repress - future music duo second woman’s sophomore full-length for spectrum spools further hones their distinctive fusion of shapeshifting software sculpture and tessellated footwork. shivering digital textures oscillate with and against algorithmically mapped percussion samples, smeared synthetic chords levitate in the distance, stabs of digital noise punctuate the mix in twitchy, time-distorting patterns. their anamorphosis verges on ascetic: stark, splintered waveforms rendered into unique fiber optic hieroglyphs.
multi-instrumentalists josh eustis and turk dietrich share a deep history going back to their days in the new orleans ambient electronic community, as part of telefon tel aviv and belong, respectively. even so, s/w pushes beyond their combined discographies to date, flexing impossibilities, building rhythms from arrhythmia, teasing veiled emotion from bold iterations of cold code.

electronics

killer prime time bomb

auf seite a liefert der erste track, nziscira“, einen schnellen, minimalistischen beat mit schwebenden akkorden und einem poetischen solo. dumbeat“ beginnt mit einem dunklen breakbeat, der in eine 4/4-kickdrum übergeht, die von einem modulierten pad und ethnisch inspirierten klängen begleitet wird, und endet mit einem subtilen gesang, der für einen funkigeren groove sorgt.

seite b beginnt mit venus gala , einem modernen funk-track, der in den sounds der 70er jahre verwurzelt ist und moog, gitarren, einen juno 60 und einen fender rhodes-jam miteinander verbindet. die ep endet mit „in everywhere“, einem von den 80ern inspirierten electro-funk-track mit korg vc-10 vocoder vocals.

limited vinyl run and no repress - don t sleep on this!

fourth wave are proud to announce the debut release of felix lenferink. hailing from the netherlands, felix looks set to follow in the footsteps of countrymen martyn, 2562 & 4ths very own presk with his techno heavy sound. delivering two tracks of percussive broken techno with cheeky synth stabs, first bouree strides into the club, necks some jagers, and proceeds to the dancefloor with great aplomb. second bouree is stranded in the middle of the dancefloor at 5am surrounded by strangers wondering what the fuck is going on.

paul weller is an english singer, songwriter and musician. weller achieved fame with the punk rock/new wave/mod revival band the jam. now his second solo album “-wild wood- gets a reissue on 180gram vinyl.

wave / pop / synth

>another psychedelic afternoon< lunges in with minimalistic percussion, acidic bass lines and radio voices. the progression of the track keeps one moving while the fluctuation in the velocity and warmth of the sound keeps the explorative side of the acoustics and rhythm flowing. >performer< switches the mood into a darker tone with rolling waves of industrial synths creating a contrasting groove between high speed lighter synths and heavier drum and bass rolls before the second part of the track reshapes the track into more minimalistic and aggressive dance floor weapon.

second part of soul jazz records’ cold wave compilation. a showcase of current electronic artists, influenced by 70s and 80s cold wave. limited pressing on purple double vinyl.

second part of soul jazz records’ cold wave compilation. a showcase of current electronic artists, influenced by 70s and 80s cold wave. regular pressing on black double vinyl.

berlin based producer and sound designer blush_response presents void in, his first full length for megastructure_. pressing on translucent green coloured / black marbled double vinyl.

following the success of last years playgroup ‘previously unreleased’ album and its critically-acclaimed run of nine weekly 12” vinyl eps, trevor jackson has compiled a second volume of 20 tracks (11 unheard and 9 previously vinyl only) released as a limited edition double cd and 6 track vinyl sampler on nov 3rd via yes wave records. the music featured is a collection of reworked demos and unreleased recordings. a hedonistic mix of raw disco, dub, funk, dancehall. electro, new wave & post punk that all still sound as relevant today as they did when initially recorded for the debut playgroup album during 1997 - 2001.

the dub-ito label was founded on the friendship and musical vision of southern italian duo claudio mate and francesco mazzocco. the label s name is a play on words from different languages, giving a unique outcome the label s new series, nihon no toshi (japanese year) will feature ongaku (music) from the japanese underground scene.the ifrst release in the series is by the tokyo unit of rikinari hata and adam gyenes, aka soloist & second apartment, who summon up a reverberating analogue selection for lovers of industrial, ebm, noise and new wave. -untitled- is the perfect album for fans of cabaret voltaire, spk, suicide, and factory records.the album comes in a black disco bag with a 12&#8243,,, full color poster.

