yyyy have already fortified their position in the weekend circuit family with the ominous drones of locus of control, their split release with stanislav tolkachev earlier in the year. returning with an inscrutable depth of self-explorative techno, the labels 14th release intention of mortal is a sonic dissonance of combined heavy-going and captivating artistry.stone relief on gods face is the plangent tone yyyy have chosen to begin their narrative. formed from tribal, religious and industrial undertones, this beat-free immersive environment of sound brings with it a warm introduction.

minds dissolve. profound & hypnotic. here we know no bounds. embodying the labels exploratory ethos. a diverse spectrum is translated in an overwhelming way bringing to life the next paranoid dancer remixed. radial (mord), dubspeeka (drumcode) and ryan james ford (mdr) let the trip begin.

no light at the end of the tunnel. no helping hand to pull you out of the hole. no second chances. no god to cure this deadly disease. no heaven to save your soul after your final seconds... hope will hold on, but in the end, death shall claim it. all this, we understand a little more, day by day. we will experience our absolute zero, and the stages of life that come as close. we think that we will never recover and that we are not strong enough to fight against it. our immaculate, peaceful souls, that we begin our lives with, start to bleed, and slowly get torn into, bit by bit by the cold hard truth that breaks our protective walls. we learn to handle and accept this even as pieces of us shatter and die every time a little bit more inside us. to give light, we must endure burning. but what if everything we are able to burn is gone? there is no other way... we are falling apart a bit more, every day... dedicated to this state of mind.

following two radical reinterpretations earlier this summer from truncate and yaleesa hall, which earned plays from roman flügel, laurent garnier and ben sims to dusky and huxley, kameras ventoux ep is further expanded with two remixes that tastefully expand the producers original vision of uncompromising body music. festival and club favourite george fitzgerald is on hand first, delivering a blistering remix of cosignia, one of his personal favourite club records in recent times. here, fitzgerald continues his masterful streak of production, knowingly blending the somewhat menacing machine throb of the original with a suspenseful bassline, eventually culminating in a heavenly, ethereal breakdown, one thats certain to leave bigger rooms in throes. meanwhile, throwing snows remix of title track ventoux deconstructs the bright, idm inspired anthem into something equally frenetic yet utterly different. punchy live drums begin to escalate over a deeply satisfying electronic snarl, recalling throwing snows noted fascination with post-rock, while maintaining the tempo with naturally evolving elements of industrial and ebm

zuhören, genießen, glücklich sein: die wiedervereinigung des jahres. die vinyl-lp erscheint inklusive album-cd.

neues album des charlatans-frontmanns tim burgess mit dem renommierten new yorker musiker peter gordon, der in den späten 1970 ern zusammen mit arthur russell und dem love of life orchestra futuristische musik aufnahm, die tim burgess bis heute begeistert. -same language, different worlds- wurde von gordon in new york produziert, an den aufnahmen nahmen weitere kultmusiker wie ernie brooks (neben arthur russell frühes mitglied der modern lovers), peter zummo (posaune), mustafa ahmed (conga) und nik void (von factory floor) teil.

the sixth release from hong kong/tokyo label palms & charms sees the return of barnaby bruce, and starts with a tale of daring escape. hearing the approach of a loping synth, the protagonist checks the window: mysterious people are gathering outside his house! as a somewhat gallic groove emerges, he and his girlfriend are in his car and heading south, driven on by the swing of the percussion. will he find his deliverance on the continent? next up, ruf dug steps in with a spacious electronic reggae-esque remix, leading up to a killer piano line which pushes the groove straight onto the autoroute. ces t magnifique. on the b-side, our erstwhile fugitive and partner awake by the side of a country road in southern france. a baguette, a bottle of wine and the sound of chattering insects. oh, for the cicadas! as they head ever further south, they begin to reflect on what other worlds await them at journey s end. on the car radio a band plays a curious but driving blend of disco and percussion, with a distinctly house-influenced melody. cette musique les deplace. was it all just a crazy dream? grab your suitcase, head to the coast and pick up a copy of this limited edition record to find out...

