caught the eye of deejays and tastemakers worldwide, ending up perhaps most notably as the lead track on lee burridges global underground compilation. advance deejay support for this ep has been strong with rave reviews and support from the likes of mark farina, east coast boogiemen, giom, kelvin k, c rock, ross couch and johnny fiasco who proclaimed wow. i am very impressed w jons release here - def pay attention class!!!!

first 12 inch from double cd compilation >moments of a crisis<, celebrating 5 years of cosmo vitellis >i m a cliche< label! happy birthday!

itÆs been a couple of years since victim last released a full 12, but just like the buses you wait that long and then two come along at once. for victim, the >off piste< 12 follows hot on the heels of their split 12 with jerome hill & dont recordings. in the case of ben pest, they are coming thick and fast at the moment, with a recent release on lukes angers bonus round label, and an upcoming 12 on the seriously deranged panic bridge label. so, all in all a busy few months. as for the tracks, they all share in common a seriously weighty bottom end, and a tendency for crunchy acidic midsàbut that is kinda where the similarities end, as ben takes the opportunity to explore various avenues off the main street of techno. from the stomping acid workout of >zeedonk< to the more electro-influenced beats of >pain n gain< this is a record that covers a fair few bases (basses?), although all with the aim of thrilling a crowd that enjoys their techno on the gnarly side.

incl. rmxs by hugo & dragosh !! over the past few years the pair have been building a reputation on the leeds club circuit for their dj skills. their first forays in the studio saw them produce the single tongue , which once picked up on by lawler, went on to be a regular in his sets and a catalyst in his decision to get the guys aboard the good ship viva. their take on the jack ep, cemented that decision and the label head now gives them the chance to truly present themselves to the world with this debut release. opening track osasuna see s the duo create a wonderful percussive track. built around a deep sax melody that will have the floor grooving. superb drum programming, with lashings of bongo work, make this a perfect opener to the e.p. and one that will easily make its mark in the current, refreshing, house sound... who better to remix osasuna than lawler s most recently unearthed diamond, romanian dragosh. ..

lakeof = reboot & meat !!!! barbarito capote aka dj dove had devoted most of his career fine-tuning the sultry sounds heard throughout his eleven years as a producer. known for his legendary productions on labels like som underground,look at you, slip n slide, below is proud to rerelease one of his hard to find tracks. roots & culture, originaly released on the blue room session ep û som underground 2002 is one of this records where people spend tons of money to get a 2nd hand copy of this epic house release. lakeof aka meat and reboot took the chance to put their hands on this legendary track and the result is an puming bass in your face chicago bomb wich guarantees to set the dancefoors on fire all over the world.

fresh from tearing up this years wmc in miami cr2 proudly present a new take on the classic æneedin u by the face aka david morales, this stone cold classic gets a re vamp from cr2 head honcho mark brown & adam shaw he of mau5trap / toolroom fame. on the flip we have an excellent remix from paul woolford the man from leeds provides a superb deep techy dub workout with just a hint of the the piano something that will be rocking his residency welovesundays @ space, ibiza this summer. limited 12 place your orders now