limited edition of 300 copies on translucent vinyl, no repress.
a death can only provide more life. jst is half of legendary uk group swayzak. 3 cuts of raw, live, blistering, rhythmic electronic sound. made at home with machines 08/09/2015. these tracks were played live at the isi festival, montpellier, france 05/09/2015 as homage to jean-françois nourisson-moncey.

the second ep on unequal has two fearless tracks from cloak. a1 is a peaktime oriented banger with evolving staccato hats and rough machine sounds all over. a2 goes one step further and disturbes with noisy droning synths and a sick low bassline. flip side by anselm tells a raw story in downtempo with crooked melodies and dense hi-hat rhythms.

after acclaimed debut ep by raw ambassador, milan-based un.t.o. records presents marcello napoletano’s destroyed ass ep: a limited edition, four tracker combo of different tunes.
the a side delivers a techno track and a funkier one, both of which will take you on a boat trip into an infected swamp lost somewhere in southern italy. at the same time on the b side marcello’s voodoo ritual will take possession of your body with two full-house tracks. café nanà is a crazed drive of broken percussions “and vibrant field-recordings of cups and glasses banging together in a smoke-filled, sun-drenched, cafe” while waiting for my bass is a warehouse melter reminiscent of gene hunt’s rawest works.

soma’s italian connection, roberto clementi, makes a welcome return opening his 2016 account with the solid, “wall of people”. including a top notch remix form ilian tape label heads, marco & dario zenker. robert has slowly been building his credentials in the techno world with some fine releases and this driving number is another to add to increasing discography with soma.
the zenker brothers remix opens the ep as the munich based duo lend their deep and highly refined production talents to “wall of people”. ruptured beats play havoc with a shimmering high end and rattling percussive elements all tied in with a pulsing, modulating synth hook that keep the track feeling fairly dark. clementi’s original shows a much harder edge to his previous work with big, sub heavy beats worked around a more pumped up rhythm and tearing synth line

recently released on l.i.e.s. russian torrent versions, fabio monesi makes a return to his own wilson records after last year’s album -parasol dance”. from the raw beat of “mirage” to the smooth and jazzy sound of “pipe dream”, this ep encloses the versatile approach of fabio monesi to the music, in which analog recordings and warm sounds are a must.

supernovas originally formed the basic chemical elements which subsequently merged in a myriad of variations, creating life as well. all the components of our world descend from that single original replicating molecule.

h-productions proudly presents >green light< by cari lekebusch. this is the fourth release in the full color spectrum serie, that is aiming to result in 9 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary elements, breaks or changes. thus giving the dj more freedom to play around during the blending. and the sound pictures have intentionally been tuned while having the various h-productions releases in mind, that came out around 1993-1997. since the beginning of the 1990s, caris brainchild label platform h-productions has been changing and re-inventing itself numerous times. and at this moment it takes the shape of 3 different catalog numbers running at the same time. the hyb releases will be exclusive vinyl releases only, and the hpx numbers will be digital only. as a cherry ontop we have the special hybrid catalog that will only be found in our bandcamp online shop. -with warm regards from stockholm-

cray76, joakim’s dance project, is back with a 2-track ep.
on the a-side, this is what we would call a banger here at crowdspacer. simple, stupid, raw, funky. is it a tribute to new york? not sure but the b side certainly is. to be more precise it’s a tribute to merce cunningham, the legendary choreographer, close collaborator of john cage and genius thinker who inspired the name of the label. based on a recorded lecture by merce, the eponymous track is a slow, hypnotic and organic house groove, an ode to movement and ny avant garde, because “...dancing is a visible action of life.”

the second intrepid soul release is here! romanian label stela music presents augmented states ep. first track blends smooth vocals with deep chords, a 303 touch and driving rhythm. second tracks combines jacking house with psychedelic elements... call it what you will!

stamp records delve into the past for their next release, giving a new lease of life to one of swayzak s least characteristic and most sought-after tracks. swayzak are true heroes of the uk underground, having clocked numerous seminal releases in the late 90 s and early 00 s straddling the grey area between house and techno. disco dub plate volume 2 - originally out in 2000 - was an obvious anomaly in the duo s discography, that has managed to forge a path of its own amongst a completely different crowd to swayzak s usual disciples. one cut from that ep, stronger love , is a carefully arranged marriage between a certain pair of quintessential aor darlings and the soul voice of the 80 s. can we be more specific? no can do...it shouldn t really work, but somehow it does! it s been caned by many a balearic dj over the years, including mark seven who included it in his mythical originals compilation, where it holds its ground amongst other balearic heavyweights. as an added bonus for this 2016 edition we re treated to two brand new mixes ! frank agrario teases in bits of the original making for his chunkier version that is aimed squarely at the dancefloor, while brun (1/2 of swayzak) delivers a bang up-to-date dub that keeps its elements to the bare minimum, building into a deep hypnotic house chugger.