limited edition 45 for record store day, 2017. cover by jean andre.
mayer hawthorne and jake one are tuxedo. “thank you” is a bonus track to their second album, tuxedo ii, which fnds them at the forefront of a new wave of gangster boogie - one that owes as much to g-funk as p-funk. this is the territory of pre- and post hydraulic low riders: a mélange of cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.

gene siewing - the st louis dj and producer now making serious waves in berlin - keeps the momentum going for the second release on his new imprint. intent recordings looks set to be a buy-on-sight operation, prizing quality over quantity, and on a mission to provide music aimed firmly at the dance-floor, whatever the genre. as such, its the perfect outlet for gene s own productions - a conduit for the grooving, funk n disco infused house sound that he is fast becoming known for

morgan zarates second release for hyperdub is a bold and unexpected move for him. he has been known in the past as the producer for leftfield soul group spacek and also currently as one half of the shining, signed to xl records, but with >broken heart collector< he has made some highly contagious dubstep pop, featuring rising singer / songwriter / producer stevie neale on vocals. stevie warns of a guy who is the titular >broken heart collector<. her rnb vocals contrast with a fierce storm of drums and vertiginous synths that attack like waves against rocks. it is a brilliant pop song, with a chorus earworm you might find hard to resist. there is also an instrumental included as well. the third track is >crey bey<, an energetic, grimy 8 bar instrumental. it shifts between dive-bombing synths and a spooked, nervous melody over a rich organ track, with martial kicks and snares guaranteed to get you bouncing.

following a 12 inch for doc daneekas tty, presk returns home to deliver his second 12 inch for fourth wave. delivering his most progressive and unique work yet, presks latest injects some fun into his synth-heavy sound, while deftly swerving the moodiness of his future-techno contemporaries. >hesitate / kook< marks the first release in 2012 for what promises to be another ridiculous year for new label fourth wave – an upcoming 12 inch from newcomer felix lenferink, and man of the moment gerry reds debut album are all set for release over the next few months.

house , breaks, electro

ph17 keep things wavy with a various artist compilation full of hazy ambient works and hard-hitting trance made for the after-hours.

coming from the sound system scene in geneva, androo began to produce 80-90s infused digital dub as a teenager. his interest in jazz, new wave, dub and house gently collide in his studio a place he sees as a laboratory of experimentation here everything is mixed, dubbed and recorded live at the console. with this first ep release on second circle androo s music reveals a desire to avoid categorisation whilst displaying a clear love for percussive rhythms and emotive melodies. big tip! second circles first release of the summer features an ep of tracks by young producer androo from switzerland. having released on the sparring partner label which he co-runs with bony fly, androo has another release imminent on his second imprint poly dance .

hard, deep, hypnotic techno! vinyl only!

2005 release on satamiles remix-sublabel satrx features 4 artists from all around the world to rework exzact s >second wave<.

budai and vic are amongst the most successful producers and djs from hungary. they met in 2000 and decided to produce and promote their music by their own. the results are two fine respected labels, international productions and support from the likes of cox, the timewriter, terry lee brown jr. ,or valentino kanzyani. after getting signed at plastic city they are on their way to the top of the hungarian dance scene. they present techhouse at a new stage and follow their own path of pleasure!

hustle & flow are brian anderson and ryan kick from new york city and they are debuting on european soil with this crispy 3 track funkster. this city is the home of artists as masters at work, armand van helden and so on but lately a new wave of underground house music producers has been emerging from the big apple with fresh names like troydon, 1200 warriors and these guys. the room service ep serves you 3 ultra funky modern house tunes that will be played by your house heroes derrick carter, dj sneak, dj heather and jason hodges. first track play it again is the most boompty cut of the lot with its melting sub bass and one of the most danceable house cuts of the last months, no doubt. untouchable has this amazing double theme that puts instant smiles on the dance floors worldwide with its great jazzy sax break. the deeper cut on this ep is locals only which has some slick rhodes action going on, a favorite amongst many house deejays. another winner for the tracky sister label of aroma recordings.

second posthumous album for mo3

sampha returns with his highly anticipated second album lahai. limited white vinyl edition.

outer zone, the in-house label from glasgow s la cheetah club is back. the new one is by burroughs (seventh sign recordings) and dives into the deep end of detroits second wave. big tip for fans of mid 90s carl craig and anthony shakir s more reflective moments.

collectors 6lp box

next sungate release is a split ep from deniro and voiski.

