after a long absence from their main genosha imprint, the outside agency - finally back from being awesome elsewhere - returns with a 12 inch vinyl sampler for their long-awaited scenocide 202 album. hardcore beyond the bone is a promising title that delivers as expected.
dj support by: evil activities, endymion, neophyte, paul elstak, tha playah, nosferatu and mindustries.

nice price deal !!! that the dutch producers and her music are fashionable, nobody doubts, proof of this, is the union of forces from patch park and joeri jamison, after passing through little mountain and renaissance, delight us with their new theme in the factoria. the original one reflecting a shift toward techno influences of the two protagonists, as its original title of the song itself, it is accompanied by remixes from oliver moldan that makes a wonderful remix after his success with misfits and nicole moudaber (viva music, plastic city) pure underground sound ... enjoy it

they live in the clubs, eat through their noses and sleep standing up. the cheapers do the same, but the title no groupies and ugly dancers is directed at the mean faced ravers and talkers that lurk in the dark corners of club. the cheapers are sending a message to all those types with this release, upon you 36. they begin by lighting a bonfire on a1, dancing around the fire like crazed polka-shamans, until the final minimal priest has thrown his bible into the embers. next they attack the unwashed go-gos, hobby strippers and ugly dancers on b1. eventually reaching out and apologizing to the shy and quiet real music lovers that like to sway dreamily on b2.

vinyl only !! no digital release !! support : richie hawtin, dubfire, danny tenaglia, josh wink, timo maas, marco carola, ricardo, zip, margaret dygas, joris voorn, sascha funke, loco dice põr grindvik, francesco assenza, andrew grant, samuel l session, marco nastic, paco osuna, livio & roby, davide squillace... the first release from the new talent hubble on sleep is commercial signs the beginning of the limited series. vinyl only. from the pure love hypno atmosphere of the title track the sound develop into la estrella: a dance floor killer. kirks and ghosts show the berlin based label as one of the more eclectic and productive brand new label of the moment

our man form tokyo is back. after his debut with early light and some excursions for above smoke on dubbymans deep explorer imprint and a yet unreleased but excellent remix for ryo murakami he returns to mojuba with some fresh tunes which sound like they were made to sweeten your summer time! the title track cosmoride catches the vibe of stereociti first release but takes is on a deep cosmic trip to make you and the universe dance. the other sides track tsukayga is that kind of song which you will surely hear on a summer sunday afternoon at one of your favourite outdoor clubbing locations. please welcome the summer together with stereociti!

catz n dogz are back with their second full length artist album on mothership. the follow-up to 2008s >stars of zoo< is a break from convention and a further exploration of genres by this amazing polish duo. hence the new albums title, >escape from zoo< the guys break free from the cage and run wild in a wilderness full of street bass, disco, r&b, deep house, hip-hop and more.
this preview ep is a teaser of two of the tracks from the album especially built for the club. >warsaw by night< is a rough and rugged tech burner that sounds like detroit via poland. and the dirty version adds and extra bit of growl to the equation for those who really want to throw it down.
>i’m the one who’s crazy< is a booming barbecue shaker that mixes elements of hip-hop, soul and house into a low end killer.
the guys have come a long way since their start as the group 3 channels from szczecin, poland and we hope you like these as much as we do.

the 2nd release of canadian producer basic soul unit on mule electronic. bsu have released from such an excellent label like a versatile, philpot, ostgut ton. title track of >night heat< on a side is a melodic and playful detroitish house track. on the b side, we invited our favorite underground house producer >fred p aka black jazz consortium< to the remixer. he almost cutted off the melody and made more dj tool version. it fits perfectly for dark club. if you like the sound of >underground quality< release or that kind of house music,you will definetly need to check!

