limited to 300 copies. comes in a deluxe tip on sleeve. on her debut ep, brussels-based multi-instrumentalist esinam gives us an entrancing insight into her eclectic world of jazztronica. blending traditional and modern instruments with her soulful voice, the acoustic sounds of the instruments are allowed to evolve and take on new dimensions, opening up a kaleidoscopic spectrum of sound and colour.

the maghreban returns to r&s for a new single following his dark debut album 01deas, perhaps with an icier sound. monster vip is a reworking of a double time rap track from the maghrebans strange u side project he added breaks and rolled it out. end level bosses lurk. beware of the monster. rave navel-gazing back to his roots: his first ever release was a jungle 12inch in 1994. early support from ben ufo. on the flip, batu (timedance/xl) offers up crisp percussion and ominous sound design in his energetic 140 remix of album opener eddies. then the ep is closes out with carpet bombing, the title of which references the producer adding more and more notes to the main percussive motif as it builds and builds.

ahus debut album from 2017, nord dream, was something of an overlooked gem from that year, but its musical palette of dubwise techno and ambient sounds caught the ears and enthusiasm of many. danny clancy was one such admirer, and in turn brings ahus sophisticated sounds to his dichotomy records label for the ‘atlas ep.

30th anniversary edition of 1.500 individually numbered copies on blue 180 gram vinyl.
bomb the bass is the alias from the english electronic music producer tim simenon. he released his debut album into the dragon in 1988. it s an intriguing trip through electro, acid-house and hip-hop music. on the album you ll find his breakthrough hit -beat dis-, which became popular in the underground and club circuit. it feels like you re listening to a radio broadcast show, including intro skits in a melting pot of styles. a true classic in the history of using samples in music. bomb the bass were one of the first acts to bring sample-based music and scratching to a mainstream audience.

the german jazz quintet fazer releases the 12inch white sedan with two remixes by glenn astro & hodini (apollo, ninja tune, tartelet, money sex etc.) and werkha (tru thoughts). the band appeared on the map in march with their self-released debut album mara.

for its seventh release gasp records is coming back to russia. after his glorious debut on jungle gym records, marco lazovic is back to business with four pieces of intelligent jungle and emotional breakbeat cuts. aerowalk ep reflects all the defenseless essence of marco, revealing his most unpredictable side.

manchester s ourtime music return with something of a electronic masterpiece ! after a 14 year hiatus, salford s elusive cosmic composer returns to his sonic insomniac guise with a debut lp of the finest underwater electro & crisply rendered electronica as always, super limited !!

shaw cuts is happy to welcome a new face to the label squad: lazarus, a young producer from nuremberg, yields the perfect soundtrack for ‚the magic blade‘ with his debut record. the story begins with another clash between arch-rivals fu hung hsueh and yen-nan fei, two of the country’s most skilled swordsmen, both on a quest to number one. ‚rhea’ sets the perfect tempo for the duel with its heavyweight drums, revolving percussion and energetic pads. clanking swords are interrupted by the arrival of shady company – followers of the mysterious underworld swayer sent by master yu who wants yen-nan fei’s head. fu hung hsueh and yen-nan fei join forces, slaying the villains in seconds. ‚reverof nema‘ rolls in, its commanding rhythm and moody chords giving the swordsmen new force and vitality. yu wants to eliminate the swordsmen so that they never gain possession of the peacock-dart, an indestructible weapon with thanatophoric effects and the object of yu’s desires. but fu hung hsueh and yen-nan fei have already picked up the scent. bloody battles follow against more of yu’s entourage. the race against time is led by the energetic synth delirium and savage drums of ‚casio flex‘, leading hsueh and fei safely to the sublime weapon. the duo journey on, defending the peacock-dart until they reach yu’s temple. the final showdown. ‚overcome’ and its warped groove, warm synths and thundering drums bring master yu to his knees and the netherworld. but who was master yu? was it you? the myth lives on…

the first in a series of all-time classic hip-hop anthems from the nervous vaults, pressed onto high quality dinked 45s. remastered from the original source material and featuring the unedited dirty version on the a-side, and the full instrumental on the b-side, these 45s are for the heads who know what time it really is! black moon s who got the props needs no introduction, its place in hip-hop history is fully solidified. the combination of vintage beatminerz sp1200 beats paired with the legendary mcs buckshot and the 5 ft. accelerator s streetwise nyc raps is a heady mixture indeed. often speaking of street life in new york in the 1990 s, black moon gained cult status via their 1993 debut lp enta da stage , one of the most celebrated hip-hop debut albums of all time. the beatminerz production changed the game, their deep knowledge and understanding of samples, records and digging in the crates gave their sound a real style and edge. who got da props is the perfect example of this, one of those timeless rap records that appeals to the hardcore and can ignite the party. truly essential. every home should have one (or 2!). fully legit, licensed and reissued by above board distribution in conjunction with nervous records, nyc. 2018.

