dam mantle, aka tom marshallsay, commits the first track from his forthcoming debut album to vinyl as part of a split ep with glasgow collective lovers rights. the four-track ep is released via london-based art collective getme! lovers rights is the new project of three friends living in glasgow making music with synthesizers, they want to make you bounce in a dark room. after some time of the trio sharing ideas and equipment, this is the first of two planned releases in 2012.

nice price deal !!! prism studied drums under vance gordan specialising in afro cuban rhythms and the moeller technique prior to venturing into music production. after becoming more intrigued by the intricate likeness of all societies, cultures and religions, prism was created with a deeper purpose. not only to showcase these influences but to convey an awareness that all things no matter how different they may appear in physical form, are all the same. having an ear for deep jazzy tunes and being hugely influenced by the early metalheadz era, prism continues this sound in his selection of music playing vinyl and unreleased dubs from all around the world. always in tune with the roots of what started both dubstep and drum and bass, prisms selection rarely strays away from raw, emotional bass music but contains something for everyone which will insure a good time for all who catches one of his sets

thank god they didnt wait as long as i:cube to make their new album, it took only 4 years! but now, it is ready. the new zombie zombie album is called rituels d un nouveau monde and will be released as by versatile records as 12 inch vinyl lp. the band have been touring quite a lot, expanding their killer reputation playing live and stopped in the joakim studio, who produced their new album. the album release will be followed shortly by the release of the second single from the album >illumination<.

disko404 is a long-established promotions crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. earlier this year they branched out as a record label, launching with a well-received split ep from sun people & franjazzco. their second release features two new tunes by sun peoples simon/off as well as a splendid remix by bass clef.
early support comes from scratcha dva (hyperdub), brackles (rinse fm), phon.o (50weapons), and bunzer0 (sub fm), and with a strictly limited run of 250 pressed, this is a 12 inch that will be in demand long after supply holds out.

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

it is a cold dark winter – snow is lying everywhere. simon12345 and the lazer twins are heading up north into a little wooden house in the northern parts of denmark. they will live there for the next weeks and build up a temporary studio in this secluded cottage. simon has got a handful of sketches with him. musical states of mind and conceptual games he developed over the last years. basically the idea is to develop something truly unique and powerful – although none of them knows how that will sound exactly or what will happen in particular during this time. it is not even clear who plays which instrument, who will do what…nothing is set. the only thing clear is that they have things to say, things that have been burning in them for so long now. tell me. how can (mostly) instrumental music suggest a way of life? how can you criticize without pointing at something particular? how can music transport you into place of quietness and self reflection?

badance is a deep house and techno label based in paris, france. our label is for us a platform for beauty, dance, experimental, and every nuances that the spectrum of music has to offer.
for this first ep, we want to share with you who we are, what we love and what we will do. the name of the flight that marked the beginnings of badance was naturally chosen. we are proud to introduce you bmbf aka benny must be free, born and raised in paris. he travels through music to detroit, chicago, berlin and many other places in the world. he wanted to share this ubiquity by choosing artists from around the planet. naturally, one the main references in the world of deep house and techno was chosen: patrice scott. he created an inspiring abstract dubby remix. banfield audio as friends and music lovers were exactly in the vein of the artistic direction of the ep: deep, deep, deep. experimented and sensitive, they gave to >surround me< an abyssal atmosphere that fits perfectly with the whole ep. underground quality was searched we hope we found it. now, listen, share and enjoy.

yagya: rhythm of snow – subwax bcn lp01 2lp subwax bcn is a new born record shop based in barcelona and run by two swedish music lovers. to celebrate the opening of the new shop they here proudly presents icelands finest ambient/dub producers yagya!this album was originally released back in 2002 and has since then been a real collectors gemm. it features 8 stunning and timeless ambient/dub techno tracks, recorded in reykjavik during the frozen summer of 2001. all the tracks have been remastered by rashad at dubplates & mastering...

tom thorpe & bonar bradberry aka pbr streetgang have propelled themselves to the forefront of uk house and disco in recent years while eschewing the parameters of either style, so it is no surprise they are turning up on bristol institution futureboogie recordings with banging dose of acid house frolics, the double boogie ep. leeds hero burnski gives a-side n-h-n his special groove over on the flip.

