resopal-schallware records, known for its persistent pursuit of quality jams, unleashes the playa ep by santo domingo resident ernesto paredano. he’s an artist in the truest sense of the word who creates his own sound, his own expansive dynamic at the same time- the a-side contains the track yuca which features a surge of delayed bass lines and crispy static rises from below and echoes swoop and simmer. the 4/4 structure is infused with far-off blips and the dusty sizzles of low-pitched vocals. on „atea- warm tech keeps the sound organic while the other elements pull together around its weight before culminating. the three tracks on the playa ep could be classified as deep techno, but with enough power, groove and melody to set afire the dancefloor.

washerman strikes back with 4 versatile tracks and is showing us another side of his brilliant work. after probably almost a hundred of releases and remixes under monikers like sequel or azuni, he gained himself a big reputation as washerman. he founded his own label deep down slam and released also for different labels such as kerri chandler s madhouse to name only one

dripping out of the pores of tokyo high-rises, aquarium deepspace serves up his debut vinyl release and the second instalment on natural sciences. drawing on a palette of 90 s detroit house music and the electronic tropes of his home town of japan, midnight at the tokyo central is the unspoken soundtrack for the lost souls of the metropolis, recounting the ecstasy of smoke-filled dance-floors, the touch of dry ice melting through a fur coat, and travelling through neon at 6am. narrated by two separate protagonists under one identity, deepspace side explores muscular acid trax, aquatic pads and throbbing deep house jams for the floor, while aquarium on the flip is coated in hazy electronics and dopamine drained murk, drawing on field recordings taken at tokyo s central train station (rainy night in shibuya) through to lush subterranean jams laced in serotonin nostalgia.

all instrumental immersion from visionary los angeles guitarist and songwriter.
the middle sister, released by leaving records, is an instrumental album by guy blakeslee, guitarist from entrance. side a is all acoustic, improvised guitar music. someone said it “sounds like john fahey and sandy bull with celestial nuance.” side b is all electric. its more-experimental – think can, terry riley, “noise rock.”
the vinyl release includes a download code.

• luke standings first release of 2016
• printed disco sleeve
• blue hour steps into darker territory on his first release of 2016, miramar. swirling synths cloud thundering drums on the a side whilst the title track flirts with classic millsian techno and fast paced hypnotic energy.

möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. it s a band, producing, playing live but it s also a label created only for the trio productions. each releases will propose 3 tracks from the 3 artists. for that first one the famous trio propose 3 huges bombs mö4, mö5 and mö6, 3 huge techno killer using rough skins with raw edit. speech less and listen to that we can call pure techno.

q3a is a new alias of route 8, a producer who has credits on labels like lobster theremin and nous as well as black venison. now the producer serves up a sumptuous four track ep, space chamber, on the delsin label and it touches on many different styles with equally great results. lost souls is first and is an expansive bit of well driven deep house with rich synths and cavernous innards that really suck you in. next up is another serenely crafted bit of atmospheric house with dusty drums and lose hits all backed with heavenly pads and retro bass. the first of the b-side tracks is a chunky acid kicker with angelic vocals drifting up top as a controlled 303 line rips up the foreground. spaced out and deep, driving yet emotive, it is a moving bit of club music before the b2 trips you out on a silvery electro tip with its icy lines and slap-funk snares. overall, this is an expansive and perfectly formed ep and comes with a sleeve by boris tellegen.

2015 has been a busy year for soul intent. relocating from nottingham to bromley, releasing -the fruit club ep- on lossless in march, his -wanna fight ep- dropped on klute s commercial suicide in august, the sci-fi themed -replicant- marked lossless music s first digital only release in october and his -late night sleaze ep- has been awarded mixmag s dnb tune of the month (nov 15 issue). on top of all this alex is about to launch two (yes two!!) sub-labels for lossless music. the first of these is exkursions. exkursions will cater for the deeper, more experimental side of dnb & electronic music. though concentrating it s tempo focus around the 170 mark exkursions will also be taking explorations down into slower soundscapes. the first release is a 3 tracker from soul intent and the tracks have already turned the heads of respected selectors including doc scott, presha, loxy and logistics. we won t say much for than that, we ll let the music do the talking.

merc return with the first in the next phase of e-versions!as ever, mark e s best selling and precision club jams project delivers big things for discerning dancers. weve witnessed first-hand the damage that a side cut horn jam visits on a sweaty dancefloor, with its insistent frug and layers of rising synths - a hypnotic bomb as only mark can deliver on the flip sanctified makes a meal out of a killer soul sample, working the arrangement into waves of subtle frenzy a masterclass, as ever merc to the future!

