anders trentem¿llers career is a travel-heavy one, with his touring schedule taking him pretty much all over the world. but its his home port thats inspired his latest project, the sprawling, stunning compilation mix Ôharbour boat trips vol. 02: copenhagen. clocking in at just over an hour long, the compilation sees trentem¿ller curate and craft sixteen songs into a heavy, hazy mix that ranges from shoegaze to electronica, featuring both familiar and celebrated artists like a place to bury strangers (with a new trentem¿ller remix) and slowdive to more obscure finds, as well as trentem¿llers own tracks and remixes, most notably a brand new trentem¿ller cover of neil youngs classic Ôtransformer man. the mix sees him pick up a thread he left off earlier in his career. in 2009 he put together Ôharbour boat trips - 01: copenhagen, a compilation mix comprised of his favourite music, both danish and international, from across four decades, loosely inspired by the motion and movement of copenhagens busy harbour. closing in on a decade later, were getting the second edition, with Ôharbour boat trips - 02 arriving this november.

handmade limited edition packaging - 300 only.
8 tracks originally recorded between 2002-2010 these works consist of music taken from the same sessions that became his highly ambitious vinyl factory music and installation project ÔformatÕ in 2015. edited and complied from a series of lengthy nocturnal synthesiser, drum machine & 8 bit sampler improvisations they range from melodic idm, driving electro, motor city techno & tripped out house excursions.

a-sun amissa is a project formed out of leeds, uk in 2011 by members of glissando and the rustle of the stars. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, ten, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs. new album you stood up for victory, we stood up for less sees a-sun amissa moving in a more dense direction, the drones are heavier, the sound thicker and with the added bass-clarinet of gareth davis there a new slightly darker jazz element now to the music. the two tracks were conceived initially as two drone guitar pieces, following that, work was done on the composition and atmosphere of the tracks adding the bass-clarinet, viola, vocals, field recordings and piano. the finished works produce an unsettling but hypnotic listen with melodies moving in and out of the mix throughout these two pieces. you stood up for victory, we stood up for less is released a year on from a-sun amissas debut desperate in her heavy sleep (gizeh). the band will tour the uk and europe in february and also play a handful of uk dates with barn owl in april. recorded at cloud blunt moon and city 1, leeds in october & november 2012. mixed by richard knox. mastered by james plotkin. photography by frŽdŽric d. oberland. layout & design by richard knox

standard cd im softpack mit artwork von lee marshall. having recently made his inaugural outing on brainfeeder with aphelion ep, british producer ross from friends aka felix clary weatherall returns with his debut album on flying lotus label. family portrait is characterised by a perpetual desire to experiment and felixs obsessive attention to detail, somehow marrying an intricately layered production style with warm, heavily saturated sonics that elevate, rather than stifle, his melodious funk. with a handful of revered 12inches under his belt via breaker breaker, lobster theremin, distant hawaii, magicwire and a 10inch on molten jets. family portrait showcases his ability to shift and evolve, moving from the world of lo-fi to the world of flylo

variable is the first compilation on pi electronics, which also kicks off the new catalogue peva. this various artists release includes the works of several artists involved in the label till now, along with some very familiar faces to pi that have been supporting the parties in the past years. the aim was to bring the main label roster - artists with original music on pi, such as jk flesh, ontal and damcase - under the same roof as artists that have been with the pi electronics project since its early days: the label s party residents, 3.14, nemmett and das along with other fellow athenians, unhuman, bmsk and the project Òi am legion, for we are manyÓ. the outcome will be available in cd, vinyl and digital format, while the vinyl sampler will feature jk flesh, ontal, nemmett and bmsk.
regardless of the different variables, equation drops back to the same constant result.
divide and rule. sticks over carrots. repent or collapse.

