after dropping their first various, figures, slowciety is about to release guru, sunrom’s next ep. the artist has already worked with prestigious labels like kompakt, ancient future now and the bricks. the ep lays down four organic tracks for a blend of deep house, world music and techno. the title track sounds like a ride on acid and is followed by quirigua, a rich track conjuring transcendent mayan rituals. the b side opens with elephant’s deep muffled kicks and takes off with utopia’s elegant arpeggiator for a final flight. this strange and personal ep will cast a spell on the dance floor.

over the past three years melbournes albrecht la brooy have patiently cultivated their own space within australias prolific electronic music scene. deeply rooted in technos ambient influences, the duo improvise their compositions with an overarching approach that breaks away from techno s conventional presentation. recorded in one take from beginning to end, escape velocity sees albrecht la brooy take on the voyage aesthetic and principles to create a twenty five minute odyssey spanning four passages, to be played continuously across the 12inch medium. utilising both sparse, drifting ambient palettes and driving, machine-led rhythms, escape velocity is a pensively uplifting account of future travels through space and the ninth installment to the voyage catalogue. both sides of the vinyl are cut as continuous sides.

alleviated records is proud to present another edition of the larry heard presents mr. white sessions. these 2 selections, produced and mixed by larry heard somehow both evolved into otherworldly future-house concepts as they took shape. first up, virtual emotion (main & dub versions) features mr. white vocals over an electro-funk flavored percolating deep-house track. then supernova (main & dub versions) features mr. white vocals taking us to a darker, almost tech-rocky mood off-world adventure. the two very different flavors should make this 12 one that can be played in many settings!! as always with alleviated records releases, created to be timeless so that you can enjoy it for many years to come. this special vinyl 12 will be another great addition to any collection! enjoy! and thanks for your continued support!!

merc return with the latest instalment in their celebrated e-versions series. no. 8 is classic mark e business, proven king, as he is, of the slow-burner train tunnel is a beautifully unhurried deconstruction of a jazz classic, upright bass, piano flourishes and horns picked fresh from the speakeasy and popped in the slow-cooker for a deeper, mesmerising flavour on the flip give it time is a glorious celestial and atmospheric workout, which - as the title would suggest - implores you to ignore the demands of accelerated culture and pace your journey to dancefloor nirvana accordingly. merc to the future !

new chicago’s anthony nicholson and cara dawn team up for the deep, soulful & cosmic future dance ritual “living for today” which is an elegant, timeless piece of music. “living for today” is the first release on the special blak muzik label. anthony nicholson cultivates and pushes forward in this genre.

driven by passion for quality music, easy tiger came to life in 2011. as a contemporary party series. it was born from the idea and the desire to offer something fresh to belgrade’s electronic music scene.
delving deeper into musical endeavours, marko nastic blends his essential quirky, modular soundscapes into two dancefloor oriented tracks. on his new vinyl only imprint, marko promises further explorations of the genre, octagon gate being the primary example of the abstract tendencies. the second side cut, monday surfing, brings some intricately programmed rhythms, keeping the dancefloor dynamics integrated with intricate synths and subtle pads. the first release on his own new easy tiger series is all about future thinking house music.

as a longtime chicago and detroit house-head who spent hours listening to sets online, justin ramsey packed up his bags and jumped ship to berlin to get involved in its thriving music scene. the result - spacey pads, warm vocal samples, and driving drums which make up the backbone for each cut. don’t just keep me is a deep and trippy ep, dressed up with bouncing bass lines and breaks to dance to.

cosmic bridge continues to move forward with a two-track release featuring the dynamic duo of munich s danny scrilla, an early member of the label s roster, and bristol s sam binga, a close friend and collaborator of the label s founder om unit. created during a weekend session at scrilla s home studio, the release sees this long overdue anglo-german meeting of the future minded go deep into unexpected sonic terrains and fully live up to its title of weird in munich. the trip begins on side a with frolic in brine , a brooding roller that sets up the mood: deep, hypnotic and sweaty. the track unfolds from pulsating synths with a percussive rhythm underpinning a gentle procession of elements including synth arpeggios, languid guitar licks, and echoing sound effects. ignoring dancefloor conventions, frolic in brine instead opts for a minimal approach that delivers a shot of pure body music.