2016 repress, this is the ep long waited by all disco lovers. on the main side *makin love* with the lovely long intro with congas and spacey fx that warms you up for the explosion of the hot sexy vocal line. on the b side a fantastic re-work of a rare disco/folk track modernized with loops, fx and lasers that give you the right kick on the dance floor.

introducing the first release from mysterious new label, southern lights. dedicated to releasing high-end hypnotic grooves from close friends and family from australia and around the globe. the first release is by melbourne artist craig mcwhinney, featuring heavy cuts of percussion and atmosphere in equal measure with the ‘versions’ ep. the a-side features ‘upon humanity’ and the b-side features two versions of ‘keloid’. in contrast, on the remix tip is eric cloutier’s ‘the end is near version’ of upon humanity , which strips back the elements to a more esoteric and cerebral translation of the original. for lovers of fine art and fine techno. limited to 300 copies, 180 gram vinyl.

uno mas delivers 2 strong grooves with a side of acid for the next aquavit vinyl.

nice price deal !!! for its first excursion, the new space inspired label meteorythm took off from earth to return with three atmospheric tracks. on the a side, first data’ leads you beside their spacecraft from preflight to deep space experimentations by using a vocal countdown and a powerful delay bass. the analysis of the initial results led to the b side, untitled theories’. this one is based on a non-stop rolling hat and a groovy bass line, accompanied by scintillating synths. to complete the release, the parisian producer coni, reorganized the algorithms to immerse yourself in a mixture of deep frequencies especially designed for a big room.

rustling, hypnotic and pounding. the first release from riviera club sees skuffface and caldera stepping up and making their debut. taking a side each, skuffface draws on more ambient, laid back excursions, whilst caldera goes in, delivering some hard hitting, crunchy club cuts.

straight out of the ukraine comes io (mulen) aka aleksandr voznichenko, a man whose back catalogue includes releases on labels such as rejected, eklectisch and area remote to name but a few. now he links up with one of paris’ premier labels, run by one of paris’ premier crews – apollonia. with one solid track and a classy remix from danish young gun malin génie, this is another surefire winner from apollonia. ‘to the unknown’ kicks things off with a steady build up. shrouded in a hazy mist it draws you to its understated groove, io turns in a very considered production that evolves at a slow yet utterly gripping pace. the energy levels rise like the tide of the ocean, engulfing you before you know it. io’s dexterity and cunning ability to keep the listener engaged manifests itself here, bomb! on the flip side, malin genie steps in to give ‘to the unknown’ a new lick of paint and what we get is a jazzy, minimal rework with a jaunty skip in its step and a wicked bassline.

its arguably the labels biggest remix package since duke dumont and ewan pearson remixed love sublime. the pete tong approved andre hommen - also the creative producer and label manager of dennis ferrers objektivity imprint - has remixed the walk on the a-side. a deep, minimalistic beat drives his remix and a smart breakdown introduces the melody from tensnakes original, pushing all the original elements to higher heights. running back label boss gerd jansons keep on talking raw mix is set against powerful drums and acid-tinged synths, with a piano-led breakdown echoing the original melody. the panorama bar resident and celebrated producer delivers a unique cut formed of several retro influences to provide a cool new twist on tensnakes upbeat original. the vinyl release also includes gerds beats-only version in the gerd janson raw beats mix

vincent vedat comes along with his first ep for s.g.o.l. he has tried to unite a sick-sound with classical house elements. on the a side worries & all the same come with deep vocals and extreme sleaziness. bashful and as soft as velvet are the oversoft husle on the b side.

yoshi and sbri, a long time friends, set about planning and performing in underground parties and off-locations in berlin. co-founders of libertine records, a techno/deep/electro label, they deliver their latest productions by their first ep with the other libertine resident saverio celestri.

stamped white label repress
phorma launches with powerful deep techno by norm talley on the a side and a dark trippy pulsating and irresistibly groovy interpretation by ness on the b side.