one records once again stay true to their top quality ethos as they welcome back firm family member and desolat favourite hector, with his stoned raiders ep - a journey into the deep and hypnotic, featuring killer remixes from the recently reunited h foundation, young one to watch samu.

for our third release, we welcome back the collaborative efforts of our three family members mia dora, hahaha & raksha. joining forces once again, they depart from the awkward rhythms and stuttered arrangements of their first joint outing and instead offer up a slab of relentless, dance floor shattering techno.
dj & radio support from bbc radio 1, kiss fm, sinden, sei a, clouds, jackmaster, mary anne hobbs, joe goddard, eats everything, dubbel dutch, toddla t, tomb crew, mj cole, hannah holland, optimo, sonic router, mash, all caps, greenmoney, lone and more. artwork by grampian mountains.

how do you define the music of mantronix? is it hip hop? electro? funk? house? maybe the answer is all of the above (or is it none of the above?). it is true that mantronix will be remembered for their multi-faceted sound as well as their ability to bend and blend genres flawlessly into a cohesive musical tapestry, but they will also most importantly they will be remembered as musical innovators and sub-genre pioneers.
now available for the first time ever, traffic entertainment group in conjunction with sleeping bag records and warlock entertainment present, mantronix: king of the beats, the anthology 1985-1988. this carefully curated double lp compilation combines the best of mantronixs work from the early, and arguably, best era of their career into one amazing listening experience. whether you are an avid mantronix fan or are looking for a place to start - this is the collection to wrap your ears around.

sixth instalment from the shack and another generous exult in aural pleasing for the intelligent of house heads out there. two original tracks, two in-house remixes, you know the score with these guys…this is how they work. key to the label and artists success is being reliable and consistent with the flow, something obviously being picked up as the label once again is topping the right charts and getting the props from the right people. expect no different with 006.

after selling out all previous releases to elite djs and collectors worldwide, the highly mysterius artifact imprint is back to its original aim, that is crafting obscure sonic weapons for disco ninjas! a side 15 minutes is credited to milanese crew love supreme and it is a mesmerizing disco rock rework that builds up to a climax that takes no prisoners. bottin has been playing this to massive dancefloor slaughter and has finally decided to share the blame. on the flipside speed is an enthralling car chase or grand prix if you wish, with throbbing bass, lasers and cowley-esque synth stabs, while frisbee is a rare italo groove, a funk gimmick topped by acid synth patterns, a latin lover voiceover and packs of sultry italian girls chanting >disco! disco!< and definity getting what they are craving for.

menacing industrial techno from some backwoods laboratory in a hostile environment. part 2 is slightly more accessible for humans and more experimental than the first part. limited to 200 as usual, handstamped. they sell like frankfurters at a german brothel, so best not sleep. you have a bout a week before the curtain closes.

menacing industrial techno from some backwoods laboratory in a hostile environment. limited to 200 as usual, handstamped. they sell like frankfurters at a german brothel, so best not sleep. you have about a week before the curtain closes.

the midnight shift label debuts with a daring pairing of the emerging and established in this efflorescence ep –, featuring a bloom of talent under the bright moonshine. the first ep features singaporean eddie niguel with torontonian basic soul unit aka stuart li. together, they present a crisp and compelling release statement that pushes a new trajectory in the house and techno genres.
already support by dvs1, skudge, slam, trevino, jonas kopp, peter van hoesen, cosmin trg, josh wink, mark e, vince watson, steve mac, claude young, ivan smagghe, tim sweeney ... …,

mussurunga - that is the name which is used by the complete body inked cousins sigi aigner and didi bruckmayr for their outstanding performances on club dance-parties, festivals, free-parties and weddings in the home- and foreign-countries since more than two years. at their shows they use deep bass-lines, demanding beats, gentle hooklines and raging 3-d objects. the large sized mr. state-opera-chorister aigner and the dwarfish universal-bush-leaguer dr. bruckmayr also are known for their benedictional work with the performance-group fuckhead, for them they count as finded minds. mussurunga is a frowing suburb of the brazilian provincial capital salvador da bahia, which aigner and bruckmay vistied job related. while one of them waited without success for a date in mussurunga and spent all the spondulix which was meant for the taxi, the other one worked very hard in the regional beach-bars on artistic concepts. the result of this jobshare is, among other things, the present ep.