come together: re.yous younion returns with more sublime unifying forces. beats that bring us closer, feelings that break down barriers and artist partnerships whose creative connections are more than the sum of their parts. the message is clear in every directio, from the longstanding younion parties across europe to the slow-but-smouldering rise of the label, of which we are proud to present its third release tapping into the very same younion spirit that regularly shakes the walls of iconic clubs such as watergate berlin and pacha barcelona, this four track ep is an incisively curated collective ep comprising three acts who complement each other implicitly. as the dust still settles from florian busses recent younion outing, and solomun continues to hammer the labels first release from eins tiefer, the timing couldnt be better. the perennially on-point dutchman rancido takes the lead with two deep tribal odysseys that take root in the sound he’s made his signature. both >lagos< and the vinyl-only >rabat< conjure deep mystic textures around his stately, restrained and constantly developing grooves. there is a reason he is released with the mighty innervisions in the past. deeper again re.you whips up a percussive storm over palpitating synths in the form of >dao< before handing the controls over to rising german duo cosmo & kramer for an inspiring finale. a duo re.you has been championing since they warmed up for him five years ago, >dance< is a calling card for an extremely exciting future… and it more than lives up to its name. three releases deep and younions unifying forces couldnt be stronger. its time to combine.

weaving sophisticated orchestral scores with spacious electronic production, oofjs baroque modern pop perches on the edge of contemporary music, overlooking both the familiar past and the anything-goes future. after bonding over their mutual love for french synthesizer music, all things russian, and serge gainsbourg, jenno bjørnkjær and katherine mills rymer formed oofj, whose distinctive chilled-out sounds find their way deep into your ear like an electronic ind gyrating with eerie symphonies plus the delicate sound of expensive-lingerie vocals, that could make you cry in a good-looking way.

dj bwin follow up leibnizs inaugural release for the newly-founded hundert imprint with a three-track ep. trinity draws on feverish breakbeats, hardcore influences and about 2.3 gigatonnes of bass. having released a split ep with dj ok on irelands first second label, trinity sees the production duo venture into the realm of the ancient and the mystical, the inexplicable and the possibly made-up. conceived as a triangle with one foot deep in the past and the other one in a future yet to explore, trinity points all gunfingaz to the startling revelation that, hey, were all living in a computer simulation anyhow. informed by the ancient knowledge of the dubstep elders and jungleÆs relentless search for a grain of truth amongst the lies fed to us by the lo-fi house empire, dj bwin bring together the unholy trinity of paranoid hoover chords, melancholic textures and piercing synth notes for an ep that henceforth shall be known as ?banging atmospheric hardcore continuum derivatives for late-night hours. this is not a pyramid scheme or is it?

ocean parkway, the new sublabel from brooklyn s names you can trust, continues into the deep with a future dance sureshot! prince of queens aka felipe quiroz normally lends his talented musicianship on keys and bass to the live ensembles of combo chimbita and maku soundsystem, but behind the closed doors of his bunker studio a new sector of blissfully solo, machine-made electronic rhythms are steadily bubbling to the surface. call it techno as imagined by a tropicalista, as the vintage analog tones of classic house are twisted by a kaleidoscope of influences both caribbean and chicagoan. from the wavy beachside vibes of the ep s opening number, to the deep, evolving arrangements of the scene over and the end scene, on to the jazz-chord-fueled robotic timbale rhythms of thank you friends, and finally forward to the future-tropical polyrhythmic sequencing of winter islander, it s an impressive range of style and skills on display from this talented and up and coming producer

