first support from ricardo villalobos, rhadoo, raresh, felipe valenzuela. fasters first installment on ruere records opens a new chapter in romanias underground realm of electronic music. from forme personale, the a side deep hypnotic reverie, where metalic humming birds are making their way into your synapses with the help of obsessive drums to presiune, with merciless hi hats hiding into the minimal techno sci-fi landscape. amazing artwork / 180g vinyl / anti static sleeve / vinyl only.

the man that represents the deeper side of amsterdam house is back on dirt crew. his last outing on dam swindles heist recordings, the le troubadour ep was another fine example of that laid back funky deep house only nachtbraker can squeeze out. settling into the groove immediately is hump, bouncing chords and a warbling rhodes lead into an irresistible bass line.

the first release from half true records, a small operation tucked away in the depths of eastern germany. mastered by beau thomas @ ten eight seven, pressed on white marbled vinyl and hand stamped & numbered, edition of 250. elegant, dreamy house on the a side, poesie is a black & white charmer, deep house in the truest sense. heights (dub) rolls across the b side, art-house techno with punch and depth.

a-side opens with a post-apocalyptic anthem, which makes you want to sniff glue until all worlds break down. followed by sirvan, a hypnotic, self-reflective rat catcher - vocal house is back. changing sides brings you rufex, which initially takes you back to dubby berlin times, but ends up with rumbling witches playing their boneshaking rattles. mattlack rounds it up with a messy, synth-stabbing ravelifter - for doormen only!

cahoots volume 5 presents tracks that firmly stand their own ground. from the deeper a-side offerings of definition & def:play and we are mam, to the burly b-side beats of ruff stuff and jus nowhere, volume 5 casts a wider net, capturing new artists that embody the pioneering spirit of house music.

taking a walk on the modern side of grime street, la vie cest facile crosses over and fuses different styles with electro, instrumental hip-hop, bass music, techno and jungle into a brooding masterpiece of disjointed and distorted beats

phantasy are proud to present their 50th release. with two years having passed since 2013’s hugely acclaimed drone logic, daniel avery returns to phantasy to offer a much anticipated taste of his restless studio experimentation. the vinyl release includes a download code.
attention: small fault on a-side in the whole pressing, causes crackling noise for a few seconds.

cristi cons and vlad caia are household names that really need no further introduction. their dj sets are techno stories well told and their live act is already making waves worldwide. amphia is first and foremost the platform they use to broadcast their finest works. such is the case of sideways, their latest lp, containing more than a dozen tracks coming your way trilogy style.
the first part reveals six tracks on two heavyweight discs. although most of the tracks fit the usual sit musical approach, the listener is greeted with a wide pallete of rhythms. assemble is an atmospheric dub infused with violins and orchestral echoes. permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. brooklyn’s deep moody synths and monster groove render it broken poetry at it’s best. for sure it will resemble those early danceable mornings. on a more joyful manner we are presented next with bootcamp s sturdy baseline and playful modulated vocals.
mandatory claims a whole side of the second disc and so does come around. while the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. come around is 15 minutes long and comes with a story too. a great collection of tracks, a great story that backs each one of them makes the first part of the sideways lp trilogy a treat to listen and dance to.

oh, the terror. lestasi delloro delves deeper into new yorks gritty shades of techno. returning after 2014s super-bold iscariotic lips, this new ep for macro enforces his signature clashing of disparate ends within the same, driving beat. the a sides pyrrhic mundi is endless drama, stages after stages towards eliminating mind/body separation. the b side holds percussive structure rubbed against edgy metallic sound first with every light is blue, and then unfolds into ultimate basement club action in sky unknown. heavy low end maintained throughout.

west side chicago hardware anthems. nick reads windbreaker project has been his refuge since the days of lazer crystal (thrill jockey). a chicago diy scene staple for over ten years, this is the first windbreaker full length. imagine kraftwerk being trapped in berghain and living off of floor scraps or christian hosoi pulling a christ air over the pyramids and you are somewhere close.

one of the defining releases on large music gets a special re-issue after a 16 year wait. considered by many to be one of the top 3 packages in the early large catalog, this ep set the trajectory for what would quickly become known as the west coast sound of american house. the main vocal on side a also became a venerable classic at the shelter in nyc and was played consistently by timmy regisford throughout his tenure there. the darker, more disco filtered tones on the flip side were also highly praised and played at the time by french djs such as daft punk, phil weeks, cassius and many others. rasoul is often overlooked as one of the chief architects of modern deep house, yet this release certainly secures his elite standing in the annals of house music history. essential!