super limited stamped pre-release!! rush hour presents a new series of releases entitled -voyage direct-. this series is about all about feel good club music and is curated by tom trago. hence the name voyage direct, which was also the title of his debut double ep. dexter kicks off this series in a classy style with his junofest ep. this is easily his best work since his genre breaking electrofunk hit -i dont care- from 2000. and now its time for -junofest ep-. the title track is a steady, yet smooth club groove with enough wsing to make anyone dance to the music. a true party starter. on the aa side we find -not the only one-, an infectious vocoder vocal track that makes you smile. this is one of those rare tracks that has a poppy, commercial feel without losing its underground raw appeal. it could just be his biggest track since -i dont care-

support from: magda, adam beyer, troy pierce, konrad black, ellen allien, damien lazarus, camea, alexi delano, tim xavier, joell mull, someone else, dilo, ambivalent , dustin zahn - british tech-house master mark henning is back on clink with an exciting collection of deep and funky tracks, perfect for spring and summer. this new series of artful tech-house encompasses our love for immersive and psychedelic music, and stays true to the fast developing sound of our imprint. the ep kicks off with the title track -supersonic- and presents all of the right elements that we love in trippy tunes: aquatic bass, transparent atmospherics, and an orbiting vocal to boot. the next two pieces, titled -cracker- and -baby chow-, feed us groovy tech-house on a spoon, immersing listeners with cadences layered perfectly between funk and melody. mark then rounds things up with a dance floor hit titled >sweet atom<, eloquently focusing on an energetic bass line that echoes amidst hypnotic percussion and waves of shakers. it doesnt get much funkier than this

dubbyman, head of spains deephouse label, deep explorer, joins eargasmics roster as their first international artist! here he brings >ocean in motion< which is an ultra smooth number with all the trimmings. the flipside sees eargasmics boss cut a dope rework and bjak throwing down his interpretation of the title cut. another prime example of the deepness egc continues to bring

one of berlins finest dj and producer teams - aka aka - are back on stil vor talent with their first full on 12inch that showcases three fresh tracks, straight for the floor. things kick off with title track >ich & du< (me & you) where aka aka invite everybody on the dancefloor to sing along to this smooth deep and melodic vocal that is performed by umami. flipside with two more floorfrienly tracks

titans halo records presents its second reference, made by madrid techno veteran producer dj f. this ep titled calma includes four oneiric techno tracks that gravitate around the concept enunciated in its title.

they advised us not to sing reads the cheeky title of excentric chilean beatmakers los updates new ep . 4 tracks full of wicked grooves, raw and sweet at the same time and that particular discard of old rules that has become the trademark of producers coming from the land at the end of the world. of course released by nice cat! records

support from: surgeon, ben sims, luke slater, deetron, len faki, efdemin, technasia, mike dehnert, cio d or, ryan elliot, arne weinberg, vince watson, dan curtin, marcel hesse, franco cangelli, philip sherburne, perc, forward strategy group, matt o brien, the parallel. with a string of eps on prologue, mote evolver and komisch , samulis hypnotic tracks are seducing dance floors and djs alike. >kosmos< is samulis biggest track to date, with blasts of dry ice percussion and thumping, heavy beats underpinning a solemn voice intoning the tracks title. eerie sounds take >kosmos< to the outer limits, but kemppi keeps it rooted on the floor with a resonating bassline. >massa< meanwhile, is a raw warehouse number, its gained bassline and crashing cymbals playing host to an evil acid line that threatens to spiral out of control. peter van hoesen dissects and reconstructs >massa< using an intricate, stop-start arrangement and lithe, stop-start rhythms dipping and building until a heavy kick drops four minutes in. meanwhile >suunta< sees samuli back where he started, a heavy sub-bass and skipping percussion married with eerie vocals and atmospheric sound scapes. from his mind to ours. this is samuli kemppi at his best.

