following a 12 inch for doc daneekas tty, presk returns home to deliver his second 12 inch for fourth wave. delivering his most progressive and unique work yet, presks latest injects some fun into his synth-heavy sound, while deftly swerving the moodiness of his future-techno contemporaries. >hesitate / kook< marks the first release in 2012 for what promises to be another ridiculous year for new label fourth wave – an upcoming 12 inch from newcomer felix lenferink, and man of the moment gerry reds debut album are all set for release over the next few months.

marco effe returns to break new soil with his third release for the label! while his track for me marked a highlight in the labels young history and was praised by press and djs alike, his newest release once again proves his qualities

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la call’s music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la calles music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

double lp with a selection of the tracks on the resurrection cd last year. tip!as last years limited box set has been out of print for a while, we decided to press up a 2xlp version with 12 essential tracks from the original release that total 60 minutes.if you have missed the box set this is a great chance to own some of virgo fours essential chicago house music!

played by zip (perlon)
karat is delighted with this new single by seuil. we have been watching this guy attentively in his progression and we are glad to finally find him on karat while his production skills have reached a ripe condition. we guess his rise has just begun so watch him carefully in the near future. the two tracks of the record, in different ways, are close to karats spirit, deep, funkyand abstract enough to be used as a floorfiller or at home for a precise listening.
>sub boogie drama< is a jazzy atmosphere with an elegant restraint, even if you can feel the real swing in it.
>ketalgine network< offers a true inner odyssey, deep, sensual, funky and exquisitely oppressive.

in over 10 years of experience in the hard electronic music scene, stormtrooper has scored releases on labels such as industrial strength, artillery, deathchant and several others, always bringing a different sound which has shocked the crowds of many countries. now, after his appearance on sana 10, the man strikes back on the 17th release of cerebral destruction with 4 intense, multifaceted tracks which contain the result of his latest sound research. nice and quiet sound e.p. is not just an alchemic mixture of hardcore and drum and bass, but blends also everything in between in a way only stormtrooper can. another dancefloor cleaner? no way! while having his sound fresh and experimental, peter kept the vibe which moves the crowd always avoiding the obvious combinations. the truth is that there are no words for this record the only way to fully understand is to listen for yourself the nice (and not so quiet) sound of stormtrooper!

disco deviance is coming straight outta chicago for their latest release as legendary dj and edit supremo rahaan wields the blade on two lost disco classics. proceedings kick off with the looped up chicago-style boogie of >make me whole<, a groove that is 100% guaranteed to work the dance floor. while over on the flip, rahaan digs even deeper into the crates and comes up with >shut up & rock me< an absolute dance floor bomb of a cut! lovingly edited and re-mastered for modern floors.

after the success of their first release (etg001, programm ep) with all vinyl copies selling out, eartoground records quickly steps up again with some fresh new uk techno talent. while a lot of the focus on underground music culture in the uk remains on dubstep, we must not forget the fine pedigree we have in classic techno. here we present the first release from secluded alongside two superb, cutting edge club remixes from jonas kopp and markus suckut.

no use is the first collaboration between long time friends and house music veterans steve conry and iain macpherson. and their fine debut >no use< is the first release on what promises to be a quality outlet magic feet. the original mix is a warm, mid-tempo, acid laced house throbber, perfect for those early hours sessions. taking care of the remixes are craig bratley (instruments of rapture, foto recordings) who amps up the atmospherics, makes the whole thing a little chunkier while adding some space to the whole affair. finally ooft! step up with a rolling and mesmerizing electronic house workout high quality and a stunning debut.

warm, sparse, subtle pulsating ambient/ambient house album.
what is behind >human too<? its the debut album by thomas bachner – the hidden mind running playtracks records, releasing his debut album. first audio studies recognise the order of the tracks: in the end, the ten stories, each embedded in the right place, shape the album like a well-written childrens book of sound. its the first glimpse into the depths of the playtracks head and it feels curious and thriving at the same time. catalogue number 11, it reaches the human ear from several directions: downtempo, house, clicks&cuts, ambient and a subtle bit of techno and jazz. by filling the albums grooves they make it an audititve pleasure, both at home and while clubbing. enjoy your meal!