poolside began as a recording project in a converted los angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. surfacing first in the form of a youtube video for the catchy track Òdo you believe?Ó poolside were soon gaining local and national attention, with djs like james murphy of lcd soundsystem, techno legend derrick may, and disco don todd terje spinning these tracks at events and a growing online following. throughout 2011 poolside continued making waves with a sound called Òdaytime discoÓ through tracks like their cover of neil youngÕs Òharvest moonÓ and original tunes. in 2012 poolside worked on a remix for longtime disco punks the rapture and held fans over with a new single and video for a song called Òslow downÓ as they prepared to release their debut album. that album, pacific standard time, was self-released in july of 2012. after the albumÕs release, remixes for artists like matthew dear, little dragon and foolÕs gold soon followed, as well as rehearsing and touring with a live band and doing dj sets around the world. as thoughts turned to a second album, poolside went on ice for a year to regroup, beginning to work in earnest on another album in the fall of 2016. while still revolving around the sunny, laid-back disco sound of pst, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. poolside surprise released their second album heat in 2017. poolside have over 1.5 million monthly listeners on spotify and have fans all over the world. they are currently on tour as a live band.

unmixed 2xcd compilation ! mixed by mousse t. , incl. bootsy collins, first choice, byron stingily, ann netsby and more

after establishing himself with rough but emotive house as rimbaudian and jungle as birds of sweden, he unveiled his dj seinfeld alias to the world, first with underground hit single u, then with his time spent away from u album on lobster fury in november 2017. it was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. acclaim came in from far and wide, with everyone from rolling stone to pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. jakobsson approached his dj-kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.

to commemorate our 10 year anniversary celebration, this new release comes in the form of our beloved deepchord presents echospace project. the set was recorded live at ghost in the sound on 05/26/2013 a few miles away from hart plaza. an official movement after party curated by the detroit paranormal society in association with echospace, and now re-mastered by rod modell. from the second the bass dropped, it stole the breath from the room! this duo started off as barely more than a rumor supported mostly by the continous scarcity of their records. the duo comprised of detroits rod modell and steven hitchell have spent nearly two decades producing low-key electronic music both bordering on the verge of myth. theyre considered by many the most noted producers operating in the dub-infused aftermath of the basic channel axis and all its myriad offshoots. once their critically-acclaimed the coldest season emerged on one the uk based modern love imprint, the curtain was unveiled and the sound of echospace was born. they ve often been coined the true heirs to the basic channel legacy but their work finds a home somewhere on the outskirts of the galaxy, where detroit soul ties to jamaican roots played through a tunnel in deep space. this evocative, immersive sound that is echospace was born out of a love and passion for analog circuitry, sound design, field recordings and non-conventional methods of recording. but its also work thats quintessentially building upon the detroit electronic scene where it was born, and that divine marriage of roots and vision make the work at once so highly considered, so pertinent and so timeless. this is the first new album from the echospace duo since the critically-acclaimed silent world (ost) 3lp/cd set dropped 5 years ago, it features live renditions of some of their classics as well as unreleased material. expect gorgeous plumes of sound deeper than the ocean floor, a rich analog tapestry made and performed in the heart of detroit, techno city!

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheedÕs clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work.

-routes not roots- is the debut album by k-s.h.e (kami-sakunobe house explosion), a project from internationally celebrated producer, label owner and dj terre thaemlitz. k-s.h.e -routes not roots- combines terre thaemlitz notorious -fagjazz- sound with th

her majesty s ship is proud to present this never happened , the latest album from hugely talented french-american singer and producer yan wagner.
this always inventive and off kilter artist has had many top releases on labels like kitsune and has worked with the likes of the legendary arnaud rebotini and etienne daho. he also has a side project, the populists, is producing the first album of calypso valois and wrote the soundtrack for the short film victoria by mathilde marc. someone who plays events like sxsw and montreux jazz festival, wagner s playful disco-pop tunes always find their way into the emotions of those who hear them.

uppermost will be releasing his upcoming album with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his french signature at the core of the project. his previous hit tracks flashback and beautiful light have already generated more than 27 million combined streams across platforms, while mercedes-benz selected uppermost single disco kids to be featured in their formula one advertising campaign and starz/encore chose another of his instrumentals for their 2018 tv spot only few weeks ago. uppermost is being closely followed by international media leading to great articles from influent press channels such as djmag, vice, complex, paper magazine, and famous radios such as bbc 1 and virgin. in addition to releasing music via his own independent label uppwind records, uppermost has released music through powerful labels such as sony and ministry of sound and done official remixes for dada life, lemaitre and crystal fighters. he has also already shared french festival solidayss stage with madeon, yelle, fakear and die antwoord.