fresh of the back of his recent environments ten release on xvi records, south london based producer and brownswood future bubblers alumni munro returns to his own imprint arken records, bringing a few friends along for the ride. following on from his debut arken records 12-, (a limited- to 100 run which gained him support from the likes of bradley zero, jimpster & more) munro enlists the help of long time friends um river & bard, and fellow future bubblers participant revenu, delivering four upfront, forward-thinking and uncompromising tracks. from the deep, acid driven, broken beats of bards -tatala- to the cavernous, unrelenting energy of munro s -fall- - each cut seems to feed from the energy of the other, twisting and turning into constantly unexpected directions. a dark modular synthesis induced atmosphere hangs heavy throughout the record creating an almost dystopian soundscape at times. it s overpowering grooves transmit through empty space, perfect for soundtracking moments of nocturnal transcendence.

ian blevins has been busy making a name for himself on esp institute and futureboogie, but now he comes to not an animal with a slightly different approach that still speaks to the skills the upstart producer has in his sonic arsenal. -the birds- is a focused, steady-tracking cut for the deeper end of the night, but there s some serious weight in those drums and the heavily processed vocal snippets pack plenty of malaise. man power then step up with a -tropical bastard- remix of the original, cracking the curtains to allow a little light into the mix but stopping short of over-cooking the mood. -locate yourself- on the flip finds blevins in tracky techno mode, and it turns out it s a style he can nail just as easily as the more organic tones he s known for.

this summer path records launches its 2017 campaign with freshly recorded material from reade truths fate 258 moniker. the games with blades ep delivers an epic dose of material once again deeply rooted in the mysteriously seductive sci-fi themes the artist and label are well known for. games with blades visits the dystopian subject matter of the ultra-classic bladerunner and furthers reflection upon its themes of immortality, empathy, and the femme fatale. much like 1999s highly sought digger-classic why 2k this ep provides an enticingly varied mixture of flavors. deep and heavy techno, raw and rhythmic house and funkier electro styled breaks are all on display alongside fate 258s heavy bed of intricate sample-work. path records are leaders in the left field, providing dance floors with unique, conceptual future-classics that sublimely push a futuristic vision.

correspondant’s comprehensive fifth compilation is due to drop imminently. once again jennifer cardini’s label have recruited a seriously on-point rollcall of friends and family to contribute to its distinctive cosmic, deep, groove-laden veneer as everyone from man power to marvin & guy deliver their rule-free finest. following the first ep sampler with tracks from khidja, jonathan kusuma, marvin & guy and kempes here are four more startling future-shocks from the forthcoming collection. featuring stellar star-gliding synthetic soul from some of the label’s oldest friends such as red axes and javi redondo, kindred spirits such as fort romeau and new friends like colli alban, it’s the perfect set-up for the total knock-down that is the album. guaranteed to be soundtrack our summers, dancefloors and souls for a long time to come…

sex. sorrow. synthesizers. digital romance are a french duo cast in the mould of vintage electro pop. their sound echoes those halcyon days but is firmly set with an eye on the future. vocals, from marie de berlin, are deep, inviting and rich. tracks tell of lost loves, forlorn figures hoping to find solace in the cold and calculated world we inhabit. sparkling synthwork, care of forgotten illusions, perfectly matches those breathy lyrics, catchy hooks ensnaring hearts and minds as they spiral through the dancefloor of their lives.

after recent releases on the save fabric album, alola & jack trax, mr.c has delved deep into his musical psyche to deliver an acid master-class that s influenced by ska, dub, electro, italo disco, acid house & tech house, bringing his roots up to date with this massive modern production. incidents is about things that can happen while clubbing. down-tempo tracks entry search, a civil dose & quick exit will dub you out. slightly quicker acid fever & stand up will completely groove you & dance tracks do it for me, disco rebellion, shape your dreams, raid, ripple effect & master of the universe will make you dance like no-one s watching. incidents is the complete electronic album that pulls all the punches, gives a nod to the past & yet has it s feet firmly embedded in the future. this is easily mr.c s best solo work to date & essential listening.

