180 gram vinyl pressing with download code included.
for his third ecm release as a leader, chris potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle. the group includes superlative musicians well known to followers of ecm’s many recordings from new york over the past decade: keyboardist david virelles, bassist joe martin and drummer marcus gilmore, who each shine in addition to the leader on multiple horns. the dreamer is the dream features potter on tenor saxophone – the instrument that has made him one of the most admired players of his generation – in the striking opener “heart in hand” and such album highlights as “yasodhara,” as well as on soprano sax (“memory and desire”) and bass clarinet (the title track). potter is an artist who “employs his considerable technique in service of music rather than spectacle,” says the new yorker, and his composing develops in texture and atmosphere with every album. along with his previous ecm releases, imaginary cities and the sirens, he has appeared on some of the label’s most acclaimed discs, including paul motian’s classic lost in a dream and dave holland’s grammy award-winning what goes around.

re-release der classic punkrockband the bristles aus schweden. 16 tracks, aufgenommen zwischen 1982-1984.

the third album by rico friebe

ltd 6fach splatter vinyl box full with tracks of bors brechja with tracks from 2007 - 2008

mixtus orbis is a split album between rennes wizard le matin and the danish astrocosmonauts parallel

electronic/dance

armand (26 jahre, synths & drum machines) und clara (25 jahre, vocals & drum machines) lernten sich auf einer kunsthochschule bei paris kennen. er schwört auf den techno des berühmten warp-labels, sie sang bei den garage-rockern cannery terror. nach ersten diy-shows stieß das hippe label cracki records auf agar agar, 2016 erschien die debüt-ep -cardan-, auf der clara erstmals ihre rolle als hohepriesterin des goth auslebte: eine art wiedergeburt von siouxsie im gewand von donna summer. stücke, die klingen wie ein diskoider schamanischer trip, dunstig und ultra-langsam, ein aufruf zu besessenheit und hingabe. zwei jahre danach sind ihre konzerte monate im voraus ausverkauft. nun erscheint ihr mit spannung erwartetes debütalbum -the dog and the future-, wieder mit dem markenzeichen von agar agar: claras hingebungsvolle stimme schwebt über makellose, dunstige slow-disco instrumentals. es ist ein melancholisches, nostalgisches und zugleich poppig-futuristisches album, das sich thematisch um die virtuelle realität, um simulationen des lebens, um hunde und um die liebe dreht, und vor augenzwinkern in richtung pop-kultur, vor labyrinthischen rätseln und opium-geschwängerten schwingungen nur so strotzt. es oszilliert zwischen granatapfel großen herzen, einem himmel aus schatten, dem dunst der erde, mystischen zuckungen und dem schwarzen leder des nihilismus der neuen blank-generation.

reissue of this 1981 debut album by new age pioneer jd emmanuel. check! . texan musician jd emmanuel s career story is, in a way, a story about how the passion of fans can make a difference, about a gifted musician whose music may have been lost to the ages had it not been for the efforts of a new generation of vintage electronic and new age music enthusiasts and collectors.

theyre young and tough, and especially wonderful too, easily one of the most compelling harmony soul groups to ever hail from the windy city! the sets a chicago soul gem from the early 70s, recorded with a laidback, slightly tripped-out vibe thats different than the tighter styles of other groups from the same scene, definitely righteous at points, with some of the superbad modes you might hear from an east coast lineup like the delfonics or soul generation, especially when they were trying to get a bit more conscious in their message. arrangements are great – handled by tom tom washington, eugene record, and cliff davis, very much at the best brunswick mode, but again with a deeper sort of vibe too. the title cuts a monster, and a very fitting follow-up to their earlier sly, slick, & wicked track – and the album features 2 versions (vocal and instrumental) of a cut called this is the lost generation, a very righteous soul groove with a heavy production tip.

finale sessions is proud to bring another fine release from none other then nick lapian from soul people music fame and amoung other fine labels worldwide . we at finale sessions welcome nick to our family and our system here at finale sessions with his fatastic tracks that s sure to please your ears and we start with the first track and it called -lost days- it has such movement to it with its rolling pads and its systemmatic keywork and deeep basslines is a must haqve for the record bag for sure . then we have -pigment which is a mid tempo dream come true with it acidy pad synthed structure and lush keys and wicked drum work it is 1st hour monster for sure . then last but not least we have -motif- which is peek time killer with its nice key work and its nice pads layering into a nice kick perfect for a b side jam and that what we have for finale sessions 023 we hope you enjoy the next generation from the forward thinking vault.....we want to thank you for the ongoing support .....love finale sessions god bless you