in the world of factory presets, default settings and copy-paste ethics, there are few artists that actually care to make a difference. and -who told you that?-, 29th release on warsaw recognition label, is certainly a voice to be heard. the title track is another subtle narrative from label boss jacek sienkiewicz. eerie chord and a solid, damp beat from the start are underpinned by sherds of dialogue - snippets of words and laughter keep coming back in the mix, providing some sort of uneasy commentary towards todays minimal house formula. but at some point the voices disappear - and then the tracks gently goes somewhere outside the boundaries of todays club music, somewhere otherworldly. this shift, albeit amazingly subtle, is a leap towards music free of any defined context, far beyond dancefloor and definitely original. if this sneak peak into the possible futures of manmachine induced visions is too much to handle, there is still the b-side of this release. two tracks here - both clocking around mere 5 minutes - are prime exercises in compact, clever, tight and efficient club tools. uplifting -cobalt drive- is bound to to be quoted and reworked into many forms of a late-night burner. patefon, on the other hand, is a peak-time stormer with its stuttering chords and moody samples, supposedly picked from some vintage shellac discs

just who are the >agents of time< in the title of mathew jonsons debut solo album? is it a reference to futurism, or to the here and now? is it us, are we them?
whatever the case, its a suitably open-ended name for a record that presents a side of mathew jonson you have never heard before.

the beautiful swimmers return! big coastsees the swimmers bring more and more influences into the vibe, from the reggae chunk, sleeping bag trumpets, and percussive tidal wave of the title track, to the 808 kraut spiral of touch base, a cut that sounds like tangerine dream doing some heavy breathing in ghana. rounding out the 12is give it all you got, an aggressive disco stormer djs have been asking us about for almost a year now. summer is here!

a1: >i want to love you< €rix big screen mix. – only available on vinyl – well… it is moody to say the least, it could/should remind you of a detective movie or perfume advertisement: perhaps both?
a2: tyree coopers extended dub reemix ( – only available on vinyl – ) takes a spin on his chicago/berlin base, pushing the periphery theory, >who cares as long as its jackin!< which tyrees reemix is doing right down to the summer vibe piano ho-down in the middle!
b1: royal mix by dirk leyers. dirk submits a striking take on the title disregarding structure entirely, turning it into a submarinal practical knowledge, stadium ready!
b2: reedo mix by the maertini brothers. the mix they rendered is pure love! laid back, with a variation on the vocal neither angie nor €ric were prepared for, listen closely to the bassline!

i know, i know… these tunes can really not be classified as house tools. martin beume, who also released the fabulous texgreen ep on outils, presents three unorthodox house tracks packed with the two winner components: weird melodies and mighty basslines. step right up! - the first cut on this release, gives you the feeling of being in a khole in the middle of a freak show carnival. catchy and odd melody snippets rotating diffusely on a never ending marching groove - absurdity in its most elegant form. slowly but steady – its a telling title! old school to the core, this track builds up steadily and adds layer for layer of jazzy samples until the tune is completed to an alluring dancefloor killer. flowing ribbon – what a lovely and sweet tune.

second release on jamie jones & lee fosss hot creations label is the first release by hot new talent robert james. a burgeoning producer, way ahead of his game who will soon be familiar for his insanely infectious music, not least for -sleep moods- his debut ep. -sleep moods- is the type of record that you never want to end. drilling into the mind with rattling bells, rolling bass and echoed calls of go deep… all night… no sleep. this is an unstoppable dancefloor gem, catching your attention from first listen and leaving you wanting more. as -sleep moods- breaks into its groove through haunting sirens and dark rave stabs that keep the energy levels stoked up, it leaves no doubt that robert james is an original and skilled new artist. on the flip -connected- is another explosive original, crackling with kickdrums and sharpened with supernatural synth stabs. in a similar vein to the sound of jamie jones, the hot creations label creator, you can see where these two producers have found common ground. completing the package, parisien house afficionado dyed soundorom takes on a remix of title track, -sleep moods-. producing a stripped back dubby version that works at any point of the night, a skill that dyed has become renowned for. dyed has been part of the freak n chic crew for many years and has also released on crosstown digital rebels, spectral, murmur and supplement facts.

aeroplane, the remixers du jour and one of the most blogged and talked about acts in recent times, have been putting the finishing touches on their eagerly anticipated debut lp set for release on sept 6th through eskimo.
aeroplane undertook the 500th >essential mix< at the end of april on radio 1 and previewed the title track of their forthcoming longplayer and first single >we cant fly< for the first time.
having built a cult following off the back off their now legendary soundcloud mixes and stunningly original remixes for the likes of grace jones, friendly fires, lindström and mgmt, their debut album is set to cement their status as one of the most innovative and exciting new acts of 2010.