for a blink of an eye shhhh leaves the mystical and foggy output to open its doors for floorburning loopfunk with a gypsy taste by no one else than german techno�producer sascha muller, an experienced senior in electro�scene releasing his infinite creative output for some decades now. starting with the main theme >sommernachtstraume< (summernight dreams) and a video with handmade moulded plasticine characters it burns down the romanian street credibility at first glance. an additional remix by bluff with reminiscences to ancient hypnotic techno music as celebrated in cologne mid 90s closes the a�-side while a new confusing journey starts on b�-side. with its two hypnotic big city nightlife classical electro pieces >bangkok< and >future punk part ii< the soundtrack returns again and reveals a soft carpet full of robotic cyberpunk maelstrom for dancers and listeners after 6a.m. we welcome another new unexpected artist on shhhh, stating that eclecticism is not a bad word, but a desired place to be.

like hardly any other ambassador of modern rhein main house music, christian burkhardt has experienced a true rocket-like takeoff in the last year. burkhardts cocoon debut ep stopover goa has, after one year, still a place of honour in many djs record cases. also his legendary live set in the pouring rain at last years green & blue may belong to the lasting memories of a life dedicated to electronic music. the heidelberg-born producer has already worked for la peña, raum…musik and oslo, and his collaborations with einzelkind and sascha dive became a talking point, too. with his second ep for cocoon, he again sets new standards. theres nobody around who is able to alienate vocals from the collective memory of afro-american culture into a hallucinogenic cocktail without harmful side effects in such a way than burkhardt is. nevertheless, and despite the massive, forward-pushing bass drum and hand claps, he never loses the focus of his soul. so - open your mind, we wish you lots of fun with heart and mind and the considerably acid-like waffles, while the tropical-hypnotic seagull atmosphere of twentysecondcenturydrama already whets the appetite for the upcoming club summer season of 2012.

3 tracks dipped in the label heads usual otherness lacing rhythm, and soundscapes that move the mind & feet. all 3 take an open ended approach while being held together with aybeeÂs affinity for deep rhythmic travels.

the sun goddess ep has been a close guarded secret around don?t be afraid operations central for a little while now. mr. beatnick?s second outing for the label proudly carries the torch of last year?s breakthrough ep synthetes, one of fact magazine?s top 50 records of 2011.

nice price deal !!! hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta. with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people. now set to unleash his highly anticipated debut lp on climate recordings, rregula presents: the barramundi experiment.an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep. the vinyl ep features 4 groundbreaking tracks of the album. the a-side holds 2 superb drum n bass tracks for the dancefloor, while on the flip you will find 2 massive bass tracks that will do equal damage on the dancefloor! the vinyl ep also includes the full doublepack cd in the sleeve!

after a break of over a year while he concentrated on his debut album >smoke & mirrors< for drumcode, ben sims theory label returns to celebrate the 40th release with a stormer featuring remixes from 3 of the finest techno names around (robert hood, rolando and skudge). the title track >slow motion< was included on marcel fenglers recent ostgut ton mix cd and has been in huge demand ever since plus theres brand new sims cuts >straight from bolivia< and >new blood< to complete the package. early dj support: ben klock, marcel dettmann, adam beyer, dave clarke, joris voorn, marcel fengler, oscar mulero, rolando, robert hood, ben sims + more.

dollys first release in 2012 and immediately setting a high standard for the year to come! this time aroy dee under his mos disguise is delivering the deepness, and this one could be very well one of his strongest releases to date. present as usual are his trademark vintage synths & drums, but this goes beyond the average retro chicago stuff. skillfull on the machines while its very clear the music comes from deep within. marcel fengler on remix duty adds a little techno punch, which perfectly tops of this very fine release.

