following the mammoth >dynamite & laserbeamsy< remix package and a stream of hard hitting releases in 2011 from fergie himself, excentric muzik turns to arjun vagale to provide the 38th exm release as he makes his full debut on the label...

young citizen from schwerin, josh, whom we already know from >ostwind limited< & >amuse gueule<, now presents his first own single on his home lable ostwind. >closing words< is the name of the vinyl and also the opener on the a1 in a fluffy josh-manner with stylish detroit techno. on the a2, josh will show us with >claiming back<, to which sound he has grown up and provides this oldschool track with a certain fresh note. with >steam trap< and >social affairs<, josh reenforces his emotional side on the b-side and knows how to persuade one with this tracks. a maximum sound experience on a minimal level, and a successful and smooth record that will bring every floor to the boil

flying donkey music, after the first two releases by samuel l session and kirk degiorgio got the respect as one of the new more interesting labels in the underground stream. as third release we can appreciate the homeboy claudio mates m2g4: he shows us something new and different, which is hard to catalogue, just a techno/house track or a simple piece of electronic music. tribute mix by claudio mate is a perfect journey in deep, dark, emotional, emotive lands within an amazing epic ending with guitars played by luca petrosino (an italian guitar talent). orlando voorn really doesnt need any introduction: his deep divine mix is the perfect mix and balance between raw grooves, melodies and solid bassline like his usual trademark. its perfect for dancefloor people who loves berghain or fabric. david hausdorf is a classical musician from the munich philharmonic orchestra but he is also well known for his old works on labels such as synaptic waves, styrax leaves, salo, lifetime music.

remastered reissue of arthur russell s most mind-bending (and boggling) psychedelic dance raga, originally released in 1986. includes all three versions of let s go swimming: arthur s ownmixes of the gulf stream dub and puppy surf dub + the legendary coastal dub, mixed with love by walter gibbons. also included is the previously unreleased epic 11 minute keyboard funk version of make 1.2 (gem spa dub). huge tip!

the musical heavyweight matthias vogt is back on polytone. after the success of his first ep >together as one< - sold out vinyl edition, excellent feedback from top djs, first track on the big city beats compilation vol. 13 cd 3 - the second ep arrives on polytone. the polytone boys knew right away that >copying the future< has the potential to be a classic. a track with character and a high recognition value: hypnotic rave stabs and uplifting chords combined with a driving groove will send shivers down each true music lovers spine. >copying the future< is delivering deja vus without copying the past - a great track with a past and a future, deeply rooted in the here and now. >stillach< claps its way into every listeners ear. the b side of the ep named after a mountain stream in the allgäu is calm and also powerful with a slow, minimal and very tight groove. vogt is going deeper! matthias vogt once again demonstrates his great musical skill and versatility.

for toro y mois chaz bundick, 2011 has seen the release of his acclaimed sophomore album, underneath the pine, remix work for tyler, the creator, a split 7 inch with cloud nothings, and a steady stream of international tour dates. just over halfway through whats already been a busy year, the prolific producer has a brand new batch of lavishly funky material to offer.
comes on green marbled vinyl, including code for free digital download of this release.

juan macleans new side project, peach melba! the constant citation of >chicago house and detroit techno< as influences has very nearly reduced both to empty signifiers. such vague and vacuous overuse ignores the distinct aesthetic and conceptual ideals of the actual music. that tendency to play fast and loose with the defining traits of late 80s and early 90 house and techno is one juan maclean has studiously avoided in his new side project, peach melba. built on tracks he felt were too >house-y< to be included amongst the more song-oriented singles on a proper the juan maclean release, peach melba is macleans vehicle for releasing a stream of upcoming dj friendly 12 inchs. the projects output is decidedly faithful to the blueprint of those aforementioned early productions, emphasizing rolling melodies and big vocal hooks.