nice price deal !!! from the beginning, oktored has tried to keep himself away from the pigeonholing nature of the electronic dance scene. seamlessly blending early rave sounds with futuristic beats and melodies, he has really been coming into his own lately. from a young age, he has been into a multitude of different genres of music ranging from ambient to death metal. the next two releases will show just that. the first of which will be the more passive side of oktored.gemini 1 (or the good side) really brings together a feeling of old detroit style techno/house with some new moombahton flavour. the fact that he has been motivated by so many different styles and sounds becomes very apparent on tracks like relax and inéz, while he brings some real deep, future bass styling on the drifter. for fans of future sounds of 8 mile, this release will be a fantastic follow up ep. but that is only one side of our gemini friend. the follow up release, gemini 2 will showcase his darker, more aggressive side. delving into rough, uninhibited bass and beat tracks, oktored will begin to show just how deep his production can go

following his appearances on riviera disco vol. 1, 2 and 5, bijou is back in the bordello and ready to bring some cool to these hot summer nights. sun countered by sea. soothing synthlines, airy analogue tones and gentle currents characterise the two openers, bijou calling on calming waves and peaceful percussion to begin. the belgian producer allows the temperature to rise for reine des plages , broad basslines and funk laden bars dancing late into the night. but those fresh breezes are ever present, closing in the beach bronzed beauty of la maree .

up next on good company records is the hi vibe ep, a four-track trip into the outback of your mind, with synthetic friends timo l and deni deni, aka long body. setting off early in the piano-led landcruiser on a big trip , the listener is then invited to drop out by the spring of fuzzy logic ... over on the flip, it s (inner-)spacesuits on, until the dreamtime kosmische of stay vacation awakens to endless going and re-entry procedures can begin... -splashdown- !

repress 2018... following on from isaac tichauer s street lessons release, the mysterious loft records calls in the talents of bicep, hackman, dorsia and lancelot for a choicest remix package. the french express signing turned many heads when he dropped his lauded devotion lp back in 2012, and since then the australian producer has risen to become a formidable name within modern day electronic music. therefore it s only fitting that an all-star cast were chosen to remix his latest release on loft records. bicep, who had an enormous 2015 with releases on aus and 50 weapons, begin the release with the only remix of higher level - a break infused cut fashioned for the dancefloor with a penetrating melody, echoing vocals and soaring pads. the first of three street lessons remixes then comes from hackman, known for his work on 20/20 vision and futureboogie, who incorporates serene synths and subtle stabs to transform the original into a quirky renovation with elements of funk. london duo dorsia then step up with a cacophony of sounds that build in suspense with the introduction of fuzzy atmospherics, until fellow australian and w&o street tracks artist lancelot generates a cavernous dub containing the originals infectious hook whilst implementing resounding rimshots and wobbly keys.

having debuted his first critical release “monolith” back in 2012 the emperor name has become synonymous with some of the most breathtaking drum & bass of recent times. since the begin ep” and his collaborative “hello world ep” with mejus took the scene by storm, emperor’s heavyweight approach culminated with the utterly outrageous “into black ep” which pushed all the levels to the max. now “dispostions” looks set to cement his status at the top of the leader board.
the white double vinyl release includes a download code.

francesco tristano really needs no introduction lately, his music speaks volumes and his reputation precedes him with that said we are happy to share place on lafayette with you once again, this time including some stunning remixes. the first one is a collaboration between two highly respected artists: thomas gandey and radio slave. the two take the track further into tech-house territory with the percussion driving while multiple layers begin the fall into one another, achieving a beautifully elegant and jazzy end result. gutis vision is much deeper, with hints of dub here and there as the artists drives the tension up and creates a stunning groove. the final remix come from tuff city kids, who are known for their sometimes unconventional approach to making music, and in this case, it works. they channel a raw vibe and create something that is quite possibly the furthest thing from the original in terms of percussion. the pianos keep the thread strong, and the rhythm takes care of the rest.