the seven tracks on this lp or the eight on the mixed cd (including two bonus tracks) owe as much to the traditional methods of house or techno and extraterrestrial disco (i shipped around the s-word here) as they disregard it and they are as characteristic to thomas studio space (i used thes-word here) and his sound aesthetics as they are to his infinite will to surprise

raucherecke are back with their third release on 200 records. they shaped their unique techno style in the last years, so that they are distinctive now as you could hear lastly on their >papierfabrik ep< on treibstoff. till krüger did the remix for the title track >malibu< – a perfect choice.

varied is proud to present its sixth ep in collaboration with alessandro sensini! not only are the three tracks by the italian artist in a class of their own but they illustrate the musical evolution of our label. we were initially drawn in by alessandros creative approach to electronic music and his high standards in the studio - determined to turn out nothing but high-quality productions. to describe his style in a few words: gentle and balanced, yet ready for the club – this makes him the perfect addition to the varied artist family. listen for yourselves!

paper recordings continue their journey back to plastic with another vinyl release once again proving why they remain one of uks best loved labels. jamie l is a mysterious figure of undisclosed origin and history who fits in to the moodymann / theo parrish mold of heavy future disco, which his new production >(what we saw) in the burg< nails. it is a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. the detroit pad creeps up to the break and filters in and out as the track works its way through for locked down dance floor business. next up, havana candy breaks out the analogue and takes things deeper and techier. with a rolling bass and tweaking acid line, it cuts to a rhodes before filtering down and riding back to the heads down groove. cottam steps up for paper for the first time and demonstrates what all the fuss is about with a very special mix. clocking in at 9.41 it is deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.

luca c & brigante are beginning to need no introduction as their heady balearic mix of sounds continue to resonate from the beach to the club. together, they have dropped bombs such as >different morals< feat. ali love and the robert owens fronted >tomorrow can wait<. luca c is also one half of infinity ink, whose >infinity< has been one of the summers biggest records, and a new addition to hot natured alongside jamie jones, ali love and lee foss. sebi aka brigante has remixed the new single from ali love, about to drop on no.19. aligning with the ancient mayan prophecy that the end of the world is due december 21st 2012, luca c & brigantes new single >flash of light< featuring dance music icon roisin murphy is a call to love like there is no tomorrow. embedded in heavy reverb and stripped back to slow steady drums, the mood rises as roisins crystalline vocals fall into rhythm and weightlessness builds with the bassline hook, pearly high-pitched strings and a burst of harmonic percussion.

lux rec reaches number 10 in their catalogue, and for this occasion they come out with a special release.

did you see that reckless kid sitting next to rebolledo at the wheel of a convertible, racing around the mexican countryside while chanting things about revenge and seduction? it is also him being the handsome gadabout restlessly rushing through the streets of barcelona, claiming that he gives nothing. and there is a possibility that maybe last weekend that very same boy bewildered your local dance grotto with hyperactive vigor. talking about monterreys daniel maloso and his fabled comeme collaborations with rebolledo (including the much acclaimed desierto ep), his colossal solo debut >hijos de jose< and his reputation for highly intense live action.

