on their 2013 debut album voyage, l.a. duo de lux introduced their singular sound, a fusion of post-punk, disco, funk and synth wizardry. fun though voyage was, described by the guardian as -intricate, witty, inventive, dazzling and by dj mag as fresh, immediate, for their follow-up, de lux felt compelled to add an element of social commentary to the mix.

after releasing acid flash, a track with drvg cvltvre on shipwrec earlier in the year and one that got picked up by the likes of the guardian, chris moss acid is now back with a full ep of his own.

u is a producer and dj currently living in london. previous records for man make music have proven suitable for the club as well as home listening, while a collaboration with babe, terror as btu for erol alkans phantasy label was varyingly described as “pleasure with a sense of dread” (the line of best fit) and “akin to having five songs playing simultaneously on your computer” (the guardian) now phantasy present ‘haven in a heartfelt world’, a new 4 track ep from u, defined in an early review by mixmag as “mind-bendingly warped and beautifully distorted…9/10“.

joel hood makes escapist friday night music heard through the haze of a foggy monday morning. the north yorkshiremans music transports you straight out of a cold working town and drops you into a hazy world of intercontinental sonic voyaging, taking in fragments of family holidays and adult travel adventures cut and pasted into instrumentals that evoke dj shadow, twin peaks and the avalanches stargazing in the middle of nowhere, with hoods voice weaving between it all. already profiled by the guardian and music week plus picking up support from rob da bank and bbc6music, his debut ep for international feel features four tracks of psychedelic fusion carrying hints of 80s nostalgia amidst hedonistic futurism.
pressing on 180 gram vinyl.

with his first two singles for phantasy, mouth and giudecca, ghost culture emerged from the shadows with a beautifully elusive sound – winning plaudits from the likes of pitchfork, the guardian and more, they marked out londons ghost culture as one to watch, a hype most definitely consolidated with new single arms.
pressing on transparent vinyl.

from the often indistinct morass of modern hip-hop comes something so singular as to merit special attention wrote the guardian about: brownstudys tell me more about bubble album, released on third ear in 2005. a most soulfully cerebral volume of no-pose wisdom. mojo wrote, musically: brownstudy evokes the clammy, distressed soul of sly stones riot, and the lush visions of 4 hero. life well lived is brownstudys new album. 11 songs (9 lyrical flows and 2 intrumentals).

wonderwheel recordings is proud to present the remix 12 inch for alsarah & the nubatones. called the new star of nubian pop by the guardian, the album, silt was produced by alsarah who describes the sound of silt as east african retro pop – it is music that harkens back to the hazy sounds of 1960s and 70s nubian music with its haunting instrumentation, soaring vocal melodies, and pentatonic arrangements.
the original song *soukura* a small taste of the upcoming album silt (out on 3/11) gets a signature deep and entrancing ancestral soul remix by african house legend boddhi satva. perennial wonderwheel favorite the spy from cairo gives *nuba noutou* a dubby dancehall re-rub, and label head nickodemus takes *rennat* into late night house territory with his remix, letting only the slightest of vocals come through and build tension until the final moments of the tune.

deep shit is best known as a club night curated by jack savidge of friendly fires and edwin congreave of foals. originally started as a place for deep, intense, party music, the last 18 months have seen the two resident djs host the likes of teed, andy blake, leon vynehall and luke solomon at various london institutions including plastic people, ministry of sound, bussey building, and corsica studios, finding their parties championed by guardian guide and time out along the way.

hot on the heels of their recently released label compilation we make colourful music because we dance in the dark, and an ep from new talent tcts, london via berlin collective greco-roman get set to release *our town* by letthemusicplay featuring kate tempest. starting out as a teen rapper in lewisham and now hailed by the guardian as one of the brightest british talents around, 27 yearold south london spoken word phenomenon kate tempest has been causing a stir at poetry slams and performances up and down the uk, from glastonbury festival to the edinburgh fringe. this year saw her self-penned performance piece brand new ancients claim the ted hughes award for innovation in poetry – making her the first person under 40 to do so – and shortly after her victory she was one of eight poets commissioned to perform at the hayward gallerys light show in london.

sims & degiorgio follow up the success of machine 01 with another showcase of blistering modern techno and uplifting electronic bliss. strike aims straight for peak-time with a driving, trademark sims rhythm that only he knows how to pull off. degiorgios remix keeps it tough but adds some subtle elements in keeping with his soulful approach to music-making. degiorgios own *guardian angel* is another in his series of uniquely harmonic techno tracks that has no equivalent in dance music. another major statement from the number one techno event around. machine.

