das 2. album von rin als limitiertes rotes doppel-vinyl im klappcover.

reissue with 2019 master and fresh killer mixes on top

the debut release from nyc based party / label sublimate features russel el butler, ali berger and turtle bugg and more

aniara travelling through misty mountains in their signature style!

powerful ep made by lee burton, adil hiani and sonohat, who join the label for the first time.

deaik is sj tequillas third record on his own imprint shot of t.

12 der größten ndw-hits auf weißem 180 gramm vinyl.

wide range of clubmusic .. and always cool! tip!

das neue album von roland kaiser als limitiertes und handnummeriertes doppel-picture-vinyl im klappcover.

remixes by fort romeau, flavien berger, inigo vontier, marc houle! tip!

b-stock! cover has seam-split. aniara travelling through misty mountains in their signature style!

homegrown talent from the beautiful inland town of hamar, surrounded by the beautiful furuberget and lake mjøsa. first collab with these former skwee-stars on full pupp splits prins thomas

rsd 2019 (uk) release

32 tracks that defined the sound of nature one festival through the years 1995 - 2019 on limited edition 4x12 inch vinyl.

ltd 2xvinyl incl. popular trance trax of 2018 mixed by armin van buuren !

eine weihnachts-doppelvinyl mit den schönsten deutschen und internationalen weihnachtsliedern - das perfekte geschenk zu weihnachten! lp1 enthält die schönsten internationalen weihnachtslieder auf goldenem 180g vinyl. lp2 enthält die schönsten deutschen weihnachtslieder auf schwarzem 180g vinyl.

12 inch picture sleeve

love not sex is the second stubb 12inch from paper recordings ben davis. the original is a melancholic slice of sunshine that draws inspiration from mor and blue-eyed soul with a hefty dose of balearica. acoustic guitars, rhodes, live drums and strings plus crazy ps tim davis on bass provide the perfect cinematic backdrop for the plaintive vocals of huw costin (torn sail) and rachel foster. japanese edit hero mori ra delivers his first ever remix and its a doozy. keeping the bones of the original track, he takes it in to dark psychedelic waters with the help of former_airline s tripped out guitar. a spoken vocal tips it in to full balearic wonkiness that will have the likes of dj harvey and bjorn torske getting hot under their disco beards. bergen s leca employs his trademark stripped back crisp production for a warm, dreamy remix. steel guitar, clicks, whirrs and a nordic playfulness make for a cosmic journey in to the northern lights. the 12inch will be a limited run of 300, screen printed in west yorkshire by the egg factory with artwork by artist rachel johns in a project that celebrates community and collectivism.

supported by dario d attis,tube & berger, steve lawler, groove armada, sonny fodera, mat.joe, richy ahmed, low steppa, kraak & smaak, the golden boy

kerri chanler , adesse versions, dj deep, matrix, demuja & more

2016 fand in santiago de cuba das manana festival statt. es führte zu einem intensiven dialog zwischen vertretern regional-karibischer musiktraditionen und internationalen independent-künstlern aus dem spannungsfeld von dance, avantgarde und jazz. mit der gründung des labels manana wurden vor ort geknüpfte fäden aufgenommen und weitergesponnen. daraus resultierten bereits zwei außergewöhnliche tonträger. -soundspecies & ache meyi- ist der dritte dieser reihe, er fusioniert auf aufsehenerregende weise folk aus kuba mit britischer elektronik. hinter soundspecies verbergen sich zwei als djs und produzenten aktive brüder aus dem englischen dorset. in ihrer musik loten sie die verbindungen zwischen den klängen und formen elektronischer tanzmusik einerseits und den repetitiven mustern von traditionellem folk andererseits aus. die formation ache meyi hat sich hingegen afro-haitianischen rhythmen und stilen wie bembe, vodu, gaga und merengue verschrieben. und das auf eine ziemlich dynamische weise, was angesichts des bandnamens wenig überrascht. die yoruba-begriffe -ache- und -meyi- bedeuten so viel doppelte power.

a deluxe 3-lp-set on 10 inch vinyl, celebrating the 60 years of miles davis’ revolutionary soundtrack to louis mallevs movie. first vinyl edition comprising both the original soundtrack and the complete session takes. includes the previously unreleased track “l’interrogatoire de julien” and new album notes by franck bergerot. remastered from the original analog tapes, cut at abbey road studios.