5 x 12 inches each in picture sleeves all contained n a boxset case.
hand numbered 1-500
in recent years, adam beyer has been propelled into the limelight with his pristine productions, astounding dj sets and his fun, energetic drumcode events. now a figurehead in the techno world, beyer is constantly building the drumcode platform brick-by-brick to maintain quality and drive emerging new talent into the world of techno. the first drumcode bricks that were laid were done so on a solid foundation of raw techno tracks produced by beyer himself. a select few of these vintage tracks have now been remastered and repressed to create a unique vinyl boxset that highlights the talent that is adam beyer. comprising of 21 original tracks that helped put drumcode on the map, this special boxset of classic tracks includes compressed , tasty bits , nutcrusch and more. the tracks encompass a heavier techno sound of dirty, gritty analogue machines that let beyer express himself through music and have so forth, seen him become the king of swedish techno

after his successful remix of orions gravity johannes volk returns to polytone with his debut ep. two excellent techno tracks are in place and a spaced out ambient piece called it could happen describes the mysterious view from a spacecraft cockpit into the wideness of the universe. on the a-side volk blows the whistle of the ep s title -asteroid riding- with funky chords accompanied by a wide deep bassline, short samples, classic percussions and a cropped stomping kick-drum, that let you ride through the orbit. on the b-side -earthbound- pounds with a broad hollow kick, arpeggiated synths, alerting sounds and a harmonically settled type of string-line that eases the elements diversity like the blue planets gravity. within the tracks that have been built to transport the feel of time and space, johannes volk again pushes himself on the cutting edge of electronic music.

the mysterious otherlover drops two love bombs on disco deviance. blending ecstatic disco dance floor grooves with raw boogie vibes, otherlover proves again to be an elusive and yet rewarding partner on the dance floor. limited edition and lovingly re-mastered. enjoy the music!

side a: let it go featuring blake baxter - a mid 90 s ghetto house instrumental with moving bassline, that raw chicago beat track and a groove that will keep you dancing until the early morning hours. side b: new dub featuring kool rock steady, unreleased recording by tyree cooper with outtakes from his 1988 release turn up the bass with a rocking baseline groove, and those classic chicago house chords, sure to move any dance floor.

those secret squirrels just can t get enough! after a brief period in the woods they are back with even more tracky disco and proto-house business. funky, chunky, raw and dirty, they drop two more gems that are guaranteed to power the dance floor all night long. surrender to the squirrels! resistance is futile.

italian house producer nicholas is back on home taping after a string of releases on labels like 4lux, quintessentials, 20:20 vision and nu groove. and it s straight back into business as usual on this release as he picks up where he left off with his best-selling love message and the music lives eps and delivers 4 raw and tracky dance floor bombs that will keep your dance floor pumping. all the cuts sit perfectly on that line between house & disco for maximum dance floor work. the bonus beats are back

zipper is zemi17s second release on the bunker new york, and sees him expanding his musical palette considerably, in which his gamelan derived sound design pushes further out towards the expanses of techno s realm. zipper is the product of years of work. the tracks on this record began as field recordings taken from indonesia insect sounds, gamelan, found sounds, says kuffner. each of these tracks comes from a different stage of my music-writing process over the years. i eventually developed a kind of sketch and improv technique, re-arranging groupings and arrangements of a series of elements. zipper reflects a culmination of this technique, and in my opinion, its representative of some of my best work

crystal is cudmores debut 12inch single. raw, rough and ready to rumble, crystal marries snaking acid lines and bouncy grooves to a sample from cult underground film classic the queen.on the flip is detroit-bred and bunker resident dj mike servitos 730 reshape, that gives the wiggly worm vibe harkening back to the early days of transmat, warp and the minimalism of dan bell s dbx project. l.i.e.s. mainstay gunnar haslam provides his dekalb avenue remix made while living in new york, a modular synth cruise with the top down. all tracks have been mastered and eqed for vinyl by george horn at fantasy studios in berkeley and labels are as pink as crystals lipstick.