ikonika is one of the outstanding producers of her generation. her 2008 debut >please< (hyperdub), announced a forward thinking, highly melodic, twisted take on uk underground dance music. after further singles for planet mu and hyperdub, she went on to release one of the best albums of 2010 ‘contact, love, want, have’, receiving glowing reviews from the guardian, bbc, nme, fact, resident advisor, pitchfork among many more. her remix projects have included interpol, caribou, cubic zirconia and dj mujava.

electronic music artist from istanbul with releases on labels such as apparel, vibe me, tablon. sarps productions are making big noize and gaining the respect of many peers. osunlade talks of him as the best new artist on his guardian interview, maya jane coles drops his tunes on pete tongs essential selection, he has been charted by many top djs and artists (stacey pullen, osunlade, bill patrick, dapayk, marco resmann, niederflur to name a few) across the globe,...

james holden präsentiert den nachfolger seines 2006er debüts the idiots are winning, das vom guardian damals als das spektakulärste electronica-debütalbum seit boards of canadas music has the right to children bezeichnet wurde. auf the inheritors erforscht holden weiterhin die (un-)tiefen der elektronischen musik und liefert eine ausgewogene balance zwischen brachialen experimenten und transformativen trips.

crackling electronica / ambient atmosphere. ecila will share the stage with raime (blackest ever black) at the official icarus label showcase may 24th. ltd numbered ed. of 200 copies (clear vinyl) incl. download code.

>ill fit< enjoyed fantastic support at radio, including playlists at both bbc 6music and xfm, as well as plays by zane lowe, huw stepehens and dermot oleary and a live session for lauren laverne. elsewhere the single has seen nearly 80 000 plays on soundcloud and was named single of the week in the guardian guide.
pressing on transparent dark blue vinyl, including code for free mp3 download of this release plus 2 bonus tracks..

the parameters of musical possibility are vast on valgeir sigurdssons third lp, architecture of loss. the music flows from no notes at all to lyrical, folk-like melody, from spare, acoustic sound to dense digital intervention. originally composed for the same titled ballet by stephen petronio. architecture of loss is a powerful work in its own right in which valgeir works from a broad palette of absences.

the close of the disco-era was far from the end of patrick adams career. in the 1980s he would lend his creative genius to such notable acts as salt n pepa, keith sweat and carol lynn townes. in the 1990s he helmed recordings by eric b. & rakim, paul lekakis and morris day. but the focus here is on the years he spent with peter brown and p&p. years where he was at his creative zenith as an arranger, composer, and performer. this is patrick adams >best of p&p records<.

streng limitierte erste single der englischen band race horses. musikalisch bewegt sich die gruppe zwischen pulp, orange juice und dexys midnight runners.>bright, theatrical pop with a soulful edge< - guardian

perc trax is proud to unveil the 2nd 12inch to be taken from forward strategy groups debut album labour division. since its release at the end of may the album has received across the board dj support and press coverage with a 4/5 review from resident advisor and even a full page in the guardian about fsg and perc trax. the album has also had launch parties in amsterdam and london and has seen the fsg guys crossover outside of techno to be featured in the wider music press including the quietus and stool pigeon.

following the extraordinary outings of his 2010 debut 12 inches on phantasy sound (summertime our league / havai), and an album and mini album in 2009/11 respectively (weekend / preparing a voice to meet the people coming) on perdizes dream/glue moon, sao paolo based babe, terror returns with knights ep his visionary take on modern sampleapsychedelica or wdm (wrong dance music) as he describes it, composed under the influence of the cadence of life. this heady stew of unsettling aural landscapes and lush, cinematic stories, have earned him the admiration of the new yorker, said the gramophone, the guardian, coke machine glow and uncut as well as the likes of arto lindsay, four tet, james holden.
this isnt your average piece of vinyl as well as >five killer tracks of skewed house / hynogogia<, it features etched illustrations around the edge and in the centre. oh, and listeners have to play it from the inside out – i.e. the stylus needs to be placed in the middle of the record…

hailing from cheshire, submerse is an esteemed producer/dj with a distinct and recognisable sound that traverses beat music, ambient, 2-step and autonomic whilst being punctuated by a myriad of unique and personal influences. the past year has seen him at his most prolific, releasing tracks & remixes with r&s sister label apollo records, med school and many more. submerse was featured by pioneer japan and was also named band of the week in the guardian newspaper (2012).
amidst a plenitude of productions, submerse has also seen support emerge from influential media titans such as dj mag, xlr8r, big up, bbc radio 1 and bbc radio 1xtra.

submerse is 23 year old rob orme who splits his time between north west england and tokyo. he has already had a guardian new band of the day feature, which claimed him to be making some of the most heartbreakingly beautiful (dance) music anywhere on the planet. this came after just a handful of eps and a free download album that blend his love of j-pop and 2 step. his debut ep for apollo showcases how his productions have moved on in complexity and accomplishment moving between the digital hip hop of 8bit romance and the glitchy electronica of cluster to the recognizable garage mutations of give it up and they always come back.