>a correction< is the new album from fieldhead and continues the dusty, bereft sounds of previous releases – they shook hands for hours (home assembly 2009) and riser (gizeh 2010). 2010 saw paul elam depart the uk for vancouver, canada and there is no doubt that the vast northern candian landscapes have influenced the new fieldhead material. the familiar tape hiss, scratchy, decaying atmospheres remain in place but with a correction elam has managed to sculpt a vaster, more expansive palate of sounds. minimalistic on first listen, a correction is a record which slowly unfurls on multiple listens to reveal subtle melodies and details that dont distract from the overal ambience but in fact set apart fieldheads music from many other, safer artists within the genre.
limited edition 180 gram vinyl, includes code for free mp3 download of the full album.

two of the uks most formidable names in techno step into the ring for a head to head on theory. stephen brown is a man who certainly needs no introduction, and his knack of channeling the best of detroit innovation and adding his own distinct flavours shows no sign of letting up. on >fuego< and >polar< brown takes us further into the jacking zone, his signature lush melodies driving up the rear until they envelope the tracks in a haze of deep and emotive vibrations, but never letting up on the tough rhythms. ben sims is drafted in to remix both tracks, leaving slicing shards of sound and roughing up the beat on his remix of >polar<, before delving into a hard-funk take of >fuego<. big business from two keepers of the true techno flame.

alle farben meets rainer weichhold. the two artists connected, exchanged tracks they have been working on and remixed one another. what you hear is 4 songs which represent not only todays sound of berlin but also the work of someone who has been influencing it with kling klongrecords for quite a while.

marvin & guy return to lets get lost with 2 superb reworkings. first up they visit arthur russell in a dusty acoustic space jam, while on the flip they enter more discofied proto house territory with bubbling acid tweeks, beckoning vocals and piano magic. closer to all your dreams.

italian duo macromism has lately been making waves in the scene with their latest releases and they land now on be as one together with their long time friend dj kool dek, who already appeared on the labels tools for school vol.3 with take the rhythm ep the trio push things forward and show their versatility in the production room. the a-side hosts 2 cuts of proper groovy tech-house as you would expected from this collaboration. the b-side goes instead deeper and shows a side of the trio that yet was to explore. a 4 tracks ep that will surely find space in many djs bags.

bristol-based behling & simpson come correct for apple pips with two slices of cavern-deep, slo-mo tripped out bass-led housey doings… these chaps have been making waves in the last year or so with their mixture of bass music, deep house, boogie and discoid with a characteristic bristol edge of not caring for the rules. with killer releases on bristol house dons futureboogies own label and a stonking re-edit of faith evans getting plays from peeps like modeselektor, derrick carter, untold, mosca, jackmaster and many more they continue to forge out their own groovy path through the bass scenes myriad styles… >where the ohs< glides along on a rolling, endlessly chugging beat, with glacial synth sweeps, dubbed out finger clicks, treated vox and sub bass stabs slowing cutting through the mix…perfect slo mo house styles for fans of prins thomas, todd terje, mark e, andrew weatherall etc

the layabouts are anything but. 2012 marks leigh darlow and alex paschalis 10th year together and they have never been so in form or demand. their cast iron reputation for quality deep soulful house – house music forged with feeling and real purpose – continues, impressively, to grow.
rhythm master darlow and guitarist cum orchestrator paschali first met in 2001– in home city london – off the back of various projects in the same studio space. in time, their mutual love of expressive house music would lead to cult licks feelin right and the way i feel, sizzling material for kenny dope gonzalez and hot-to-trot remixes of dj spinna, da lata, dj spen and robert owens, and soulsearcher.

the man they called brokof was a blazing star in one familys dark history. a player with a wandering heart. the band called brokof follows him into the vastness and gives it a face. they draft a map with songs. singing with beautiful solemn sadness about encounters and fleeting moments of truth. hinting at rage born from the loss that occurs when one moves in life. about what one has to gain when there is nothing expected. when hope has turned to echoes and dust.
these are pop songs purged and reduced to the core.every sound stands alone to serve the song. there are no tricks. through their naked vulnerability they find their power. the structure is stark and the messages clear.