rooted series is back after summer with this third release, as every release the project continues with 4 track v/a on vinyl only format, this time comes with great and well known artists, side a with matt star (cocoon/rawax)and label boss bolumar (rooted), side b with patrice meiner (sol asylum/luna records) and chad andrew (dissonant/tini & the gang). four different tracks to play in every set.

tvir is a vinyl only label based in ukraine. translated from ukrainian tvir means composition. our third ep comes from amin ravelle. on a-side we have two original works, truly deep atmospheric sounds with aquatic minimal house rhythms, perfect for afterhours. b-side includes remixes from ztrl, a hypnotic version with some groovie pad lines perfectly combined with elements of the original track. mariin s versions showcases a strong beat with powerful bass lines, a real dancefloors killer. the artwork for the ep is inspired by ukrainian folklore influences.

vsa records debuts with the two label founders - vinyl speed adjust - forefronting two monster acid cuts - the a side -lost and found-, makes due with some very intriguing bassline rhythms, melodies, vocal chants and breaky hi-hat patterns whilst the b side - -black and white-, seemingly continues the idea, retaining the specific roland sound, but in a much more industrial techno fashion, with a more obvious kick drum and looped out rhythms. vinyl only.

ltd 2015 repress ...the mysterious new barefoot beats label drop a killer, extremely limited 10inch of rare brasilian disco grooves for their debut. nyc dj legend eric dunks duncan flips a classic brasilian groove on the a side that really gets the party started. on the b, sao paulo based disco fiends selvagem hook up with carrot green and build a seriously heavy latin bomb that pays tribute to their beloved bahia where the mareh festival is held each year.

cosmic club 16 in the house, and for this one skylax have delved deep into the mystic universe of the ever enigmatic violence fm with a four track ep quite simply out of this dimension… etoiles ep is an inconceivable work of art from violence fm that will leave listeners stargazing for more, not to mention an extraterrestrial remix of chez damier s el fin esta cerca on the flip.title track etoile does the damage on the a side, with a vocal (a1) & instrumental (a2). lofty kick drums and enchanting synths bring this classic track right up to date, with the heavenly vocal harmonised seamlessly on top for a truly otherworldly experience - this is a must for anyone looking to get celestial with their dj sets. we can already see early morning dance floors in the future raising their hands to these killer joints

sing like a bird (reprise) is a fresh version of the track originally released last year on peter van hoesen s time to express label, to which shuttle fans will have become familiar with in recent sets. it maintains the original s hazy reverbed flavour, but in the form of a more groove-oriented and psychedelic edit that sidelines much of the original s vocal track in favour of a snake enchanter-like synewave melody, for a less lyrical but equally musical new take. the b-side back here is an older track that shuttle has been holding back for a while, waiting for the right moment to reveal this atmospheric, melancholic and melodic track, in which intricately delayed layers of piano keys progressively unfold through a rich percussive background made of 808 rims, deep bass kicks, heavy toms and jazzy hats and rides.

nowakowski presents: bror02. with the new ep featuring the track *stateunknwn* on bror records (cat. no. bror02), the gothenburg based label returns with an exciting second release, as the new label presents an alluring pairing of two friends. with the vinyl-only release set for mid november, this diversified 2-part ep holds one part with an original from label head nowakowski together with a second part as a side holding exclusive remix treatment by arkajo, known well for his amazing work as one part of genius of time together with alexander dorisburg berg.

this highly anticipated double a-side 10inch is the next chapter of matt edwards & joel martin s quiet village story, and sees the duo veer into a world poles apart from their cult social music/change 12inch on phonica white earlier this year which was lauded by the likes of zip, dj harvey & milo.

repressed 12 inch black vinyl !!
strictly vinyl only! big with: radio slave, sebo k, ralph lawson, mountain people, federico molinari, robert dietz, hector, anthony collins, clive henry, ethyl, justin drake,.. tsuba rarities is a collection of exclusive new remixes unreleased dubs and alternate versions. following her rekids debut last year nina kraviz is one of the most hyped artists of 2010 and she more than lives up to it with a truly stunning house remix of okain. clocking in at 12 -41 & complete with her own vocals and a bassline straight out of chicago, this mix has already blown the roof off panorama bar and fabric. one word - classic! for the aa side geddes & mic newman have reworked >lost souls< into >lost the love< adding a rather well known vocal on top.