(spencer parker / radioslave / lenoir & meriton rmxs) dj hells accomplished double-album teufelswerk - the guardian called it one of the most ambitious and compelling dance albums of all time release remixes part 2!

inme are an english alternative rock band based in brentwood, essex.

robb johnson is now widely recognised as one of the finest songwriters working in the uk... “an english original”, says the guardian s robin denselow, “the real deal when it comes to songwriting,” says bbc radio 2 s mike harding.

cadillac is an australian luxury vehicle marque signed to future classic.if you like guitar solos, slow mo piano jams and the sounds of baleric,disco,pop and rock then we might have just the vehicle for you. on first inspection of their self titled ep youll find their guitar and synth beast dreams featuring guest vocals of wolf & cubs joel byrne, the stadium jammer past midnight, sexy porno interludes, blue skies and make you feel - two great tunes for dancing to and the glorious piano outro high for me. the remixes on this summer champion include dfa and eskimo regular ray mang, prince rama - recently picked by pitchfork and sup magazine as rising stars,marcos cabral of runaway and on the prowl fame (busting out some organ house),germanys daniel bortz whos remixed some of our favourite usher and 112 tracks, miracles club who have been loved by cut copy, with releases on cut copys very own cutters label and american label mexican summer then rounding it all off is luxembourg residents the sun glitters who were just picked as band of the day by the guardian. this bad boy is available on digital but most importantly available on vinyl as a double 12 inch - a future classic first! come and embark on cadillacs journey of an endless summer.

mms 1st single (interplanetary music) was described by the guardian as >the thinking fans pop moment of 2008<. the 2nd (love pattern ep) was described by les inrockuptibles as >tropical chic… on this strange cockney accent, caribbean rhythms, disco beats and melodies tan on white sand<. so here comes the last mickey moonlight e.p before his album: close to everything! - sleeve vinyl 12 inch with download card inside to get the mp3s.

the enigmatic french trio dop unleash another sonic assault of deep and visceral house music on guy gerbers supplement facts imprint with three bold and organic cuts for your sex. a dark broody and characteristically cheeky affair, your sex opens up this dop creation with a stripped back beat and looped vocal. low-end bass build up the title track to a crescendo that engulfs the senses in deep acid frequencies. this is a nod to the techno elite but fusing a new depth and sensuality to the genre, in true dop style. skipping into subtle and kinetic territory, half naked flirts with reverberating whispered vocals and crisp percussive beats. a lethargic and almost yearning record, it massages the energies of the body with a playful and soothing approach. last up paul ritch tackles a remix of the title track, elevating those throbbing bass elements to new levels with a fluttering and-high energy weapon made to hypnotise the feet, body and mind. dopis the musical summation of a 20 year long friendship between members clement aichelbaum, damien vandesande and jonathan illel, their musical relationship beginning in 1994 as the result of a rock & roll cover band formed for the french national day of music, experimenting in hip-hop, jazz, and reggae followed by various musical incarnations. in 2005 they made the transition into electronic music and last year delivered a highly regarded debut artist album on circus company, noted in the guardian newspaper as steeped not in orthodox 4/4 house and techno, but in jazz, classical, hip-hop and world music

since the release of their debut single in 2010, brightons :kinema: have seen themselves compared by the likes of the guardian and dummy to everyone from hot chip and phoenix, through to scritti politti and even wham! now after a series of sold out shows honing their sound they release >my beautiful machines<, the highlight of their live sets and the cause of many a stage invasion. sophisticated, soulful pop music with a sharp indie edge, this is an ep from a band on the cusp of stardom that has already earned plays on both radio 1 and xfm. taking the track to a whole new disco level are the remixes from swedens drop out orchestra which turn machines into an insanely funky 12 minute long live disco workout that has featured heavily in the sets of djs like tronik youth and justin robertson.

nice price deal !!! along with the tracks from the ep all of the >in arms< remixes have been getting great coverage amongst the blogs and online editorial sites including placements on nme, guardian, gigwise, ilikemusic, virgin, spinner & rcrdlabel. currently supporting chapel club on their tour.