ygrok brings a long-awaited fourth release to its catalog. rene&#769,, audiard’s “sakhalin” takes things a step away from traditional club music.
the a side, “vox out” opens with the skeleton of a rhythm. scattered tom drums and barely detectable whirs, fading and reeling in the background. when the distorted voices begin their story behind a hissing, grinding off-shaker, you know this will not be your traditional club track. a story develops. the barest hint of a shuffling beat, a subtle reminder of soren’s previous work, pins down the journey into the darkest psychic territory. the title track sakhalin steps even further into darkness. crackling electrics and disjointed atmospheres change at a glacial pace over a submerged hydraulic beat. sakhalin audiard experimental territory.

kris- & konflikthantering iii/iii (kln009) is the final ending with 2, 14-minute plus tracks. one dedicated to the ancient rave grounds of hellasgarden where it all began in terms of dancing in dirty fields lit by sonar sweeps from the broadcast masts and strobes visible all the way to the city. the last song is the very live version of sabor latino, birds from the garden, hypnotic basses from the mc-202 and shimmering arps from the sun, a sunrise anthem in its own. let the summer begin

limited to 320 copies vinyl edition.
over the years of their creativity, nesmeyana have developed their own distinctive “horror-trash-synth-pop” style, occasionally blending it with elements of musique concrete and post industrial noises. notable russian media and critics defined it as “red disco”, which now not only refers to nesmeyana’s musical heritage but also to a blooming homonymous community residing on the russian facebook-alike social platform vk.com, currently consisting of nearly 10k music lovers and dedicated to lost soviet “cooperative disco” artifacts.
with their debut album &#1065,,,,,&#1072,,,,,&#1089,,,,, &#1090,,,,,&#1099,,,,, &#1085,,,,,&#1077,,,,, &#1079,,,,,&#1074,,,,,&#1086,,,,,&#1085,,,,,&#1080,,,,,&#1096,,,,,&#1100,,,,, (now you don’t call) nesmeyana begin a horror journey through the dark decades of 80’s and 90’s exposing the most troubled themes of soviet union’s “post-perestroika” period — premature deaths of aids and drug addiction, afghanistan war victims brought home in coffins, devastated industrial landscapes where often rape & murder takes place, this album tells us some unpleasant but quite realistic stories which may have indeed happened in the past.

a industrial callous, caustic and fervently cruel ep. contort yourself has once again gathered the best and boldest from past and present for its fourth ep. to begin with we have the grimacing visage of volition immanent, an intense live act made up of parrish smith and mark van de maat (knekelhuis). behind rawkish distortion, splintered beats and acrid bars screams a boiled anger, a track spitting on the divides of punk and electronics. nastiness is taken up a notch as noise ne er-do-wells zombies under stress take over. static is bent and doubled across thick chords and collapsed clap in the 1986 -maan zal zijn before the raw and raging battery of in onze tijd. l.i.e.s. regular svengalisghost grapples with maan zal zijn, channelling the originals rage into a mechanical monster. the 12inch is bookended with bite as mark forshaw (tabernacle/berceuse heroique) closes with the tortured and torrential thump of submission.

the 030303 crew come with a brand new various artist package in a beautifully designed sleeve to celebrate their 10th anniversary. while not all featured artist are new to 030303, the label mainly sticks to what it does best: digging up exciting new names from the raving underground. the smooth electronic tracks on the comp hold the middle ground between acid, idm, braindance, early 1990s 808 state-esque uk acid house and detroit techno.

if youve been with us for a while, youve noticed we like to begin each year on a particularly exuberant, boisterous note, and 2016s kickoff is no different than those that preceded it!

prolific doesn’t begin to describe japan’s keita sano, who has come seemingly out of nowhere to become one of the most unique new voices in electronic music thanks to a wildly eclectic clutch of releases for much-hyped labels like 1080p, joakim’s crowdspacer, mister saturday night, spring theory, discos capablanca and more. building on that buzz, sano is unleashing still more head-twisting takes on house and techno via new york’s most excellent unlimited. label boss paul raffaele has found a kindred spirit in sano. their shared love of classic dance music and refusal to let genre or convention define their work makes mxu a natural home for the “sunset ep,” coming as it does on the heels of the category-smashing “oyama edit” 12” and a 7” of drum track edits by disco king danny krivit.