the third baud release was created by don williams. the label-operator of mojuba, a.r.t.less and wandering contributes the ep >dynamic rain<. the title track opens the a-side. carried away by a kick-drum and completed by funky rotating sound objects, which will create hypnotic moments on the dance floor. then the a-side seamlessly moves into the dropping and beat-less >rain reprise<. soft sound drops serve as the clock-generator to complete this side. the b-side track >glis groove< emerges with a rolling beat and chord attacks, to finally lose itself in a bleeping, synthy-cloud

elsewhere - independent art catenation and platform for personalized structures and music present their 1st issue of a 12 series (limited to 333 hand numbered copies) called scandiving - title and cover artwork originate from a congruent art performance of elle p.
comes with full release on cd in business-card format, including infos for free download of a hidden track.

doppelschall is back with its 2nd vinyl instalment. and its clear what the label is aiming for... high quality modern electronic dance music with a warm soulful edge. jazzy injected mordern house tracks from mr bozeman is what they present after the more then excellent release of dollkraut. hypnotic and pulsating house with a dusty sample aesthetic that ads a warm flavor that makes this sound like a record that one knows like its own pocket. brandt brauer and frick committed to do the remix and come up with a brilliant jazzy work out of the title track. needs no recommendation!

double standard second vinyl only delivery is the debut release from one half of no regular play, greg paulus, with a sumptuous selection of wholesome music. quickly building a reputation for well-made, somewhat obscure but always rewarding music, double standard introduces another member of the family in greg paulus. the five tracks on this vinyl only release are blended with a warm and natural touch, with gregs own vocals and live trumpet on each. aimed away from the dancefloor, this is music for relaxing, contemplating and inspiring. greg introduces his debut solo release with the rhythm and blues feel of title track >whats mine is yours<, before drifting through to the undulating tones of >part of me<, compete with a breakdown that cracks into dark rave synths before returning to its original blissful state.

earwax is very proud to present this huge 12 inch from >purple trinity< producer gemmy, guaranteed to cause serious sonic pressure on a dancefloor near you! >maroon chant< is possibly one of gemmys biggest tunes yet, a carefully crafted dancefloor monster brim with catchy purple melodic synths and heavy weight bass. the intro leads in with a looped tribal chant as the pattern is sucked into rolling snapping percussion before the squelching, ever-evolving bassline drops. the track build and flows effortlessly maintaining high energy levels throughout. big tune. flip then for >last 3 digits< ? the title being a reference to pirate radio shows where the host refers to callers by the last 3 digits of their phone number. >let me have 1 caller for the rewind<. heavy hitting rave stabs punch out the catchy melody here before the track switches up into a grimey beat and even grimier bassline. quality rave music.
dj support from: joker, roska, pinch, mary anne hobbs, guido, ginz, reso, baobinga, appleblim, peverelist, rsd, plastician dusk & blackdown, and many more..

emptiness isnt a quality you normally associate with electronic dance music. from the crowd on the associate with electronic dance music. from the crowd on the dancefloor to the weight of the bass, its all about fullness, volume, density. reboot turns that opposition on its head with his debut album, shunyata. the title comes from buddhism and translates loosely as >emptiness.< but not just in the negative sense: it speaks also to impermanence, a state of constant flux. its a great description of reboots music, where everything is in constant and kaleidoscopic motion. and its also a fitting metaphor for the life of the frankfurt-based musician, aka frank heinrich. in just three years, since his first eps under the reboot moniker appeared on cadenza and below, hes become one of electronic musics hottest properties, releasing not only a slew of singles for labels like cocoon, love letters from oslo, ricardo villalobos >sei es drum< and underground cult fave motivbank, but also a pair of high-profile mix cds for cocoon and cécille