fresh from the success of their ‘past / present / future’ release, we march on, with berlin-based italian christopher ledger the man responsible for their label’s 41st release. the ‘percezione and retrospettiva’ ep sees ledger in flying form, as he props up with two dexterous, thoughtfully executed records that speak volume of his ability to craft atmospheric sounds. opening up the release is the sounds of ‘retrospettiva 2’, a future leaning techno jam that again wonderfully fits the brouqade aesthetic. clearly indebted to sci-fi spheres, this one is very much cut from a detroit cloth, with a steely finesse that lurks from the get go. a track that brings the listener on an endless journey, it comes some deep harmonic vibes. all things told, this is an ep of various contrasting sounds, ledger’s debut for brouqade is a stunning example of what can happen when producers think outside the box. the b side consists of ‘percezione attiva’. harmonic, blissful tones abound throughout, made all the more meaningful by a slew of gentle, melancholic piano chords that really pull on the heartstrings. a light and hazy experimental piece, the track forces parallels with other masters of suspense. culminating with a more traditional 4/4 vibe, this unusual turn only enhances the producer’s standing as a man willing to take risks.

fantastic deep jazzy house

dan curtin s name has long been associated with future looking techno, machine music oozing with soul and emotion. he has released on many seminal labels throughout his career and left an indelible mark on contemporary electronic music. alive / cascade is perhaps a lesser known entry into curtin s catalogue, released on strictly in 1994 and is almost the perfect synthesis of nyc deep house and detroit techno, a true slept on gem of a record. the music contained within the grooves of this record defy any sort of time frame, it s almost hard to believe it s over 20+ years old. a truly beautiful record, alive / cascade is a must for all electronic music lovers and will undoubtedly continue to be played and enjoyed for the next 20+ years ahead. astounding stuff and yet another example of the wide reaching ears and minds operating strictly rhythm during this golden period.

kosmos gets harder series brings a new alternative sound of the label and shows dark sides of the artists you might thought you knew. tougher, harder, banger!
includes kosmos release #45 + 47 plus full cd and bonus disc kosmos037.

a fistful of wax is an extension for some very special projects of our beloved deep house skylax records sub – label wax classic. a fistful of wax is back with its fourth volume! this offshoot originally began as an avenue for showing off some of the overflowing great talent we have floating about the wax classic sub-label, but with the growing reception of our previous three releases, it has developed itself into its own uniquely successful imprint. in a time when a lot of the hot records of the moment are made by highly distinguished producers with years of success under their belts, it is easy to forget how much good house music can come out of the underground by relatively fresh names. with afx4, we are only scratching the surface once again, yet we have 5 special tracks from a group of producers who, if not already, will stay on your radar for the foreseeable future.the a side features tracks from erman & abtomat (of série limitée records fame) and kid mark (head honcho of killax recordings). we start off deep with the aptly named how deep can you go , easily the most soothing of the bunch. fantasy 95 takes it up a notch for those who wish to, with classic 90s chords and accompanying bass and horns. over on the flip side, we hear won t get to heaven by californian newcomer, an expresso. being a self confessed new jersey style house addict, this hits in all the right places for those familiar with the sounds of nj legend george lockett jr, aka jerzzey boy. shin continues things with phara , a percussive stormer with one of the hardest hitting leads you will hear for a good while. this one is a sure fire hit! last, but by no means least is rosenhaft s voyager . fans of early uk garage, perk up your ears because this could have easily been a tune you would have heard on your favourite pirate radio station back in 97. if you are still on the fence about the record at this point, you are in the wrong place. this record has it all for lovers of the 90s house sound! whether you are of the deeper persuasion or the more garagey persuasion, the us or the uk side of things, there is something here for almost everyone on a fistful of wax 4.

