phat remixes package

jaden’s third album is inspired by listening to kanye west’s “the life of pablo” and frank ocean’s “blonde”. the double vinyl is housed in a gatefold sleeve.

parrish smith has quietly been making a name for himself over these last years with releases on knekelhuis and contort yourself as well as with his projects volition immanent and sige bythos. we see him appear on l.i.e.s. in a strong fashion through four varied dense tracks. from slowbeat ebm to belgium klang to classic den hague crushers this ep forges its own path taking these cues and putting smith s unqiue spin on them. heavy yet still possessing groove and hypnotic rhythm, damage will ensue if used correctly. fresh stuff from this up and coming talent.

support by: laurent garnier, kaiserdisco, wally lopez, monika kruse, ken ishii, max cooper, nicolas masseyeff, 2000and one, karotte, stephan bodzin, pig&dan, marco bailey

christian smith rocks the floor as well, extra phat techno action with slam remix on the flipside . ***decks tipp ***

technoir audio is proud to announce the release of tna-011, chase smith’s “romance synthetique”. this 3-track release from one of pittsburgh’s best home grown talents shows that the steel city’s musical future is in good hands. mr. smith’s delicate balance of rhythms, melodies and synth work, allow him to walk in fresh areas and yet pay respect to those who have explored before him. we at technoir audio appreciate his sounds and flow and are pretty sure you’ll enjoy it as well, whether on the floor or at home.

the djs steel and smith alias andor van reeven and marco pronk earlier did the club encounters project. they have scored various club hits with that one. turn helds two mixes, both with great and catchy vocals from myran.the original mix is an optimistic dance floor oriented electro house tune, with a standout sound riding along on a bouncy beat. the mix by kurtis johnson is a more tech/electro twisted, with the ever so infectious fat sub retro bass line already supported and played by fedde le grand, anthony pappa

sunergy brings together synthesists suzanne ciani and kaitlyn aurelia smith for the thirteenth installment of frkwys, rvng intl. s intergenerational collaboration series. expanded release on blue coloured vinyl.

decks tipp, phat detroit rooted floorfriendly dj weapons

christian smith and john selway, make a powerful collab team. the two legendary producers are back with the second instalment of their count zero ep. 3 original tracks delivery on all levels, whether it s the bellowing synths in delirium, the modulating bass found in royal movement or the rippling groove closing out the ep in virtual light

using a modular system comprised of make noise modules (as well as a prophet 5 synthesizer), kaitlyn aurelia smith created abstractions as a live score for the film of the same name by visual artist harry everett smith. comprised of a single track across the records two sides, abstractions presents a unique experimental release within kaitlyns stellar catalog of contemporary electronic music. this make noise records release was digitally mastered by shawn hatfield at audible odditieshttp://www.audibleoddities.com/ pressed to 12inch clear (140g) vinyl and inserted into a black inner dust sleeve and matte jacket featuring artwork by harry everett smith (comprised of film negatives from abstractions, licensed from the harry smith archives), assembled by sean curtis patrick

after a strong start with an ep from dwayne jensen, pittsburgh-based label is / was returns with an absolute firecracker from chase smith. nous nous au danser is the kind of jam that will guarantee everyone in the room starts freaking, so infectious is the bright and bold acid strain smith offers up. orange geena is equally stunning, all warm bass and dazzling synths. work it over takes things in a punchier direction, leaving a little more space in the mix for the rhythm section to help things get really nasty. tour de trepan takes on some new beat qualities as it unfurls a noirish beat-driven fantasy to finish off an utterly flawless ep.

after a 2 year + hiatus apartment records returns with its tenth release and itÆs first with american dance music producer, chase smith (previously of wt records / r zone / argot). typical of the labelÆs varied approach to styles, across its four tracks ôsending you some lungsö touches on everything from bruising, muscular techno, growling acid house, synth pop, rave and classic, early detroit techno. chaseÆs high end production techniques bring his diverse influences together in seemingly effortless fashion with all music aimed squarely at a heaving, sweaty dance floor.

tyrees is an up and coming, london born and bred producer and dj with a heavy focus on breaks, bass and pads. his sound pays homage to and is an evolution of the elements that were so crucial in the uk dance music scene throughout the 90s and onwards. his love for hardcore, jungle and drum n bass of the early to mid ‘90s is principally important to the formation of his style. producers like tyrees are taking full advantage of the current wave of innovative and experimental styles of electronic dance music. with great respect and adoration, tyrees is combining percussive elements, rhythms, structures, samples and tempos from many genres and eras, creating familiar but fresh, unique and exciting sounds. aside from electronic dance music, tyrees is deeply interested in a broad spectrum of musical styles, notably the many sub-genres of jazz, soul and funk from the ‘60s and ‘70s, hip hop culture which was so heavily inspired by this music, and anything else from rock and orchestral pieces to world music and obscure osts. this obsession with music is apparent in the overall sound of his productions. “tidy” is a smooth and subtle journey through beautiful sample based pads, chopped breaks, synth lines and vocal samples. it is a gradually rising force, evolving with delicate bass and synth tones and a mysterious vocal narrative. it effortlessly transitions into a melodic latter half, concluding with a climactic, explosive drum

