dj support: 2000 and one, karotte, tobi neumann, onur Özer, matthias tanzmann, ali schwarz from tiefscwarz... the four tracks on >Études Électroniques< find luciano invigorated and inspired, putting his talents into the service of dancefloors at their most delirious. with its delicate skip and its slow sunrise flare, >montana< opens the record on a blissful note, calm and suffused with light. a hollow bass tone puffs away like a glassblower as brittle rhythmic patterns spin round and round. swelling and drifting, weightless and iridescent, it feels like chasing dawn in a hot-air balloon. >fochedrem< eases off the throttle and cracks an ear-to-ear grin. a stubby one-note bass line beats out a kind of cartoon funk as the answering riff splinters and shapeshifts between cowbell, organ and piano. its as slippery as the deck of a storm-tossed boat. >masalla< features liquid congas and feathered metallic details that stand on end like magnetic shavings. laid-back and polyrhythmic, its a future latin maysterpiece

incl pig & dan remix! rotterdam based luxaflex strikes back with another monster. the original track is taken from the syndikaat label and produced by bolcher, a gifted producers heading from germany!! on the a side pig & dan deliver a huge rmx. a massive driving track already causing serious damage on the major summer festivals! and note these guys have releases on cocoon, weave and pickadoll nuff said! ikast is another storming production by bolcher, an uptempo minimal techno track with freaky breaks and stunning synths.. on the b2 bording gets a wicked treatment by the label boss himself, boris ross! this is a flooooorfilller..

last part of the vinyl edition of their new album… in a collectors sleeve ! the final part of >the life we choose< album series begins with >the question remains<. this track features three 303s, which modulate in perfect harmony through to the typical break-down, which hardfloor created in their cult track >acperience 1< back in 1992! >… me, three< - this is, at 131 bpm, the >fastest track< on the album. acid-techno at its best. please note - this part comes in the full album cover (in which you can also put in parts 1 & 2)

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

the lead track stunning in its original form is based upon a brooding bassline which underpins a beautiful melancholic string melody that has been utilized to full effect by man of the moment tobias luetzenkirchen who delivers a more techno influenced remix. whilst debbie does dishes hits a more hypnotic note, olivers production partner harada delivers his own squelchy interpretation taking it in a stripped sometimes you have to lose yourself to find yourself way.deep dark drug music from the house of therapy

the french boxer guys greg delon & andre dalcan come with hypnotic 2006 techno at its best !! brazilian boy wonder gui boratto takes his typical note to this dangerous & melancholic club weapon... big with oxia, bodzin...

frenchs s mighty morning label team up 3 key producers on >strike me down< more proof if needed that they are one of the worlds key underground house labels set on making the industry sit up & take note. remix of strike me down courtesy of sweden s henrik b adds a whole new edge to the track working in some driving riffs & a punchy charged elements to perfectly compliment the driving, deeper original mix. this french release incl a dj rew rmx (unreleased) >strike me down< has been a firm favourite track this summers session among djs like sebastian ingrosso, steve angello david guetta steve lawler eric prydz erick morillo, mark knight…

sandiego ist ein frisches talent aus milano. das a-seiten stück >axum< ist martialisch, sehr rhythmisch und geschickt in der ständigen veränderung des grooves der eine >clonkige< note trägt. >rogoredeo< verbindet post detroit einflüsse wie sie slg auch aufgreift, setzt sie aber in einen zusammenhang der europäische einflüsse zur geltung bringt und lässt nicht zuletzt deutlich mediterrane rhythmusvarianten einfließen, die auch ein wenig an alex under erinnern

sweden s mighty joia label team up 3 key producers on >strike me down< more proof if needed that they are one of the worlds key underground house labels set on making the industry sit up & take note. remix of strike me down courtesy of sweden s henrik b adds a whole new edge to the track working in some driving riffs & a punchy charged elements to perfectly compliment the driving, deeper original mix. >strike me down< has been a firm favourite track this summers session among djs like sebastian ingrosso, steve angello david guetta steve lawler eric prydz erick morillo, mark knight…