the fourth release on anna walls label marks sunrom s debut. i am not inspired with the daylight he says. i prefer the night to the day. everything is peaceful and people are asleep. it gives me a feeling to be alone, especially when its really late. it is perhaps the peaceful surroundings of saint-german-en-laye in france, where romain nouhi aka sunrom resides that has encouraged his creative wandering. the city is a quiet place not far from paris, with a beautiful chateau and forest surroundings. the ep kicks off with spirale delightfully uplifting and playful, weaving colourful melodies intricately together. pray takes a more pensive and wistful turn. on the flip copenhagens paxton fettel has remixed superfly full of feel-good piano riffs. the final cut is dj normal 4s version of u doing, a dreamy breaks number that wouldnt sound out of place in the golden era of uk rave. i have a passion for stars and the cosmos, discovering new sounds is like discovering new stars- sunrom.

a year after his debut outing on the label, max essa makes a welcome return to hell yeah with the han zon roc ep, which is another of his impossibly laidback offerings. essa is of course the long time uk talent who has become a part of the balearic mafia thanks to releases on labels like aficionado, music for dreams, and his own jansen jardin. this is the second coming together of artist and label and is another timeless excursion far out to sea. opener han zon roc (midori coup) is an epic 12inch minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. they grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. its like the soundtrack to an afternoon boat party all condensed into one brilliant cut. how you showed me everything then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing. last of all, rain birds alfalfa jam is a analogue drum work out with early 90s hip hop influences and diving basslines. it s light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of essa works so brilliantly escapist.

for their third release keepsakes and jaded nineties raver’s haven imprint are welcoming young irish rising rave upstart tommy holohan to the label for his debut vinyl release - “skull crushing techniques”. making his name through his residency at the techno & cans club night at dublin’s legendary party spot hanger, holohan also showed off his production ability through his dance hit “subaru impreza” and his recent ep on civil disobedience, earning him support and tips from some of the biggest djs from across the spectrum, from mall grab to dax j.

continuing with the saga of solo works, sur presents jorge gamarra s first ep on the label, featuring a debut production from the cross-genre group people people.

after the success of the latest release from label boss john dimas with his debut album ”one against time” elephant moon is back with a 3 track ep from the mysterious y&e featuring a very special remix from uk legend 100hz.

sublee from romania draws an inspiring sonic vision with this colorful debut on meander. he already released a well received longplayer on rareshs respected label metereze in 2016. now, the leading theme track irealis plays tender sound scapes with beautiful melodies reminiscent to john beltrans work on peacefrog from the golden 90s. continuum goes into a deep rhadoo-esque rhythmic mind-space, while electica takes you on an long, intelligent dancefloor journey to other dimensions. ***180 gram vinyl release, full cover artwork.***

preceding the release of his debut album, curses presents gold & silber, a five track ep led by a hypnotic, post-punk leaning roller, as well as four additional remixes from antoni maiovvi, chinaski and fango. for the title track, berlin based artist perel provides cathartic vocals on top of a drowsy rhythmic framework drawing influence from early ebm, synth music and new wave. fango provides a more angular, computerised take on the original, whilst antoni maiovvi raises the heat to a peak time flow. across two interpretations, chinaski provides maximal 80s synth work on the painkiller bonus vmix and trippy dancefloor energy on the tech noir remix.

next on noorden is white afghani with his debut release »kaleidoscope ep«. the up-and-coming producer from cologne drops a dancefloor focussed five tracker between leftfield flavoured breakbeat and ambient leaning big room techno.

pleasure zone welcomes incolor to the family! a great artist and a fantastic debut - so we decided to sign also a follow up. watch out for the -keep flirting ep- and for the plz010.1ltd!

deeply rooted & slowly explosive, estonian andres lõo slides from loud guitar skanks to rumbling toms, all capturing periods of dub, jazz, folk music and the drama of an orchestrated band surrounding the estonian seto peoples musical background. b-side carries a generously beautiful xylophone, played, recorded and manipulated gently. both sides highly polarizing his debut album skeletons on rock (laton, 2009).