rroxymore’s music is an intriguing, one-off blend of contrasting textures - organic and synthetic, icy and warm - a fresh step in dance music. real name hermione frank, the french musician and producer has a long history making music in various ways, with various people, before settling in berlin and concentrating on the solo project that refines it all.
as rroxymore, she released her epic 10-minute debut “wheel of fortune” in the summer of 2012 - half of split a 12” with planningtorock on the latter’s own human level label. human level also provided the outlet for rroxymore’s first ep, precarious/precious, the following year. the four tracks combined nervous grooves, bewitching cosmic synths, twisted snippets of acoustic instruments and other intriguing sounds. live, rroxymore creates rhythms and sounds with energetic rawness merging with a stirring psychedelia, taking you into a new world.

wedish born christian smith is sitting firmly at the top of the electronic dance music industry. his outstanding productions over the years have set the bench mark high, releasing on a collection of the industry s most respected labels such as drumcode, cocoon, bedrock, minus and his very own tronic. 2016 has been a busy year so far for christian, his tronic label party series has been holding events worldwide, including the bpm festival and sonar off week, and an ever growing catalogue of releases not forgetting his most recent ep force majeure released in july on drumcode which immediately entered beatports techno top 10, straight in at no.8. this september, christian will release his third solo album titled input-output on his own tronic imprint. consisting of 11 original tracks, each one embodies christians message of creating real techno, with powerful percussions and melodic basslines throughout. input/output is an outstanding production offering some of the best driving techno you can expect from an artist like christian, with his trademark style incorporated in every track. it takes you on a journey, through a variation of sounds and textures, which still manage to cater to everyone s musical palate. synthesizers work their way throughout, alongside dark atmospheric harmonies and haunting vocals or that pounding kick drum in some of the heavier tracks. it never disappoints!

for our next chapter, there is parrish smith. in his wicked game of creation and demolishment he s working on combining organic and mental material which brings him to his first full-length ep. his melted personal stories convey through rough mechanics and exuberant expressionism. this tells the story of fulfilment, development and setbacks. mixing up illusional layers of metal drums with harsh and rough moving synthesis. polyrhythmical electroniczzz for the mind.

another slamming rarity from the misty, heady days of the earliest 1990s, coming out of chicagos underground on steve poindexters cult chicago bad boys imprint power move pulls no punches! if you dig that demented, raw, about to come off the tracks chicago ghetto style house then ricky smith is your man! this is a truly rare ep & now it is back again, with a full re-issue complete with all original chicago bad boys artwork & a full re-master!

tireless producer, tronic boss and top international dj christian smith here steps up for his first release on plus 8. over the years christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (bedrock, systematic, 100percent pure, soma), so it only makes sense he now finds himself on one of the scenes most reliable outposts for such material. the two track ep kicks off with house is house which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. the devil is in the detail filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. the more forceful indulge me then follows. taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. far from aping the usual detroit and chicago tropes, christian smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of christian smith, one of the most consistent producers in the game.

christian smiths tronic label enjoyed a fantastic year in 2011, persistently receiving plaudits from the media, scene tastemakers and the record buying public for the labels consistently first-rate output that consisted of a genre-blurring mixture of tech house and progressive flavoured techno floor-smashing grooves. since meeting in berlin during summer of 2011, christian smith and florian meindl have stuck up a productive studio partnership. having released their first collaboration - desire - via meindls flash imprint in december, this subsequent ep for tronic sees the duo take their corporation a stage further with a two tracks of slightly left of centre yet unashamedly peak-time tech house. mothership leads off the ep with a distinctive retro-electro bassline that builds into the main hook via a series of peaks and drops before taking off into a tweaked crescendo of high-pitched tones. red alert opts for a subtler approach, creating its simple but effective groove from jacking percussion and wobbly synth stabs, which pulse throughout, morphing to distorting and echoing in the break.

its not often we end up releasing four singles from an album, but with the tuneful love supreme standout track >waiting for the love< we seem to have achieved it. penned with uk based benjamin james smith, (who also delivers the snappy vocal) the track screamed single right from the start. heading up the remix package are two stomping mixes from synth-wizards, chicken lips. dean and andy keep the catchy vocal but overdrive things in the synth department. their vast armoury of sounds and accomplished arrangement makes this mix one to be really proud of.