a staple album since its release in 1998, heavenly is as relevant today as it was twenty years ago. it turned heads everywhere, got the underground scene buzzing and set dance floors ablaze like an accomplished pyromaniac. now, the album is back for another round of techno-flavored goodness. revisited, tweaked and rearranged by kevin saunderson under his e-dancer moniker, the album not only comes with additional material in addition to the 1998 originals, but is also poised to fuel a number of exclusive e-dancer live shows. a collection of songs sure to keep the dance floor ablaze for decades, ‘heavenly’ (revisited) is set to make history once more

supérieur goes for round two after its relaunch in autumn last year. some of you might be surprised that we re breaking up with the single release concept of having one original and one remix, but we believe the time has come to do so. supérieur will be more independent in the future, with an own artist roaster and also with a different sound than the one deliver with connaisseur. this release is by the highly respected south german producer and dj hans thalau, partisan of the techno soul approach, which was celebrated for years by russ gabriel and his ferox recordings crew. it comes as no suprise that hans and russ are friends. hans -soul adventure ep- is a timeless affair. three tracks full of emotional deepness and classiness, and probably thal communications mastermind best works so far. we re rather proud to be able to release these tunes, as they do strike our chord exactly.

it’s time for lewis fautzi to introduce his first album on pole group, a collection of ten tracks of cosmic techno, carefully crafted making a soundtrack of the future, deep, intense and scientific.

artcub records is an new open-minded techno label created by marco gayo from france. the label will propose somes deep to raw techno in his futures releases. here the first work from the rising star of nederlands: qindek. darko esser was the man who pulled qindek and gave him a shot at his own wolfskuil-label to release music in vinyl. people like laurent garnier, rolando, norman nodge, ben sims, dvs1, pfirter, benny rodriguez (rod), sandrien and Âme incorporated qindek’s release in their sets.
trappist one ep is an attempt to create some of the emotions and state of minds while being on the ship towards our next destination within this multiverse. intergalactic light ensemble is traveling at lightspeed towards adventure, and midst of travel we discover something unexplained. waves and waves is the contemplation of that moment. alarma is a code red, losing our minds as we encounter a energyforce which has far greater powers than we ever imagined. how do we face such powers? eon gives answer to such quations, as we progress into our creative awareness, and gaining new insights on how to manipulate energy.

wake up! 009 catches steevio in a lonesome mood. over three tracks the freerotation co-founder cruises through weightless negative space, sketching out contours against a backdrop of deep shadows and warm, melancholic pads. * machlud* opens like a mission statement, sorrowful and barely-there, before moving to the more nervous lounging of * forgotten futures.* on the b-side * green therapy* picks up the pace, bouncing with a lightly kinetic swing. luis remix wrings some raw pathos from the originals immaculate depths. yet it remains of a piece with the source material, rounding out an ep of heady, ephemeral moments.

“hermanio age” ep is driven by a bassline on which an elegant melodie is wandering. this ambient house tune wants to recall the spirit of nature, where you might hear the reflection of sunlight on water or the vast landscapes of deep space... the future is now, and here it is.

the man known as dj nature holds a long and illustrious list of releases that spans all the way back to the early 90s, when, as nature boy, the bristol born dj and producer was carving out sample heavy house music for labels like ruff disco records and the underworld affiliated tomato label. his relatively modern re-incarnation, as dj nature, has seen singles and two albums come correct on revered labels like golf channel recordings and jazzy sport. following on from futureboogies landmark 50th release, dj nature drops a heavyweight four track ep on the bristol label, each track promising and delivering summertime vibes in abundance. born lifted, with its deft guitar licks and soulful vocal chops over lazy, hazy beats, is a great example of the nature aesthetics that make his tracks so very popular across the house fraternity. my life picks up the pace, deploying granite hard snares and cosmic chords with dusted vocal samples. on the flip, what it isnt packs some jazz chops with its sampled pianos and saxophone riffs over a discordant beat that swings with the best of them, whilst ep closer loving u more again serves up some delicious summertime grooves with the perfect marriage of deep, funky bass and seductive samples.

another solid selection of cuts, overlooked gems and classics from the deepest recesses of the kms vaults. the legendary label should require no intro, but for the uninitiated it s one of the og detroit imprints, operating since the late 80s well into the future under the watchful eyes of kevin master reese saunderson. the idea behind the kms -origins- series is to shine a light on the lesser known cuts in the kms vaults as well as the classics that have given the label its legendary status during its lifetime.