this is a 1 off collaborative ep between sonic wizard my panda shall fly and analogue disciple benjamin jackson. mpsf has been on the scene a while, with releases on dam mantle’s growing records & wichita. benjamin jackson is a relative newcomer, having only self-released last year through his own label, ‘thanqu’. the pair recorded the bulk of the ep collaboratively without ever having met. the ep is rounded off by remixes from -no pain in pop’s critically aclaimed patten -r & s’s hyped new signings cloud boat -’my panda shall fly’s material is groundbreaking’

limited backstock on this 1990 house classic from the nu groove camp.

massive stuff! early praise and support from: thomas schumacher, martin landsky, john tejada, jimpster, ben watt, anthony collins, varoslav and dave aju among others. deep, dank and dusty is the name of the game for bad animals second vinyl release. san franciscos safeword (marc smith and clint stewart) have been on a tear since forming last year in san francisco. right off the bat they ve hit a stride with releases on fine labels such as dessous, paso music and are currently remixing for the mighty mobilee. this, their debut ep on bad animal titled >west portal< weaves down more soulful yet dark avenues. deep vibes, smooth synths and silky vocals are perfectly accompanied by heavy, churning rhythms and tasteful reflections of acid house. the legendary smash tv lend their expertise to round off the ep with an acid house monster of a party jam. while still retaining the dusty soul of the original material, the berlin-based duo has brought their >midas touch< to bad animal with this golden rework.

prinzhorn dance schools sophomore album, clay class, releases a quiet energy amongst a dark landscape, inarguably in tune with the downtrodden economic situations that have permeated modern life in the bands native britain, and conversely, along our shores. tobin prinz and suzi horn form a compelling duo whose shout-and-answer approach, paired with edgy and steady bass/drum patterns, achieves perfection in songs such as >seed, crop, harvest< and >your fire has gone out<. the album is constructed on the emblem of empty space, as songs such as >i want you< bridge the gap between musical minimalism and cold intimacy. the oscillation between starkness and warmth pays homage to the bands debut 2007 release, while also creating a modern, if not postmodern, musical snapshot of life across the pond, as well as in our own backyards.
includes full cd-version of this album.

the irish blues-rock multi-instrumentalist rory gallagher recorded quite some solo albums throughout the 1970s and 1980s. music on vinyl already released the lost album >notes from san francisco<(movlp349) in september 2011.
now its time for gallaghers first two albums to get fully remastered and pressed on audiophile 180-grams vinyl. rory gallagher released his eponymous solo debut album in 1971. this album marked the departure from taste, the first band which gallagher founded, and the start of his solo career. gallagher wrote all the songs himself and recorded the album with two befriended belfast musicians.
>deuce< is gallaghers second solo album and was originally released in 1971 as well. in contrast with his previous well-produced album, >deuce< was an effort by to capture the energy of a live performance. in order to do so gallagher would often record immediately before or after live performances while keeping production at a minimum.
remastered audi on 180 grams audiophile vinyl with printed innersleeve.

an incredible u.s.a.-belgium collaboration between the dirtiest mc juan huevos and phranteek. all started when phranteek was sound engineering a juan live act. he just says >man? i guess you ll like to records some miami bass tracks?<. juan was like >of course!<. at the end of is tour, kick the lyrics on some phranteeks 808 beat. and the magic happened! phranteek says that mr. huevos is a studio beast… and we can feel it.
on b-side, daveluxes dubstep remix is incredibbly fat. we never thought releasing dubstep music, but this is not dubstep… this is deep schizophrene robot sounds highly doped on bootybass music!
winner of octaves de la musique award in 2011, dj elephant power remix sounds like a travel in a futuristic india. while listening to it, you can imagine some elephants in disguise dancing on ghettomusic!

after a break from releasing new material while he concentrated on developing the freerotation electronic music festival, mindtours label boss steevio is back with a 4 track ep of live improvised modular music. modular techno vol 1 is four tracks of raw, deep, jazz tinged, freeform, analogue minimal electronics, all sequencing and sound manipulation was jammed live on steevios modular synthesizer, without the use of a computer, or eq / compression / mastering or any other processing in a deliberate attempt to capture a live electronic music performance directly to vinyl.

gabriel andruzzi, multi-instrumentalist and core member of dfas beloved the rapture, debuts his solo moniker dj druzz vs. omega mus on his own throne of blood imprint. designed for maximum dancefloor impact, >apeman< reveals new shades of primal funkiness hitherto unexplored by man... the title track thumps along with a swagger in its step, while tambourines, deep toms and simian grunts rattle and shake into rhythmic abandon. meanwhile, audacious, finely-detuned synth acrobatics form the backbone of the track and evoke a sense of careening blindly through the jungle canopy.

