backchat titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced electronic music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you ll ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. on vinyl – as we like our little record-shop around the corner.

we are back for another slab of genre-defying, ass-kicking, booty-shaking, timeless underground beats. get the curse music 07 features two cuts from the mysterious crackboy and two remixes from rising star gesaffelstein & toronto’s james teej. the question of crackboy’,s identity is burning everyone’s lips. who’s hiding behind this oh-so poetic moniker? theories abound, and rumor has it crackboy was last seen smoking on his pipe in the filthiest dens of the parisian underbelly. efforts to trace him since then have proved fruitless and until the next sighting, the enigma remains.
in spite of all this mystery one fact is crystal clear: with early feedback from ed banger’s busy p reaching the same conclusion that crackboy’s productions are solid gold, this is an ep with substantial crossover potential that will put the whole scene on the same wavelength.
support from joris voorn, steve bug, konrad black, laurent garnier, busy p, mathew dear, roman flugel, stephan bodzin, deetron, dubfire, kiki, gregor tresher, norman nodge, dj feadz, the hacker, remain, cosmo vitelli, arnaud rebotini, tobi neuman, erol alkan, ewan pearson...

>positivenoise< is collaboration between system 7 and british house music legend a guy called gerald who now lives in berlin, and is one of two tracks on the new system 7 >up< album that they worked on together. the original club mixs exuberant sounds and crisp beats exude an infectious feel-good quality and a bright tech confidence inspired by berlins leaner sounds - already gaining plaudits and plays for its modern club sound. the carl craig remix strips down the original, and twists and turns for the dancefloor with dubby deep techno in carls own legendary style. a.mochis remix is a darker interpretation, with a long dropdown featuring shimmering s7 trademark sounds and a breakbeat build-up.

4 raw deep acid tracks. its moony: the first track is a tb-303 monster which shows us the way to the acid moon, the ritual makes us crazy while the moon beats are moving our feets (thanks to the tr-707). the moon signals makes us moving into space, we are on another level. we land on the moon and take a walk. its a poem and its acid … limited to 303 vinyl

mr beatnick has played an active part in the burgeoning uk beats scene which has produced talents like bullion and paul white. his best known track >i know all the bitches< featuring the vocal talents of ahu, became one of the anthems of this movement, thanks to numerous spins on the likes of bbc radio 1 and rinse fm. in his music you can hear the influence of whole generations of music from mantronix to the 90s bay area scene and beyond, and the new ep >synthetes< takes this approach up a gear, exploring a path between the crackling breaks and samples of old, and the dancefloor music of now. with early support from braiden (rinse fm), slackkk (numbers), bullion (young turks), mosca (nightslugs / fat city) and gilles peterson (bbc radio 1), the >synthetes ep< looks set to find a unique place in the record boxes of bass addicts and beat diggers alike this summer.

dubline records unveils their next release by the neurodub duo that runs the dubline camp - melamin & wicked sway. the theory behind this production outfit is balance. neurologically the human brain percieves information to be incomplete if it is not symmetrical. in a practice of endless work ethic the sound design interfaces perfected beats that have an even balance of elements. the process in which people follow music as a path is implied in the waking of the conscious mind while in it spirit. the thought process of their approach to neuro is always written for the peoples natural instinct to follow obvious paths of information that can be used to direct the appliance of listening as a being of light tunes in and drops out the appropriate information. thus by drawing attention to the information the focus remains to show the difference between the foreground and background. a focal point is intended to encourage the listener to always furthur the exploration of the information presented. using elements that are different to show that they are clearly different components of presented information and yet both also with similarity to those of the same reference. its simply easier for ones step towards enlightenment in the experience of being human to realize the thought process and recognize the ego, reminding at the expense of the thinking brain that its cheaper to die.

wonderland ghost is, not only due to its title, a gift for all friends of electronic dance music. the three tracks: >for you<, >the ghost<, and >what im standing for feat. toxic pearl< all exude the pleasure of working with the original beats and rhythms that rattle through baders music. these are elegantly arranged sound montages that relentlessly push into the ears of an enraptured dance floor, taking surprising twists and turns on their way to a land of pure musical fun