with tok024, tonkind presents a wonderful collaboration work,in between the australian team shades of gray from sydney and and melbournes shiny kid uone. best think about it, for this production they did not met in sydney nor in melbourne, but in prag. here, the one part of shades of gray, czech national michal schwa still have his studio. long time ago, back in summer 2005 he landed in australia with a bag full of vinyl, a string of dj gigs and the promise of unchartered territory ahead. soon after he met there local producer nick west, their common passion lead to a collaboration. besides their shades of gray project, they formed the label beef records. since then they have made a huge impact on the house music scene, shur-i-kan, miguel migs, luna city express, miss kittin, jimpster, pezzner, laurent garnier, smash tv and the timewriter are just the tip of an iceberg of fans. their debut album and career pinnacle to date, soul machine, was critically acclaimed by the press, receiving glowing reviews in dj mag and debug. to carry on this journey they keep on meeting good producers and djs all around the world to share and develope their skills. katoomba is the outcome of such an exchange. further more uone who is even more a walking music normad, gave his best ingredients to this release. what we hear is a shaking, colorful ep, which will arrest attention out there...for sure

>die 4 u< is the murk follow-up to last years underground anthem >amame<, which was released by murk under the intruder moniker. murk consists of miami based producers oscar g and falcon. they are responsible for some of the biggest house records of all time, including >fired up< released under the funky green dogs moniker.

downtown party network from lithuania have been behind some serious releases and remixes over the last few years. combining disco influences with a knack for crafting weighty and warm deep house of the highest order… for their iib debut they have produced a duo of dreamy, melodic and irresistable vocal house gems which stand tall in their own right. as ever, the iib team have drafted in some seriously heavyweight remixers. veteran uk producer richard norris aka the time & space machine has delivered a truly superb rework of >the returning<. bringing the live elements of the track to the fore and unleashing a dazzling eyes closed on the dancefloor moment, and a bit of a classic in our humble opinion! finally scandanavian disco legend prins thomas takes on the same track and transforms it into an epic, spacious mix, underpinned by a widescreen acid bass and relentless, building groove.

catching the last rays of summer! here comes a sun drenched piece of music from tobias linden & riccardo rizza, just in time for closing parties all over. the boys hung out in tobias stockholm studio after a gig together and in a couple of days the song came about. writing was like one fluid motion they say, listen and we think you will feel the energy flow effortlessly quality sunshine music!

another piece of swissness here! long anticipated and finally here. animal trainers new ep for their very own piece of gold: hive audio. sure they were also featured on the 6 years hive compilation, made several quality remixes & released on labels such as pokerflat or stil vor talent, but its still special to present your music on the self-made label. besides 3 originals there is another very talented producer to find on this record. &me delivers like everytime. it looks like he started where the 2 guys from zurich finished. a lot of energy which comes together in a very strong beat which makes this one a dancefloor-thing for sure.

one of the most anticipated comebacks on local talk is finally here! their debut on local talk >moody< caused a big stir on the house charts and made the #01 at traxsource deep house 100 and still gets praise from djs all over the globe including karizma, steve bug, joey negro, the revenge and kerri chandler. the dynamic duo is now back with a even stronger ep doing what they do best, delivering two stunning vocal house tracks. the reaction mad mats & tooli got when they heard >trapped!< was unanimous -­- tune alert! using a colonel abrams acapella from 1985 and fusing it with a jacking track that retains the spirit of the dirtytwo sound & can only cause one thing, dancefloor mayhem. on the flip is >i m feelin< - a slighty more modern house burner that features old friend and pre dirtytwo fame spanka! vocalist frosche.

after 2 years of squabbling over who does the washing up and various teabag shortages in the kitchen, luke and milla decided to take their arguments into the studio. milla comes from an indie and scando-pop listening background with luke being a full on house and techno chin stroker. they love to experiment and record lots of different sounds for their compositions, be it 5 guys in the garden shed bashing bin lids together, screwing up plastic bags or sweeping the floor, if it makes a sound, it makes music. together they have created a spacey and melancholic two tracker abundant with love and emotion. >disappearing stars< comes with a matthew burton and kate rathod remix and the >its just us< remix has luke and matthew behind the wheel taking it down to china town.

frank music proudly presents: the future sound of limburg! our homies monosoul & johannes not only like peter hoff produced house sound back from 2001 but also good food, turkish beer and a good laugh. on mondays they use to sit together and cook or make music result is tasty house music as we like it.whatever is pushing prime time house.chords,higher strings and those beats. we shouldnt forget about the nice acid line in the end. mornin moanin is more on a mellow tip, pads and a nice bass out of the beloved juno machine. for warmup or late nite use they offer jomo mf which consists of some riot-as-well-as-rainy beatdown sweatness house.