rsd 2016 itemn - must not be asold before 16.4.2016. j ohn frusciantes foregrow doesnt sound like any acid test record, or any record, thats come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this ones truly a passage through night. frusciante’s using elements of john carpenters eternal scores, the drum programming dna of jungle and footwork, and yes, a roland tb-303, all slowed down to a crawl. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

(180gr vinyl) from funk and soul to afrobeat, ethio-grooves, dub and hip hop, their sound remains firmly anchored in the world of jazz while taking off to the cosmic stratosphere and incorporating electronic elements, alongside traditional brazilian styles along the way

ltd 2016 repress !!
stuttgarts motor city drum ensemble (aka danillo plessow aka inverse cinematics),presents a superb ep of deep house taking its cues from berlin and detroit. 2008 was a great year for motor city drum ensemble releasing parts one and two of the highly acclaimed raw cuts series which featured heavily in many best of 2008 house music charts. he finished the year with an excellent resident advisor podcast and a set at the resident advisor christmas party. his ‘get slapped up’ release on compost black and ‘breath control’ release on his own four roses label have been in the boxes of taste maker djs and seen him become an in demand producer. danillo is also a part of the inverse cinematics production team who have released on pulver, fuid ounce showcasing his more jazzy, broken beat production style. this debut 2020 release features three superb tracks that take their inspiration from the likes of theo parrish and carl craig as well as the deep house sound of berlin, yet retain the signature mcde sound.

deeply rooted in classic hip-hop, funk and boogie, kiev-based beat maker pahatam didn t mind selling everything he had back in the day in order to afford his first roland drum-machine. addicted to vinyl, he believes that the dissonance is what makes music beautiful and puts the groove and atmosphere in there in the first place. experimenting over the years have led him to produce a raw house and academic techno sound and he never seems to stop exploring

repress/backstock - please note : price increase !! jamaican dub structures strongly influenced by 90s chain reaction/basic channel atmospheres and uk trip hop elements.

new years deal - following on from the admas/andras fox 12inch mpr007, major problems raids compassion crews vaults for this killer double comp, featuring 11 tracks from frak, admas, plustwo, big city orchestra, philip jeck and more. compassion cuts, tapes & acetates runs through a rarified selection of raw house and most-wanted italo 808 and vocoder jams, proto-house dope synth workouts private press gospel and some experimental tracks that just wont be defined. dont look, hide! all tracks restored and mastered by thomas p heckmann and cut by andreas at schnittstelle. out on 2x12inch gatefold lp, with simon landreins full-colour artwork presented in a laminate gloss finish.

mike ash returns to super rhythm trax after providing the very first release and gives us 4 authentic and acidic warehouse smashers. mike ash may be familiar from early releases on moving shadow and rising high records under a variety of pseudonyms in the early 90s but in the last 10 years has become synonymous with releasing mind blowing and true electro under his own name. when he turns his hand to acid house, the results mirror the high quality and his no nonsense approach shines through having lived and breathed the music and culture back when it was exploding in the late 80s and early 90s. in his own words i tried to keep with the original 1988/1989 vibe. i didnt use any synths / sounds / samples that weren t available past 1990. its all juno / sh-101 / 303 / jupiter / 808 / 909 / 707 / 606 and samples from the beats breaks & scratches vol 1&2inch the tracks exude a raw and strangled soul and are a bold and comfortingly honest take on the warehouse and pirate radio sound of the uk.

the original palingsound from rotterdam continues in 2016 and following up on paling trax 2 is a collaboration that finds its roots in the ghetto streets of rotterdam. paling trax 3 is a split ep featuring two rotterdam-based underdogs, mitchell goor and tafkamp. raw club techno cuts. forthcoming in april 2016 during fishing store day.