2012 repress, as these two certified burners prove, back-to-basics house music is alive and thriving. and while hes been around the block a time or two, this essential double-aside release confirms mendos status as an artist on the rise.

the second edition of the mosso series adheres to its archetypal plan, as alejandro mosso leads us forwards on his musical trek and through the grooves carved onto this record. for this new number, alejandro mosso decided to delve back into his archives and take a closer listen to some forgotten, unfinished pieces. some listeners will surely recognise certain bits of this record as they were part of mossos live performance years ago. this is however the first time they will be edited and see the light of day. on the a-side, aconcagua is a festive theme on which a magnetic marimba riff turns into an escalating melody, surrounded by a forest of ascending percussions - characteristic of mossos production – lightly floating around it. cashmere, the flip, was conceived while airborne on a flying carpet, half way above the indian subcontinent and below the countles gleaming stars. perfect instance of alejandro mossos talent, it is a subtle blend of hovering winds and crystallized textures. the bansuri flute and the clave go hand in hand to form reassuring horizons, the soundtrack for a longer moment of hope, greater perspective and spiritual transformation.

lisa shaw has been a proven staple in the deep house world. she helped define an era with her releases on naked music, and continues to create timeless gems. both albums >cherry< & >free< take it back to the basics, while >sweet and simply< taking it beyond. lisa looks forward to the future of her music career and strives for a constant push to explore modern sounds but most important is keeping the essence behind the music no matter how it changes.

deep bounce monster! coil-sprung wobbles pack the tension while the deliciously cavernous bassline thumps out the stress.this tunes out of the (office) box!

with its 21st release, subb-an >what i do< remixes, culprit reinvigorates one of its signature tracks (and one of its biggest 2011 successes) while introducing three long-admired talents to the label, tom trago, konrad black and burnski.

for soweso no 12 we are proud to bring you beesmunts debut ep >circulations<. beesmunt consists of david van der leeuw and luigi vittorio jansen, two rising talents from the amsterdam house scene. they started working as a dj-duo in the summer of 2006 and have been busy djing and producing ever since. the five tracks on this ep have a typical beesmunt style that has been tried and tested on the dancefloor. make sure you try this one out!

top italo / new wave classic from 1984 by the neurox band. great dark italo wave with strange male and female vocals. on the flip hi-tech 2012 remixes made by king of the cut flemming dalum and steen body electric gjerulff. for the first time on 12 vinyl ... 7 inch goes for hundreds of euros and is rare as hell! comes in full colour sleeve, go for it while you can.

slavaki has been polishing his individual take on minimalist sound for a while now. his releases found favour with numerous people of distinguished musical taste, and got hailed by artists as diverse as slam, ekkohouse, silicone soul, brother s vibe, ziggy kinder, franco bianco and chris carrier to name but a few and found praise on the pages of de:bug, ibiza-voice, klubbers, and radio stations such as ibiza global radio and freaks radio show. slavakis new offering walking in the snow displays artists most notable trademark features - a rare ability to merry functionality, precision, groove and soulful airiness never shy from revealing the beautiful side of sound.

here we have a new label and its some of the best techy drum and bass we have heard for a while. counterstrike and cooh do what they do best and bring their trademark tight production along with a load of bass that will rumble any bass bin. looking forward to hearing what else this exciting label has up its sleeve.

music is about stories. some of those stories can be meaningful and still be fun.
after spending the last few years painting in train yards across france and europe, clio now focuses on music. he describes his own productions as fun while at the same time signifying deep meaning.
while clios heart is in techno music, he also credits hip hop, jazz, dance, dub as important influences to him when younger.