the kid is back... august darnell a.k.a. kid creole returns in style with his first studio album in over 10 years this autumn, i wake up screaming, an epic comeback recorded for strut at kid creoles sweden hq and mixed by brennan green (chinatown records).
in anticipation of this all-new creolian odyssey, strut unleash the opening single, i do believe, a trippy disco stream of consciousness straight from the mind of darnell touching on greek mythology and other fantastical snapshots. alongside the original album with its unmistakeable double harmonies and infectious slap bass groove, the 12 inch features some mouth-watering mixes: brennan green draws on some todd terry techniques for a hypnotic dub, san francisco dj collective 40 thieves (responsible for dance anthem >dont turn it off< on permanent vacation) take the track into chugging electro funk territory, and nu disco pioneers faze action deliver a smacking 4x4 version with an anthemic piano line. the digital release features extra tracks - the faze action dub and the original radio edit of the track co-produced by august darnell and andy butler (of hercules & love affair) and mixed by brennan green.

leaving in their wake a trail of mass seduction, the wolf + lamb crew are back from their recent worldwide dj kicks tour, bestowing two of the sonic jewels that lit up those clubs, rooftops and basements. main players gadi mizrahi, soul claps eli goldstein and greg paulus of no regular play, impart the w + l effect with the >lucky paul remixes< courtesy of somethinksounds. while gadi mizrahi & zev eisenberg of wolf + lamb are in no small part responsible for the sexy slo-mo revolution in rnb and disco inltrated house music, they cannot be accused of languishing in the hype of their own movement or direction in sound. instead, the label is backing a seemingly endless stream of talent in north america and beyond, consistently unearthing and nurturing artists that share the same ethos and intrinsic approach to creating timeless music that is not built to rush, and dissipate but drive into your soul and set up home there. here, the new collaborative case in point is berlin resident and new zealand native lucky paul

as we build up a head of stream moving into the summer months, we turn our attentions firmly to the dance-floor with two bass-heavy hitters from subterra. those of you familiar with the guildford residing dj / producer / promoter will already be well aware of his drum & bass pedigree. clocking up releases on ram’s subsidary label frequency as well as dispatch and sudden def subterra has a staunch following that regularly attend his rotation events across the south east of england. >gutter mouth< is as dirty as the title suggests. swirling pads and percussion build the suspense before an explosion of contorted bass sounds and snappy high end beats. >cold shoulder< is a collaboration with long term dj / production partner bazil. with its warm atmospheric opening it creates a sinister mood before tearing into a stepping bass-heavy workout. dj support from goldie, jubei, lenzman, spectrasoul, london elektricity & dlr & octane.

ernie unveils his special blend of timeless cuts exclusively on >black noise ep<.
>burning detroit< is a voyage into the abyss through a constant stream of warm pads layered with crafty percussion whereas ordell reworks >burning detroit< into a lighter afrobeat groove.
>la posse< is a fusion of underlying analogue bass stabs with raw machine drums and >terra nostra< concludes the release as a darkroom bonus cut – rolling deep into the early hours.

who am i? thats what ruede hagelstein asks himself when he looks at the reflection in the mirror every morning when he gets up. then the image goes into the studio and produces tracks for upon you for him. the first one sings >give a little slap to your soul< darkly and romanticly at a relaxed 120 bpm into the mike and has taken up lodgings on a1 of our uy 047. the second plays piano, even if just paraphrased. the b1 beat requires a slightly faster dancer that a1. then the third member of the group on b2 with a quite definitive minimal touch, sounds a bit like peter and the wolf at the lsd opera … hop hop off you go then my lovelies.

expect the unexpected they say and it should come as a surprise to many as we warmly welcome to the kompakt family one of americas most celebrated producers in dance music, john tejada! you are hard pressed not to have heard his music. whether on his own palette recordings, poker flat or plug research plus a fabric mix cd under his belt, its thanks to a steady stream of massive releases (think >mono on mono< and >sweat on the walls<) ...

the founder of swedish techno has earned a reputation as a diverse and evolutionary force within techno thanks to a steady stream of quality productions and so mote-evolver welcomes cari lekebusch back to the label for his second release with open arms!