the motech label has been building a high reputation of late but it’s actually been three years since co-owner, detroit’s dj 3000 (franki juncaj) released a 12 inch of his own. putting that to rights, he delivers take me away, due for release in april and featuring a deadly remix by truncate. the original version of take me away is a deep and hypnotic builder with a relentless groove that stands astride detroit techno and tough house, a style that dj 3000 has championed over the years. truncate is the alias of audio injection (la’s david flores). his remix ups the tempo and adds an infectious vocal cut-up, turning take me away into a raw, hard-hitting cut. the truncate remix has already been picked up by eats everything for his new fabric mix, out soon, as well as receiving early support from dave clarke on his white noise radio show and ben sims on the october edition of run it red.

northern stories told through emotional synths and raw electronics by prolific d.a.r.f.d.h.s. on their first album of the year.

james k is a stranger to obviousness. over the past few years the new york native has quietly honed her sound and peculiar aesthetic. equally organic and electronic, her sound is a combination of odd dreams, industrial beats and vocals, both incomprehensible and appealing, with a thick layer of glitter on top of it. james k is a concentrated dose of emotion mixed with sorrowful iciness, which in turn ties together ripped, broken, morphed and enchanted samples. james k stands for a fusion of visual and sonic elements, deeply rooted in conscious art practice and downright freak-out. james k creates a mythology of her own. pet, her first lp due out in early 2016, will be a co-release with dial and her own label, she rocks!

split ep with new dls and kader yani material following the label s direction of underground techno and ambient cuts. vinyl only.

seems like somethings going on across the pond at the moment with seemingly blossoming, or at least rejuvenated scenes in the united states and canada. our last handful of releases on freerange have included artists from montreal, tujuana, pittsburgh and chicago and were about to add los angeles to the list with this new one from justin jay and ulf bonde. the young producers have been steadily building steam with a number of fine releases the last couple of years and we welcome them to freerange for their debut ep entitled indecision. the title track sets the mood with a low-slung, super-deep house groove complete with an intimate vocal and a charming simplicity which contributes to the powerful end result. elements come into focus then disappear in a fog of reverb whilst playful guitar picks add a live jammed feel to the loping groove giving things a bob moses/francis harris kind of vibe

key artist of the lumie&#768,,,,,reslanuit (lln) booking agency, david is also becoming a key artist for the label. right after his remix of roisner s piano roll ep (lln003) for the london-based label first year anniversary special release, david k is back with a solo ep: wrung door (lln004). according to david: wrung door oscillates between cold and warm, deep and groovy universes with a strong industrial touch, whereas lightly dark mimics the musical elements of wrung door but uses them in a different way in order to guide the listener to a different world. finally, broken swatch is a rather narrative and lyrical track. in summary, wrung door (lln004) gathers in one ep the two different sides that lumie&#768,,,,,reslanuit aims at developing: one refined and crisp and one dancefloor-driven.

when kellerkind published his first tracks on sirion records in 2008, nobody ever considered the success story of marco biagini s alter ego. eight years later he looks back on numerous releases, among others on stil vor talent, flash, katermukke or hive audio. his record debut on sirion in 2012 another breakthrough, with special mention required for the title song “disco on the dancefloor”. it’s with this song that kellerkind has definitely won the hearts of his audience and thus left a lasting aftertaste which continues until today. his fourth ep on sirion with the promising title “way out” builds up on the 2010 published “altro mondo ep”. three reduced techhouse tracks promising pure dancefloor feeling with finely assorted forward directional sound elements and smooth deepness. the slightly hypnotic vocal smasher in christian nielsen remix carries nicely with the three tracks in every way and completes the catalog number 42 elegantly.

1 sided + large gravure on other side. love on the rocks is very excited to present sharif laffrey’s key jam (a.c.i.d.). his first release since the sleeper hit turn it up was released on discos capablanca over two years ago. key jam (a.c.i.d.) is the treasure + the mystery. laffrey’s signature raw edit style is in full effect on this 9-minute proto-dance heater. sharif laffrey has been playing records and making music for 20 long hard years. born in detroit, michigan - he’s worked on the line checking camshafts for chryslers & at submerge for mike banks - at the same time. he toured asia with juan atkins and once had to chase a grown man through the streets at night, who had crawled into his living room through a open window. an active member in detroit’s early rave scene, sharif remembers booking all foreign gigs with a fax machine - and would still do it that way, if anybody else had them anymore. he drove a black trans-am from 1990 to 1995. acid, tons of random stuff, tough, sexy, lovely, slow. freak mode. he is dealing with the fame. more to come.