walrus has no fear! by taking care of the maiden release on his newborn label “basic moves” he shows the spiritual direction and marks the blueprint for future offerings. the concept is simple: a 12” always has two different sides. one track on each side, each track a different mood. “full of feeling” resonates like the synthesis of an endless night encoded in washes of sounds. twisted, alienated vocal signals communicate in deep space to form a teasing, never-ending, spine-tingling groove. the weekend lingers on, the dream is not over. “among the thugs” is stripped down music for abandoned warehouses. a distorted vision of bleep techno and druggy chicago acid house hides deep in the quirky waves of this wobbly and moody crowd mover. the ghosts of after hours haunting sweaty warehouse clubs from the past seem to float over these excellent tracks. walrus refers to the best of all eras but forges his own unique stamp of modern dance music. underground clubs are where his music comes alive.

next up on xvi records, we welcome back south london based producer munro for his second release. having recently participated in the brownswood future bubblers project, he brings his signature heavily percussive flavour to these two perfectly crafted tracks. first track miss your love is a shuffling, soulful, groove laden voyage - its sliding synths and wandering bass line provide a solid backdrop foe its iconic vocal ideal for those late night dance floor moments. on the flip,‘environments ten embarks on a deeper, more atmospheric journey. its scattered, layered drums patterns join together in a thick wall of rhythm, setting the scene for uplifting joyous melodies to slowly elevate above, reverberating around the outer realms of expansive production.

shoot recordings presents fierce, a collection of dancefloor sickness from some of today’s finest bass technicians.
calculon, shamanga & austin speed drop the original, a savage, banging slice of classic hardcore fast-forwarded to the future. cutting and chopping with swooping sci-fi basslines, fierce earns its name, the meanest track shoot’s released.
dj madd turns the sick first mix, a halftime juke rework that puts fierce in a lowrider and serves it a cup of sizzurp. the bounce version for all the cali heads.
skeptikal is up next, deep-freezing the track into a tidy stepper. focusing the track’s scope, it’s a deep space killer, exactly what you’d expect from the don.
survival is the anchor, turning out a rugged neuro vibes that race through the nighttime city streets to assassinate your eardrums. the darkside sickness.
four tracks of pure fierce. shoot recordings for 2017, dancefloor innovation.

paris player le loup and pura launch their new label shadow play with a four-track collection of avant-garde house music delivered boxfresh from the studio. as a solo artist, and one half of hold youth, le loup has cultivated a nuanced sound that is steeped in soulful jazzy influences, with a nod to the future and plenty of soul. on this first ep we’re presented with a showcase of this sound, and a hint at what’s to come on the brand new label… to get things rolling we have the very first track ‘the ancient ways’, which is quite laid back and minimal in its composition. there’s breathing space for the beats and bass, with an eerie atmosphere pervading throughout. ‘ygam’ is next up with a wobbly bassline, cosmic death rays and sinister effects lurking in the background - it feels like the soundtrack to a deep space thriller. on the b-side things get ravey with ‘acid surface’. retro breakbeats and stuttered toms support a dangerously alluring symphony of effects and pads. at the heart of the track is a deep subby bassline, transmitting an ancient, yet cosmic vibe.

holding hands is blasting off with a bang of cosmic proportions, featuring two cuts from desert sound colony’s dance floor alter ego ‘dsc’. far reaching, as its name suggests, takes inspiration from the deep well of our musical past. drum & bass, jungle, breaks, house and hardcore are all present. that being said, this is not just a revival record. these sounds combined take your mind out of the past and place it firmly in a previously unimagined future. hard as nails to begin with, the track eventually builds to a glorious rapture. too hard is deep like the mariana trench and made for dance floor meditation. kicks rock you back and forth as a soft canvas of pads drapes itself over your mind. space is the place people, space is the place. both tracks are produced and sculpted for the club. they want big sound systems and dark rooms. close your eyes, hold hands and experience transcendental space flight…