>rispah<, the sophomore album by the invisible and their first for ninja tune, is >a love letter to grief< following the passing of singer dave okumus mother, is imbued with an inevitable melancholy but defined by a sense of hope. throughout, the band reveal their rich creativity and musicianship. echoes run through these songs of african music (including beautifully-woven-in samples of the singers from okumus mothers funeral), psalm tones and devotional music, in a silent way-era miles davis, hints of minimal classical composers such as steve reich and the wilder more psychedelic end of hip hop and related electronic musics.
nothing is ever included for the sake of it, no attempt is made to patronise or sell the audience short. it is a record brimming with real emotion and restless intelligence, a record to get lost in.
double 12 inch vinyl in gatefold cover, including insert and code for free mp3 download.

a true showcase of vesicles creativity, versatility and dark bassline science, the we are lost ep contains 4 deep and dark dubstep excursions and makes a strong case for this finnish duos inclusion among the genres best and brightest of the new generation of sound visionaries. the title track we are lost is a beautiful, dark anthem combining haunting vocals with live guitars, intricate melodies, precision drum programming and fat slabs of bass. the result is a well-rounded, catchy and melancholic masterpiece. smoke curls switches up the program, engulfing the listener in deliberately lo-fi sound fx and percussion whilst conjuring up deeply emotional, melodic bliss by juxtaposing a dusty piano with a soaring, distorted, filtered leadline of 8-bit chiptune charme. destined to become a dark breakstep anthem,mythos harks back to the late 90s metalheadz sound with its epic synthlines, eery vocals and massive, growling reece bass constructions. redemption completes this vicious circle with a journey to the depths of darkness, attesting to vesicles true mastery of uniquely filthy bassline construction on this stripped-down vision of despair. to ensure that this ep looks as mindblowingly sick as it sounds, the vinyl release features stunning, limited-edition full sleeve artwork!

furious hard techno 4-track attack on the third datablender release, this time from rob stalker/ritchie gee/sam siva & xhe

be as one is excited to release the long overdue “romantic & dead” lp, the debut album from one of the most talented artists of the recent generational techno movement, and the label regular kashpitzky.

expanding on the signature surf/garage rock sounds from their debut album buds, surf curse emerge on nothing yet retaining the same infectious formula, but with more wisdom and finesse.

long awaited & critically acclaimed - the new album from atcq.

repress! uk garage may have originated in the united kingdom but its influence continues to extend throughout the underground music scene as new generations discover the work of the genres pioneers and their rule-book tearing approach to productions which established entirely new rhythms and grooves outside the standard 4x4 house music template. obstacle records is a new label that provides a home for established international artists adopting new aliases in order to release productions drawing on speed garage, 2-step and broken beats collective heritage.

the 3rd release on alma negra records is dedicated to the music of eritrea, a small (in african terms, that is) country nestled in between sudan and ethopia on the south end of the red sea. drawing from its native spiritual roots as well as the christian and islamic influences of conquering factions, this multiethnical country is home to an amazingly diverse plethora of cultures and musical styles. on this ep, we are happy to showcase the music of the saho people from the region of zula, which is located in between the coastal lowlands close to the dahlak archipelago. the word saho roughly translates (translated?) as nomad, pointing towards a lifestyle where tradition and culture is being passed on orally over generations. the exact source for these edits of the saho sound are thus lost to the murky depths of history, as they are based on traditional folksongs

-lost, found & great: obscure pop gems of the past- is the title of a series under which tapete sporadically re-releases brilliant, but hard-to-get or even out-of-print pop albums. now it is the time for the times legendary albums -this is london- and -go

top tip for boards of canada fans! gorgeous isolation wrapped in electric memories. 8-track electronica for homesick time travelers. nothing left to abandon is a slow rendering of brooding introspections and imaginary spaces. memories, visions, eroded philosophies, tragedies in a few words. a childhood of livid skies, barren escarpments, homeless wastes. an absorbing contemplation of unlikely beauty and dusty melancholy that intersects with the creative territories of vangelis, boards of canada, klaus schulze, and ulrich schnauss, and the musings of joe frank and robert ashley. clocolan is south african-born composer emlyn ellis addison. a long formal training in music, his work centers on original writings and the found sounds of abandoned ideologies--generations of radicals and skeptics searching for meaning. from his childhood in south africa--a landscape of neglected hinterlands, eroded topology, unconquered vastness--emerged clocolan s homesick, lo-fidelity electronica, expansive themes lost in the background noise of human affairs.