shorelights is a collaborative ambient techno project feat. rod modell (deepchord, echospace, waveform transmission, transformations), and walter wasacz and christopher mcnamara of the detroit-based audio visual collective nospectacle. ancient lights expands the vision and the range of the shorelights aesthetic, heading into deeper territories of inner and outer space. its ambient for body and spirit, sound designed to make the human heart dance.

flowers from the ashes is the latest multi-artist project to bear the acclaimed stroboscopic artefacts imprimatur. silvia kastel, andrea belfi, marco shuttle, ninos du brasil, alessandro adriani, chevel, lucy, lory d, caterina barbieri & neel

to find lawkyz, follow the beat. it is here, in this vital part, this lighthouse which guides the route of the other instruments, which it prints in depth the low notes of his four strings. riveted on the drums. linking with it a rhythmic pact, ensuring the propulsion of the groove on stage with erik truffaz or guts, on records with uht ¡, anna kova, or versus, his hip hop project with full live band. when he puts his fetish instrument, when he lets cool his amp, then wakes up his evil twin: the waxidermist. one year after his last ep, the waxidermist comes back to tell his story.

the dekmantel selectors compilation series is set to continue with a highly anticipated edition curated by joy orbison. first announced in 2015 when the selectors project was unveiled, the fourth compilation in the series finds the singular uk talent curating a sort of tribute to his home country and its rich musical history.

a remastered version of shenzhou on triple vinyl and double cd with the bonus album-the samphire tower. paul cooper, pitchfork: shenzhou, aside from being the name of the chinese manned-spaceflight vehicles, means magic vessel, and i cant imagine a more apt description for geir jenssen s latest excursion into ambient deep listening. after following an aphexian trajectory with his releases on apollo, the ambient sublabel of belgiums r&s records, jenssen veered from the padded sci-fi-inspired techno of microgravity and patashnik with 1997s substrata, a genre-defining exploration of drifting soundscapes. substrata remains for many the album that perfectly expresses the serenity and intensity of arctic wildernesses, a landscape jenssen knows intimately, having spent much of his life in the norwegian arctic circle. in 2000, jenssen nearly eclipsed the success of substrata with cirque, a frequently frosty submerging of excerpted conversations and found environmental sounds that rivals wolfgang voigts gas project in its rumbling, gauzy beauty. jenssen again relies on found sound as source material for shenzhou, but this time, the found sound is old vinyl recordings of the orchestral works of french impressionist composer and ambient precursor, claude debussy. jenssen lifts fragments of these scratched records in a similar manner as he did for cirques black lamb grey falcon and iberia eterea

hot off the heels of the beautiful obsolete machines lp released this month, radiuss cassette demo restoration project returns to form with the interpolation tapes series. the original source tapes had aged, warped and degraded and as a result we ve preserved the best segments, sampled and reprocessed with a vintage prophet 2000 sampler, studio 440 and various linn samplers to add depth and range to the original source material. we ve spent nearly an entire year restoring and interpolating over 100 hours of music, processing sound and redesigning the blueprints of this long forgotten project. every track was originally recorded down to an old tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life. it s been a truly nostalgic experience re-visiting and re-arranging these masters, regardless of the time passed, there s so much depth in sound design, raw emotions and when considering the limitations of hardware in the era these were recorded, they ve truly aged like a fine wine. we hope you enjoy this magical time in music, as we are very inspired by all that was happening in those years, theres undeniably something in the air, a mystifying energy, long may it live on.