urgent, throbbing rhythms, which almost imperceptibly increase into a subtle wall of sound: the tracks on todd bodines new ep develop a hypnotic character, stolen away into a dark pulsating sound field which exactly match the title of the a-side: >dark matter<. the increasingly dense electric field mixes with sparse siren sounds that create their own unique attraction. the same qualities infuse >space and stop< on the b-side, with equally unexpected musical power surges. these are tracks that will drag the dance floor abruptly from its spell in the first few seconds, while simultaneously adding a very special drive and intensity. all in all, todd bodine proves again with his new ep - the first release after his highly successful album, >forms< – his unique sense of style, gained over almost ten years of production experience.

early support by nic fanciulli, deetron, 2000 and one, shinedoe, dubfire, mauro picotto, boris werner, karotte, lauhaus and many more!... ilario alicante put his name on the map two years ago with his breakthrough hit >living near africa< on cecille, that was played by literally every big dj on the planet and from then on gained a lot of respect with high quality productions on tenax, sci+tec or blabla.
now we are very happy to bring to you his latest creation for break new soil: the title track >streamvision< kicks off with a subtle melody, easy-going at first but then growing stronger and stronger to finally explode in the breakdown – we can already see this one setting dancefloors on fire from rome to tokyo! on the flipside ilario shows a new side of his production – with >origami< he sets free a chicago-inspired monster groove that certainly will tear the roofs off the clubs its played in to finally let the summer in!

baustelle is the title of the new album by agf and gudrun gut under their collaborative name, greie gut fraktion. to accompany the long player, they have also released a 12 inch of the lead song, wir bauen eine neue stadt, complete with remixes by alva noto and wolfgang voigt.

dj support from loco dice, robert dietz, matt tolfrey, dubfire, deetron, paul ritch, anja schneider, slam, steve lawler, mr g, alex niggemann, x-press 2, brothers vibe, tini, martin landsky, nick curly,.. in four short years tsuba has become one of the uks most respected underground house labels with releases from some of the worlds most desirable producers. one of the key artists in the tsuba family is samuel thalmann aka okain. okain has had an impressive few years releasing for tsuba, quartz and jetaime and whilst not in the studio has kept up an intense touring schedule taking in dates at some of the worlds leading clubs. his latest release kicks off with title track >sleepwalking<, a superb slice of bumpin groove laden house with subtle vocal hooks and a spacey hypnotic vibe. next up is >scream<, a track which once again journeys into the realms of rock solid house, featuring a rollin bassline, loose jackin percussion and refined melodic elements.

big with: basic soul unit, ame, ingo sõnger, oliver hafenbauer, dixon, sevensol, dirk rumpf,roland appel,.. back from the initial mild pitch release >this feeling< last year, ribn deliver their overdue follow-up entitled >light black ep< - three tracks as ambivalent as the title suggests! the title track is a mesmerizing house/technohybrid of colourful darkness, reminiscent of classic early ribn releases: meandering synths and hypnotic sound fragments crawl around a stomping beat while the crunchy bass loop keeps moving things forward irresistably. first up on the flip side is >sin & figs<, a warm and pathetic summer gem that is destined to soundtrack any sunrise over the next couple of months. rich layer textures and sweet little melodies make this piece one of the most emotional moments of the mild pitch catalogue to date. closing the ep on b2 is >stonedrum<, a slow-motion house treat with oddly pitched vocals, a subtle groove and heavy low-end. its masked and fragile funkyness and crackling background noises complete a complex image that requires more attention than a 30-seconds preview clip to get a clue..

big with: robert dietz, markus fix, federico molinari, dorian paic, meat, vera, nick curly,à over the last couple of years christian burkhardt and sascha dive have shaped and created the sound of raum...musik like almost no other artist on our label. now the two of them are teaming up for our next single and like one would expect it from them they deliver 2 very nice tracks aiming straight at the dancefloor. nightflight on the a side is a bit more electronic and represents more the sound design of christian. >combination< on the b side which is also the title of this record is more sort of a stripped down house tool and therefor stands for saschas influences. together they form a nice mix including two of the main artists from our label. enjoy this combination...!