our french friend steven wobblejay strikes back! after the sublime shake your tingsz ep (qe 45), steve presents again some dope deep raw tunes. lots of old school flava with a new school twist! his partnership with pablo valentino as creative swing alliance (wolf music, faces, tsuba a.o.) has been a great base for developping his own style. another great talent is past, present and future quintessentials artist mat chiavaroli, who’s delivering a rugged and freestylish remix. hang out - the way we love it!

repress !! metaphysik brings ancient methods and theologian together into one sphere, with the intention to juxtapose their energy and aesthetic elements alike. as both commenced as strangers and worked separately, the split has developed, gravitating naturally towards the themes of love and death.

originally released via ascetic house in 2015, vereker’s grace tape owes much to the canon of vintage anti-music, exploring catharsis via a transgression of traditional compositional & technical values. working with the same thematic concerns of much of the more leftfield additions to the avian catalogue - in it’s more subdued moments, anxiety & dissafection, in it’s more high energy - pure hysteria - the recording pairs basic synthesis with warped vocals in the same manner as industrial progenitors throbbing gristle and steven stapleton (nurse with wound).
the reduced palette & crushed production aesthetic creates a powerful immediacy, with a twisted musicality being drawn - at times, kicking and screaming, out of the depths of the mix. like much of vereker’s best work on labels like lies & berceuse heroique, elements warp & twist uncomfortably within the tight confines of a reduced dynamic spectrum - creating a dark, heady energy. scetic house, the predominantly cassette only label, has seen appearances from la’s silent servant, northern electronics’ varg & avian’s own shifted - under his covered in sand alias.

grammar of movement makes his long-awaited debut via lobster theremin’s main label. a shining light through a hazy prism that refracts a spectrum of techno from it’s tinted facets. a sound that shifts between sampled swamps of spoken-word lathered over crushed synths and carpet-covered drum excursions. a raw and cathartic output born out of a period of personal noise and pain.

get ready for another techno bomb on footwork audio by label boss jay lumen!! for this second release jay has created two seriously massive peak time tunes. fusion has that dark and trippy energy by the mixture of the characteristic moog synth and 808 elements. while old machines having more of an old school feel with a deep dub techno basis. on top of that we welcome kaiserdisco to the footwork family. the chart ruling dj/producer duo consisting of patrick buck and frederic berger, created a genius remix with a less is more approach on old machines .

mister ho and heap are ambassadors of the river danube. this is their first offering for the esp institute. on side a, collision resistance throws us into the bowels of an underground sex lair with an adrenaline-laden heartbeat for a kick drum, a rough dose of fisting illustrated by the combination of bassline with low-tom and an unrelenting snare that whips us raw into submission. somewhere in between the waves of punishment we can start to audibly pick up tortured moans of endurance and pleasure, but maybe its time we pull our minds from the gutter, wipe the sweat from our brow and flip the record for a reward. with side b’s veils of the beloved, mister ho & heap deliver us via speedboat to the white isle, coasting along to bouncy staccato bass notes and machine bleeps as a euphoric chord progression puts us in an 808 state of mind. the percussion arrangement and phasing string flourishes are introduced through a filter, opening slowly as if coming up for air from a beautiful blue abyss. these two songs are neither too salty nor too sweat

dj support: archie hamilton, enzo siragusa, seb zito, rossko....
next up on moss co. is a 3 tracker from long-time moscow records artists dan farserelli, remixed by the supremely talented tom ellis. the record opens with lemons and limes, a catchy roller that bumps and grinds its way into the soul, each revolution of the bassline giving the body a sense of fulfilment, while jazzy musical elements entertain the mind. on the flip that time is a classic piece of micro house perfect for the early hours. a sparse, but groovy bassline is complemented by catchy hooks, percussion and a creative arrangement. the tom ellis remix on the b2 completes the record with a particularly trippy, but incredibly catchy, afterhours interpretation.

leibniz takes no prisoners for his return to shtum. his new ep sees the leipziger by choice in best form. harsh but fair. -grind- is a masterpiece in the matter of building up tension with only few but proper elements. amen to that drumming and when the strings come in the dance floor is probably already burning. -foolish- is no less effective with its ultimate kick drum action and the way the pads are manipulated. romantic leibniz. on the flipside you get the vibrant -this is- in two versions. the -brecht mix- screams rave in capital letters with the bleepy synths and hard snare drum while the -scuff mix- trawls through dark and unearthy techno territories. no-nonsense music.