resopal retrieves two more smoldering remix cuts on transparent vinyl. safe to say that both of them - the a side by heidelberg s casio casino (aka steffen neuert of bergheim 34 ) together with lopazz - and the stunning b-side by our marseille connection roar - are absolute stompers. what we have here are two finely crafted remix versions of the original that seduce the dance floor in totally different ways. both contain perfectly structured arrangements that creep up on you with the stealth of a ninja, making them a real pleasure to mix with. the heidelberg guys show a minimal disco hybrid version of the original. from the moment the bassline emerges from a dense thicket of white noise the pair make their intentions clear. with expertly-crafted sequences punctuated by dramatic crescendos and distinctive mood changes their re-work is a melting pot of styles and influences that somehow manage to coexist, creating a rich montage of sounds and textures. on the b - french duo roar deliver hallucinogenic, long, patient grooves followed by some fantastically understated sonic tweaking which gives the track a real kick without ever losing that empty, laid back vibe.

nice price deal !!! black patterns vol. 1 is the full-length album release by lobster theremin regular snow bone, revealing a more spectrally destructive and experimental side through his black patterns moniker. the lp is a depositary for plaque-coated material culled from a series of experiments with his own ‘oblique strategies’ style limitations or ‘tasks’. this conceptually translates into eight raw-to-the-bone styles of techno, house, noise and electro, segueing through layers of blown-out sounds and scattered intricacies along the way.

brstl returns with two house cuts from jay l, his second release for the label. started in 2011 as a means to highlight house and techno being produced in bristol, the label watched over by shanti celeste and idle hand’s chris farrell is now into double figures.show me on the a-side is a finely constructed piece of house music aimed at djs and dancers. anyone who saw jays recent boiler room debut will know his musical style, steeped in classic us house, soul and boogie but with a tastefully bumpy uk edge. the b-side blue age is a deeper cut living up to its title, all wistfull piano keys and a subdued bass line. this is jay l and brstl doing what they do best, sending vibes from bristol to the world.

theres a bit of a story to side a. in 1996, jd twitch released a 12inch by manchesters bryn jones aka muslimgauze on his then label pi recordings.

shanti celeste steps up with a full ep after her amazing strung up track from the recent future times compilation vibe 3. big tip! she uses the full a side for the killer being, a nasty dancelfoor cut that balances sleek, precision drum patterns with cool, showerdown melodies that haunt the feet and the mental. the b side starts off like a lost cbs slow burn cut with good spirits, an exercise in machine romance, and ends with an ambient mix of the a side, to drift off into space with. shanti is on.

the very first vinyl release from one of australia s leading underground lights, motorik. after throwing acclaimed warehouse parties across the nation, and a burgeoning selection of digital eps from local crew the finger prince, csmnt61, wordlife, jensen interceptor and made in paris, their debut vinyl release is a double a-side featuring the finger prince (made up of dreems and ex-infusion/freeland francis xavier) with their epic -don t talk to me-, a late-night exploration of trans-dimensional dance, plus a skittering, percussive remix from none other than vakula. on the flip is melbourne s mike callander (of haul music infamy) with physics, built around a wonky bassline for more dancefloor exploration. comeme mainstay christian s gets wild on the remix. a gorgeous package with art by babekuhl, delivered 2u on 180g vinyl for maximum bass. this is exclusive to vinyl and will not be released digitally for at least 12 months.

dyad present the first instalment of their common purpose series. christian wünsch sets the tone with *fluid mechanics*, a masterclass in dynamics and repetition. this is followed by *binary*, a hypnotic warehouse techno cut by up-and-coming uk producer setaoc mass. on the b-side argentinian producer mental resonance contributes a sophisticated arpeggiator-led cut with *reduction* and to round things off is reflec, another highly promising uk producer who weighs-in with his industrial techno destroyer*the war horn*.

cologne based artist adryiano has finally threaded into label managing waters. ever since the emerge of his multi functional platform cestraw back in 2011 adryiano has been twisting and thinking on when to launch the label side of things. after the humble success of his latest *down south* effort on soul notes it felt like the right time.
cr/001 turned out to be an emotive dance floor record that touches several different modes within the spectrum of underground dance music. from the straight forward 303-anthem *break module* to the uplifting yet deep, chicago-ish tones of *path of yours* - adryianos *default ep* is set to unfold just in time for the cold, dark days before christmas.