after keeping quiet for a year the mysterious story label proves with in 3 chapters that there still remain fresh and exciting yarns in house music worth to be told. and while the story-teller remains anonymous as always he certainly doesnt lack in distinctive style and bravura as he carves out with rich imagination and pointed quill slightly fragile sounding yet carefully interlaced swinging beat structures masterfully lined and intervowen with melancholic organ chordes and sketches of blissed out rhodes melodies.

after firstly appearing on dials 2010 compilation, kassian troyer shows up with an adventure into wonderful sounddesigned technomusic. these four pieces of deeply grooving structures might r be influenced of early works by jan jelineks farben project, the swing of stl and the deep rooms of pole. that is no coincidence at all. kassian troyer who studied sound engineering and production has been responsible for the live mixing of stefan bethke aka pole and lots of other artists like andrew peckler and pantha du prince. while working on the mixing of efdemins chicago album he became related to dial records- his first demo tracks were an ingenious discovery for dials eccentric family.

welcome reissue for this super-rare space funk album from 1983, one of the holy grails of the cosmic scene. extremely expensive and hard-to-find in the original, this lp was created by legendary french producers jean-pierre massiera and bernard torelli (listed here as areisam and bernie) and released on french label savoir faire. it is a superb example of the duos innovative electronic disco madness, always pushing boundaries while remaining supremely funky. stand-out tracks are the italo classic >challenger< - heady synths, tough bass and astronaut vocals combine in a strange space odyssey, >cruisin<, a superb electro-boogie style cut with a hypnotic driving bassline, and the fantastic >on the border<, a tight funky percussive workout whipped by wild space-rock guitars. but as you would expect from the massiera/torelli trademark, all tracks are great and the lp a worthy addition to any self-respecting italo / cosmic collection.

nice price deal !!! vae victis is back for its 2nd release and is glad to welcome the very first debut of nightjars. with this 4 tracks ep the label shifts on a different musical path, sound and style wise. sound wise, both sides are written, mixed and produced on hardwares and polarized on a ferromagnetic tape. technically, side a (raw side) is mixed with a tough multitrack mixer brought to its saturation limit: the sound is indeed distorted, raw and unfriendly. while the flipside (clean side) is instead mixed with a big class a vintage studio mixer. the sound is brighter, richer of harmonics and the infrasounds are charged thru a wide dynamic range. style wise,the label shifts on a more broken beat field, lets call it bass, dubstep or whatever, but anyway something which should put this vinyl in the records bags of all the lovers of shed, peverelist and horsepower productions to name a few.

this latest instalment in an impressive run of eps sees chris colburn drop one more classic sounding cuts, wide awake (jacking, detroit-inspired minimalism). having asked to remix >wide awake< after receiving the track directly from chris, rebekah showed just how much she liked the track by delivering two remixes. her fully awake remix is typical of the no-nonsense heads-down style that has earned rebekahs previous work plaudits from adam beyer and chris leibing, while the half asleep mix reworks the original stab pattern to deep hypnotic effect.

mike shannon steps up to the cityfox ltd plate and squeezes the jack juice on his latest offering for cityfox ltd entitled foxology. its a 3 track session of deep jazzy basslines and smooth cuts. we start things off with >foxology feat. flowing<, a twistedly deep smoothy of a house cut with shannons signature shuffle groove and warped dynamic basses featuring some wicked blues harp action from amsterdams flowing. foxologys b-side is home to >foxwell< and >zukunftstrasse<, the former being a rather hot number bubbling with bouncing bass, whereas >zukunftstrasse< is even more laid back and down tempo, while still playing your mind with it’s sonic insight to the distant future.

bria valente (born brenda fuentes) is an american singer based in minneapolis. she released her debut album, elixer as part of a three-album set with princes lotusflow3r and mplsound in 2009, which debuted at #2 on the top billboard albums chart.
she first met prince at the age of 17 at paisley park studios while working with keyboardist morris hayes and later began her association with prince, contributing vocals to his 2007 album planet earth.
in 2009 she recorded the elixer album, singing lead vocals with prince on guitar and morris hayes providing beats. out this week on vinyl and picture disc formats featuring brand new club mixes by jamie lewis (purple music) & david alexander (icon collective).