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

merc music proudly presents new artist edward, a new light emerging from the black country underground. having passed mark e a cd full of left field house music maxa & naxa finally make their way onto vinyl with merc. here lies deep distorted driving 4/4 beats and looped disco monotony, following in the vein of previous merc releases this pushes the sound even further.

steve lorenz is the guy you will have to look for in the next months. he works around many musical influences. the first track >overclock< evolves into fat basses, bursted kicks & percussions. >overclock< remix, operated by damon wild international acclaimed and legendary synewave boss label (joe beltram/ jeff mills / adam beyer…,), results in an energic deeper techno, mental beats & dubby influences, a mind blast! the track >viraga< keeps the finest line. industrial noises & subliminal female voices are twisting in speakers & surely ll keep your head! close your eyes & start the journey. closing the race, >viraga< remix was realized by narrow friend kane roth (smallroom / lessismore), south french producer who recently moved to berlin. her production means well being quality, there is no coincidence if she has been remixed by maetrik & monoloc some months ago. keeping essential elements of the original viraga , she dropped a muscle main floor edit! hands up!
support from deetron, renato cohen, angel molina, claude monnet, loulou players, ashley beedle (x-press 2), hector romero, southmen (yoshitoshi), aga heller, corbin dooley, tim richards, esben b, mister no (motor), crystal method, aldrin ...

this is the first ep of the new project >abelt< from italy. the two youg italian producers alex bizzaro and lorenzo tresoldi deliver a wicked techno 4 tracker with lots of grooves and kickin. beats flavoured with some chicago and detroit ingredients..play and support by: tim baker, alex flatner, stefano lotti, sascha krohn, dave shokh, drumcomplex, miniminds, daniel sanchez and many more!

if there is any country fitted for hard techno its poland and that just happens to be the country mental crush is from! devastating hard beats from the industrial part of the planet. dark, heavy, dark, nasty, hard and did we mention dark?

bang the boxs second vinyl outing is a loved up three tracker from label resident and co-manager brett johnson... lovin u- the birds chirping in the intro let it be known that this is one for the summer time. vocal harmonies laid over true house beats and a full-on bassline seal the deal for this one to be a future classic... sweet love- continuing the theme, sweet love rolls down memory lane with a catchy vocal, and bretts signature robo-funk rhythms. the rolling bass line and spaced out chords bring it all together to seal the deal as a dance floor killer... love by my side- this track is last but definitely not the least. its one for all our slow house peeps put there willing to let the slow-burn take the dance floor in its clutches. the recycling main line is so infectious that you wont want the track to ever end…

fresh from the release of his stunning third album, >inner space break free< on the magic + dreams label, the unique and acclaimed live performer, bass clef delivers an anthemic summer 12 inch for the punch drunk label. an integral piece of bristols musical jigsaw, bass clefs live shows and dj sets have wowed the city for years. his punch drunk 12 inch debut is long over due. rollercoasters of the hearts euphoria fuelled piano refrain combines with dub echoed beats and rolling, ground shaking bass before delving deep into acid bliss, juxtaposing the darker, melancholic yet tough and club ready so cruel on the other side. if you get a chance to catch bass clef live, you wont regret it!

dj karotte support !! when benno blome and jens bond were hanging out in bennos studio the other day they suddenly found themselves on the floor looking for their heads. they must have fallen off, while producing some new bond & blome-beats. having found their heads again, and put them back on, they continued, and finally came up with the lose their heads ep. after a couple of 12inches for sender records (tentacular, control your soul) during the past years, they now armed forces to release on senders new sublabel senzen. also thanks to the fantastic remixes from onno and acumen, this whole package is ready to rumble all over the dancefloors of the universe. you can leave your hat on, while you lose your head!.