due to its 10th anniversary, kittball records presents a limited white vinyl series throughout the year 2015, as a special edition in four parts reflecting its most successful tracks within the past quarters. having the hottest tracks from july to september on the spotlight, the third edition includes originals only by tube & berger and hanne & lore on the a-side, with joeskis black door on the b-side and the latest collab by tube & berger with juliet sikora initialy been featured on the 100th release.

between grooving underground elements, tight hats and some really special ideas surounded by a lot of very warm and misterious colors, the first release of sidefact shows out. with crocodile soup, jam on, silat beksi, groovesh, mokma and an artist that wants to stay secret as unkown we will take you on this trip and hope you enjoy the special styles on every side. our artworks are painted by a good friend and artist which gives it the extra flavour.

berlin + mexico based, but outer space destined, man power keeps his pants on for this vr floorshow, you might not though! geoff kirkwoods premier adventure on the inimitable voyeurhythm records (his first original outing since his acclaimed lp early in 2015) sends us on a serious electro flavoured journey to future times... imagine hovercraft trains, laser beards and rowboats in charge. side as ruthvern goes in big with some hypnotic peak time acid action, while wither pushes and builds the rap squelch even further, adding an epic saxophone section lifting the entire affair skyward!

this release was born of a cross country trip with an 808 drum machine by thomas ragsdale aka winter son, alongside jozef k, resident of famed manchester and ibiza clubnight sankey, as they join perseus traxx to hammer electricity out of machines. with it&#700,,,s rim shots and claps and other transistor rhythms reverberating across vast distances of space, side a is stripped back and deep from the outset, pushing forward as scattered tones, arpeggiations and disjointed voices leave their trails vanishing from perception. side b tightens up from the previous reverbs and throws acid into the mix, as the two join perseus traxx and the sound becomes more raw and urgent as the three of them jam on their chosen machines.

already played by raresh
laate is the new label of clayton guifford (fragil / unrelated). this project is dedicated to space, time & parallel universe... we are not alone! for this release, we are very proud to welcome: jerome pacman, the most respected french dj, truly legend and a model for a whole generation. capable of amazing everybody, behind the decks and there as a producerjerome delivers 3 original tracks: first, on a side - 3 for you -, an hypnotic killer tool track! get in the spaceship for the dancefloor. on b1, - tiwanuku- expresses a deep groovy & dub vibe, with atmospheric sounds to make us travel more & more. finally in b2, - quiet understand - is a pure minimal track. gradually, space trippy sounds and female vocal emphasize this mysterious and futuristic atmosphere.

happy birthday 8 bit! the final part of our 10years series and 8bit catalogue number 100 are provided by none else than labelhead and mastermind gorge! with tayo ep the renowed producer and dj may strike his best one yet: a timeless two track beast and safe to say, a future classic. tayo, the a-side is just pure gorge with an irresistible bassline joined by rollin’ drums and as usual, just on point! filtered organs, bright cymbals and subtle airy pads set the stage for lisha, a serious groover bringing positive vibes to any floor. we couldn’t be happier with this milestone release and are already looking forward to nr. 200 - 8bit, just quality music!

cat.nr. 2400 comes as a four-tracker with grooves from crooks + lovers, grizzly, savvas from greece and so late. the new-not-so-newcomer crooks + lovers second track for o*rs. * yaiza* tickles you with soft vocals and a higher bassline. if you like you can call it a * happy dubtechno* track. grizzly, well known for his psychedelic slow-jams lives up to his name. * juli im august* is build around one simple beat heightens the chords and expands the room. the a-side with savvas and so late leads a warm course. savvas’ „other side“ is made for the early slot to build up the perfect night. but do you know the time during a club night when you danced for two hours and you have to decide to stay or go? mutiny by so late is your decision to stay. limited to 300 hand numbered pink vinyl copies!