never losing the musics immediate physicalness out of sight, the driving, bass-heavy energy of alex picones tracks set club floors on fire. still in his twenties, hes been a dj for fifteen years. having never aimed at quick fame, his career is exemplary in its endurance and commitment: he hosted parties in his hometown of padua and became resident at seminal italian clubs. after a stopover on ibiza he now resides in berlin. alex picones first record under his real name is also his first release on cadenza and his most successful so far. the three tracks of fahrenheit tie in with the overboiling force of floppy and furby. while the rattling snaredrum adds a humorous touch, the uplifting groove of inside out pushes on the limits of the energy levels of contemporary house music. yet the heart of the track is the relentless bassline, which liquefy ones body and melds the crowd and the whole club in one torrential stream of tension. with lost in burning man, alex picone fuses an oldschool electro groove in his house beats. this unexpected encounter might remind one of kevin saundersons hiphouse sound. but instead of indulging in nostalgia, the breakbeats add a provoking, startling touch to the track. with the rotary bassline and the playful jaws harp of mandarin, the ep ends on a comical note. alex picones second cadenza is a challenge to a certain house sound that became too accommodating and glossy. his musics driving force pushes the crowd beyond the threshold of the established into a space of limitless indulgence

brooklyn duo creep are set to release their debut single, days, on tuesday, february 14th 2010 through young turks. featuring guest vocals by the xxs romy madley-croft, >days< is a ghostly blend of romys ethereal voice and creeps sinister beats, blending tones of goth, shoegaze and r&b to create darkly prophetic and orchestral soundscapes. check out the stream for >days< on pitchfork where it premiered. remixes on the 12 inch come from deadboy and azari & iii. deadboy turns >days< in to 2-step, dancefloor melancholia with azari & iii turning in a 6 minute chicago house indebted mix. creep are producers/ djs lauren flax and lauren dillard. lauren flax is an internationally renowned house dj and producer. up next, creep will release the single you, featuring nyc twins and r&b duo nina sky, as well as a collaboration with planning to rock. a full length is planned for 2011... stay tuned!

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist who is consistently changed the face of techno.

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts, he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist whoi&#769,,,,,,,s consistently changed the face of techno. he shrugs it off modestly, claiming only to always try to do something new.

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist whos consistently changed the face of techno. he shrugs it off modestly, claiming only to always try to do something new.

ilija rudman shouldnt need an introduction as for the last few years he has been releasing a constant stream of dance music under different guises. an analogue and vinyl purist his productions are always to the highest standard and electric minds is pleased to be working with the croatian producer once again. ilija delivers two bumper tracks for the a side of this release, most definitely a nod to the 80s boogie sound with both productions thumping with bass throughout. for the b side we welcome michael j collins who recently released his ep through electric minds alongside ly sander. since working with electric minds, michael has been extremely busy remixing for the likes of swayzak, moodymanc as well as releasing an ep for hypercolour and working on many more releases for several berlin based labels. michael brings his signature 4/4 house beats to the remix, a raw dubby and psychedelic house take on the original. all in all a great package that is sure to appeal to house and disco heads alike.

guillaume coutu dumont has been unstoppable over the past three years. since releasing his debut album, face a l est, on montreals musique risquÚe label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquee, oslo, cocoon and many more. he has also kept up a nonstop touring schedule, wowing crowds the world over with a dynamic live show that never sounds the same twice. throughout, he has developed one of the most distinctive styles in contemporary house music-a deep, powerful and original fusion of afro-latin percussion, instrumental melodies, soulful vocals, and intricate rhythm programming. now, with his new album breaking the fourth wall, he takes another big step forward.

royal oak with futuristic house sounds from one of hollands longest running house producers gerd. some gorgeous warm rhodes driven tracks with interstellar melodies. two tracks that sound like a stream of fresh air. friendly fire has an incredible drive with its warm rhodes chords and a deep sub bass. unique track that gives the traditional house ingredients a twist. vibration on the flip (which is actually a studio jam with the friendly fire parts) goes in a slightly slower house pace and is combines bleepy melodies with a deep powerful drive that reveals its nature once played out loud.