open the curtain for the next trick from the highgrade disharmonic orchestra: for the last year the team have been busy refuting the notion that the dj is a one-man-band in the booth… tom clark, todd bodine, philip bader, dale and daniel dreier are an act that combines all their many and varied qualities into one pot, stirring vigorously and serving up a hearty dish that goes straight to the hips! they have proven many times with their live performance that the musical ingredients are just right – and have also put the evidence on the record with an original ep. now comes the follow up. the first track way too far, is a live recording which evokes an atmosphere of urban beats and pulsating flashes just behind the eyes and a dancing crowd who appear to sink deep into the dance floor. then theres a complete chance of scene for the second track the other night, that appears to hijack the veranda of a villa in the american south. crisp rhythms are backed by muffled thumping beats, a trumpet laments, a sexy sleep-talking emerges in gentle piano sounds. this is southern passion under the disco ball, cleverly approximated by the highgrade disharmonic orchestra

the enigmatic french trio dop unleash another sonic assault of deep and visceral house music on guy gerbers supplement facts imprint with three bold and organic cuts for your sex. a dark broody and characteristically cheeky affair, your sex opens up this dop creation with a stripped back beat and looped vocal. low-end bass build up the title track to a crescendo that engulfs the senses in deep acid frequencies. this is a nod to the techno elite but fusing a new depth and sensuality to the genre, in true dop style. skipping into subtle and kinetic territory, half naked flirts with reverberating whispered vocals and crisp percussive beats. a lethargic and almost yearning record, it massages the energies of the body with a playful and soothing approach. last up paul ritch tackles a remix of the title track, elevating those throbbing bass elements to new levels with a fluttering and-high energy weapon made to hypnotise the feet, body and mind. dopis the musical summation of a 20 year long friendship between members clement aichelbaum, damien vandesande and jonathan illel, their musical relationship beginning in 1994 as the result of a rock & roll cover band formed for the french national day of music, experimenting in hip-hop, jazz, and reggae followed by various musical incarnations. in 2005 they made the transition into electronic music and last year delivered a highly regarded debut artist album on circus company, noted in the guardian newspaper as steeped not in orthodox 4/4 house and techno, but in jazz, classical, hip-hop and world music

gel abril was missing on be as one for a long time now, 2 years that he spent consolidating his ever-growing career with originals and remixes on strictly rhythm, get physical, paragraph and playing all around the world in the best events and clubs. angola is destined to be another stormer from gel as this is a proper follow up to his classic >spells of yoruba<, stripped down techno beats with an ethnic flavour, its another hit for the israeli producer. >changes< subtle hypnotizing mood and its almost laid back approach will fit well in many record boxes, perfect for keeping the floor moving and grooving.

cupp cave was once heralded as belgians best kept secret.Ê well, guess what?Ê the secrets out.Ê from the us to japan, his glitchy beats have stood out as some of the most innovative and rich amongst today s electronic hip hop producers.Ê but he doesnt stop at just making dope beats, he crafts universes, ocean deep and mountains high.Ê hes also proven his ability to wear as the weather and terrains demand while roaming through tese soni landscapes. as kingfisherg hes spen his time excavating golden sine waves from deep, lost caves. as sineshine, hes fished out a treasure trove of long-forgotten disco nuggets.Ê as cupp cave, he serves up busted-gaming-console-and-dusted-broken-beat concentrate, filtered through a tub of radioactive waste to devastating effects. he also forms one half of surfkill along with dynooo. this ep sees françois / cupp cave return to his one true love: making sloppy chicagoesque beats. just like all of vleks output, it comes in a hand-screenprinted, hand made, numbered cover.