new vinyl label from 19th-century health spa town in poland. debut release is from wroclaw duo - astro buhloone with 4004 (faces / quintessentials) & tanzlife (local talk / let s play house) remixes. vinyl only, limited copies. expect a mixture of organic beats, mixed with an interstellar groove and finished with a touch of a space dust. an outer space voyage for your mind, body and soul - let the astro travelling begin.

martin courtney, frontmann des aus new jersey stemmenden indie-trios real estate, veröffentlicht sein erstes solo-album auf domino. das 10 songs umfassende werk mit dem titel many moons ist ein luftiges indie psychedelic-album, voll scharfsinniger selbstkritik und ganz nebenbei ein elliptisches dokument für die wandlung courtneys vom junggesellen zum familienvater. die meisten stücke entstanden auf der tour für real estates drittes schaffenswerk atlas, produziert wurde es von jarvis taveniere (woods).
die vinyl-lp erscheint inklusive downloadcode.

chuuwee and jr & ph7 pay tribute to sactown with the south sac mack. jr & ph7 and chuuwee are pleased to announce news of their collaborative lp, the south sac mack. the project brings the german production duo together with the sacremento spitter for 17 breezy tracks that epitomize the sound of the new west. the south sac mack will give listeners a street level perspective of sactown.

helsinkis lauri saine is the storyteller for this, the third chapter of fools & fables. pleasingly his irresistible releases dont come along all that often, but when they do, they justifiably make serious waves. small remedies, takes us on a journey to a side of saine we seldom see. first things first, blush cuts a breezy, cheerful path through a warm analogue space, with the mid-tempo throb of sampled rhythms to keep you from drifting too far off course. casual wears altogether looser pants as we just bob to and fro in a hammock while rum-soaked session players jam away in a distant speakeasy. the tropical breeze blows free through leisure song too, as we begin to get the impression finland might actually be a small pacific island.

chile 2015 - larry peters is taking us on a journey to the orbit around a minimal and spherical sound . a little bit driving and impulsive, a little bit psycho and relaxing enough to begin this journey . take your helmet , space suit and these wonderful 4 tracks to start the countdown .... 3.2,1 ....

deleted - einer der besten lounge-serien der welt, hotel costes, bringt nun in zeitlicher reihenfolge alle 15 bisherigen folgen auf schwarzem doppelvinyl heraus. jede der von stephane pompouganc zusammengestellten ausgaben hat ein individuell-exquisites tracklisting. vol.3 kommt mit 15 tracks feat. shirley bassey, gotan project, a reminiscent drive, lustral, coco steel & lovebomb, u.v.a.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

autoroutes ii by pamplonas iii3s (aka supersobresaturado) is the soundtrack for a 21st-century trip interconnecting continents and generations of acid-house lovers and ravers. this record is a hard-driving journey into (ph)uturistic sounds that takes it back to the old school. iii3s knows that the best road-trips begin and/or end in chicago (which is, after all, the start-point of the legendary route 66) and he knows the start-point of any journey into acid-house is chicagos phuture, the legendary masters whose *acid trax* created the genre in 1986. and so he is humbled to get remix support on this special edition vinyl release from none other than phuture members lothario lee, dj spank-spank, and ron maney aka dj skull.

whats the definition of a treasure? something precious hidden in a safe place by a king maybe? double lp - 3 sides of music with an etched 4th. stunning stuff. offen music begin their journey. big tip!

the third release on palms & charms comes from tokyo club stalwart masanori ikeda (mansfield, ikeda x), who has had previous releases on the legendary flower records and cos/mes imprint snaker. a resident dj at london club wag in the early 90 s, masanori returned to japan later in the decade and has since provided the soundtrack to many a tokyo night-time adventure, most recently with his continuing residency at shibuya institution oath. with afro tipsy, masanori offers up a monster of rolling percussion and pulsating synths. feel the stress of the day fall away, your veins flowing as if with the very energy of a thousand suns. moving confidently to the dance floor, your head and limbs begin to move in new and unexpected rhythms. don t be alarmed - you feel good. on the flipside, the remix from almunia (claremont 56) takes you deeper than deep. the sound envelops you as you enter the club. the continental winds and low pressure lift you aloft and you circulate around the dance floor, carried far as if on a warm jet stream. the rhythm drives, dubbed-out guitar echoing through the night. leonardo ceccanti and gianluca salvadori taking you to new places.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. die 2009 er kollaboration zwischen broadcast und ihrem artwork-designer & ghost box-labelbetreiber julian house (aka the focus group).