guillaume & the coutu dumonts has been unstoppable over the past three years. since his debut album, face a lest, on montreals musique risquee label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquée, oslo, cocoon and many more. cannt have everything feat. dop, the first single taken from the forthcoming album breaking the fourth wall, was recorded in dops studio in paris.

brut! records baby sister label, pop!, sees its second release with popnonames spaces. an eclectic line-up, including joerg burger, freund der familie and paid for fame, remix the original three times over to offer a varied perspective of the same brave track. revving its engine, spaces drives you to experience things. it invites you to crack yourself open so that through that voluntary rift some new future might pour. bold, beautiful and formless it emerges, washed in a golden light. a baby nebula, perhaps if you are lucky, cradled in the spiral arms of a distant galaxy patiently building mass as it clumps gas and dust together. the important things often creep up silently…recognized only once they are there, even though you had given them no shape in your mind prior to their arrival. space gives possibility to what these forms might be, boundless in four-dimensions. its that expanding medium that allows imagination to roam without end…where the need to distinguish between what you know and invented evaporates and flows pure and clear as an ice cold stream.

supernature hasnt put a foot wrong since its inception back in late-2007 with a stream of fluid, percussive housereleases hitting the spot for an army of high profile jocks.
>el condor< by pele closes a great 2009 for the label and maintains the quality levels in fine style. with just a handful of original releases since 2005, mostly for the impeccable connaisseur imprint, patrick gallenmüller aka pele has managed to make a disproportionate impact on housemusic. his releases and remixes have seen massive support and a quick check on his myspace reveals a dj diary of artists twice as prolific - a testament to the quality of his work (and his djing). the title cut of this threetrack/one remix ep sees the bavarian producer present a track which combines the simplest of elements into a hynpotic yet memorable track.

a1) aller retour. indeed we do like it very much, when a tune is like a punch – and this one pushes tremendous. underlaid with a sharp kick later, the strongly-held bass line involving from a small stream to an all-compelling stream. on top we receive a very un-christian boot with some oriental like organ-pipes. what more can you expect. oh by the way- there is actually a river in lower saxony with the same name like the track – however has nothing to do with it. b1) nevermind. indicate left and right over. and then a lob shot instead of a straight shot. this is a little what nevermind feels like. an assault from the deep, with a soft climax rather than with brute force. our recommendation for phasing out after an extensive club night

twentieth release in fat cats famed split series compilations, this record combines norways alog with sunroof! member astral social club.
active since 1997 and one of norways leading exponents of experimentalelectronic music, alog is the duo of espen sommer eide and dag-are haugan, mainstays at the rune grammofon label.
alogs unique, hybrid sound has since developed through four albums that have unfurled a series of abstract yet accessible, self-contained sound worlds, each animated with their own internal logic, mixing a wide variety of bothelectronic and acoustic sources into something warm, intricate and organic.
alog embrace the freedom to flit and root in the cracks between strands of minimalism, electronica, post-rock, improv and vernacular music, merging woozy, stuttering electronica (a la oval or nobukazu takemura), with rich, shoegazey guitars, freeform improvisation, scandinavian folk, field recording and the masterful editing and soundscaping of electroacoustic composition.
astral social club is the project of prolific scottish-born neil campbell, apivotal figure on the uk post-punk underground, with a vast catalogue and numerous collaborations.
a member of both matthew bowers total and sunroof! projects, he appeared on three of the latters albums before helping to form the hugely influential and prolific (over 40 releases) leeds-based drone/psych-rock outfit vibracathedral orchestra in 1998.
campbell left vco in 2006 to go solo as astral social club, under which moniker he has released a number of albums (on labels like vhf, important, qbico, textile) and an ever-increasing stream of self-released cdrs in alimited edition series of volumes (currently up to #19).
the three tracks here were recorded by campbell, john clyde-evans, paul walsh and spider stacy.