supported by richie hawtin, monika kruse, mihalis safras, kombinat100 and many more ....crunchy beats and bouncy basses – no doubt, this is electronic dance music. but the extensive way in which classical instruments are deployed on acker number 23 cant be described as a simple sampling play any more. rather a fiery mixture of rhythmic electronic thrust and the thrilling atmosphere of handmade music is created. >solo para mi< is based on a functional yet driving groove on which a wind player arrangement unfolds, progressively escalating to ever new atmospheric peaks. mollono.bass takes up the summery-warm tone colours of the original in his remix but keeps it a little more dreamy and subliminal. >bulgarian chicks< is stronger orientated towards the electronic elements but still also here there are instrumental and vocal entries which lend to this title a very unconventional gipsy style. finally another remix on >solo para mi< by eule:nhaupt and molle:nhauer puts emphasis on the song-orientated components of the original, taking its hybrid character even further. supported by gorge, douglas greed, luciano, mihalis safras, the glitz, kombinat100 and many more

a welcome return for wolf with new sleeves and featuring the massive medlar - terrell alongside tracks from greymatter, krl & chicago damn.
support from: dark sky, zoo look, om unit, sarah sweeney, tim sweeney beats in space, red snapper, lucky me, mark potts, favouritizm, brackles, shook magazine, subeena, leftoo, delusions of grandeur, james barrie (bbe), feel my bicep, kelvin k (nordic trax), ian blevins (we love...), duffstep.

big with: chris carrier chris lattner, chris wood, nick curly, jimster, luke solomon, varoslav, mr. statik, tini, technasia, steve lawler, robert dietz, retrac, osunlade, dan drastic,.. our second imprint on >deep series< features an up-andcoming artist from moscow. as a studied pianist kammerton knows the fine art of funk and soul, which serves him well in writing mesmerizing deep house and dub techno. his dj-sets have been compared to the likes of moodyman or theo parrish, giving you high quality unapologetically. on the a1 you will find >take off<, a funky house tune founded on subsonic bass-rolls underneath gently tweaked sequences. this groove to make you move will get any floor going with its characteristic live arrangement. >infuse< on the flip is somewhat slower at 110bpm and surprises with broken beats, chords and vibras - the real funk. the b2 >fosters hats< has shown its full potential in the club, with a steady build-up of drums and chores. this peace of black gold belongs into every house-dj bag!

pounding beats! classic hard techno edits!

already support from roberto rodriguez, scope, nathan g, fish go deep, giom, joshua heath, grant nelson... slamming deep house ep from sonny on large! fresh off of his debut at this years get large miami wmc party, the assurgent sonny fodera releases his first ep with large music. whether you are a deep house loyalist or firmly committed to straight jackin house, if you are a dj then your cd wallet holds at least one of sonnys tunes. he has been breathlessly at work establishing his production credentials with top tier labels such as salted, guest house, drop music, and amenti. at the same time, sonny has been honing his dj skills at top clubs across the world as well as in his native australia. we are thrilled to welcome sonny to the large family. the cold cuts ep consists of 4 choice tracks...each one possessing a unique flavor and vibe. desire is a positive house vocal while keep me going is a peak-time energy blast. work and all for love showcase sonnys more underground deep house colors while retaining his trademark energy and beats. enjoy!

lowkey & kardinal are undoubtedly the most excited french techno duo at the moment. their groove is incomparable. they provide us once again a fat electro techno, with pumping beats. b-side stands 2 banging remixes from al core (micropoint) under his new electro pseudonym hartigan, and disturbed traxx. a very dancefloor 12 inch !

disco nihilist is a rather special project. firmly rooted in the us-american electronic music traditions, mike taylors records on love what you feel or construction paper roam the grey are between chicagos jack urgency, detroits funky machine soul and the raw magic of vintage drum machines. his style is natural, murky, filthy and raw to the core. the six track ep >running (far away)< for running back is an exercise in grinding beats, squelching acid lines, graceful pianos and heartfelt rhythms without any paralyzing retro romance. it is what it is. get a piece of the real bread

as pete isaac from jelly jazz said, makala does tasty club rocking tunes that fuse old school rumba, salsa, reggae, swing and mambo with breakbeats and chugging 4 to tha floor beats. remix action here from our friends and heroes dusty and dubben. both delivering amazing takes on the originals. watch out for makalas new album, coming soon!