björn torske, gottvater der norwegischen cosmic-disco-bewegung und maßgeblicher einfluss für künstler wie prins thomas, lindström und todd terje, begeht das 20-jährige jubiläum seiner solokarriere mit byen, seinem fünften soloalbum. aufgenommen in seinem studio im nordischen bergen, verbindet der veteran auf byen- die beiden prägenden seiten seines musikalischen schaffens, einladende, clubby house music und erhaben-pastorale ambience. insbesondere der 8-minütige Überflieger clean air zeichnet sich durch himmlische synths und knackige backbeats über einer warmen, einladenden bassline aus.

....and we d sleep out under the stars, didn t even need a blanket... victor valiant is a musical pairing of two friends who ve been meaning to go in the studio for many moons, but life has always got in the way. keith tenniswood and suade bergemann give you seven tracks of sublime funk and sonic experiments coming straight from suade s mega studio deep in the northeast of england. recorded last year over two 3 day sessions, it’s the next release on keith s asking for trouble label aft003. cut and mastered between the two producers they have executed every level of production for this double pack vinyl release. asking for trouble is keith tenniswood (radioactive man’s) recently birthed label and home to the emissions from his studio and treasured time spent with producer friends. suade bergemann is a newcastle-based producer, mastering engineer and founder of techno label adapted vinyl. he collaborates with steve legget and is a resident at free rotation.

black lodge ist ein mysteriöser produzent aus manchester, der in den 1990ern mit releases auf mo’wax und the trilogy tapes began, mitglied eines okkulten northern soul-kollektivs und der enigmatischen formation gescom ist, ferner dj eines pirantensenders, graffiti-künstler, badly drawn boy-remixer und autechre-artwork-designer. auf dem neuen label disciples veröffentlicht er nun eine kollektion mit aufnahmen aus dem lodgewars-archiv, aufgenommen im obergeschoss des kings arms-pubs in salford, manchester. geisterhafte drone-sounds und -melodien, die die ränder von ambient, post-punk und industrial besudeln. die streng limitierte lp-auflage erscheint auf schwarzem vinyl in schwarzer innentasche in schwarzer hülle mit sticker.

this collaboration between skatebård, philipp lauer & dj sotofett dives deep into flux borders of italo, new beat and the melodic sides of industrial. a-side is contoured by a synthetic bassline riff on trigged drums & percussions for a full club version. b-side’s two tracks are both differently bass driven, one with live piano solo and the other with airy whistles. all tracks cleverly composed with a richness of melody, rhythm & engaging arrangements.

es ist zehn jahre her seit der veröffentlichung von gui borattos bahnbrechendem debütalbum „chromophobia“. so wie der titel vermuten ließ, war das album mit seinen kontrastreichen minimalgrooves und den üppig gefärbten melodien ein schocker im besten sinne. ihr erinnert euch sicher noch an die hit-single „beautiful life“, eine dancefloor-hymne aus dieser zeit. nach vier alben und unzähligen eps und remixen ist das einmalige savoir-faire des brasilianischen produzenten, aus vielfältigen singles und features stimmige alben zu schaffen, auch auf seinem fünften studioalbum „pentagram“ zu hören. hier legt gui boratto ein zwölf-track-narrativ vor, das seine handschrift auf erquickende weise wiederbelebt. wiederbelebt wird auch die stimme von „beautiful life“ (die der frau gui borattos gehört) auf dem stück „overload“.

after more than 30 years, halfway ritmo in collaboration with early sounds, will release unpublished recordings (1982-1989) from former tangerine dream and iggy pop s drummer klaus krüger. advanced dance combines a sweeping mix of krüger s handcrafted acoustic drums and distinctive electronic sounds of the late berlin- school years, creating a unique blend of advanced polyrhythms. krüger achieved a balance between creativity and classic drum patterns giving birth to an unconventional and avant-garde type of music that could be easily defined as a precursor of techno. his progressive mentality led him to delve further into the tape collage technique and unique ways of triggering his drums. it was a whole new world of music - sustained by his artistic surroundings, which included collaborations as well as friendships with other influential artists such as david bowie, martin kippenberger and helmut newton. in the time of german division, the pulsating west berlin became a melting pot of creativity and international encounters. advanced dance is the result of the blazing heat feeding the unstoppable thirst of discovery which characterized that generation, creating tunes that transform the listener s experience into one blissful moment amidst beautiful confusion.