born in 2012 on the west side of buenos aires, agrupación ilegal los imparciales is a mix of traditional cumbia, peruvian chicha and instrumental psychedelia. a full live act and often transcendental experience, the group utilizes the classic instrumentation of electric bass, electric guitar, farfisa organ and percussion, an homage to older times, without the crutch of electronic sounds and samples. its a new generation of young and accomplished musicians bringing forward the sounds of a lost era and aesthetic, so relevant in todays modern music landscape. already with two studio albums under their belt and a third on its way, its high time the group is poised for a worldwide release sampler at the hands of names you can trust.

im jahr 2014 hat mano le tough Ÿber 100 gigs weltweit gespielt und landete auf dem 8. rang im dj poll von resident advisor. nach seinem vielgepriesenen debŸtalbum changing days (2013) egt der in irland geborene kŸnstler nun ein beeindruckendes zweites werk vor. trails fŸhrt den weg fort, den mano seit mehreren jahren gekonnt beschreitet: trails ist voll von sich langsam aufbauenden, von melodien getragenen stŸcken. gleichzeitig zeigt sich mano in trails souverŠner denn je zuvor. seine zahlreichen sets in clubs wie berghain und trouw haben seinen produktionen nach und nach ein beeindruckendes gespŸr fŸr den aufbau eines tracks und den richtigen augenblick verliehen. die songs auf trails haben es nicht eilig, sie gedeihen in wohlŸberlegten schritten, wŠhrend dabei die linien zwischen house, techno, new wave, ambient und pop zunehmend verschwimmen

mano le tough spends a lot of time in the club. in 2014, the irish-born artist played more than 100 gigs all around the world-landing at number eight on resident advisors annual dj poll in the process but when the time came to make trails, the follow-up to his much lauded 2013 debut album changing days, mano knew that a little time away from the dancefloor was in order

after a 10 year hiatus, ron delivers *the lost tapes*. 4 true high adrenaline first generation pure detroit techno tracks.

limited to 250 copies !!! on august 4th 2011, the sony music warehouse in enfield, north london was attacked during riots and looting that affected many areas of the capitol over the course of a week. the warehouse burned down completely, taking with it millions of cds and vinyl stored by the distributor pias including the back catalogue of freerange. the blow was devastating for many labels, with the logistics of manufacture and minimal insurance payouts meaning that recreating the entirety of their old stock was completely impossible and many releases have been lost forever as a result.

carefully caressing your back whilst whispering sweet nothings into your ear, pillowtalk join the life and death family with their modern dance soul hybrid, >the come back ep<. despite the name, its actually a debut ep -- and one that quickly establishes pillowtalks unique sound as an important voice in the new generation of contemporary dance music. already getting serious play (and props) from a wide range of djs, from the deep & soulful wolf + lamb and soul clap crews all the way to the banging bass centric justin martin, >the come back< finds life and death once again crossing the conventional genre descriptions with a true dancefloor bomb that everyone can get behind. imagine motown and classic doo-wop blended with a modern dance sensibility and you may start to get an idea of the pillowtalk sound. but its better to stop imagining and just have a listen because what these guys are doing is so genuinely unique, its not an easy one to pigeonhole with words and genre titles alone. the ep includes >the come back<, >soft< and >long lost friends< as well as a life and death remix of >soft<. put together in the life and death laboratories it brings a darker, deeper take on this beautiful and already incredibly sentimental dancefloor serenade.

they may have grown up in different generations on different sides of the atlantic, but one thing detroit master delano smith and irish up and comer gavin herlihy share in common is a disregard for boundaries. deftly slipping between the definitions of house and techno, both have carved names for themselves by ignoring the laylines of either genre to imprint their own inimitable stamp on dance music. on krypton factor the pair link talents to deliver an ep that is typically irreverent of trends or genres.

much awaited return to lost trax! scsi-av has been a well respected electro and techno label since it was born in september 2008. almost 12 years later and after a short break scsi is back with a classy detroit techno record which has been sat in the vaults for quite some time waiting patiently to be released. as the second part of the lost trax series. expect deep bass, booming 808 kicks and carl craig-esque sounding strings. the production on both sides of this record is amazing showing the digital generation that analogue kit still sounds supreme. the lost trax series is a project for producers who have inspired the label to record something special and release anonymously as we dont believe its necessary to sell music on the strength of a specific artists reputation.