perc trax unleashes the first of three vinyl eps showcasing the new tracks from the label’s tenth anniversary ‘slowly exploding’ compilation, mixing up label regulars with established names making their perc trax debuts. forward strategy group begin proceedings with the grinding broken beat rhythm of ‘dragons tooth’ before happa opens his perc trax account with a percussive assault that is amongst the most aggressive tracks on these three eps. martyn hare, another perc trax debutant, delivers the awakenings festival slaying ‘the new normal’ to kick off the b-side and us producers mick finesse and pinion team up for the first time on the b2 with the industrial amen groover that is ‘dead boyfriend alley’...

dave hargadon is a dublin based producer/dj who has been a heavy vinyl collector from a young age, after his teenage years dave began collecting and growing an array of old and new hardware to begin creating his own musical ideas. better known as being one half of the production outfit slowburn, this record sees his first solo release. influenced by the house sounds from chicago, detroit and via the hague, expect strong melodies and heavy drums - hope you enjoy this first offering.

driving , universal house ep
ultimate decks tipp

in the ever-expanding universe of deep house, julius steinhoff is far from being a stranger. half of the dynamic duo smallpeople, founder and one of the steersmen behind hamburgs smallville empire (record store/ label/ party curator around the globe) as well as a producer and dj in his own right, steinhoff is closely associated with a group of like-minded people that unite fresh ideas and individualism with a certain consciousness of tradition.

the hyper-chromatic music of matt cutler marks him out as a true impressionist, as lone, he drizzles brightly coloured melody through his tracks with all the reflexive skill of a master painter daubing inks and pigment across paper. on cutlers fifth lone album, reality testing, released on r&s, he sends notes and chords rippling delicately into space before allowing them to disperse, each oozing beautifully away into the background fabric of the music. combined with rhythms that ebb and flow, shifting from propulsive club constructions to beatific coastal hip-hop, it is a sensuous, immersive, heady experience, and easily his most accomplished and selfcontained work to date.
the double vinyl comes with download code for the full album.

franz meersdonk und günther willers aka rdf are back on the road. the speedometer obviously tweaked, turned up and back on track. on the way tramper simon sunset got on board, et voila: made himself comfortable in the back cabin. left a bunch of wood back there. they drove the semi right into the sawmill and took care of the rough pre-cut themselves. cutter lowtec supported the two street heroes with all he’s got, or rather, he actually applied his own cutting-machine-operation. simon sunset’s wood cuttings were molded by a bunch of saws, slicers, and files. and for a final fine-tuning herb lf came running out of the canteen. and lo and behold, the machines spit out three beautifully stable pieces of wood with the finest texture- pattern captured in a stable frame of bark. so good was the material to begin with that nothing was left over for old, stinky bark mulch

michal wolski wastes no time with derivate, his first appeance on vinyl. clipped percussions arc and swoop around a throbbing 909 kick as a grinding bass and ragged open hats begin their dark business. crystalline lead synths raise the tension and climax with a brutal filtered clap and jarring percussion.

when you finally achieve a long sought after goal, dont think of it as you making it, but rather that it was not challenging enough to begin with.
epi centrum is jurek przezdziecki, who you may be familiar with thanks to his numerous releases on labels like cocoon, affin and synewave. known for always pushing sonic boundaries, as well as seeking new sources of inspiration, he is undoubtedly one of those artists who does anything but tow the line. raw, organic electronics, mixed with precision in execution are at the very heart of jureks output and his work has thus far received praise from the likes of depeche mode, laurent garnier, sven väth and damon wild.

limited edition white vinyl double lp in embossed gatefold sleeve, cut from hi-res master, digital download included.