tube10 returns with their 10th release already and their not mucking about! usas own don distal is stepping up with the ever epic >apple bottom< is it juke? no! is it house? no! is it dubstep? hell no! apple bottom is a hybrid tune is there ever was one ... this one smashes the dancefloor and leaves the crowd begging for more. with its juicy form and rave like edits its obvious that distal is no one day fly. with releases set for pinchs tectonic label and sindens grizzly you will know what to expect from this guy.
flip it over for >space graffiti< another piece of interstellar vandalism. this time distal shows what he is worth on a more dubby side. dont underestimate this one as this will pound any speaker system to bits with its firm deep bassline. let the tribal beats pick you up and put you down wherever you want to!

fearless tearout zomby dubstep tracks from 2methylbulbe1ol where extremely heavy beats, massive bombing synthlines, futuristic and sci-fi ambiences are mixing with a clinically clean production! following his split 12 inch with niveau zero on ruff and an excellent release on the label komod.o dragon, 2methyl… joins again the ruff roster with this time a powerful solo ep. guaranteed to destroy any dancefloor!

our 2 golden old ladies are back with a dub inspired deep cruise around the corner. anette throws the beats and chords and anita tries to kick out the bad ghosts directly into the mic. acid pauli catches the mood of this exorcism and transforms it to his own world.

surprise release by a mysterious uk producer. sweet and dripping wet chicago house beats that are as timeless as they are fitting with current trends.

danilo schneider and the hypnotic sound of his production pour mes amis is brouqades opener for the summer and comes with full support of tim xavier, butane, timo maas ... the elegant housy sound of >lecole< signals a post-winter, head-totoe thaw, with hook-lines and snatches of vocals glinting thru smart beats like the fi rst rays of spring. the buck remix is likewise summer-bound, catapulting shimmering fi ll-ins and a straight bass that are right on target! >sabliere< steps up with a clear beat, wakes up a bass-line and pushes ahead with percussion at its fl anks while horns and vocals swell, and fill-ins try with all their might to tame the rampant groove! yet steady and undeterred, the song keeps its eyes on the mainline: to shiver the speakers and hold the dancefloor hostage

nice price deal !!! genetix are back with an ep that will rattle your chest with bass and make your head explode. i can confirm, this has happened too many of my friends and has got me in a great deal of trouble. >beast mode<, my pick of the lot, is a collaboration with persist and is an absolute assault of disgusting basslines, switches and filthy beats produced at the highest end. then >termination< and >stealth< offer up more terrifying, futurist and hard edged dubstep that is certainly not for anyone with a heart condition. strictly dance floor bizzle!

his debut four track ep highlights his individual approach to song writing with the gorgeous, deep and moody >i am machinery<, a fitting title for a track where the human voice integrates seamlessly into the analogue electronics of the machines. >pointers’ changes the mood and aims at the dancefloor, with strings and synths fully indebted to detroit techno, but with a constant human touch from his jazzy scat cutting in and out of the heavy groove. >some days< has the biggest sound on the ep with multiple vocal tracks layering over the crisp drums and pulsating synths. hes combined his keen ear for melody and a firm grasp of the dancefloor for this track, making it many djs favourite on the ep due to a club friendly structure, yet striking originality. >set myself on fire< closes the ep at a mellow tempo, and can easily hypnotise the listener with its repetitive vocals, haunting whistles and sleazy beats. this is only for the beginning for debukas, these four tracks are just an introduction to one of the finest talents from the uk electronic underground