while everyone else was enjoying the summer of the century ( and probably the world cup ) the botox boys hurled themselves in the studio and indulged into a cosmic electronic >kraut< session. on the hard stomping >lada rock< cosmo vitelli lays down a stoic one note bassline and grants tekels julien briffaz some time to get freaky with hard metallic, stumbling beats behind his drumkit before skanking guitar chords preludes several minutes of countless dramatic organ and synth erruptions. after this wild freak-out your body gets a rest, its now the mind that gets messed with, the slow moving >drive by shooting< with its neverending, grinding, menacing cascades of hot-lava like synth tides sounds like a dark balearic tune on bad acid

grandmaster thomas melchior steps along in his lightfoot manner. although with a somehow decent melancholic note, the two deep and reduced tracks should show a similar effect as the announcement >we give away ipods for free on the dancefloor<. these tunes make us extremely corious about his new album, to be scheduled for a 2007 release on perlon

unbeirrbarer techno mit der pom pom schen knarz & industrial note. wegen solcher platten haben sich leute schon eine private nebelmaschine zugelegt

maurizio fans take note, if you re as big a fan of the m series, particularly m5.... do not miss this record. deep, dark dubby house of the highest quality here from mike huckaby essential for fans of rhythm & sound, burial mix, chain reaction... you get the picture

vladislav delay entdeckt den techhouse für sich, ohne die dubbige note dabei zu verlieren...

ganz schön krause hier ! dario hat bestimmt schon mal von den wighnomy brothers gehört, addiert aber zu diesem einfluss noch seine eigene note hinzu und beschert uns damit ein ausgewogenes minimal pake

unser liebstes new york label hat ist zurück. kaum ein anderes label kriegt diese besondere note hin, diese einheit von minimal & listening die dich tanzen oder träumen lassen kann

viewlexx comes with another obscure disco gem from the crates of i-f. nasty disco from the early '80s. 'castro boy' is a really warped take on frank zappa's classic 'valley girl' (on the lp 'ship arriving too late to save a drowning witch'). a seriously hard edged disco/hi-nrg tune with some very x-rated lyrics. so you thought lcd soundsystem is cool and all.. well check out this one... note that this record can be shocking for some people

techhouse the original tracks 'le lascard' and 'little honey' from the strom brothers became a fresh note by the hot remixes from fitalic and d-nox (christian wedekind) & frank beckers ..

once again the new tube-tech 'this big hush' offers techno of the finest!! the lyrics give the song a heroic and a drastic note at the same time .. nn

stu crosbie (marbles) and spencer brinton (shockt) come around with a high class tech-house imprint, hammered by djs like luciano.marbels & shockt are deejaying for years, marbles was resident in england's finest clubs like the blue note and the clinic in london, he also created some party clubnights with djs like mat carter, paulo mojo, just to name a few.shockt got new plans for releases on 'serieculture', the new label created by roger 23 (playhouse, volt music) and david brown (swayzak).he is also resident and co-promotor @nice boat

great detroit techno sounds with the personal note of emotion strings by dj rolando aka los hermanos

excellent minimal floating knusper tracks...8 stck davon , zeitlos & groß!!

fein geschliffener digitaldubtechno mit allen klicks, tricks und kniffen & leicht detroitischer note

new one sided white label release from detroit's omar s. a slow building minimal house cut with deep detroit pads and bits of percussion. please note: the single plays from the inside out! his last single was big hit with a wide range of dj's from jazzanova to dj sneak and this new one is sure to do well too.