nice price deal !!! intimacy waste no time in following up paul woolfords >false prophet ep< with another missive, this time from belfast duo timmy stewart& john mciver - collectively known as jet project. responsible for a steady stream of dancefloor moments which often combine a rare appreciation for dancefloor dynamics, engaging & provocative sample sources, and a knack for arrangement that maintains the energy. its not surprising to know that andrew weatherall is a fan. label head paul woolford first met the boys in belfast in 2003 and after many repeat visits to play at their residencies, the stiff kitten and shine, (both techno institutions), their bond was sealed. the title track from this ep takes a large part of its inspiration from a charles baudelaire recital and is hard evidence that jet project truly take their lead from nobody. on the flip, we march at dawn furthers the cause - and we are then taken on a ride by the in-form sian via his heart bound for hell reworking, which rebuilds the track and surges upwards with more pressure, capping off a killer new ep for all involved..

r&s is the new alias for russell g and steve haines... russell wil be know for his releases on the likes of blackhole, whoop and of course baroque... steve has released on hed kandi and 1980 amongst many others. adding a funkier edge to steves darker dirtier beats. this new alis is exclusive to baroque, and the first release is a slick flowing stream of tech wried house. on the remix is maxie devine and veerus under their megatonic boys guise, with a tuffer techno take on things.

the second album from swedens the field, is an hour of lullaby krautronica ideal for caressing abused ears. a digital trip through ambient, dance & drone, its been gently pulsating and washing over you like water in a shallow stream all day. vinyl version (gatefolder cover)includes a free cd of the album

welcome to the new single from faze action taken from their eagerly anticipated album, stratus energy. theremins, clavs, rock guitar riffs and spacey disco vocals make good lovin sound like a classic disco track from the early 80s but in fact its brand new, with a heavy dose of contemporary production in the classic faze action style. the reflex mix has a more stripped down electronic feel, added keys and a boogiefied bass while the shogone deep mix is a more house based mix with tuff, snappy beats. with limited promos, good lovin has already been causing a stir in the disco scene and in the main stream, already receiving spins from pete herbert, of reverso 68 and joey negro in ibiza during the summer, showing early signs of appealing to a wider audience

prologue and juho kahilainen (bpitch control, frozen north, initial cuts) release a wonderful deep depressive giant ep called prophet without a vision. juho is recognized as a great electronic artist in europe with the right talent to take you on an excessive dance floor journey without any compromises. de:bug wrote about juho, everybody should take an eye on his productions. prologue shares the same opinion! juho kahilainen has produced one of the greatest summer hits last year on bpitch control and is back on prologue music with a mind-boggling ep called prophet without a vision, now. he is delivering perfect techno tracks with space consuming tunes and unbelievable deepness, people cannot really sit down... you must dance. but dont lose too many words about this prologue release, just listen to it and be surprised. mastered by oliver lieb. support from cio dór, oliver lieb, alex flatner, donato dozzy and many more to come!

classic cut from the two old hands ! a level non zero release with the catalogue number 23 – who woudnt expect a conspirational track? and indeed: after legendary release >futher & further< (lnz05) the secret house society leaders pascal feos & heiko mso (klang elektronik / playhouse) once again met for a conspirational studio session to dominate the clubbing world with an extraordinary production. the result is named luv and sounds like the essence of the essence of minimal house music neatly stretched out to 11 minutes running time. cladestinely theyve implemented classical chicago jack elements in a modern lunar probe to irridate mother earth with an eternal stream of love. adequate gravitation-free the sound comes across as a gauze of warm bassy clouds, funky finger clicks, sustain violin strings and paradisiac luv female vocals. after a long ethereal break the track speeds up again smoothly and reveals a subtile glowing sound of the tb-303. luv is the perfect example of rarely produced tracks that give you the feeling of oustanding full-embracement

adam beyers drumcode label has had a hugely productive year with a stream of consistently good material. he has now raided the archives for this new 2 track killer on his truesoul imprint. here we have 2 tracks from adam himself with the a side pattern 5 being a large bass driven bomb with big drums, a catchy vocal refrain and superb complimentary pads

super cool classic chicago house rooted tunes and some drone / electronica inspired pieces - highly recommended!