token celebrates its 10 years anniversary with momentum, a celebration of the close-knit family of artists amassed throughout the labels running. the record is a fitting collaborative project with every track on the album produced by two longstanding and well-respected artists from the labels roster: r¿dhŒd, sigha, antigone, ¯ phase, oscar mulero, inigo kennedy, tadeo, ctrls & labelhead kr!z himself

infectious. vibrant. diverse. all of these are perfect descriptors of bert h s debut album Òall aboutÓ. this freshman album for the moscow based producer showcases his incredibly vast love of all sounds and styles of drum and bass, and gives a dramatic glimpse into just what he is Òall aboutÓ as a producer. his collaborations with local producer high n sick as well as monrroe and silence groove shine with influences from all parties involved. rounding out the album nicely is a set of powerful remixes from heavyweights such as bop, seba, the vanguard project, and command strange. bert hÕs Òall aboutÓ is available in vinyl, digital, and cd format this october on fokuz recordings.

there is a long-standing love affair between dj harvey and pikes, ibiza. as well as coming back for his third consecutive Ômercury risingÕ residency, the legendary ÔdjsÕ dj has been appointed Ôcultural attachŽÕ for pikes, meaning his magic touch and feel-good presence will create even more special moments at pikes this summer, including the launch of new label, pikes records.
in 2015 dj harvey made his hugely anticipated return to ibiza and made pikes his home for his mercury rising debut, a concept inspired by the beauty of the real ibiza, the incredible history of pikes and a genuine love for music. the love, the dancing, the music and the balearic spirit perfectly and poetically encapsulated by dj harvey has seen mercury rising widely recognised as the most special night to embrace the island in over a decade.
the next step in the harvey and pikes story sees him launch pikes records Ð the first record label founded by pikes owners and ibiza rocks co-founders andy mckay and dawn hindle. on the label, harvey explains: i see so many avenues to work together to release music, everything from live recordings from ibiza rocks and pikes, mix tapes, original productions, showcasing new artists, theres all sorts of avenues to open up. with the finer details still under wraps, its safe to say fans can look forward to the first release being harveys very own mercury rising compilation. but what can we expect from the third instalment of mercury rising? putting it quite simply, just a serious good time really says harvey.

house-dj-legende erick morillo prŠsentiert die diesjŠhrige ausgabe seiner -subliminal sessions-, dem institutionellen gradmesser fŸr den aktuellen state of house. mit zwei feurigen mixsets aus knapp 30 tracks zeigt der housemaster, wo im house heute der hammer hŠngt. feat. andrea oliva, mark knight, dean mickoski & roland clark, harry romero, jose nunez, reinier zonneveld, oxia, pachanga boys, kiko, eagles & butterflies, green velvet, thick dick, the deepshakerz und natŸrlich morillo selbst.

spearhead records label boss steve bcee returns with his 4th studio album, and itÕs safe to say that itÕs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÕs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÕs safe to say that even though bcee has been in the game for 16 years, heÕs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

in heaven is a berlin-based act that could very easily capitalize on his past accomplishments within the world of intrepid electronic music. as a label owner, resident dj at cutting-edge clubs, and accomplished solo artist behind a number of conceptually unique full-length albums, the conceiver of this project won‹t likely need any introduction to the intrepid fans of electronic music.

a.r.c. soundtracks is the audio/visual project of k.craig and david armes. dereliction//mirror is the duoÕs third release, following on from a debut album, archive: volume one (little crackd rabbit) and a cassette release for sacred tapes, from a shattered beam. dereliction//mirror was created on-residency at salford s islington mill, home to gnod, sacred tapes and many other noise/experimental musicians and labels. it is an audio/visual piece that uses the semi-derelict attic spaces as both inspiration and source material. focussing on the notion of ruins and their potential for reappropriation, dereliction//mirror combines a dense, multi-layered sound-world with ritualistic visuals to create an immersive, hypnotic work. this new film and soundtrack takes us into a bleak auditory realm of post-industrial structures and traces the role of the body within these liminal spaces. strained harmonics and industrial, discordance mesh with veiled rhythms and spoken-word narrative to create a heavy, static energy to both sound and visuals.