philadelphia-based producer maxine & cleo joins the argot fold with his mad blanc ep. the follow up to his “pendergast ep” for material image sprung from a few weeks of feverish production during the spring of 2014 and represents the duality of the kansas native’s sound. side a is full of gifts for djs in the form of “flynn rhythm”’s relentlessly jacking house grooves and the blurry-eyed deep house pleasures of the title track. flipping the record reveals the more fragile side of maxine & cleo, courting home listeners and after hours crowds on the spirit-conjuring spectral house cut “mind is spinnin” and the dreamy “proto”, gliding on thrumming pads and gilded with vocal slivers.

following up the fantastic summer re-release of upsetting keys “empathy” ep, path records follows with its first new catalogue number since 2006. path 008 marks the return of artist fate 258, whose 1999 “why 2k” path 001 ep has been a hotly sought after item on discogs. the three-track ep contains two exciting new mixes of cult classic techno track “the path”. the a-side version “path to hell” is the harder of the pair, a dark edgy journey into the unknown with shuffling 808 rhythms providing much of the melody. “path to heaven” slows the groove down and adds warm juno pads throughout the mix for a very deep detroit flavored techno style. on the final track “heaven or hell” sort of a broken beat downtempo piece, sparse vocals and bladerunner samples mix to complete the dystopian concept. these mixes of “the path” are considered pre-mixes, as they were completed in 1998 before the original release of path 001. fate 258 is a project from brooklyn producer reade truth, known for his work over the last decades on labels such as planet e, sonic groove, n-syde, wurst and strictly rhythm to name a few. limited to 250 worldwide, with the first 100 including full black and white cover art.

peckham based ears have eyes records are pleased to announce their third release, which will be arriving in late november on wax. bringing together two artists, both close friends of the label, on the a side we have the master of dubby house music chocky whose past productions have been showcased on city fly, big bait and flumo among others.

with 8 sell out releases under the contrast wax belt so far, the boutique label invites, ben boe -boe recordings/for those that knoe- label head to the family & he joins the likes of blm, ethyl & flori, gauss & laak, with a killer 3 track ep, hand-stamped & hand numbered in true contrast wax style. the lead of the 3 cuts, steel city fly by is built around a lo slung bassline & subtle atmospheric pads that swell & drift in and out throughout, the b-side: what starts off with soft subtle pads & skipping hats soon rises into a bubbling acid line to compliment the latter in hope for enceladus that leave s the final cut of the ep byzantine times a laidback, groover, layered with delayed snares & synth lines make this emotive piece the perfect end to a solid 3 tracker.

double down ist ein lebensbejahendes werk von purer pop-perfektion. seine 11 songe belegen das ausnahmetalent von darwin deez, der dieses album im alleingang aufnahm, abmischte und produzierte. der hochbegabte new yorker songschreiber, sänger und musiker überzeugt mit mut zu und experimentierfreude an unterschiedlichsten soundstrukturen, genres und lyrischen gleichnissen. an der schnittstelle zwischen pop, indie und folk entstanden so 11 simple, aber umso stärker wirkende pop-perlen, die eine beachtliche stilistische entwicklung des künstlers aufweisen und dessen katalog bereichern. booklet, schwarzes 180g vinyl inkl. downloadcode

on side a you will find two classic tech-house tunes but yet dark underground. the single track on side b is a long travell slowly changing it s acid theme, more experimental & minimal than we are used to hear from tilliander.

• new novel sound,
• pressed on black vinyl
• one copy per customer / 1 platte pro kunde
• one track from levon vincent solo on the a-side, and the b-side sees him team up with marcel dettmann.

mysterious scottish producer otherlover is out for revenge with this tasty 10inch slice of deepness on razor-n-tape reserve! the a side works an obscure steve winwood sample into looped perfection, building slowly to a synth boogie climax, with the b side dubbing things out a bit more. you need this one - no backchat

chi-town’s al & tone are back with “volume 6”. the “praise” side features “mad dash”, a groovin’ gospel tune with a funky bassline and sweet horn riffs, plus the spaced out “my soul”. the “rejoice” side has the killer cut “u”, a sweet modern soul jam along with “worship” a sick lo-fi cut.

gari romalis keeps on surprising us all, with his amazing ability to produce solid chicago laced beats, full of groove and brimming with soul. so far his music has been released on some highly respected underground imprints, such as rawax, rue de plaisance and bosconi records amongst a long list of others we couldn t be happier to have gari joining us on our vinyl catalogue, plus, along side him for remix duties, esteban adame, half of the renowned los hermanos. esteban is a key member on the ur crew and has been also releasing incredible music on labels such as underground quality, or his own ican productions, which he runs in collaboration with santiago salazar.