lessismorecordings head honcho gideon hommes has no time to waste. he lives for music 24 hours a day. producing, recording, spinning, selling and above all, loving music is what keeps him busy. there is no past, only future and gideon is setting the standard higher and higher with his ever-evolving productions. with this special doublepack (sold seperate) 12inche he showcases the talent surrounding him. diversity is the key and great music is what its all about

the restoration crew strikes back with >amber e.p.< , a celebration of the necessary power to feed the machines and to keep them working. live recorded on tape, its pure raw analogue sound, its true dedication to urban dance music. the long track on side a, >andy< is produced by the third side, the infamous berlin based team formed by panorama bar resident steffi (ostgut ton/klakson), marieu and lucretio. an evocative female voice,a powerful rumbling bass, fat beats, hypnotic strings, a relentless pace, an acid taste: simply, a burning spear for the dancefloor. on side b, >thinking right< by lucretio pick up the baton left by infiniti with his later works. full sub-bass deep techno with soul. ground breaking rhythms, filtered vocals and harmonies, a smooth build up on a minimalisitc structure. clear eyes on the future of techno. marieus >the guardian< is an amazing fusion of jazz and deep house with motown influences. the blend of vanguardist chords and exquisite tight drums lead to a joyful experience, the surprising ad-libs spreaded along the track keeps the involvement high during 7 minutes

following on from debut album >love comes close< (... a piece of spectral, spectacular electronic pop û the guardian), new yorks cold cave release an ep of remixes for >life magazine< by pantha du prince, arthur baker, optimo and prurient.
free download code included.

pow pow taken form the new album lcd soundsystems first full offering of new studio material since 2007s sound of silver, which was named best album of 2007 by the guardian.

deacon is the salvador dali of electro... a refreshing example of someone rewriting rules of music as he goes along the guardian by now youll know baltimores dan deacon. dubbed >oddball< by many, >inspired< by more hes one guy treading many thin lines - confidently straddling between nutjob and genius, downright brilliant and insanely mind-bending, and with a live show from another world inducing more audience participation than a seriously skewed pantomime. the label amazing sounds has brought together kindred spirits hudson mohawke, allez-allez and luke abbott to create a rich and varied ep which mirrors dan deacons rich and varied music. this is only the second release on amazing sounds, the first being a 12inch of remixes from the krautrock classic harmonia & eno 76 album tracks & traces (with remixes from shackleton and appleblim & komonazmuk). this next vinyl release is a one time only pressing of 500 copies

kicking off at least we can dance is an extended dj friendly version of the original track, featuring production from the dp team of sharp and zed bias. this extended cut is dekata project at their soulful house best, with heavy beats, jazz keys vibes, horns, funk undertones and soaring hook lines. on the remix tip, check out the heavy hitter nu:tone, with his high energy drum and bass take on the original, dripping in heavy basslines, intricate beats and synth builds that make you want to dance the summer away into the early hours. currently causing a stir in all dance music circles as one of the main instigators and contributors to the hype and buzz that is the uk funky scene, roska steps up with his cant stop dancing mix. using broken beats, garage, grime, dance hall and house vibes, roskas unique sound has critics and compilation makers hailing him as the new sound of londons dance scene, having recently featured in the guardian and mixmag.

one of the most ridiculous, brilliant things you will have heard in a long time (the guardian)

radioslave rmx! epic piece of music, one of the most ridiculous, brilliant things you will have heard in a long time (the guardian)

banging iberican tribal tech bizz!!

new barcelona label they are changing it, first ep comes from barcelona based american dj/producer and label boss dia. the past 12 months were very important for her as she started another succesful label, vinyl did it. this ep truly represents dias sound, very musical, well layered, and with a touch of melancholy, yet strong and driving, with simple yet effective basslines and strong percussion, ready to take on any dancefloor.

7 track ep from this ny band that has toured with the kills, no age and!!! and is going on tour with diplo. featured in fader, nme and interview mags. comes with remixes from mad decent, free blood, bobby evans and more. full color pic sleeve. crosses diplo with a poetry slam - guardian uk

the first new music from canadian electronic pop duo junior boys since their much-acclaimed >last exit< long player. >suggest talk talk produced by timbaland… junior boys spectral vision of electronic pop is an understated, unpredictable delight ****< said the guardian of >last exit<. without a domestic release this album in 2004 crept into most journalists end of year polls. this is the first junior boys release to be released on domino worldwide and initial reactions have been fantastic. it seems that word of mouth has been spreading like wildfire on this band. >in the morning< and >the equalizer< are both taken from the forthcoming album >so this is goodbye<. they are backed with remixes for the coolest dancefloors from nyc s morgan geist and glasgow s alex smoke. the band play their uk debut at london s luminaire on august 10th and then return as very special guests of hot chip in the autumn for a full uk tour.

excellent detroit tracks from belgium composed from the atlante group and produced by axim forces !!

softpak deluxe

2cd compilation, cd1 summer in berlin, cd2 live in berlin

new long player from manchester s claro intelecto. entitled exhilarator , the 13 track album marks a return to action for the esteemed producer. a cinematic album of icy techno, weighty bass and poignant melody. from plaintive keys and slow motion drums awash with melody to corrugated industrial drums that don t let up, this is a diverse album in both mood and texture. moments of ambient celestial beauty exist next to breezy and summery grooves while skewed and sludgy acid sits next to serene underwater dub. stewart s mission to step outside his usual self has resulted in another landmark electronic album. killer release!