2022 repress! part 2 in the exaltics some other place tryptich for clone west coast series. the second installment has a harder, almost dramatic dystopian feel. but theres still that glimmer of hope present.

new album by gummihz aka alexander tsotsos.

reissue of the second album by the who, originally released in 1966. half-speed mastered at abbey road studios.

larry mccormicks exzakt brings back that sleazy electro as well as unreleased material! bringing back classics such as speaker breaka and citi of bass, and a new remix by jensen interceptor. putting monotone records back on the map!

second crown jewels compilation from big crown records, pressed on limited golden haze coloured vinyl.

avawaves celebrate the magic of nature, imagination and the power of dreams on their second longplayer.

second part of soul jazz recordsÕ cold wave compilation. a showcase of current electronic artists, influenced by 70s and 80s cold wave.

loma are back with their second album.

k&#1086,,,&#1092,,,&#1077,,, aka kofe aka coffee was one of the pioneering russian new wave bands in the mid 80 s although they were not very known in that time. the band was founded in 1983 in leningrad and in 1986 they released their amazing second album balance , which was re-issued 5 years ago on baran records / other voices records. bordello a parigi had the opportunity to release a 12&#8243,,, single of this album with two album tracks and additional edits by lithuanian born kgbk who you might know from his london based parabox radio show. balance!

full spectrum double 12” from garies - eight tracks running from bittersweet beatdown-ish bits to slow-burn electro to second wave-inspired techno, injected with funk, melody and an mpc-mindset. garies = new jackson (all city, hivern) + lumigraph (mpr, opal tapes). full colour cover. mastered by thomas p heckmann. cut at schnittstelle. pressed at mpo. artwork by mel keane.

having previously released some rare solo material from ende shneafliet member hanjo erkamp aka dr. c. stein, artificial dance is now serving up something special from the cult dutch minimal wave band’s lesser-known side project, king ende shneafliet. adding king to their name in honour of original dub maestro king tubby, king ende shneafliet produced far more experimental and out-there material than their better-known big brother. they released their first cassette, dimension mix chapter i in 1981 via cult label trumpett, with batches of follow-up material trickling out on various obscure tapes and later cd-rs up to the year 2000. artificial dances first dip into the dimension mix archives a second vinyl volume will follow later in the year features selections from chapter ii (1999), which was originally recorded between 1981 and ’88. the magical, mind-altering music is raw, lo-fi, spaced-out and forward-thinking, combining effects-laden, sample-heavy sound collages and reverberating ambient soundscapes with pulsating proto-electro jams, moody minimal wave instrumentals and kosmiche-influenced throw-downs. it effectively joins the dots between early-80s, diy electronic exploration and dub soundsystem culture.

the second release on werk is signed by j. manuel. the young producer has been polishing his sound ever since he first started experimenting with electronic music gear as a child. his commitment to following his own instincts rather than conforming to what was being played around him resulted in a very different aesthetic to the one commonly associated with berlin techno. drive fiction ep stands proof of that. all 3 tracks push boundaries in their own style, that being perhaps the strongest link between them. the title track -drive fiction- presents old-school leads over broken beats and electro inspired pads while the a2 -falling in sine circulation- is arguably the most dance floor oriented track, with a pounding 4×4 kick drum and an alarming 3/4 sine wave slaying the high frequencies. closing the ep is b-side -softer-, a melodic track with long, undulating pads that is nonetheless driven by a powerful rave-inspired beat. with its second release, werk comes to confirm the path it seeks to travel through both parties and releases: that of the sounds less rigid. gritty, wild and presenting a wide range of rhythmic patterns, drive fiction ep is a defying record. challenge accepted?