the response to sven kacireks album the kenya sessions (pingipung 20) was overwhelming. the cooperation between the drummer-producer from hamburg and musicians from kenya links electroni- ca with african recordings in a unique, exciting fa- shion. it therefore has been and still is being praised in various scenes from techno to jazz to world mu- sic. the cd will receive the award preis der deut- schen schallplattenkritik in may 2011, category: nu and extreme. also friends of the label have been enthusiastic about e quality of this material. pingipung therefore re- leases a 10inch vinyl with reworks of the album in the end of may. lawrence, hamburgs most melancholy house artist, co-owner of the labels dial, smallville and laid dedicates himself to the track kayamba tuc tuc. he reduces the track to its essen- ce, without adding anything new, and edit full of wisdom with heartfelt warmth. taprikk sweezee is the best known moniker of the musician nikolai von sallwitz next to gizmog or fussel . taprikk sweezee builds his soul glitch beats with ease, and he is by the way the most convincing electronic performer we know these days. one single track was not enough for his mix. wed love to see him dance with all the kenyan musicians who play on his two originals of choice, kayamba tuc tuc and mariae. furthermore on this 10inch: a rework of paperflowers by sven kacirek himself, created in cooperation with samy de- luxe producer sebastian winkler. finally, less a bonus but maybe the secret highlight: the ex- clusive sven kacirek track takaye village!

>sooner or later< by tom clark and martin eyerer is a classy and solid club tune. both masterminds are offering their own >sooner or later< interpretation on this release. tom clarks mix shows a rough and full body, clear structures and is highly seductive. martin eyerers mix is softer with a touch of minimalistic retro-chic. as both interpretations enjoy the same musical introduction the personality of each stands out even stronger making it a treat to the listeners ears. the daniel dreier & dale remix is an intense opposite to the original versions a techno-esque and sparkly ear feast, while the adrian martin & klangwerk remix has a softer approach pairing addictive beats to an ecstasized bass line. all in all >sooner or later< is a 4 track release featuring 4 outstanding visions of the moment in-between sooner or later, a vision for each and every one of us.

pole records presents reekos new release. the veteran spanish techno activist brings us three tracks that look at techno from three different perspectives. cyberpunk opens the release: ebm flavoured bass, compact beats, dreamy strings and sharp percussions that make this number a direct floor workout. dystopic futures has a funkier approach, with a shaker driven percussion programming, shuffled synth lines and crazy arpeggiated high-pitched frequencies. empirical science is a futuristic techno track whose analog synths grow and evolve as the track flows, seasoned with white noise drones and a constantly evolving structure. three tracks of intelligent and hard techno for your body and soul.

this release is strongly recommended. the first record of the enlightened wax series is a fine blend of incandescent house and techno tracks, flaring through the darkness of the night. all the tracks are written, mixed, and produced without the use of any software. light 1 (6.14) is like a ray coming from a distant star: it is slow building up on a wide bass body rising from atmospherical pads. a deep house jam with a touch of hi-tech jazz . light 2 (4.51) scatters raw beats in the urban skyline. an old school piano sample in addition to a aggressive bass line are the foundation of the track. its a breath-taking piece at the furthest boundaries between techno and house. on side b, the delightful journey continues with light 3 (5.34) an hymn to the glorious past of dance music. solid beats, ground shaking low frequencies, joyful voices, soulful piano chords call up the assembly for a return of the shining days. light 4 (6.06) fuses garage sounds and techno attitude. its massive dubby base breaks through sonic barriers. a dancefloor striker

hfn music launches a new sub-label with hfndisko - an outlet for some of the groovier finds. lightbluemover is the somewhat mysterious new artist gifted with the chance to kick start this new project. and what a start it is! >girn<, featuring the equally mysterious blacklightsmoke, is an extended, wild pitch journey into the smoky, synth-voiced slow house. beautifully mad, pitching synths and a husky vocal all add up as lazy beats lift this stoner-anthem into new levels the sci-pop disco meets psychobilly fusion that is >ddisco< is a further surprise and really gives us a view into lightbluemover extravert world. meandering synths and spooky passages drift and saunter through a bouncing, tense field of analog love.

c series returns to bring more hard groove monsters to your ears! c8 - sombrita : c8 starts off and goes all latino on your ass! smooth sexy vocals flow through the break leading into pounding bass line and groove, floor shaking beats and rattlesnake bongos complete this rework for some latin american booty shaking, c series style! c8 - lowis: another classic rework for this release. the track maintaining some of the original work that makes it instantly recognizable, but then takes on a harder and darker twist by being reinforced with some tough beats and bass made for a heads down, driving groover. a must for tearing off the roof at any party!