lobster mainstay and german purveyor of the deep raw, trp aka david willenberger, returns to lobster theremin for a full-on outing of crunchy, melodic, acid-tinged house, techno & electro. with recent ep’s for mörk and shall not fade, the young producer comes full circle with a cement-mixed, drum-heavy sound that melds an even weightier production aesthetic to a spectral of tonal distortion usages.

since launching their ksmisk project in 2015 the pair have returned to some of these labels whilst also dropping two releases on renowned bergen-based techno label ploink, of which 2017 s magma ep is the precursor to their inaugural album mikrometeorittene . opening the package is the ominous and beatless lonsdaleite , setting the tone for an otherworldly aesthetic throughout. off-kilter kicks then rain down in silicate as sinister drones ebb in and out of the mix before meandering back into a ghostly ambient cut named vesta . crunchy percussion and tantalising atmospherics then make up blitz , moving into the twisted and syncopated marinate until the raw sounding spherules exhibits a compelling groove combined with echoing effects. the dusky wustite sees the album retreat from 4/4 once again, returning for the effervescent westergas before concluding on a melancholic outro entitled chondrites .

abstract modern electronica release by paka on the exciting metaphysik label.

with their new horizon ep, lucien & the kimono orchestra open a music box which transports you in a blue and dawnish atmosphere, a morning spent on walking in an old cinematic paris. first step in the eighties, connection starts as a film opening. then arrives the single, fresh start, full of indelible voices and gimmicks. horizon, sung in french, is a delicate reference to the french songwriting tradition inherited from michel berger, alain chamfort or alain souchon. to get some breath back between two songs, georges, offers a strong instrumental interlude. almost at the end, the english-spoken shell extends the panel of influences with its downtempo emotion. with its spontaneous declamations and slick guitar riff, asile closes the journey, as the splendid climax of the foursomes second ep.

steffen & stefan aka hanne & lore met 10 years ago at an event in their hometown herford and started to spend studio time together. soon after, the song “an der waterkant”, released by super flu’s label monaberry, became their breakthrough as a producing duo. it was the kickoff to a journey of countless memorable parties, festivals and after hours that created music released on many different labels along the way. for the 10 year anniversary, they asked 10 amazing friends and colleagues to reinterpret one of the tracks which developed into a wonderful collection of finest dance music by the likes of andhim, tube & berger, schories, glitz, zds, aka aka, lexer, david jach, ole biege and dompe. the tape release includes a download code.

kakkmaddafakka nahmen hus in einer alten villa im norwegischen bergen auf, die frontmann axel vindenes per zeichnung auf dem cover verewigte. entsprechend warm und familiär klingen die neuen kakkmaddafakka songs, wie gewohnt hübsche, kleine ohrwürmer, angesiedelt zwischen pop und indie mit sehr viel soul, einer leichten melancholie und diesem soften disco-flair, das so typisch ist für die norwegische musikszene. hus enthält zehn kleine, kuschelige geschichten über liebe und leben, die die zahlreichen kakkmaddafakka fans auf diesem planeten lieben werden.

originally a heavy metal drummer, bård aasen lødemel aka skatebård, got into techno and rave during the 90s. hailing from a small town called Ørsta on the norwegian west coast, lødemel moved to bergen where he quickly became part of the student town s growing club scene. after handing over a homemade demo to tellé records label boss mikal telle, lødemel got signed to tellé offshoot label tellektro in 2001. his first release under the name of skatebård, a 12- mini album called -skateboarding was a crime (in 1989)- was released in 2002, and skatebård s reputation as an excellent techno/electro producer started to spread beyond norway s borders. since then skatebård has gone on to release on labels such as sex tags mania, radius records, supersoul recordings, keys of life finland, luna flicks, totally as well as his own digitalo enterprises. -skateboarding was a crime (in 1989)- was pressed in a very limited edition and sold out quickly. since then it has been a desired object for record collectors and techno and electro aficionados around the globe. now the time has come to make the mini album available again, something this true masterpiece really deserves.