after the soft landing of banoffee pies records latest sub label venture otaku, the imprint continues following the theme of subtle compositions with the second edition, this time from swedish born vilhelm with mermaid porn. a five tracker starting with an aquatic feeling on the title track mermaid porn with bubbling effects rolling into the a2. entitled kirchner with more with positive and patient melodies. standing to attention in the spaceships cafeteria, the a side comes to a close with always in costume. the b side opens with saturday bossa - drums inspired by the brazilian music wave of bossa jazz with a slight twist. the b2. track, skopje blends off beat percussions with a cutting snare and a more electronic 4/4 direction. the general expression being, music for home. with love from banoffee pies. x

what if music had no beginning, no end? can music exist for itself or of itself, without structure constraining it, defining it? can music be non-linear, non-narrative, simply experiential, existential? the second full-length album on mysteries of the deep, musica enterrada from portland’s william selman, neither answers these questions nor supposes them. but in listening, one can’t help but wonder: what if i disappeared into this record forever? in another time and place, william selman was known as warmdesk, an alias through which he issued a series of sharply precise minimal techno records. in recent past, selman shifted gears, shedding the dynamics of tension and release that characterized his previous alias output. under his own name, selman began releasing process-oriented, freeform experimental music on cassette-focused outlets like digitalis and hausu mountain. now comes musica enterrada, a diaphanous, weightless musical vision not unlike the theoretical square root of grm and popol vuhs early electronic forays. split into six tracks across two sides of vinyl, musica enterrada bubbles, churns, drifts, and dozes. dulcet tones pile up gently like waves on shore. patterns repeat and reconfigure, as if heard from different angles. rhythms appear, shift the frame, then disappear, into the ether whence they came. play musica enterrada on repeat. and if you disappear into it, fret not you have drifted into solace.

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wig… the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.

for the second release in collaboration with zckr records, research and waves present artist hannes middelbergÑs installation-based sound piece displacement. the translation of middelbergÑs seemingly improvised, constantly rotating drawing machine onto the one-sided vinyl record makes the complexity of every automated circulation acoustically accessible.

danyb s next wave of tunes picks up where the first two left off, with an added refined quality. not to mention, a second rendition of the buzzworthy south african gem from vol. 1 on the b side making for a back and forth opportunity for the ages at the mixing console. with volumes 1 & 2 doing the business out on the floor, volume 3 is sure to please, with a variety of tempos and energies packed into one heavyweight slab of re-tooled obscurities. gravi affari!

following releases on detroit underground, nachtstrom schallplatten, planet rhythm and blueprint records, gotshell releases his first ep on atrophic society. the colombian aficionado has been making waves across the world for his uncompromising take on the darker side of techno. his new ep ‘quarkcima’ is no different, with a thick slice of bass-heavy machine music made for late night body moving. ‘quarkcima’ follows a bleepy lead with layers of bass, building to a satisfying and tasteful crescendo, which steers clear of the tropes and uses frequencies to their fullest. it invokes a dark and foreboding atmosphere like a creeping black fog. first on remix duty is xhin, who takes the bleepy synth lead and twists it into a heavy-but-funky robotic jam, stark and cold on the surface but with plenty of heat underneath. jeff derringer takes the reins for the second remix, wielding the original parts masterfully into a dense, bassline-driven triplet groove that takes the vibe up a few notches. finally, label head vohkinne adds punch and percussion to his charged and clanging remix, which rounds out a fierce package in style. ‘quarkcima’ is four cuts of essential techno that will never leave your crate.

for the second instalment, &#22806,,&#31070,,&#30000,,deepspace takes us down from the neon skyline to the hum of surface drones and tesla waves seeping through the circuit boards of the megacity. it’s the slogan for our new robot overlords as we punch into cellular devices. the gradual seeping of billboard acid frequencies into the bloodstream as mutants whistle out from ventilation shafts. a hazy bygone recollection of biological matter as we sink into concrete, junk and mechanical s&m.