after the success of the massive >so be it< alongside crystal clear on cold blooded recordings, rhythmbeater returns to cutterz choice with 2 bangers which showcase his versatility as a producer. first up we have >never ending story<, a melodic piece of drum and bass with a euphoric intro that builds up to a warm powerful bass, driven along by crisp rolling beats. rhythmbeater gives us another huge slice of jump up with >murder sound<.

keeping it deep with ray okpara. percussions, drifty hypnotic beats, a touch of soul and marvellously deep ... house is a feeling and ray okpara has his finger firmly on the pulse, leading the way.

nice price deal !!! the music of the cologne based duo kitbuilders can be described as electro with scifi-punkrock-energy and a grebo edge. a remarkable element in the tracks are the vocals of female singer ripley. in the kitbuilders-cosmos you will also find the sparks in their moroderphase, chris and cosey, neu and devo. but their music is not 80s retro stuff, they include a lot of futuristic and fresh elements in their songs. after a handful of 12 inch singles and compilation appearances on labels like electrecord, world electric, vertical and ersatz audio, >wake up< was the debut full length from the duo. the us magazine xlr8r called it >...an excellent hybrid of the past and present<. alongside american outfits like adult. and fischerspooner, kitbuilders are at the forefront of the worldwide electro revolution. equal parts moroder and liquid sky, the duo of benway and ripley fluctuate between adrenaline-rush bpm 909 beats, fluttering sci-fi arpeggiations and tense, sinister moodiness.

the first release of the young dutch producer jameszoo. experimental beats combined with the vocals by coultrain, the st. louis based singer. the flip contains an ode to the experimental brazilian musician hermeto pascoal. later this year a full hermeto pascoal dedication ep will hit the streets. limited copies!

soothsayer returns with its twentieth vinyl plate and proudly presents the addition of ss015 and artist thought to the roster. hailing from sofia, bulgaria ivan sotirov (thought) has quickly built a reputation for employing the hardest beats to be had in eastern europe. having played therapy sessions and released a 12 inch on the famed uk label, obscene, thought rise to prominence continues with his soothsayer debut – a slab of heavy tribal breaks and halfstep riddims dubbed up plenty of dark bass.

spirit delivers his homage to the legendary amen break, >brother from another planet< as moody mystical pads and twisted distorted subs give way to a pounding bass hook. fellow horseman and renegade hardware stalwart, friske makes his inneractive debut with a classic dark and heavy thumper in >the storm<, loaded with growling subs, echoing stabs and furious beats. big support from bailey, total science, raiden, storm and many more.

hardline boss paulblackout returns with two heavy dnb/hardcore crossover tracks, to follow on from the broken, deep beats of the previous leepshec release. >curse on one self< features tough sounding vampire samples and builds up to a crazy drop which will have you throwing shapes and playing air drums like a madman (or woman) on the flip is >all you mfs< which makes use of an amusing cartoon sample and stomps along to a halftime breakdown with double kickdrums to activate fist pumping mode. vinyl release also includes an evil illustration by camila carmody, with dj support from dj hidden, dj producer, simon underground, mark n and more. this is how we are kickin it!

big with: marco carola, raresh, robert dietz, gregor tresher, daniel sanchez, ekkohaus, chaim, gel abril, bart skills, martin eyerer, pig&dan, richie hawtin,..
the two dutch artists warren fellow and michel steinbach team up again to show what good dance music is. but this time they give their debut on mannheim based label circle music. again they created a unique eclectic mix like they did on their successful cosmic ep in 2009 or together with legendary todd terry with >got a soul< in 2010 where they proved that they are very able to handle house music. on the a side we have some straight beats with classic percussions at the beginning. but very soon fellow and steinbach come around with some synthesizer hook which melody is quoting the nineties. the vocals only brings it down to a round figure.