ryo murakami whos recent releases include dessous and moriss audio and is known for leading the younger generation artists announces his newest release on his very own label panrecords. the promo is already being heavily played on the jus-ed radio show. the tunes of the analog drum machine coming from the bottom of the deep seas along with our friend amrs quiet yet crazy voice sampling echoes on a1s lost it and a deep arrangement is added to the coupling track dive a elevate. the fat analog synthesizer by dublins lerosal that resembles chicago and detroit sounds are remixed with the rhythm machines low range sounds. the sense of flow from beginning to end is at 90.5. the complete 4 songs are sent from tokyo out to the world scene

cool percussive detroit club trax !! exclusive from the japan only cd

techno 2x12 inch incl tolouse low trax, al wootton, anatolian weapons

2cd , vol. 24 - with 24 tracks

monnom black presents umwelt’s new studio album “dead eyes society”, a stunning piece of work and the culmination of 30 years of artistic refinement.

following up after the recent circadian rhythms release is sebastian s under his caustic 14 alias with a yummy yummy double 12- six tracker full of speedy bleep science breakbeat and colorful jungle techno compositions that could only be made in bruxhell (aka brussels). the selection is a patchwork of various unreleased works from around 1993 to 1996. a silent witness of these rave-days said the following about the production process of the tracks on this new basic moves release: -we were eager to share our individual sound universes with each other and see where it would take us. these compositions emerged during many sleepless nights spent watching videos of science fiction series such as babylon 5 or star trek, scrutinising each episode while composing.-

celebreting 15 years of armada music with 4x 180 gram vinyl in a classy collectors slipcase.

you should all know by now i have collected a good few records in my time, hunting down that perfect beat. in search of that special piece i have found a deep love for the old soul ballads and funk that were for me great social statements, telling it just how it was. growing up with these tunes and owning them i began to realise if someone didn’t represent them to the next generation they would be long lost and forgotten. so please... enjoy this time capsule of music from another time... you’ll hear nothing’s changed! - mr. g, 2018

house heaven on 12-inch. a lofty description, but one that fits most excellent unlimited’s latest offering perfectly. in 1990, boy george and simon rogers (the fall) made a record called “generations of love” for george’s post-culture club project, jesus loves you. legendary nyc dj and producer bruce forest was one of several big names brought in to do a set of remixes, and the better days veteran got to work on several contrasting versions of the cut. the mixes heard here, done at london’s famed olympic studios, are slices of utter ecstasy for anyone who has a taste for ‘90s deep house euphoria and ambient dancefloor excursions, but were unfortunately lost amongst the countless alternate mixes. suffice to say, meu is taking matters into our own hands and has remastered and properly packaged these tracks, directly sourced from forest himself, with the full intention to give this erstwhile dollar-record the respect it deserves. the jazz mix opens with a winding piano solo by andy whitmore (spandau ballet, terence trent d’arby, soul ii soul) that lures the listener into a hypnotic groove that could quite comfortably go on forever but here is constrained by our modesty and the 12-inch format. (a tip for the adventurous dj: flipped to 33rpm the tune becomes an epic balearic chugger, a late-night psylocibic alternative for the heads.) the synth-heavy sounds of the ambient mix on the flip side harken back to the chill-out rooms of the ‘90s but twenty-some years later bring the best kind of vintage charm.

in records continues his musical trip and stops this time in sweden (malmö). rimbaudian is an artist that we don’t need to present anymore, surely one of the most gifted producers of his generation. he keeps soaking up the best in deep, souful techno. this is a very special release perfect for techno and house lovers alike.
vinyl only - limited edition!