after two years unearth noise returns with a second dosage on lfi. and the light beams will guide the way arrives as a double lp with one disc from unearth noise and the other from his collaboration with vocalist myrh, together they are dreamspeak. unearth noises solo works delve into familiar territory. at times reminiscent of his debut on the label -prayer and resonance his signature, dense and mesmerizing sound world develops on this second outing, harnessing a frenetic energy that dissolves like devil dust. dreamspeak create a transcendental experience that beguiles listeners one that is equally as haunting as it is enchanting

debut double lp album from blakk harbor the greek berlin based artist and sound designer behind native instruments, angelos liaros. soaring drones, dark ambiences and expertly crafted sound design. “madares” title derives from the actual dune mountains of crete. this moonlike landscape a sacred land of ancient ceremonies and the main inspiration for the album concept, cover and artwork. percussive samples and drones are created from traditional custom cretan instruments (lute, skin drums, lyra, tsabouna) & world instruments (tibetan bowls, gongs, dungchen horns) granulized to death drones through modular synths and hardware samplers. a black hole soundtrack that sucks you in tearing the fabric of space and time. enter a ritualistic occult trip to the unknown. limited to 250 copies on double vinyl with download code included, no separate digital release.

gost zvuk continues its journey to the depth of today s russia experimental music scene with the debut ep from infx, yet another emerging artist from country s capital moscow. young muscovite prefers to work on the margins of popular electronic music genres, using the complex broken rhythmical architecture to create his own kind of introverted club tracks for highly observant and thoughtful listeners. the resulting music is an ever-changing, multifaceted and polychromatic living organism with a constantly mutating structure — a truly unique piece of art that should not be overlooked.

finnish dj and producer otto yliperttula, aka yotto, is a dance music star in the making. championed by some of the genre’s most respected trailblazers and building an army of adoring fans, yotto is primed to join the big leagues with the release of his highly anticipated debut album ‘hyperfall’. yotto’s unique sound blends dark, brooding atmospheres with light, uplifting melodies – deftly hitting the sweet spot between melancholy and euphoria. otto draws inspiration from his childhood favourites the chemical brothers and röyksopp, along with more contemporary influences ranging from eric prydz and m83 to jon hopkins and xxx. having debuted on anjunadeep in early 2015 he quickly caught the ear of bbc radio 1’s pete tong and annie mac, picking up no fewer than 5 ‘essential new tunes’ and 3 ‘hottest records in the world’, along with dj support from the likes of solomun, jamie jones, patrice baumel, adriatique and joris voorn, who signed yotto to his renowned green label. the 13-track debut lp hyperfall is the culmination of three years in the ascendency, and sees yotto continue to carve his own exciting path.

spice 1 is an undisputed west coast legend, who first hit the scene after the n.w.a. and closer to home too $hort explosion of the late 80s. as history showed, he continued that bloodline with finesse and authority. his nasal flow is menacing and strong, and fans have been consistently captivated by his hood tales since his self-titled debut in 1992. if you want thematic range with your mcs, spice isn’t that dude he is all about crime tales and the perils of ghetto life. and he attacks that storytelling sweet spot with each new cut. spice 1 boasted four singles by the time it was all said and done, and breezed to gold status on the strength of cuts like the catchy east bay gangster, the heartfelt tales and truths of welcome to the ghetto, and the thick, grooving in my neighborhood. he even produced the alcohol-themed 187 proof, another of the albums singles, and the hands-down cleverest vocal outing on the lp. sonically, the backdrops on spice 1 range from plunky, keyboard-bassline funk to deeper, fuzzy 70s samples and he sounds strong on top of both. break yourself is fueled with an electro-funk drive, 1-800 spice brings reggae flavor, and peace to my nine gets chunkier, with a well-placed p-funk one nation under a groove sample. presented here on official retail vinyl for the first time since its initial release 26 years ago, spice 1s debut holds the test of time and carries the california gangsta flag with pride. some colors just don’t fade.

sam reed aka tokyo prose is a new zealand based drum & bass producer with releases on soul:r, samurai music, hospital records. he now celebrates the release of his sophomore album “wild grace” with his debut on lenzman’s emergent the north quarter label.