its been a heady few months for d julzs bass culture imprint. the response and support from the dj world has been overwhelming, and this is of course down to the wonderful a&r skills of the label chief. now, with bass cultures 8th release, we are pleased to bring you the slit e.p. - greek producer, john dimas is well known for his live performances, as well as his djing skills in his town of thessaloniki & throughout europe. his sound spans the styles of techno, acid & more specifically – house music, which he performs in the club, across 3 turntables. stil quite new to the world of production, john dimas has his sights set high, having remixed the likes of fischerspooner – and now, he comes with his very first release on bass culture, adding his grecian flavour. the >slit e.p.< is a package that spans tech house, house & deep house… the original title track is dark, but rich & rides the groove nicely. the chez damier >late night mix< is exactly that – supple and full of just the right touch of deep quirkiness for late night sessions.

the title says it all here: legendary veteran with super raw oldschool house trax.

nice price deal !!! third ep and last previews of the album forthcoming lp electric family to be published next august 23 for the >electro-shock-rock< band silvouplay, which presents the results of their musical and live collaborations, with variations of a major title of the duet, with influences from artists as diverse as electric rescue, beat torrent, noisebuilder, or abstrakt sound project.

now that he has warmed up the dance floor with style, its time for his eagerly awaited debut on mobilee records, >princess guacomole<, which comes packed with energy ready to get the summer parties rocking. title track >princess guacomole< features a melodic and jazzy hook set over a driving and bouncy percussive bass. meanwhile b side >la guapa< will pick you up with by its hypnotic rift which builds up into a frenzy. its an amazing debut for rodriguez jr on mobilee …. enjoy!

five tracks in pic sleeve on textured paper w/inner bag listing track details. recordings from late 90s to 2009 in a variety of styles encompassing the things he does. mostly typical kdj house, with some nice analogue synth work, an analogue >noise< track, and a jazz piece. contains extra vinyl crackle between the tracks to go with the title. check!

malente & dex are back with this new ep that is filled with 4 house tracks, each with a little ethnic flavour.
habibi leads things off by conjuring some middle eastern vibes, including spoken samples of the tracks title and sitar loops.
in nightlcubs continues with a balkan vibe, featuring some upbeat horns that give the track a great bouncy feel and is reminiscent of smith n hacks remix for herbert. remixes come from exploited-chief shir khan and deadfishs finest camel.

the first new material from tim deluxe in a while and well worth the wait with these 2 heavy heavy club cuts. jack it started life for tim as live jam on his machine drum analogue box of tricks and shows in its energy and swing. mupod continues in much the same vein, all analogue beats and bleeps, big in the boxes of groove armada, chris fortier adn x press 2, and the title was inspired by the lovely little creature shown as the packshot here. last copies !!

repress in solid black ... releases for raum, drumpoet, oslo and his own deep vibes imprint have made sascha dive one of germanys most sought after producers. he now makes his highly anticipated tsuba debut with >jus groove< and as expected sascha delivers a killer for the dancefloor in his own distinctive style. the title says it all, an incessant groove based around a vocal sample from mr v. for the remix the legendary chez damier steps up with a classic house interpretation worthy of a man whose cv includes kms, the music institute and prescription.

aconito records newest acquistion, alessio pili, has joined forces with nax-acid for his debut release: dgt is shit, a provocatory title for an ep dedicated to a world that is slowly losing the inner soul of the cult of vinyl and djing. the two versions differ in their emphasis on the rhythms: driving and smooth in the edit version, harder and more incisive in the original to help preserve the atmospheric flavour.

might niko schwind be the new kingpin of house music? everybody needs to find out for himself of course and that is best done when listening to his freshest output for stil vor talent: the “midnightfunk” ep. it kicks off with the title track that features the great chicagoeske vocal skills of patrick blasa, who takes us in on this journey towards a time when house music ruled the waves of the club oceans. imagine a sticky slap bass, cowbells, high-pitched vocals and low-pitched male laughing plus of course the greatest thing about this scorcher: a somewhat jetlagged piano that seems to leap behind in one moment to then be right there again when it matters. ace!