for mimi music, komplexx (poolside recordings / silhouette noir) has delivered a melodic techno / progressive crossover. this moody tune is deep yet melodious and builds beautifully. it’s just one of those tracks that works, with its genre-crossing coolness and excellent production. the remix is provided by our lovely house-specialist sascha dive (deep vibes, cocoon, raum). the german master turns the original into a brooding techno affair which is driven by thumping bass and sparse percussive elements. the remix keeps building until there’s nowhere left to hide, turning the track into an absolute floorfiller!

terence fixmer his known in the late 90s , early 2000s as the creator of the tbm, described as techno body music. a mixture of the ebm soundscape with the modernity of techno. his muscle machine album (including tracks lile electrostatic, body pressure) released in 2001 became a reference of the genre. in 2003, musician terence fixmer and legendary singer from cultissism band nitzer ebb, douglas j mccarthy embarked on a project that spearheaded the fusion of techno and ebm. they named it fixmer/mccarthy and they were the precursor to a new breed of techno artists that manage to traverse between an array of scene specific genres without being tied to any. since releasing their first album, >between the devil<, in 2003 terence and douglas have ridden the line between pure techno and the recognizable song structure of classic electronic music and ebm. now, with over 13 years working together for this project and playing around the world, they return to their signature raw sound and delivery. >so many lies< is quintessential and brooding techno, while the instinct mix epitomizes their ability to craft a catchy bubbling baseline whilst all the while dispatching cold steel aggression.

deep88 presents his new lp ‘the black album’. this double-vinyl houses his personal style that is reminiscent of the sounds of a bygone era whether the depth and warmth of new jersey and italian house, a dose of sun-soaked balearic or primitive raw jams synonymous with chicago.

elephant moon continues its steady schedule of releases with a brand new ep from label owner john dimas and danish talent samuel andre madsen (aka s.a.m). on this fresh new release we re treated to two tracks from monsieur dimas and two from s.a.m. to open we have a quirky little space jam called moon patrol by john dimas. it has chunky percussion at its foundation with off-key chimes and cosmic pads giving it an interstellar feel. samuel s reshaped for moonwalk mix puts john s mix on a diet, making it far lighter and focusing on the ethereal elements turning it into a sweet galactic ditty. on the flip we get a sombre bossa nova ride from s.a.m., all jazzy with a grooving bassline and galloping beats. its a cool, laid back riddim from the dane and were sure youll love it. john dimas gives the track his own monday mix, bringing the tempo down even more and crafting a delicate heady rework.

already drawing comparisons to artists like kaytranada and pomo, french producer and multi-instrumentalist jean tonique gets set to become one of the most hyped artists in 2015 with the release of his second ep through yuksek’s partyfine label on 30th march 2015. drawing influences from 70s funk, jean tonique makes an effort to distance himself from genre-defining elements while approaching his music from an organic and raw songwriting perspective. using elements from hip hop, house, and 70s/80s funk, the multifaceted producer likes to draw people in with the malleable dynamics of his music. after remixes of lana del rey, outkast, the kooks and many more, jean tonique has broken into the online market through being a regular fixture on hype machine’s top 10 and growing recognition from media outlets. now, growing on his french electronic music notoriety, jean tonique is preparing to expand his presence with the physical release of the you ep - bringing that old school, happy vibe that made us fall in love withfunky house

limited edition 12 inch hybrid disk (one sided picture disk)
the third edition of figure’s recently launched run of limited edition hybrid discs sees the label head helping a 90’ies classic to new glory. when originally released in 1995, ian pooley’s celtic cross destroyed clubs everywhere with its iconic vocal sample and hypnotic bass bleeps. len faki’s remix treatment is a sublte one, which manages to leave most of the original’s elements in tact while still expanding upon its fiercely banging character

for their resopal debut, the italian duo metrophonique have delivered a trio of tracks that have a bunch of techno elements at their core. -high fidelity- brings together raw, jackin funk with a warm, driving bass line and scything, techy stabs while -something wrong- matches its fun, bouncy groove with an infectious and spritely melody. -deep- comes heavy with the oldskool, delivering a bed of beats and samples beneath the very heaviest of techno kicks.