butane continues to push his sound well beyond the frontiers of trendy dance music with >we are all cyborgs now<, his latest tour-de-force on his own alphahouse records imprint. apparently not interested in assimilation for the sake of popularity, he rather blazes his own wide-cut path towards artistry with two future-techno cuts rife with pointed commentary on the nature of todays dance music scene. >everybodys talkin< is a mutant hybrid of styles for the nostalgic types. latin percussion and bin-busting bass mingle with an ethereal voice lamenting the passing of the good old days. throw in one utterly twisted xylophone note that might just send a few partygoers over the edge for good, and you have an open air after-hours anthem in the making. >hey hipster< is a not-so-subtle jab at the newjack hipsters of the dance world who seem content to recycle old ideas, as long as they think they look cool doing it. deceptively simple, but carrying a heavy hook, the track features a grooving bassline, speaker busting synth stabs, and a brooding male voice admonishing these party parasites for their shallow ways. listen up kids, this is the sound of the underground. dont be fooled, this kind of music is best heard in big dark clubs where mirrors arent there for checking out your trendy haircut.

after five years of running the highly popular and eclectic music blog feel my bicep,releasing a string of productions and remixes while also djing consistently all around the world, setting up a label seemed like the next logical step for bicep. with the aim of releasing fun and varied music, the only condition the boys gave themselves was to maintain full creative control to take the the label in whichever direction they desired.

7th release of the promising imprint focussing on warm and soulful vibes between house, soul & downbeat. some well known producers showing their soft skills with own productions or edits / re-works they ever wanted to do. vinyl only! limited edition of 500 copies! comes in clear plasticsleeve

rugged/troubles is a double a that lives up to its name in every way. if we wrote cliched press releases we would say the release >does what it says on the tin< but getdarker dont deal in hackneyed, meaningless sayings, we deal in undiluted, speaker-banging platters. and they dont bang much harder than this pair of purist party-starters. troubles follows. in more ways than one.

60hertz presents a deep and soulful ep produced by patlac, a welcome pal who loves to guide your journey. joined by baumfreund and wenzel mehnert, the three artists created a shimmery lantern that spreads the shine through the night. to reach the one and only source thats drives them, that leads them through the night, they search the shine...

dimi angelis & jeroen search make their first appearance on par grindviks stockholm ltd label with their >rhetorica ep<. the pair have been working together since their debut collaborative release on music mans sublabel, ion, in 2004. since then they have released on figure, smallville, traut, balans and their own imprint a&s. they also produce together under the >counterpart< guise and have eps on jeff mills 6277, oscar muleros warm up and the advents kombination research under their belt. the >rhetorica ep< is a lesson in deep, patient and hypnotic sounds. a rounded ep that works both in home and club, and will undoubtedly prick the ears of the techno fraternity. jonas kopp interpreted both the originals into a version of his own. this remix is full of drive and energy, something he brings to all his works.

full album from the astonishingly talented juju & jordash. this time crossing their more psych side (golf channel recordings) with their proto everything electronics. how many more tricks do they have up their sleeves? killer! tip!

micatone come off with a true masterpiece of sophisticated pop with their new and fifth album >wish i was here< (released in march 2012). not only the music press and feuilletons but also old devoted and newly found fans agree: micatone never sounded better before. the second offspring off the album is a 2-tracker with two very special remixes. label mate stee downes takes on >sweet pain< as if it was his own track and kicks out a vivacious deep house stormer. there is no doubt that this remix will be in every bag of those djs that put some more emotions on the floor. the second remix was orderd in italy - in bologna to be exact. keemani and alex ferratti just started their new project blue mondays and now – with their rework of >just a boy< – promisingly launch their career to become the next in-demand remixers. they dont just lay a vocal track over a pre-programed beat, but use all of their devotion, accuracy and finesse to turn an already astonishing pop song into an anthem for everlasting nights. it is like preparing the perfect sugo: simmer exquisite ingedients for days until your mouth is watering. perfetto!