fresh from starting his own label insult to injury, timothy clerkin returns to ransom note records with the knife edge heart ep. three tracks of stirring techno for dark basements and warm hearts. timothy is a very interesting man, but hes also the sort of person whod rather let his music do the talking, so well move on swiftly. the mvp here is knife edge heart, an unabashed pop song whose shimmering exterior is cut through with flashes of steely darkness. frequent collaborator natalie reiss’ glacial voice is held at the perfect level of remove, while timothy allows his love of shoegaze to blossom with a guitar line that seems to extend like a ladder to the stars. with you bridges timothys opposing impulses, balancing sparkling synths and a celestial vocal sample with churning low-end, while divisive is paranoid warehouse techno at its very best. with his debut solo album out soon on phantasy, gabe gurnsey of factory floor stops by for a lurching, seasick remix of knife edge heart that sounds like the onset of the robot apocalypse weve all been promised for so long. after cutting his teeth as one half of eskimo twins, timothy launched his solo career in 2014 under the now-retired heretic moniker. hes since released on labels including throne of blood, hard fist and days of being wild. timothys last release on rsn was the serenade ep, which brought us plenty of special moments last year - most memorably andrew weatherall closing out his houghton quarry set with execute. heres to many more this summer and beyond.

jack roland pulls apart the control mechanisms of the club environment and the way this living and breathing installation can be a tool of elevation or suppression. using club sounds as instruments for this idea, control / applications is a split release born out of amsterdam s warehouse scene, fusing together electro matrix rhythms, idm, with warped hums and breaks used by dancers and performers heading up the rave. with a track on our future works iii comp last year, this is his debut record on the label: a release challenging superstructures buried among the sweat particles of the floor.

07042016 (live at st.paul s anglican church, athens) is the debut album of modal analysis, brought by the greek experimental band of mmmd (also known as mohammad). nikos veliotis and ilios are currently performing as the mmmd duo, with further focus on deep monolithic sounds, low frequencies, inter-modulations, dark textures, and distant folk nuances through custom made instruments (cello & electronic bass) and software. the release carries parts of the mmmd live performance at st.pauls anglican church in athens, recorded on the 7th of april 2016. the concert was hosted by fasma festival, on the opening day of its 2016 edition.

the secret seapony debut ep with 4 pieces of varied cuts. joined by hillevag dwellers: afrahis jj, tom ace & ulli. introduced with scattered morse codes pumped into deep turquoise oceans from the acidic dubmarine. chiming lost triangles of bermuda-trance w/ solid squared tb 303-bubbles and deep ms10 waves. b-side greets nature with an uplifting melodic percussion session lead by jjs solid dxing and playful muranidaes. last cut comes with full blesselse and merges into a bliss trip w/ tom ace & ulli. norwegian seapony power!

following their debut release with danse noire réelle releases their second album entitled ghamccccxc vrr, expanding upon the painterly melodies and ornamental sound design of kissing myself. rather than focusing upon deep psychological aspects of schizophrenia, ghamccccxc vrr explores key moments before and during réelle’s first schizophrenic psychosis as well as the lateral state of mind caused by this condition.

the debut vinyl only release on the newly established kod (keep on dancing) records embodies the spirit of multiple day long sessions held at the revered can chou chou house in ibiza, where anything goes from disco to techno (in this case the former prevails) so long as its played tastefully and at the right time. no title and no artist name appears on on this single, just the music speaking for itself.

hello leif mueller on shtum. pleased to meet you. especially with such a strong debut release. everything is starting with the no-nonsense-techno track teleshop which is designed for big room pleasures. on wo ist meine playstation 4? things get a little more psychedelic without losing the straightness you need to get lost in the dance tunnel. cairo is a lesson in keeping goose bumps alive with its up and down galloping synth stabs. to cool things down, the stuttgart based producer drops nightcleaner, a quietly starting ambient affair that evolves into a little acid monster.

japanese newcomer -jtt- unveils their debut vinyl on their own label yu-zen-. jtt consists of two guys, takayuki hosoda and dj java. most of their tracks are deep and micro house and nudisco music. -tone river- is one of the typical masterpieces of their tracks. it has a tense and dreamy atmosphere. it s a very simple but enough to be addicted one. -lotus root- has a mystical atmosphere. your brain can feel good unique sound effect sense. you will be into it. mastering by kuniyuki takahashi. according to his careful work these tracks have a high level of completeness.

kid dramas sound is one thats taken giant strides in the last couple of years, first showcased in his metalheadz debut which came in the form of last years trife ep. building upon that is the addition of the enforcer ep set for release this september and consisting of 4 chunky slabs of hard-hitting drum and bass interlaced with beautiful pads and soundscapes, a combination very few successfully execute.

we are pleased to have a debut release on nomine sound from e3 breaks. this outfit consists of grime maverick as if kid and the one and only godfather of grime dj slimzee. this guise that these 2 have opted to go with seems to have given them the urge to explore the deeper and darker side of the 140 sound. get your bass bins ready!