the trickfinger project was recorded 10 years ago with no intention of being released at the time, made purely for discovery and learning experience. -in my opinion, making music with no intention of releasing it is the best thing a musician can do for his own development in this day and age. the trickfinger lp was made in that mindset, and it was the beginning of a new musical life for me. when i hear it, it sounds like i am opening up doorways to new worlds, and i never have had that feeling listening to music i made for the purpose of releasing it and selling it.- all the music was recorded live onto a cd burner, through a cheap mixer. john would sit on a chair, in his living room, surrounded by five to 15 machines, and just keep programming and jamming until the track was ready to be recorded. there were no overdubs Ð recorded all live

hier kommt die neue -beso beach 2017- ausgabe, benannt nach dem gleichnamigen club auf der baleareninsel formentera. resident-dj jordi ruz prŠsentiert zwei wohltemperierte sets: eine chill-selektion auf cd1 und eine deep-variante auf cd2. mit knapp 40 groovy-entspannten tracks von jan blomqvist, m…we, dirtcaps, dropout, autograf, frank pole, goldfish, armin van buuren, sander kleinenberg, u.v.a.

an unreleased classic from the vaults emerges with beautiful reshapes by cv313 (recorded and reshaped from 2007-2016) this is where the sound of cv313 was realized, culled from cassette tapes recorded live (1995-2000) with nothing but analog/digital hardware, no computer in sight (excluding our commodore 64 midi sequencer, which is still alive and well today). the radius project has been absent since the final release in 2001, the first 12- appearing in 1996 (limited white label run of 100 copies pressed at acme pressing in canada) after revisiting these works we realized there was truly some magic here. this project was initially sent to rod modell & mike schommer shortly after they launched their brilliant deepchord label in 2001. they were incredibly kind in saying it was the best demo they had ever heard and passed it on to octal records for release, sadly, that didn t materialize and since then these masters have been collecting dust in our cassette rack for nearly 20 years now. we ve spent months doing our best to restore the old tapes from our tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. (that is of course, if you can get past the tape hiss) we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life, it s been a truly nostalgic experience re-visiting these masters.

through the sparkle is a collaboration between french ensemble astr•d and american pianist and composer rachel grimes. rachel grimes is best known for her chamber music project rachelÕs, a hugely influential group formed in 1991 in louisville, kentucky, releasing six studio albums between 1995 and 2005. she has also released a string of contemporary classical works in recent years on labels such as temporary residence. astr•d is a collective of four musicians based in nantes, releasing records on rune grammofon and home normal. after years of mail and email back and forth over the ocean, from nantes to kentucky, astr•d invited rachel to come for a residency to make music together and play shows in france. they gathered for a few days, here and there, in 2012 and 2013 to write songs in cyril and vanina s home studio in the countryside.

triple cd, hand numbered, limited to 1000 copies

building on the success of sell out shows at shoreditchÕs village underground and the mighty egg:ldn, spearhead records bring you spearhead presents: the soundtrack. * 15 brand new and exclusive cuts from some of their favourite producers, alongside another 13 tracks that have been the soundtrack to your clubbing experience their nights. if you have been to any of their nights in the last few months then you may well have heard these being road tested. * highlights include the spectrasoul remix of lsbÕs Ôrollings sidewaysÕ and the sublime vanguard project rework of bceeÕs Ôlost & foundÕ. * support from high

fokuz recordings eighty eight - this is fokuz is the labels 2017 various artist compilation including remixes by spectrasoul, technimatic, break and original tracks by label regulars anthony kasper, satl, mutt, the vanguard project and silence groove.

island people is a new band project consisting of mastering engineer conor dalton, grammy award winning producer david donaldson, and musician and dj graeme reedie. on their first self- titled record, they present their collaborative work that evolved over the past three years. being based in different cities, namely berlin and glasgow, files had to be exchanged back and forth between the three band members in order to create tracks. for their delicate sound structures, field recordings and other sound sources were heavily processed and rendered unrecognizable. layer after layer, the tracks came into being quiet naturally, not only reflecting their continuous way of working, but also incorporating their different and individual backgrounds: Òduring the whole creation of the album, we never realized our actions were quickly leading us into forming Èisland peopleÇ, we were too busy having fun, making music and sharing ideas.Ó the result of their collaboration is a timeless music that is as open as a natural phenomenon, developing a certain feeling of euphoria over time. all in all, Èisland peopleÇ is a pure listening record in the best tradition of ambient.