argentinian producer cemento delivers four uncompromising techno cuts on norwegian label ploink this december. now based in norway, the south american dj has spent well over a decade honing his craft both on the dance floor, organising his own club nights and in the studio, producing records for the likes of antarctic, primitive state and diligentia. after the release of his first full length album on faarikaal records earlier this year, cemento now delivers an ep on bergen-based imprint ploink. fjordens vei provides noisy ambiences underpinned by a pulsating low-end and a series of arpeggiated synthesisers which evolve with the tracks sharp percussion before trolls reise grips us with enticing chord progressions, gloomy atmospheres and crisp drum fills floating above a powerful and grooved bass line. forekomsten hits hard with a heavyweight kick, rolling hi-hats and thick dissonant drones whilst haunting motifs develop with dubbed out effects. remixed by enigmatic producer twinspeaker, the speaker extended mix of trolls reise demonstrates an intricate structure of intertwining melodies with acidic overtones to close out the release.

die ursympathische, trinkfeste und gern auch mal alberne doppel-lp des tam tam tanzlokals (aka kammerspiele bar) in münchen. eine platte, die gut zuhören kann und dich versteht. eine platte, die für jeden spaß zu haben ist. die mit dir bis zum nächsten morgen in den dreckigsten clubs der stadt tanzt. und die mit dir genauso gern raus an den see fährt und kirschen isst. zwei platten mit tracks und songs von den djs und bands, die das tam tam tanzlokal in seinem ersten jahr zu einem unverwechselbar offenen, verrückten, partyhungrigen, allesistmöglichen, duweißtniewaspassierten ort gemacht haben.

the world outside resonants metallic. its activity humming calm harmonics. i am in stasis. liquified. receiving alien signals. unseen universes translated into sound. notes bend like light reflected in a curved, hard surface. sine waves as my sinews stretch

argentinian dj / producer joaquin ruiz releases on norwegian label ploink this december, featuring four intense techno productions. ploink – a longstanding nightclub in bergen, norway – branched out with a record label in 2014, and now boasts a discography spanning prins thomas, +plattform, skatebÂrd, mental overdrive and label cofounder thomas urv. the labelís twentieth release comes from joaquin ruiz, a twenty-six-year-old from buenos aires, who has previously released on labels like ascetic limited and children of tomorrow whilst continuing to establish himself in the underground techno scene. ruiz opens with the title track ëgalacticí, where haunting melodies sit upon tight, rolling percussion and progress under complex polyrhythms whilst reverb soaked transitions seamlessly tie the track together to set a dark and bewildering tone for the release.

reissue of a very rare 1965 album, gathering sonia potiinger’s earliest productions with 12 tracks including baba brooks and the techniques!

rückkehr des supertalents lukas bohlender mit zwei neuen, atmosphärisch wie groove-technisch verzückten housetracks. sein kulttrack club chateau, der sowohl vom innervisions camp, agoria, über west-london djs als auch von legendären cosmic djs großes lob und respekt einheimste, hat hier gleich zwei würdige nachfolger. die hauptmelodie für golden hour entstand überwiegend beim fotografieren in den bergen. golden hour bezeichnet in der fotografie das spezielle warme licht beim sonnenaufgang oder kurz vor dem sonnenuntergang. in diesem sinne genau der richtige track für die twilight zone im club.

after the huge success of their first collaboration, doorly and el prevost are back for part two: this time the world touring doorly serves up a hot original that gets remixed by red rack‘em and el prevost, while el prevost also serves up an original of his own, all on his own no speakers label. the first ep, featuring a lee foss remix, got support form the likes of paco osuna, solomun and groove armada and this second instalment is set to be just as big this summer. doorly is a dance heavyweight who headlines clubs like space ibiza on his global travels, releases on cajual, hot creations and dirtybird and is no stranger to hitting high places in the charts with his big and infectious sounds. as a dj he is energetic and can make a mark on any dance floor, and so will this new tune, ’sonder.’ it is six superbly deep and atmospheric minutes of warm, rolling drums and searching synths that bring an intergalactic feel next to twinkling keys. jostling percussion brings a little loose funk and the whole thing is sure to lock in dance floors. el prevost then steps up to remix after 15 years of putting out killer cuts on labels like third ear. his music has made its way into the record bags of tastemakers like steve bug, dj hell and steffi and this excellent remix shows off his singular style again. it is a little tougher and more energetic than the original, with sprinkled hits, rumbling bass and pixelated synth lines dancing about up top. then comes red rack‘em, the bergerac boss who had a huge hit with ‘wonky disco bassline banger’ last year. it was one of the tracks of the year and has been followed by an equally brilliant album by this esteemed house veteran. his remix here is big, bouncy and off kilter thanks to its coarse hi hats and punchy rubber drums. great vocal treatment adds more wonkiness and broad synth strokes flesh things out into another sure-fire party starter that sounds like little else. last but not least, el prevost offers up a solitary state mix of his own ‘temper mental’. it’s a hugely inventive track with great synth modulations burrowing deep into your brain as dancing hi hats and whirring bass encourage you to cut loose and shift freaky shapes. this is a strong ep that really packs a punch across four standout tracks.