2023 cd album

pop

please note that this is a dj mix.
ben liebrand kehrt einmal mehr zurŸck, um diese neu abgemischten stŸcke makellos in einem fortlaufenden mix zusammenzufŸgen.

sraunus definitely been in the zone lately. he is back with Òequal melodiesÓ, his second album for greyscale. this is also his second album this year and his tenth album ever released. one note can be a melody, it is only important that the wind blows when youÕre listening to it. nine equal melodies with more than 75 minutes playtime and with sraunus signature organic sound will take you to the magic forest for a serious lush trip. highly recommended! album comes in a very special, 3rd gen, greyscale hardback book type package. hand-assembled, glued and cellophane wrapped with love. released on pressed cd for the best possible quality and extended longevity. limited to 200 copies worldwide. no repress!!

fresh from bringing us two incredible volumes of Ôa journey into deep jazzÕ and providing an introduction to black saint & soul note records on bbe, if musicÕs jean-claude joins forces with victor kiswell for new compilation, Ôworld jazz groovesÕ.

its been five beautiful melodic years since the creation of french label hungry music, by worakls, nto, and joachim pastor.

phenomenal chicago house by trio mutant beat dance (traxx aka melvin oliphant, beau wanzer and steve summers)

singularity beginnt und endet im kern seiner dinge auf der gleichen note: der emotionalen ehrlichkeit. hopkins, beeinflusst von jahrelangen erfahrungen mit meditation und transzendenz, bewegt sich durch ein selbstgeschaffenes universum, das sich unaufhaltsam ausdehnt und zum schluss wieder zu einem unendlich kleinen punkt zusammen zieht. nahtlos geht es dabei von rauem techno hin zu choralen melodien, und von solo-piano etappen Ÿber zu psychedelischem ambient. wo immunity sich in die dunkle realitŠt einer epischen club nacht stŸrzte, erkundet singularity nun die dissonanzen zwischen dem urbanen leben und der grŸnen natur. was beide alben verbindet, sind ihre unmessbar breiten musikalischen sound-paletten. so steht auf singularity die erkundung der verbindungen zwischen geist, klang und umwelt im vordergrund und vertont so die verschiedenen geistigen zustŠnde, in denen hopkins sich wŠhrend des schreib- und aufnahmeprozesses befand. und so viel sei schon verraten. durch die ernŸchternden erfahrungen, die hopkins mit dem blick auf die heutige welt machte, blieb ihm die letztgŸltige schlussfolgerung, dass ein wahres gefŸhl von frieden und zugehšrigkeit nur aus der einzigartigkeit der natur gewonnen werden kann.

digipack cd, all that must be wartet mit hochkarŠtigen kollaborationen mit lil silva, bonobo und tracey thorne auf. es beleuchtet achtzehn lebensverŠndernde monate, in denen fitzgerald den vielbeschworenen hedonismus der deutschen hauptstadt hinter sich gelassen hat, um ein leben als frisch gebackener familienvater und produzent in london aufzunehmen. mit hilfe eines faszinierenden musikalischen erzŠhlbogens vereint er die unterschiedlichsten emotionalen zustŠnde und injiziert seiner musik eine tragische pop-note. drama trifft frohsinn. nachdenklichkeit tanzt mit ausgelassenheit. ein ausbalancierter longplayer, der im clubnebel genauso funktioniert, wie bei einer nŠchtlichen autofahrt durch verlassene bezirke einer x-beliebigen gro§stadt dieser welt.

celebrate their 15 years anniversary with a 2 cd

a revised and expanded 2cd edition of the 1988 best-of ¥ replica original artwork, updated booklet with new photos, handwritten note & some track-by-track comments from the band ¥ cd1 expanded to include all the uk & us chart hits 1981-1987 : 21 tracks ¥ bonus cd2 of classic 12Ó mixes : 12 tracks

jewel box with a 12-page stapled booklet, camilles third studio album including home is where it hurts, waves and cats & dogs