big with: luciano, marco carola, nic fanciulli, ellen allien, joris voorn, danny fiddo, andrew grant, h.o.s.h, anthony collins, kabale und liebe, gregor tresher, julien chaptal, arnaud le texier, livio&roby, lee curtis and many more! new release for the italian district raw, this time show us a v.a. of strictly italians artists. the ep is composed of four tracks from 3 different artists: alessandro sensini, b.green&redmond and dario lc, surely we will hear a lot about them in the next months. the title of the ep explain us a lot about the philosophy of the label, a crew reason!

who said the wait wouldnt be worth it? the brothers in house fritz zander and sven von thülen have made themselves somewhat scarce over the past year. after having impressed in 2008 with their ep >get up<, remixes for artists including ratman, elphine and oorsprong, and tracks on the watergate 02 compilation, their audible activities the following year remained confined to fritz zanders superb 12 inch >connection< and successful compilation appearances on >ten years cocoon ibiza< and >time warp<. now there is finally something new, and the current zander vt release certainly lives up to the promise of its title: >some more< picks up where >get up< left off. its fourno-frills house pearls prove resoundingly that continuity doesnt have to entail standing still.

this debut lp by innergaze is chock full of rugged hand played analog synths lines, primitive drum machines, haunting vocals, and psychic jewelry. call it synthwave, call it punk, call it metaphysical body music or at this juncture whatever one sees fit, but this duos music goes beyond naming names for the sake of it. from the freaky, unrelenting opener >no shame< to the chris & cosey-esque >la la la<, this record creates many aural worlds to inhabit and explore. the title track >we are strange loops< bubbles at a slow, hazy drug induced bpm, while >illusions<, with its distorted almost guitar-like synth lines and stripped down 808 programming, brings things right back to the dance floor. the ideas and feelings executed here are a direct outpouring of what happens when the machines are turned on, played and recorded.

nice price deal !!! supported by: king fluffy, grass maximilian, weed cliff, rhone divers inc, boring calvingrad suckazz, paris cliton, steve >blow< jobs , the loundrette inc and many more head noogaz… quenum you guys! hes back and back for good! nude b runner, the title track, comes in full effects, a stunning yet simple bass line driven monster tune. eternal groove and raw elements make that track a party monster for sure. on the flip our godfather of electronics, ripperton, cooks hes very own version of nude b runner. once again proving, as if it was a necessity, his monstrously great talent at the remixing controls. 119 carats par minute

more than most, jason amms work as solvent embodies the original ethos of >synth-pop<: hook-laden music built lovingly out of the buzz and hum of analogue synthesizers. solvents newest full-length on ghostly international - his first in nearly six years - is called subject to shift, and its title reflects the changing tone of amms music.

label boss fluen delivers the latest ep from barcelona label vinyl did it, and takes off with the title track, guayaga. warped marbles burble along shiny dance floors giving way to flashbulb lights as classic house percussion washes the room. soon we are sweating to a workout of layered synths and vocal hooks as the energy builds. a clean cut house vibe sure to sit well in a properly constructed set. the edit by youandme gets dirtier with some pop-locking stuttered uprock snare hits, head bobbing bass, and dramatic fuzzed chord stabs. vocals get snipped up diced with in background chatter as percolating random percussion and dubbed out drums fan the flames of this eyes-closed groove. ripped reversals give way to a main line that will have the drink stirrers throwing their hands up, with a final warm wash of smiling chords perfect for bringing a set to a close, or taking it to the next level! on the b side, give me mores spastic clatter forms the backbeat for this classy house slab, with sleek dubbed out organ chords descending into the depths only to resurface under a vocal call to action. a short break and an oldschool snare lets the house heads know its about to get serious. the hook of yeah! drops over a bouncing bassline, soliciting whistles and whoops from the crowd, with hi-hats and added organinc percussion fills jacking up the oldschool vibes