ltd 2010 repress!!! groovy 4 track ep with swinging, crisping and shuffling beats supported trough fat basslines, jazzy keys, tribal vibes, stabbing chords and textured synths..with tony foster, d2 and delano smith...played by ricardo villalobos

the enclave of both established artists and fresh undiscovered talent whose shared passion of deep underground detroit influenced house and disco are reflected in the quality output you will come to expect from the label. franc spangler, the revenge, zepp001, john daly, alpha child, 6th borough project, tuccifunk and pezzner are just some of the producers creating their work with tender loving care for delusions. dog01 will be setting the standard with the soul part ii from craig smith & the revenge. these boys are currently riding a wave of successful releases, mainly in the form of their disco and boogie edits under their 6th borough project guise on instruments of rapture. here we see them move into original production territory with a bass heavy slice of brooding and grooving floor friendly house but with their own unique twist. tempos are kept low, drums are kept live sounding and the subtle italo synth lines all ensure this track keeps true to their roots in disco. for their 6th borough project dub they dive head first into a slowly building, drum and percussion heavy workout which has a beautiful tension to it. this is music for small basements with big sound systems. finally we have john dalys beautiful interpretation where he opts for a blissed out, understated and hypnotic sound that wraps you up in layers of warm, echoing synths whilst the groove chugs along masterfully. a true mood setter or after hours classic

back in stock !!! a fine ep by one of the original practitioners of the detroit dj style, now emerging as an accomplished producer, having been tutored as a teenager in the art of the dj by detroits celebrated ken collier in the early 1980s. delano here delivers pure detroit bliss with that intimate vibe that holds the listener and dancer with a compelling groove that seems to have minimal momentum but never misses a beat. we gave this collection of four sublime detroit minimal house tracks the name sunrise ep, because we can imagine dancing to these tracks at 7am with the sun coming up

techno veterans smith & selway present >lightning strike<, a primetime motivator which rides between a deep rollin techhouse groove with bell-like tones, and a vibrant synthetic peak.. incl selway and agaric remix !!

das album black kiss aus dem jahr 2020 begründete ihren aufstieg, und der nachfolger queen of the night aus dem jahr 2022 zementierte ihren wohlverdienten status als goth-lieblinge. aber vandal moon ist nicht die typische gothic-band. gründer blake voss hat sich schon immer den erwartungen des genres widersetzt. tatsächlich war vandal moon ursprünglich als ein experimentelles elektronisch-psychedelisches projekt geplant. seitdem hat sich die band zu gleichen teilen zu post-punk, synthpop, gothic und synthwave entwickelt.

a collection of 34 legendary funk classics on triple vinyl in a collectors box.

essential funk classics on double vinyl.

wagram presents an extensive collection of funk classics.

soul classics on double vinyl.

b stock , cover not mint..... 2nd volume , yeah

part 2 of 2, 2022 black vinyl repress, b stock, cover not mint . vinyl -music uneffected

rediscover the best funk selection! wagram teams up with the magazine funk-u in order to create a new incredible funk collection for true groove lovers!

part 2 of 2, 2022 black vinyl repress

a collection of 34 legendary funk classics on triple vinyl in a collectors box.

part 2 of 2

a fine selection of soul nuggets on double vinyl, compiled by olivier cachin.

new reworks of classic tracks, with horace andy himself singing new versions.

a collection of great male soul artists on double vinyl.

the reflective and immersive extraterrestrial synth explorations of surgeons girl s a violet sleep ep mark a stunning, dream-like debut for the bristol based artist to close a tumultuous year. specialising in live audio-visual performance, combined with a love of analogue synths, surgeons girl weaves emotive and enveloping sounds from her instruments, drawing on influences from the likes of suzanne ciani, laurel halo and kaitlyn aurelia smith. livity sound is a label set up by peverelist in 2011 as a vehicle for a raw and exploratory strain of uk techno, rooted in the heritage of uk dance music and sound system culture. it has since become one of the uk s foremost protagonists for cutting edge underground electronic music.

off the back of the inescapably addictive funk rattle n romp felony , an a-list playlist choice of bbc radio 6 music spun by craig charles, lauren laverne and mary anne hobbs as well as bbc radio 2 hosts jo whiley and rylan, the allergies are out to provide the soundtrack to your summer with say the word . the bristol duo of rackabeat and dj moneyshot continue their patent blend of fat laced hip-hop and funk for the hip bone, ready and waiting to tear the ring pull off so the party can flood out.

apocalyptica’s “worlds collide” (2007) and “7th symphony” (2010) albums as double vinyl release, housed in a gatefold sleeve.

limited screen printed version

..... 2nd volume , yeah

debut collaboration of parrish smith and interstellar funk

speak onion fuses dancefloor and slaughterhouse.

7 track ep/mini album by l/f/d/ms richard smith dream bleeds overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late 90s and the caustic spirit of ebm. richard smith says about dream bleeds, attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. these tracks thread together each starting point completely open, each new step informed by the last. i find it interesting that the process is the same but the outcome somewhat unexpected shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. they reach a different end point due to that evolution of circumstance.

deleted - limited & hand-numbered compost box, with 10x12 inch vinyl, 2 mixtapes, logo pin, jute bag, sticker pack and liner notes.