since the millennium 2raumwohnung unites electronic sounds and pop melodies in a variety of ways. the early singles wir trafen uns in einem garten (2000) or 2 von millionen sternen (2001) playfully communicated the life-style of a new berlin. the duo, consisting of inga humpe and tommi eckart, started as a studio project and continued to develop via eight album productions. at the same time, an important impulse included developments in techno or house music. their most successful album 36 grad stayed in the german album-charts for 33 weeks, 2raumwohnung continued to expand their stage range as well.

top-disco/boogie-compilation mit zwšlf raren extended versions, kompiliert von lotus disco, der neuen dj-sensation aus vietnam, die 2015 beim horse meat disco event im uk ihr europŠisches debŸt gab. intro und outro sind exclusives von suzy q, einer band aus dem lotus disco-umfeld. dazwischen finden wir disco/boogie-perlen von u.a. geraldine hunt, dee dee sharp, grace jones, shawne jackson und claudia barry in raren mixen, die teilweise erstmals auf cd erscheinen.

the jazz -n-groove is a big number in house music circles. brian tappert & marc pomeroys productions are reowned for their soulful heart and exquisite musicmanship.

solaronemusic is proud to announce this special record. andreas left us suddenly at june 20th in 2016 after long health problems. around that time we finished with him - the worst of gehm - release. he was so happy about this project!!! even one week later we got the terrible message that he died. we put alot of love and effort in this project to give him his last big monument! special thanks to all his friends and labels like mathematics recordings, abstract acid, creme organization, psycho thrill and of course bunker. rip in andreas! we will never forget you!

mental groove records is thrilled to announce bigenerics new double album entitled spielmanda in collaboration with the artist own inzec imprint. swiss artist marco repetto is the chromatic brain behind bigeneric musical project and has a strong background in the burgeoning scenes of minimal synth (grauzone with stephan eicher), early techno (synectics on aphex twins rephlex imprint) and ambient / trance (planet love on superstition). spielmanda album reflects the artist deep love for nature, psychedelia, health and futurism. the title is borrowed from a book by berner writer and myths researcher sergius golowin and is a fictional legendary and mystic place in the swiss pre-alps, a place that marco repetto explores through the 16 tracks of this album that he has constructed and tested at numerous performances. a truly justified and bright +2 hours long daydreaming walk across the deep forests and infinitively colorful meadows of imaginary spielmandas landscapes and beyond, with marco repettos heart rebel signature, a unique and modern mixture of technology driven hippie & punk culture. 117th release from versatile swiss imprint mental groove records (donato dozzy, bruno spoerri, eduardo de la calle, kenji kawaii, orlando voorn, nate krafft, sinner dc, orbe, lugano fell, keiichi tanaka, tommasso cappelatoÉ)

paul woolford aka special request bleibt seinem typischen, sehr britischen rave-stil treu und liefert - nach releases auf namhaften labels wie planet e (carl craig), running back (gerd janson), xl recordings oder houndstooth - ein atemberaubendes fabric-set ab, das mit klassischem uk und detroit techno von richard d. james (caustic window, polygon window), cristian vogel und dj stingray beginnt, um sich im verlauf zu einer tour de force diverser schattierungen von jungle, drum & bass und noise zu entwickeln.

after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension. dont worry, the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostface killah, one of wu tang clans members that delivers a punchy performance on the upbeat tempo track thrilla, as well as steve edwards, the house music singer who sang with swedish producer axwell, and whos also known for having lent his voice to bob sinclar on the famous world, hold on. were releasing the album once more, so that you can get back into the fabulous swing of cassius.

this repress comes as a jewelcase single cd version. a project that came to life fuelled by collectorsÕ obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013Õs testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind. from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, itÕs probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youÕll likely hear in these weird, angst-ridden times.