cadenza music opens up its 2016 account with the debut single from swiss producers, rare movement feat. disco channel. cutting their teeth on the dj circuit for many years, and playing alongside such esteemed jocks as seth troxler, ricardo villalobos (who mastered the audio on these tracks), jamie jones and luciano (who ultimately signed this single to cadenza), the guys have crafted a pair of tracks that sit right in the dj sets of the aforementioned company. rare 007 combines tension building synths and a wandering bassline, wrapped up tight in solid drum groove, its hypnotizing tones carving out a most useful club tool. on the flip side, rare 011 digs deeper, with cinematic string sweeps over the sparse and bass heavy kick drum. flashes of vocal refrains and micro percussion fly in and out of the arrangement as the melodic elements give this one a real sense of drama as the track blossoms into life. a very accomplished debut from the guys will no doubt provide a real dancefloor moment in the right setting, and no surprise that villalobos gave these tracks the audio master that they deserve.

the latest ep from neapolitan s -made in italy- imprint features aney f. (innocent music) and a great collaboration between alex fuente and valentina cx on the a side. on the flip, roberto apodaca & guti legatto and jesus soblechero to complete this must have various artists. vinyl only / limited edition

two of paris’ most respected artists get together for their second collaborative extended player this year. dan ghenacia and chris carrier have been entrenched in the electronic scene in their hometown for a long while now, both men building a strong rep through consistently great music and dj performances. earlier this year they joined forces on ‘just a sin’, released via carrier’s adult only label, now they’re back with the follow-up on apollonia. across three deadly tracks, the duo explore their love of music making machines to the fullest – each track taking its name from ‘sweet heart’, translated into different languages. ‘schatzi’ works off a modular synth, bursting out of the blocks with a wobbly bassline which supports a range of subtle effects together with infrequent vocal clips. as the track progresses warm rising pads and female vocal snippets create an entrancing atmosphere. next up we get an arabian twist with ‘habibi’. a pervading air of mystery presents itself right from the off, with warped voices lurking in the background as the rhythm lures you into its murky groove. as the track progresses more eerie pads and effects are layered over the stepping bassline giving it a very creepy feel. finally, french vibes comes through with ‘cherie’ on side b. the track draws its energy from the busy, though crisp, percussive elements and a b-line that groans in unison with the beats. a simple chime remains present throughout, keeping it minimal yet interesting.

black repress! andre kronerts seminal exu ep gets a comprehensive rework from some of the most outstanding on the scene. tense and sinister new cuts from kronert introduce both sides of the release, whilst the label calls upon remixes from berlin mainstays efdemin and ed davenport, as well as hollands finest export juan sanchez, plus stockholm ltd label boss par grindvik alongside fellow swede peder mannerfelt. retaining the slurred vocal of the original, efdemin layers thundering effects over chasmic bass in his mix of into the zone, which saw heavy rotation last year. meanwhile davenport brings a wild yet streamlined intensity to c.o.d.e.2. side b sees grindvik team up with mannerfelt to provide a joint interpretation of into the zone, which they manipulate into a peak-time epic, with a soaring melody over hammering toms. finally, juan sanchez channels funk through roll the dice with a twitchy, groove-laden rework. the spirit of exu is made physical once again via 12 inches and 27 minutes of wax.

each track has its own, different moment on the dancefloor – pushing forward with icelandic lady and the remix of ocean movers the record delays with the deep meandering die ganze welt on the b-side. finally the remix of jennifer touchs astra with it s disco-attitude reminds of their wide spectrum like shown in eargoggles monkeyshop project or kan3das former release on ac records.

on waehlscheibe we stand: the swiss label drops yet another dub house bomb with marco nega s cosy cutz ep : muse on the a-side is a 15 minutes long dub epos full of creamy chords, soft pads and smooth athmospheres. holotrope on the b-side speeds up the pace and pleases with a solid kick and a super deep bass without losing sight of the dubby chords. finally, in your arms fnishes of the wonderful ep with an ultra low bass for all you dub heads and some more of marco s trademark chords and delay -game he plays so well. all in all, cosy cutz ep makes for a terrifc listening experience which is further aided by the expert mastering: as always all tracks on the new waehlscheibe record have been mastered by above smoke at the hole of dub studio.

moteka is coming back on skryptom for his third release, pierre delort without remy maurin is moteka and he kills ! he is coming with 3 pure emotional techno tracks, long travel for the a side to an encounter. we have the chance to receive xhin to remix the track imminent landscape. we let you enjoy deeply all that rough and deep sensations, enjoy !

vinyl only release, 180 gram pressing.
warm tapes adjustment returns with the second volume once again performed by scm a gari romalis. on the a side two raw and dusty live sample sessions from scm. on the b side two lo-fi disco styled house tracks from one of detroit s finest underground producers four house tracks fused in a combination that makes this record unique!