limited picture disc edition!
bria valente (born brenda fuentes) is an american singer based in minneapolis. she released her debut album, elixer as part of a three-album set with princes lotusflow3r and mplsound in 2009, which debuted at #2 on the top billboard albums chart.
she first met prince at the age of 17 at paisley park studios while working with keyboardist morris hayes and later began her association with prince, contributing vocals to his 2007 album planet earth.
in 2009 she recorded the elixer album, singing lead vocals with prince on guitar and morris hayes providing beats. out this week on vinyl and picture disc formats featuring brand new club mixes by jamie lewis (purple music) & david alexander (icon collective).

the irresistible electronic trio formed by antonio pecori stefano meucci and andrea giacchetti mainly known as the clover strikes back on bosconi records with another strong 4 tracks ep. after an year spent into researchin and experimenting in their own studio, jammin for hours like a proper band as they are, using analogue machines, freaky instruments and concrete sounds, our lovely boys, always keepin their distinctive funky n groovy attitude, turned the page of their past west-coast inspired funky house vibe and changed the way of seeing club music into giving life to a completely new, fresh and personal house style. the whole ep sounds like house music influenced by post rock bands like tortoise and kraut legends like can and this 12inch is an absolut winner that sees on a side the psychedelic tribal funk of goodies while on the second cut theres the subliminal mood of wandering souls, b side instead goes more spiritual and rockin thanks to the manipulated percussive trip of find yourself and the darkdroning session of amsterdam house don san proper remixing goodies. a real four season ep!

with new artist noah pred, the highgrade family adds another exciting voice to the labels musical cosmos. although the canadian producer, dj and founder of his own label thoughtless is already internationally saavy, he recently decided to move to the worlds hub of electronic music and pitch his tent in berlin. included in his luggage: his very own creative perspective, a great sense for aesthetics and an unerring feeling for music, learnt in part, from his many years as a bassist. noahs first ep for berlin label, highgrade records sets an exciting precedent. the track >motive unknown< trickles organically into the aural canals, before the drips become digital drops and the track comes crashing from the speakers in a steady flow. the entire piece is simultaeneously suspended and captivating. no wonder then, that the remixes from deepchild and phonokemi manage to bring out further different facets of a already multifaceted track. while deepchild brings a dub element, phonokemi move the tune into darker musical territory. its brought back with noah preds folding cranes, which follows the thread through a musical universe infused with pounding and grinding percussion.

zooloft records is approaching to the era of future tech-noir and this release is the result of an internal process of thoughts and ideas behind them. it tells the story of a sad wanderer who is trying to find the path to personal truth. outside, a desolate scenario of modern architectures of cold glass, standing to the edge of horizon. a wonderland of mirrors and empty landscapes: the triumph of solitude. the a side starts with a complex and claustrophobic dark-techno driver which sets a point of no-return. an obsessive pattern of sub-frequencies collides with breaths from the beyond. sound paranoia. the highest frequencies create phrenetic and compulsive rhythms to make the dynamics imploding. the heroes of modern-age industrial techno, orphx, make the path to truth harder. they trace an obscure reinterpretation of the a side with a percussive alarm that marks the time, while dense and anxious atmospheres are followed by syncopated beats and distorted high-frequencies. the breaths from the beyond are now closer than ever. the ep gets closed by an evocative, thoughtful and beatless composition. the perfect soundtrack for those who are wandering and wondering

prescription records trinidadian deep joins neroli for this deep deep affair! sweetness you bring is a deep and melodic collaboration with siso khanyi from zone 5 production crew outta south africa, in a true prescription fashion! oruns jam is a big favourite at the neroli office with its uplifting vibe while inner love is an epic raw and hipnotic jam! play this loud!

hailing from greeces capital, the duo keep shelly in athens have been the toast of the blog world for a while now, and their first ep for planet mu is in keeping with a consistent level of odd synth-pop that the label has released this year from tropics to vezelay, heterotic to solar bears.