slam! hardstyle ist eine der hei§esten hardstyle-compilationserien auf dem markt. die erste ausgabe 2017 slam! hardstyle vol.14 bietet wieder ein sattes doppelpaket mit 40 tracks sŠmtlicher hardstyle-protagonisten wie gunz for hire, b-front, masters of ceremony, dj isaac, noisecontrollers, tnt, bass modulators, resist, darren styles oder audiotricz.

the reveries begin with a simple electrical hum Ð a starting signal for the appearance of a vibrant array of sound, shifting before us in seemingly random motion. before we know it, all those pulsating melodies, razor-cut hifi-house beats and drunken robot jazz ensembles start forming into patterns, secretly & perfectly designed by one art alfie. a long time operator in stockholmÕs small but insistent underground music scene, oscar wedrŽn broke through internationally in 2012 with the karlovak project, founded with on-off studio and dj partner rudolf nordstršm, a.k.a. mr. tophat. the duoÕs inexplicably fresh takes on classic dance music tropes is as much a result of a brilliantly odd pairing of personalities as of a defined concept and a precise method in searching for the perfect house groove. while writing reveries of, released early spring 2017 through studio barnhus, art alfie freed himself of all conceptual footholds, delving instead deep into his archives of old and new memories and feels, working with improptu field recordings and emotionally-guided sampling processes. he came back with an intricate and personal debut album and he didnÕt lose his groove on the way.

the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicideÕs second album, and the elegant melancholy of the national. in order to compose, renaud brustlein aka h burns decided to reinvent himself once again. he didnt repeat the live configuration that he used in 2013 with off the map, an electric storm recorded in chicago, with a band, in a single week, with the legendary steve albini. for kid we own the summer, the composer started working in his home studio, by gradual touches, because thereÕs no place like home. the result? a melancholy cinematic stroll across stories of misguided couples, unspoken words that end-up ruining peoples lives, the pursuit of dangerous situations, like an elegy to the end of adolescence - leading to a place were unsure of. born from a keyboard, a piano and a beatbox, these ten songs were brought to light, as always with infinite delicacy, by impeccable guests-friends strings by bertrand belin and vaporous keyboards by denis clavaizolle (bashung, murat, daniel darc) mixed by rob schnapf (elliot smith, beck) and mastered by the great greg calbi (springsteen, dylan, paul simon). noisey said of night moves that it was the perfect record for all the cold and sad months to come

following on from last years come and join us lp, bcee has hand picked some of his favourite artists and asked them choose a track from his back catalogue to bring their own personal touch to. a varied and textured body of work, the remixes contained within the Ôthanks for joining usÕ lp are awash with signature musical clarity and production prowess scattered throughout.
the 6 track picture vinyl includes a cd with 14 tracks.
support from london elektricity, technimatic, tc, high contrast, s.p.y, etherwood, spectrasoul and a whole load more.

milky bomb records are releasing the debut album from slf&co titled no beats in algebra. slf&co no beats in algebra is a collaboration of vocalists and musicians also known as the lovely folk & friends from around the towns of blighty. the slf&co project came to light from a pc, in a flat, in norwich. clocks tick, tracks emerge, people lend an ear, a voice, some insight and the occasional slap. influenced and inspired by many different genres and production techniques with a few bits and bobs of rock, electronica, ambient, dance, hip/trip-hop, avant-garde and progressive music. no beats in algebra will fulfill all of your musical preferences in one nicely rounded package for the ears and mind to ponder. featured artists on no beats in algebra can also be found with their respective groups on the compilation release an amalgamation of sorts. part zero (2015) through milky bomb records.

der londoner dubstep-pionier und hotflush-labelbetreiber scuba aka paul rose beweist seine einzigartigkeit mit einem 75-minŸtigen fabric-set aus 42(!) Ÿber- und nacheinander gelegten tracks. unterschiedliche kŸnstler wie pearson sound und patrick cowley, donato dozzy und midland treffen in einer dŸster-verfŸhrerischen atmosphŠre aufeinander, so dass man sich zwischen pumpendem lo-fi techno und subsonischen bŠssen im rave-kosmos verliert.