ian blevins is from england but hes quite the dude. this is his first offering for the esp institute. on side a, meet the happy beast named hannibal, a big room tune that ticks every box your heart may desire bone dry drum production, atmospheric arpeggios, soaring strings and pads, a beautifully sweeping bass progression and an overall sense of euphoria goosebumps guaranteed. on side b, welcome aunt poly cools us down a little bit stripping back the instrumentation, minimizing any superfluous effects, and layering a sparse bassline and droning synths over a laidback 808 all to a relaxed tempo. blevins debut proves that from the right point of view, familiar elements and motifs can take on a new life whilst reminding us just how the rave can feel. these two songs will increase your serotonin levels.

after contributing a remix for our label in 2011 daniel stefanik now returns to raum with his first solo single under his new moniker dlsk.
the a side * sense of doubt* is a bit more stripped down and melodic, as the b side and also the title track of this release * subterraneans* is more of a jazzy house groove, that simply doesn’t stop rolling and keeps the tension with subtle variations and other nice little gimmicks. as always we truly hope that you enjoy these tracks as much as we do and we are happy to have daniel back on board as for sure he can be called one of germanys top notch producers.

eddie c come back to endless flight with 2 brand new tracks and excellent move d remix! title track on a side is one of the most danceable track from eddie c. it s simply floor killer. on b side, flying blue is alternative disco stuff, it s typical eddie c sound. move d remix of la palette is stripped version of original brazilian house track. its more dj tool for the fan of work shop or german deep house.

• new novel sound
• pressed on coloured vinyl
• max 1 copy per customer
• one track from levon vincent solo on the a-side, and the b-side sees him team up with marcel dettmann.

on the a side you will find sexy drummachines,the casio rz and the electribe mx1 getting in a wild penetration mode called -oldskool madness-, the electribe pushing deep garage chords in this banging beats and the casio rz-1 still jacking sharp as knife ! on the b side the slammin jack charmed the westerwäldersaw-tooth-tiger-beat from the japanese laserdose, a magnetic noise in anxious beats on epic breaks, a synaptic massage also for the headbangerballet and for all other ravers a whopping meal !

phonica white returns with two extended cuts from their mainstay artist iori. monsoon & rainfall mark ioris 5th contribution to the label and it may be his best yet. monsoon on the a-side is a deeply hypnotizing piece of dub techno thats destined to cause dance floor destruction. steady kicks & toms open the track up before a relentless downpour of intricate percussion and low-end stabs lock you in for the track’s 10 minute duration definitely one for the long nights in dark rooms. the b-side is a calming contrast to the a side storm. deep and meditative, rainfall comprises sparse modulating synth keys coupled with a bouncy rhythm section and airy spaced-out sound effects that create a dreamy atmosphere. this is iori on top form.

the 1964 marvin gaye album back on 180 gram vinyl with download code included.

imyrmind debuts on tartelet with a four-tracker ranging from banging mpc techno to contagious latin house and laidback jazzy wonk. after finishing a degree in architecture and relocating to berlin earlier this year, imyrmind stepped up his game with the release of his solo debut on astro & graef s money $ex imprint. this november will see the release of the beatsmiths second solo venture on tartelet records. the opening track tong po is imyrmind s take on techno, inspired by the villain from jean claude van damme s 1989 cult classic kickboxer. a heavy pitched kick drum, fuzzy melodies with generous use of tape delay and a badass bass line dropping around the three-minute mark makes this a peak time candidate. wanja 9000 slows down the pace. dusty jazz samples and wonky beats with sloppy turntable cuts add a nice live feel to the track. on the b-side upturn sets the mood with classic salsa percussion infused with an epic brass and piano hook that could very well stem from the infamous palmieri brothers or one of their contemporaries. embrace your inner latino and follow your hips. the last track of the record number seven completes the circle with venturous drum programming, layered melodies and plenty of early morning ambiance. imyrmind is scheduled for a three week australia, nz and asia tour in november alongside long-time collaborator glenn astro.

canadian lunatic taylor hoodlum stevenson makes his giallo debut with these freaked out dancefloor bombs. think foetus during his ebm phase raising a lovechild with italo weirdo mike mareen with babysitting duties by fad gadget, you’re getting close. three vocal tracks (one vinyl exclusive) and two future horror disco instrumentals on the b-side, perfect nightdrive city slime time bangers for rome 2025. art by eric lee.

nice price deal !!! nice price deal !!! debuting on vosnos fifth release is edc with his cosmic explorations ep. alghough, edc is no debutant in its real meaning as he has been recording and dj:ing for some years now as endlec with his heavy industrial techno sound. as edc he wants to explore the deeper side of the techno realm and doing so, emerging with five prime techno cuts.