emotional response and golf channel come together to release a special collaboration between montezumas rache s christian pannenburg (record loft) and jan shulte (muller/ bufiman) and legendary krautrock guitarist dominik von senger (the phantom band / dunkelziffer). a meeting out of the love of vinyl, where panneburg hails von senger to source phantom band rarities and an idea of working together was born. following the success of the percussive heavy debut wu du wu on second circle, the return to the studio for christian and jan shulte and this resultant ep is a true coming together of cross-generational minds. unfolding across 3 songs of subtly and beauty, mood, structure and atmospherics form in a post-balearic meets psychedelic haze. lilting piano start before dub bass and dominik s refrain melts its way in rheinfahren. voids open, minds expand, felds walked, oceans crossed, seas parted, wind pushes against the face, rolling hills, cloudy skies, sun, sand, love, lost, found, deeper and deeper it goes in to your soul. the uber flow continues at a slower pace with tangerine (krauter mix) taking things down but carrying the interplay between artist s continues as if made for each other. guitar hooks in multiple layers, finger clicks, pots n pans vibes gently taking you from formentara to tisno, malibu, tulum or wherever your heart lies restful. finally, guten morgen bromio is the (bro)mance to end any affair. hip hop roots, jan s mouth-harp underlaying, dominik s licks and christian s dub fx laiden spector commandments shuffle together until group vocals bring them finally to completion. a wonderful ep bringing together 3 artists and 2 labels for the love of music

gouru is launching its own label, submersive, with an ep from brendon moeller aka. echologist, including a remix from french duo hbtvsk (voiski & heartbeat).in 2014, to celebrate the 4th birthday of the webzine gouru, brendon moeller and hbtvsk were invited to play at la machine du moulin rouge (paris). following a car accident on his way to the airport of new york, brendon was unable to appear and play. to make up for this unfortunate incident, gouru offered brendon the inauguration of its new label submersive, and invited heartbeat & voiski aka hbtvsk, the duo he was supposed to share the stage with, to remix one track. 2 years later, the first ep of the label gathers all 3 artists who were not able to share the decks on stage, on the same record. as brendon himself says , “all good things take time” and instead of evoking the nostalgy of a party that did not happen, the record opens the doors of the imagination and takes us to a powerful collaboration between 2 artists’ generations, thereby showing us the techno scene at its best.zur opens the ball and sets the tone of the ep, a dub and progressive rise, based on a cyclic structure, punctuated by a random reverb. tension is maintained throughout and finally leaves room to filth, whose rhythm is faster, unrestrained, yet keeps an air of suspense and unpredictability - the perfect soundtrack for an exhausting race. looking for trouble plays on a more hypnotic side. with a dark yet electrifying atmosphere, rhythms are exalted by a strident and piercing melody, evolving alongside uncontrollable sounds, throwing us straight into a cosmic trip. faithful to the spirit of the ep, the filth remix delivered by hbtvsk is a perfect exercise of style. without denaturing the original track, the remix revisits it. its’ heavy, powerful mechanism is, at the same time, accurate and sharpened. certain parts of the original track are easily recognizable, which finally get lost in the subtle gearwheel of an anthem tinted by noise.

the fourth release from palms & charms sees the return of label co-owner barnaby bruce, ruminating on the perils of fine fabric care. we ve all been there – a lengthy session on the dancefloor playing havoc with the pile of your velvet coat. faced with this dilemma, barnaby reaches for the battered volume, passed down through untold generations of his family, detailing archaic yet uncannily effective methods for extending the life of even the most exquisite textiles. as he does so, the percussive jazz-tinged boogie of sweat on velvet takes over his mind, unleashing a wave of dancefloor euphoria. not to be outdone, pete herbert (reverso 68), unveils his own masterful fabric care techniques, providing a remix that will starch your collar and shake out the creases. not the same clothes, but something brand new. freshly attired, barnaby begins to notice curious and somewhat unsettling noises coming from the next room. he gingerly opens the door, and is confronted with a seance in full swing. strangers sitting around his dining table wait with baited breath for word from the other side. but the unearthly howling of tortured spirits is quickly silenced by the devilish groove of seance fiction. as the arp makes its entrance, every soul is up and dancing. finally, barnaby bruce also provides the eminently useful go go percussion dub of sweat on velvet – rounding out a sartorially elegant ep with something for everyone, from sceptics to lost souls.

marvin & guy was born in 2011 from the children of two different musical generations with a shared knowledge of how to make people dance. influenced by legendary djs such as ron hardy, larry levan or tee scott, their sound is firmly rooted in disco but keeps evolving with each release. in their debut ep for hivern, they keep expanding their palette with three tracks that push the boundaries between the disco culture and a techno spirit

master mix tells the story of arthur russell, exploring his music and ongoing relevance to a new generation of artists. showcasing the diversity of arthurs musical worlds, each artist reinterpreted one of his tracks in their own style in tribute to his influence. features tracks from hot chip, robyn, blood orange, sufjan stevens, jose gonzalez and many more. the triple vinyl lp includes a download code for the full album.