auf ulrich schnauss 5tem studio-album -no further ahead than today- regieren einmal mehr die elektronisch eingespielten ambient-pop-hymnen, die lŠngst zu seinem markenzeichen geworden sind. diese sollten fans von kŸnstlern wie jon hopkins und brian eno interessieren. schnauss selbst ist umtriebig - seit 2014 ist er keyboarder bei tangerine dream, produziert unter eigenem namen remixes fŸr pop-kŸnstler wie depeche mode, pet shop boys, todd terje und bryan ferry und hat gerade fŸr die decca-compilation re:works bachs -prelude in c- neu in szene gesetzt. -no further ahead than today- ist klar mehr pop als ambient. starke melodien stehen im vordergrund, die stŸcke sind mit rhythmen unterlegt, zuweilen gar mit gesang begleitet, eine hymnische note ist immer prŠsent. spŠtestens seit seinen beiden solo-alben, die bei dem deutschen label city center offices erschienen, gilt schnauss als ein elektroniker, der manche tugenden des britischen indie-shoegaze-sounds auf seine klangvorstellungen ŸbertrŠgt.

favorite recordings presents this official album reissue of the parker brothers s blue-eyed-soul/modern-soul private-press album ! produced in 1981 by george p grexa and released in a private-press version on his label crown vetch enterprises, this album is filled with memorable material from the first note to the last, mixing modern-soul, boogie, cross-over jazz and rock elements, for a result reminiscent of the westcoast music golden years, however being recorded in pittsburgh.

mcde shares some of his most prized gems on this compilation that kicks of the limited dekmantel * selectors* series. check!mcde shares some of his most prized gems on this compilation that kicks of the limited dekmantel selectors series. check! please note, this cd version has an alternate version of house of jazz - hold your head up.

cd in 2 panels digipack with spot varnish and poster booklet. les fils du calvaire are a francophone trio from the electronic chanson francaises new wave. before adopting their current name 3 years ago, the band was called dop, and already has a solid background in the music production. indeed, les fils du calvaire were also used to being among the best hip hop beatmakers of france providing rappers such as oxmo puccino and composing for mythical jamaican figure (horace andy & johnny osborne). after a first noteworthy single rester avec toi, they are releasing an album in line with the pioneers of the chanson fran�aise, adding a subtle note of humor and derision. jointly created with ash workman (metronomy, christine and the queens), fils de is the perfect balance between french tradition and modernity.

erik truffaz zählt zweifellos zu den umtriebigsten jazzmusikern unserer zeit. der bekannte blue-note-kuenstler demonstrierte bereits auf mehr als zehn hoechst abwechslungsreichen alben zu welch abenteuerlichen grenzüberschreitungen er mit seinem jazztrompetenspiel in der lage ist.

ein take, ein track. so schwingt im vocalpart des songs doorframe noch der raumklang der session mit und ueberzieht den sound mit einer sproeden, verwaschenen note. auch das vocal von holiday ist en passant entstanden, aufgenommen wurde es mit dem mikrophon einer spielekonsole, war halt grad nichts anderes da und das ergebnis gefiel den jungs von colo und ki records so gut, dass der track vorab als 7inch veršffentlicht wurde, remix von christian loeffler inklusive.

wrong is quentin dupieuxs new movie, the director most known under his musical alias, mr oizo. during summer 2011, while he was wrapping the movie, he started as usual to compose its score.

dj hazard, der erste drum & bass dj/produzent, der als nichtmitglied der ganja kru auf deren berŸhmten true playaz label gesignt wurde, liefert ein adrenalin geladenes jump-up-drum & bass-set der sonderklasse mit 50(!) tracks in 66 minuten ab, das es einem die sprache verschlŠgt, und legt dabei techy, soulful und rhythmische variationen an den tag, so dass der mix durchweg tight und abwechslungsreich bleibt. ein kšnner eben!

a perfectly formed deep-house voyage, taking the listener through blends of jazz, blues, latin and hip-hop, tourist is a must have for any dance or jazz music collection. the album transcends the ages and sounds as relevant and fresh today as it did on release, rightly staking a claim as a true modern classic.

2 cds with 30 tracks...