after the warm welcome of amsafe traxx 1, kristina returns with traxx 2 - a new 12 inch one track each side, that will be available in record shops mid november.

the two track evolutions ep sees enzo siragusa and alexkid each give us their own personal take on the infamous kilimanjaro sound. label head enzo once again fuses his junglist past with sleek tech beats on the a side in the form of desire skippy percussion imbuing the track with a real sense of funk before a monster 90s style b-line cuts through the mix to really nail the floor.
alexkid steps up with his trademark dubby style on the flipside with wear your cape, razor sharp percussion and a cavernous bass taking the track to deliciously lofty heights. both tracks are logical progressions from the notorious kilimanjaro sound they pioneered.

after a very promising debut almost an year ago with their *super quartet ep*, nas1 are back on bosconi extra virgin with another 6 tracker of modern detroit influenced house. the record starts with the wobbling shuffles of 2 bass heavy cuts, the robotic melancholy of *head on* and the funkier-ecstatic *bravo cafe&#769,,,*, while on the closing cut of a side appears the stomping garage beat of *la tosse*.
the talented duo from bologna then shows its great technical skills within creating unique grooves: nastier vibes those look like coming from a dirty and dark basement open b side with the dusty, dubby and whirling jam of *rabbit backbone*, while with the following *seemed* track they keep the mood in the same hypno-delic direction just making everything sweeter and smoother in order to end in a proper way this vinyl with the soulful and joyful downbeat of *seduta*. italian docg modern soul!

celebrating the seventh noon-records release, we are happy and proud to present you an ep with a name that speaks for itself. something strong is one of these high pressure peaktime cuts, that can turn any club or festival stage upside down. the slick combination of raw and dirty drum programming and twisted funky stabs & organ sounds, will take you on a ride. the head infecting vocals and synths during the break make sure, that no one will be left behind when the beat pounds in again and again. tommer is more on the bumpy house side. with it s massive bassline and percussive patterns, you can get any party started. a perfect track to round up an ep - truly dedicated to the dancfloor.

as for the 3rd release on the label, 9300 records called in fellow countryman walrus, the three original tracks on his ep take you to the left-field side of the house music spectrum while the remix of the title track, modeled by dj october, is a robust techno track that will simply hit you in the face.limited to 300 hand stamped and numbered copies !

anubis ep wants to bring back metaphorically that solid foundation of reality through music and feeling. the first track, anubis, like the egyptian god, provides a safe passage to another world through its dub chords, dark techno berlinish synths and hidden messages in the voices scatters on the whole track. the remix, made by canadian based artist hooll, has a more minimal and deep dub approach completing perfectly the other side of the journey. finally the last track, thoth, represents a mediating energy between dark and light with raw low ends and groovy percussions creating a wormhole like journey for the listener.

margaretha ep from artist vincenzo pizzi is a four tracks.ep. an emotional and intense techno deep sound experience . margaretha track, narrows a journey into our deeper side. distortions, the time, the interlocking of different sounds fully express the flow of emotions and absences that surround us. holy mother , reflects the helplessness of men in the face of natural disasters. the breathtaking scenery and at the same time disturbing, spreads in humans fear and pleasure. metafisica , built an idea of constant movement and never stand still. the mind and the heart are in constant need of each others to fully enjoy life and go further without fear. xxiii piece close the ep with the intent to comunicate how life is about the perfect combination of body and soul.

* peverelist and hodge remix two tracks from the reverse livity sound label catalogue for a sampler 12 inch to be released ahead of a new dnuos ytivil label compilation *reverse vol 1* in october this year.
* a pioneer of his own vision of the uk sound, peverelist transforms hodges amor fati in to a signature writhing mesmeric groove whilst on the flip side hodge irons out bruces * tilikum* into a booming, epic late night tool.

shortly after his first ep on dnuos ytivil, sub-division of bristol imprint livity sound, simo cell, neo-parisian and nantes native, puts his second release out on fragil musique. on this one, the young producer asserts his bass-tainted electro influences. highly skilled and very technical dj, but above all open to bridges between genres and eras, the record feels like he conceived it for his own club usage. on the a side, two subtle twin tracks, -reading rashid- and -soko ban-. cycling melodies and hypnotic pads sketch two bass outlines, as simple as effective, that seem perfectly fit for switching from a stripped down techno track to an old jungle weapon. on the flip, hit track -meteor racer- is surprising. a rawer and more stripped down electro piece that lifts the veil a bit more on the young producers talent. those four brilliantly crafted track definitely place simo cell among the french newcomers to watch closely.