with bjoern torske, skateboard, telephones and last not least the sex tags label all hailing from bergen, the city s not been exactly short on world leading “d.i.s.c.o” , but it s geir hermansen aka velferd that recently cought our ear with his keys. in “the city that drowned” it s unlikely only ever so wet, there s bliss, sun, warmth, heat - all painted bright with skyrocketing masterful synths over very neat and dry bass. great! laid back and somehow dreamy the whole thing catches you by the ear and lingers on but then there s so much dedicated kick and an almost extatic groove in each track - irresistable string hooks made in heaven! “never” and “through the valley” add on to where the title song just left and this give the 3 track ep so much perfectly arranged strength… bergen might well have given birth to another disco standard-bearer.

light on his feet but not afraid to throw a punch when required, robin ordell rustles up three insouciant but meaty groovers for his second discobar release. auguste iii stretches languorously across the a-side, skippy hats cutting through the rolling, bass groove in his now unmistakeable style. lost in misty byways goes for a more sprightly walk in the park, but its nonchalance becomes increasingly threatened by dissonant voices and faulty background circuitry. finally, the sauntering bass on chelbergerho gives momentum to atmospherics that inhabit the border between dark and light harmony, never quite resolving but always pushing forwards into the morning sunshine. for robin ordell and discobar, the summer has definitely begun.

as part of madhouse records milestone twenty five years in the business the label will be offering up a selection of projects over the next year, ranging from vinyl reissues, events, new releases on madhouse and its madtech sub-label, merchandise and more. here we see the imprint revisit some of its biggest hitters since its inception, delivering a selection of recent output from the like of t williams and james jacob, opolopo and roog and dennis quinn while revisiting one of label-founder kerri chandlers most loved records on the label. up first is roog & dennis quinn feat. berget lewis igohart which saw support from the likes of sante & sidney charles, shadow child and maya jane coles with its raw swing, gritty stab sequences and soaring vocals. the dub mix of opolopos lowlife follows and add a playful bounce to things via wandering organ hooks, spiralling vocals and an infectious musicality with its warm string and bright piano chords. t.williams and james jacob then head back to more direct dance floor vibes with the piano-laden together fuelled by weighty 909’s, string samples and smooth chords before kerris kaoz 6:23 mix of lafayettes better late than never gets a 2017 remaster, bringing even more shine to the soul infused new jersey house classic.

after the big success of its limited vinyl series starting throughout the year 2015, the annual summary of pearls, masterpieces and top selling releases continues with the best of kittball special edition on black gold, reflecting its most essential tunes within the past period.

einfach schön: 12 inch mit klassischer, seelenvoller und melodischer house musik.
hinter rhemi verbergen sich ziggy funk und neil pierce aus london. bevor sich die zwei 2013 zu rhemi zusammenschlossen, verschafften sich beide in englands kapitale als veranstalter und djs einen klingenden namen. zu ihren förderern und freunden gehören keine geringeren als louie vega und joey negro. und damit wäre auch schon das musikalische steckenpferd benannt, dem ziggy funk und neil pierce frönen, nämlich klassische, seelenvolle und melodische house-musik, der säuselnde balearen-einflüsse genauso wenig fremd sind, wie lichte keyboard-flächen und schwer pumpende boogie-beats.

2lp in gatefold sleeve with cd included, camilles fourth studio album including allez allez allez, létourderie and tout dit.