trusme gets the remix treatment from answer code request, ben sims & pangaea. this is the first of two eps featuring remixes of tracks from the trusme planet 4 album. answer code request takes our future into new territory with two outstanding mixes. remix 1 moves things to a much more sinister & foreboding place. tightening the feel & tension of the original with all the hallmarks of classic berlin techno. remix 2 winds up & coils the track into a searing workout of early 90s hardcore breakbeat. ben sims takes control of ring round heart, pushing the tempo & creating a whole new urgency in the track. this is proper no nonsense heads down business & tight as you like. the mix builds excellently well & manages to produce an epic amount of feel and emotion, dropping in & out of the groove with a sneaky breakbeat & vocal dubs. pangaea tackles one of the albums more esoteric tracks in the unexplained. he manages to work a wonderfully intriguing steppers beat which drops from nowhere after the highly beguiling metronomic extended opening. the tracks are getting plenty of play & plaudits from likes of ben ufo, dj deep, bicep & anthony parasole.

in order to get lines of perspective moving, aufgang transcend their instrumentarium. from this organic corpus, they manage to extract a hand-stitched, deeply human kind of music. this exhilarating craft builds bridges between disciplines, skilfully pulling together acoustics and electronics while making bold connections between different eras. ancestral pianos are groovier than any sequencer, the synths they use are antediluvian and the drums are constantly oscillating between metal and skin. they may well be the first truly accomplished and unabashed explorers of the channel connecting various approaches which, so far, had at best only been piled up. aufgang transcend the confines of time to bring the past back into the future.
180 gram double vinyl cut at 45 rpm - download code, a3 poster and embroidered shield (patch) included.

we are very much excited to support this re-issue, credited by jacob f. desvarieux, a composer and also well known as the guitarist of kassav - the only-one band which continually embodies the word zouk- for last few decades. a1 is the tune showing us psychedelic guitar phrases fused together with wobbling heavy synthesizer. you’d better hurry to get the copy for this song, since this is just simply a killer. besides it, a2 is also a tropical danceable tune with moving bass and impressive vocoder chorus, makes everyone literally -emotional- on the floor. kuniyuki joins with more deep spacey re-edit on the b side, probably we need few words to describe this man in our bio because of his right craftsmanship. following re-issue could be expected from us in near future. grab one and find yourself in caribbean exotica!

with a wall-to-wall 21st century freshness, light years past any concept of vogue, or any linear genre lines, norwegian quartet rohey deliver music that bristles with energy and honesty, that grooves with the best funk, that has deep soul roots while keeping an eye on the broad expanse of a golden future. lead vocalist rohey taalah brings all the emotional complexity you would expect of a classic jazz or soul singer (and can withstand comparison with any with ease). ivan blomqvist s keys play a dual role of laying down old school sonics, while bringing a retrofuturistic hyper-urban tone (akin to british idm), while kristian b. jacobsen (bass) and henrik lødøen (drums) create a jazz-soul-funk hybrid rhythm section that ducks and weaves with supreme artfulness.
rohey have toured extensively throughout scandinavia, taking in just about every major jazz festival along the way. with the release of “a million things” on jazzland recordings in early 2017, their path can be expected to take them ever further: music this good can t be kept secret for long. “a million things” performs a balancing act that most pop artists have forgotten in these days of studio micro-editing: how to write and play a song with full and sincere conviction, while enjoying an artful expressiveness without making things unnecessarily difficult for the audience. this has been borne out by their nomination for best single at the scandinavian soul awards in 2015.

after 20 years of inactivity, the iconic dub techno duo from denmark is back in the game. their distinctive and timeless style is clearly perceivable in these versatile dubby tracks characterized by superb melancholy and deepness. 180g vinyl, this release represents a future classic for any dub techno lover!

one day back in end of the eighties, a pair of friends began sharing a deep love for music, the music we have been supporting, playing and now, able to put it out for your listening pleasure: ‘mind merge lp’ is a beautiful quintessence of detroit electro, funk and techno, partially blending with contemporary electronic contaminations and we believe it’ll be as timeless as many of their records before.