without a doubt, chicago native huge hephner has garnered quite the reputation as an international playboy - pimpin and whorin his way into the electronic music worlds stream of consciousness. however, behind the tough guy persona is a highly underrated producer with an unbridled passion for music and love of the analog gear he uses to produce such increasingly in-demand sounds. it is this perversion that lends meaning to the title of his debut album, nymphotech, released on none other than the label that helped launch his career, siteholder records. unflinching in its house vibe, yet relentless in its dance floor attack, nymphotech is a highly impressive debut album by a producer who continues to up his game with each successive release. hephner kicks off part one of a two-part vinyl album sampler with the chugging acid burner sharing the same title as the album. nothing less than 4 a.m. packed club material, to play nympotech at any other time would be a failure to recognize this bombs full potential. jack n coke is undoubtedly huges nod to his hometowns house legacy, showcasing a flirtatious bass line that screams funk in all caps. wheres the acid? fans of hephner might ask. leave that up to freaky $ean da don, featuring the vocal debut of huges body guard and reputed hitman who bears the same name as the tracks title. if nymphotech is any indication of whats to come from mr. hephner, we can only hope huge will manage to stay out of jail long enough to produce a follow-up

supported by prins thomas, ame, henrik schwarz !! ypsilanti, michigan based dj/producer todd osborn (ghostly international, spectral, soundmurderer), detroit’s man of many hats, dives deep into japans culture for >bingata<, his first release for running back. the title track is house-not-house between >eurodans< and glenn underground’s early works. also includes >i think it’s me<, a nice cut-up gem in the vein of sound stream. pink alert, the project of running back owner gerd janson and his studio partner curio, have stripped things down in their murky remix. hot like chip fat! limited to 750

after a long break jel fords legendary detroit influenced techno label returns with a series of new releases starting with this brand new deep smash from techno legend dave angel. the original itself is a superb warm tech house builder with incredible depth and feel. on the flip fresh from his recent success with his enormous drumcode releases ortin cam delivers a superb dancefloor monster retaining the depth and feeling of the original but adding an epic dancefloor feel. look out in the near future for a stream of new material from established and new artists as well as new artwork coming in the summer

excellent timeless detroit album by kanzleramts diego.. ltd backstock

episode two of this new saga from a.paul, which has been one of the most busy techno producers this year. 2008 will surely bring an even stronger stream of releases, but this will be the best way to finish 2007 with this 3 track ep.

after the hypnotic ethereal sound of stream of consciousness and the rootsy down home feeling of the nakusanga ep, an underground buzz began about what would come next from the bu mako label. the fragments ep establishes jenifa mayanja as a serious artist unafraid of pushing boundaries, branching into the unexpected, quietly seducing the listener without beating down the senses into submission. while jenifa mayanja makes no declaration as to what genre she may be classified into, the music has no problem resting comfortably between deep house, future jazz, downtempo, detroit tech and electronica.

this 2 disq masterpiece planet rhtyhm album sets the marker for something new and raises the bar to incredible heights! in the footsteps of previous albums from pioneers like adam beyer (decoded / recoded) and headroom (shades of shape), planet rhythm now unleashed another collection with todays major players and a sound that will make your head spin 360 degrees and warps you into a new era in 8 skull-crushing blows

eric prydzs position as on of the consistently hottest producers in dance music seems to be getting cemented further and further by his regular stream of fat releases. this new 2 tracker on his now legendary pryda label is simply devastating with these 2 tracks being hammered to death by many of the worlds biggest djs as well as being 2 of the biggest tracks in erics sets for months now

new tracks come and new tracks go, but olav basoski will always be there, as a solid rock in the stream of todays club music. here is his new funky electronic house groove da beat kicks. and when it kicks…you defenitely start rockin! together with a strong dub on the flip, followed by the rock da beat, another rootz records gem sees the light of day

react 2 rhythm puts a stream of classic leftfield inspired house * big room electronic house*

zurecht abgefeiertes album mit visionärer ausrichtung des afrikaners von karat, background, context

ewußtseinserweiternde minmal-groover aus wales für verstrahlte after hour erlebnisse

nice price

third studio album from imany , deluxe edition cd with bonus tracks