136° club - known as a established club in hamburgs redlight district, is now launching a new music label: 136 degreerecordings. a symbiosis of club and music is about to begin. their first release named sinus ep comes along with strong and arms wide open sounds. frederick alonso, kevin over or neal porter are just some of the names to be mentioned who add their great sound to this first ep. special focus on tapesh and his great remix of muovos track called clap your hands. grooving, pumping and drivining deep and tech house will be characteristic for the first release. a great album in all its facets - it makes you looking forward to whats coming up next. its all about their love for 4/4 grooves.

after a remix for dasos so sexy last year, the german-peruvian artist martin patiño confirms his presence on popcorn records with an entire ep. to begin with, solid ground is born from the collaboration with astrid. we already heard them on the great hunter ep on cadenza at the beginning of the year. the result of this new featuring is an original techno track with all the good components you expect from tr707 drums to a xylophone melody, in addition to the sexy and reassuring voice of astrid. the american pezzner honored us with a particular interpretation. a deep theme, with percussions, long and subtle panpipes breathe. as if pezzner was paying tribute to martin patinos roots. finally, routinary coffes comes to conclude this warm and deep record done for the sweating parties of the upcoming winter.

let the games begin – ready, steady, go! bondage games part 3 contains tracks from markus homm, mario aureo, david keno, el mundo.
exclusiv vinyl only track: el mundo – a space jungle

neil landstrumm unleashes his tenth album. dragon under marks the scottish trailblazers first lp since 2009s bambaataa eats his breakfast on planet mu, and follows a series of eps for labels like killekill, brothers and dont

following on now from mayo soulomon, fbnm are proud to present our next release from another italian producer giorgio luceri. giorgio delivers two sumptuous house tracks here with completely opposite dispositions, the breezin balearic bliss of prophetic vibes versus the dark detroitian dissonance of woman. woman, with thudding drums and deep subs setting the picture right away. warbling synth begin to layer before the crescendo begins with fat analog stabs, rushing synth pads and airy groans. massive. detroitian. dancefloor. destroyer. lastly kai alce (ndatl muzik | atl) remixes of woman. simple but effective kzr delivers a retro house groove fitted out with lo-fi samples and old school sequenced mpc drum!

the fat dog label returns for its second outing with yet another confident four tracker designed for both the head and the feet. the proceedings begin with the sublime moonrunners. introducing contributions from new artist spooner, the production duo use their hardware to take us to the very craters with this bubbler of emotive deep techno with dissonant house touches, d link (fat dog & ny*ak) continues the basement feeling with urnogud4me, albeit at a slower tempo but still keeps the floor burning with an unsuspecting, intense voodoo-house mystery. this is raw club music. side b we head straight onto a greasy dance floor called werk. lush pads intermingle with breathy flute stabs while the building groove consistently nags attention from your feet. stop teases us back onto the slo-mo dance floor yet again with another scorching deep house groove for the hips with a subtle funk to be desired at the disco as well as the deep room. limited copies!

napolicenco artist tuccillo return to the electronic sheepfold in order to pronounce with authority in house music area. take the classic house of chicago, turn into contemporary, provide it of balearic freshness and make it a powerfull club sound. all this is the greatest passion of the italian music producer tuccillo who feel like at home in ibiza between sheperds. the first surprise is resolution which begin 4x4 beat. suddenly it turn in unusual percussion which provide playfull spirit to the track. the tracks deep house progress, with some ad-hoc vocals and submerged melodies wich rise the track in a common and delicious place. the track sounds like broke by these brittle rhythm, constant and rebel which provide it an special and different sound.

dixon cites tim hecker, autechre and wolfgang voigt as influences and this ep is as equally diverse. we begin with edge of the universe , an enigmatic techno experiment. tight hats and snare work give it an almost jackin feel whilst subtle bumping subs and cryptic vocal chops decorate throughout.

in 2011, we begin to think about doing a record label. we had been following somaticae for some time and at this moment he was playing some art & punk gigs with a furious live of electronic improv, on the edge between hypnosis and noise. two of these sessions became our second release, *dressed like a bubblegum*, raising the interest of people like surgeon, perc, and peter van hoesen , his remix for mondkopfs *ease your pain* receiving praise from ancient methods as well as labels downwards and avian. but somaticae had already moved forward, and in a matter of a few weeks, he was sending us what quickly and easily took shape as *catharsis*, a ten track piece which is to be the first album release on in paradisum.