argument #03 is the third instalment in cage suburbia’s series of argument ep’s, as well as their first 12” vinyl release. it shows the duo of haunter records’ co-founder daniele guerrini (also in heith) and matthias girardi (aka weightausend) raising the confrontation level to a new high. mixing their technoid barrage with jungle breakbeats, noise and dub techniques at various bpm speeds, they do not fail to deliver the usual amount of radical acid distortion. as with the other two ‘arguments’, this ep represents a heavy anti- authoritarian stance in both sound and concept. ‘rob the bank. kill the guards : sampling klaus maeck’s pirate cult classic ‘decoder’, cage suburbia openly call for cultural infection and street-wise spiritual resistance. this is punk rock for the paranoid age, insurrectional party music, intelligence research for the funnier side of destruction. as always, it’s been cut and edited from a series of improvisations on hardware samplers, drum machines and various sound sources, recorded live from a stereo output. comes with a set of stickers to incite riots in your neighbourhood.

martinez on the 7th release, no need to introduce the danish producer. now head of the concealed sounds imprint. unsaid is a dubby organic journey that covers the a side for a 12 min trip into deepness, while on the b side untold offers us a bumpy floor shaking track tailored for club.

kicking off with the 12 minute epic when the going is smooth & good, which was recently used in keiran hebdens essential mix, this is a truly pioneering piece of disco/funk with a clear message in the music. dipping in and out of intricate percussion workouts and driven by bleepy synth grooves, it has an iressistable lo fi charm. followed by the uptempo this kind of world , another percussive electronic workout that begs the question have you ever seen this kind of world? . the b side sees the lp s tempo drop down a notch with the lp title track anything you sow . the lp finishes with a beautiful electronic ballad every day . this album is an exceptional piece of music, that s all killer, and you ll have never heard anything like it... it will appeal to fans of nigerian afro funk & electronic disco... don t let this fantastic album pass you by!

bang! patrick richard delivers a new ep with four bass-heavy house and techno hybrids. the a-side starts off with a wild, bass driven anarchic journey, followed by a pulsating jacking house inspired track, climaxing in a hypnotic groove. the deeper b-side begins in a dark and bass heavy territory, where a hunting analogue lead adds character. the final track is a collage of spaced out and seductive melancholic instrumentation for early morning sets. intricate arrangements, cinematic sonic landscapes and attention to detail makes this super limited ep a must have for anyone interested in electronic music pushing boundaries.

jean nipon most recently known for his standout productions on parisien label clekclek boom joins the l.i.e.s. stable with a new three track ep. the a-side sees nipon go straight for the throat with a chicago-esce muted-synth beating drum track, not unlike early poindexter or ricky smith productions- it is effective, dj ready, and geared for the club. the two track b-side takes a more mellow and dusty approach- without losing his sense of rhythm engaging drum programming push along tape warbled melodies as the tracks expand and release, balancing out and letting this ep breathe perfectly.

the first prodigal son release features a newcomer from france, known by the name exal. he is a resident dj for blocaus in paris often held at la machine du moulin rouge. his first ever record is sure to make an impact with two excellent originals already proven to do damage to dance floors with good results and they are backed up by two stunning remixers on the flip side. inigo kennedy and hector oaks both put their own uniquely epic spin on exals original tracks. the vinyl has been mastered by matt colton at alchemy studios here in london and the artwork story begins with our guy sariel keslasi from tel aviv.
already supported by: abstract division, bas mooy, dustin zahn, dvs1, etapp kyle, francois x, henning baer, j. tijn, jeroen search, johannes volk, len faki, marcel dettmann, oliver deutschmann, paul mac, peter van hoesen, sandrien, samuli kemppi, sigha, truncate, phase...

new rawthenticity release featuring 3 tracks produced by miruga & fulbert at miruga s studio in suzaka, in the middle of nagano mountains, japan. deep & obscure as japan countryside can be... a side is a 15minute deep piece of music melting house, jazz & techno influences - homage to miruga s father who runs a small garage in the backyard of the family house. b1 is miruga s deepness at his best & b2 is some japanese sake inspired sample madness - tribute to a ghost that may or may not have been involved in the production on that special night of may 2015. limited 250 copies - vinyl only