52 minutes music! on stiff little spinners vol. 8 this is proven once again with seven exclusive tracks by thomas atzmann, rampue, kalipo, krink, paradise hippies, gimmix and monopohl. the eighth edition of the stiff little spinners compilation is ready for the next demolition party with a mix of modern deep house, slow jams & dreamy techno future classics

after last year’s massive “brainbox” album, de:tuned presents the 7th and final installment “unboxed brain” which contains 3 excellent re-interpretations by future/past (aka kirk degiorgio), mark broom and the black dog of selected tracks off the album and an exclusive new track by the future sound of london. yet again, mastered by matt colton (alchemy mastering) and related artwork by designer kevin foakes from openmind (aka strictly kev, dj food from ninja tune). both kirk degiorgio and mark broom rework b12’s “worlds end”. kirk degiorgio, who makes a rare appearance as future/past, increases the energy levels and turns the original into a dance floor bomb. broom’s version heals back to a more electro and breakbeat vibe by adding some deep ballsy and stretched out beats. on the flipside, scanner’s “eros” gets the black dog treatment. the illustrious uk outfit strips down the original into an eerie futuristic soundscape. lastly, the future sound of london brings us an intense piece of sound design: sit back and let the music take control, stay tuned!

headquartered in germany, these eyes has a clear mission statement: underground electronic music accompanied by unique design and an uncompromising ethos. the first release comes from founder andré hommen. having ran new york s objektivity for many years, hommen has decided that now is the time to craft something new. title track ‚these eyes has been played by andré over the past 12 months and has received a huge track-id response all over the web. a future classic. b-side ‚substitute is made up of deeper shades and pairs up nicely with the title track. the ep will drop on february 24 and will be available digitally and as limited 12 vinyl.

system boss mike gervais releases the drift ep for round five of the us based label. drift - loopy synth sets the pace while airy tones and verbed out hats move in and out of the mix. breaking point - heaving muscular hits chugging along to slinky synth stabs resonate - just what you think a b-side track is. pulled back, deep resonating basslines with sprinkled hats in the reverb. future tool - loopy, delayed vocal tool with subtle changes and rhythmic swirls. highly useful as a straight layer or as a pulse in your delay / reverb pedal. and and voices tool - mangled mess of audio clips and loops

repress 2017 , following a killer split 12inch w/ djrum for the zenker brothers ilian tape label, new artist struction debuts for r&s newcomer struction joins the r&s family for a titanic ep of dystopian post-rave experimentation - the 4 track release, entitled gefüge, effortlessly crystallises the best parts of r&ss storied musical heritage without coming off like pastiche. from the jacked menace of opener kreen, a dizzying percussive assault of breakbeats and 808 kicks, its clear that struction means business. warrior follows on with deep end breakbeats cut through with melancholic synth washes. the flip side commences with ai, all skittering percussion, swelling distorted pads and relentless kick drum thrum, while dolly rounds out the release in fine style, quickening the pulse with its hypnotic fm bass polyrhythms, scything cymbals and icy strings. with this release struction marks himself as one to watch very closely for the future, as well as once again showing r&ss commitment to nurturing new talent, as well as releasing the best cutting edge electronic music.

crg007 bring back cleric for his 3rd solo release on the label.
manchester-based producer cleric continues to grow through his own clergy imprint with the label’s 7th release, “rules of reality”. the ep is an exercise in fully-focused. highly-distilled techno purity, leading first with a perpetuating drum groove offset against an icy stab on “unwritten future”. next, “unspoken rules” channels the same minimalistic aesthetic into a more hypnotic mood, driving deeper down into a land of introspection with tension-laced percussion and hovering chords, whilst “unwanted arrival” exhausts the pressure with its mind-comsuming acid pattern, followed by the more exposed, cinematic “beatless mix”.