sydney via melbourne-sider cop envy brings forth two heartbursting, patient and effective tools to mark the return of the cry baby imprint - long silent after their debut exploration with dan white. the anachoic, blistering tones of balanced push the vinyl medium to it’s absolute limits with heavy, heavy bass and incredulously well produced embellishments making this a dj tool for the year 3000. leisure laces the flip with something a little closer to the present day no thanks to barely melodic musical structures peeling away to reveal the rhythmic intricacies and soul rattling subsonics that roll effortlessly through to the bitter end. rewind.

industry veterans ohm & octal industries make their debut here for all inn’s nilla sublabel courtesy of the devastatingly effective sounds of the it takes a mind ep. from blissful, melody-tinged vibes to engaging, emotive techno cuts, this is a release of various moods and contrasts that stays refreshingly intriguing throughout.

infuse027 marks label head enzo siragusa’s debut solo ep on the imprint. for the occasion, he finally releases ‘little angel’, a track close to his heart which was debuted on his bbc radio 1 essential mix at the end of 2016. embellished with swinging drums, and gentle soaring pads, it s a feel-good masterstroke of deep house. on the flip is romania’s cristi cons on remix duty, who keeps things deep but adds a subtle attitude that builds throughout, all while paying homage to the original.

despite a history that dates back to 1990, billy daniel bunter and liquid team up for their debut vinyl release together. the 4-track mitsu ep features four banging slabs of rave beats, from the rapid early 90s, dalston-era breaks of mitsu bishi to the hard euro driving bass of novor.

ellen allien prepares to release her first ever solo ep outside of her bpitch control imprint and has chosen a label she avidly admires, boddika s nonplus. as a dj, producer, bpitch control label founder and organiser of the regular we are not alone parties in the city and elsewhere, ellen allien was not only there when the techno sound of berlin was moulded in the basements of squats all over the capital but continues to be a tireless advocate of all aspects of this culture more than ever, as indicated also by her international vinylism event series. take a stand , her debut release for boddika s nonplus records, is as much informed by all those experiences as it is by the relentless hope and passion that have driven ellen allien ever since she stepped up to the decks of the infamous fischlabor in the early 90s. take a stand is a three-part statement about (and for) the here and now...

it doesn t get much bigger than this: adam beyer links up with green velvet and drumcode s outstanding rising star layton giordani for a debut collaboration. some musical partnerships feel fated. both fans of one another s work, for years adam beyer and green velvet had discussed writing music together. in turn, beyer s protégé layton giordani had admired the chicagoan s work for as long as he could remember. when the 25-year-old found himself playing alongside the green mohawked legend at belfast s shine, the spark and subsequent friendship was immediate. with the links now set in place, it was only a matter of time before the trio s creative chemistry would manifest musically. ‘space date was conceived organically and birthed quickly. propelled by green velvet s trademark vocal hypnotism, the triumvirate combine to craft a pumping intergalactic slice of techno laced in melody that s highlighted sets by beyer at awakenings, ushuaia and also edc vegas when green velvet dropped it to a raucous response. the track is complimented by rome future , the product of a year-long series of productions between beyer and giordani. deftly combining crisp drum work, catchy vocal effects and a powerful bassline melody that gives the track an almighty kick, it will be familiar to many who ve followed their sets over recent months.

rawax proudly welcomes alexkid to the family! we couldn t be happier with alexis debut. the bedroom ep is a great trippy techno journey from minimal to electro.

aaro dicosta ep is a debut for both the artist himself and the record label elossa records. elossa records is a record label ran by helsinki based dj marc fred. focusing on music with positive power – feel good dance music without strict genre restrictions. aaro dicosta is a long time producer with deep roots in funk, boogie and disco. aaro dicosta ep contains 4 melodic and powerful tracks for early mornings and late night shifts.

label head honchos rhode & brown finally debut on their own imprint, slam city jams, after putting out music on fellow labels toy tonics and public possession. produced over the past two years, the wave 100 ep might be the most versatile record by the munich-based fellas so far. on the title track we have an euphoric hint of 80s synth nostalgia, slapped bass and banging woodsticks (did someone say safri duo?!). sparkle on a2 feels like the joy of a fresh breeze on hot summer days whilst living la vida loca in the clouds - b/w phat bass, sweet flutes & strings. on the flip there is love lane, a classic house track with a funked up bassline, shuffling snares and the most erotic vocal in human history. moon bells on b2 is the soundtrack to that road trip you did back in 86 with a juno 106 arpeggiator bassline, percussive drums and airy synths all around. over europe on b3 rounds off this special 5-tracker with beautiful ambient spheres straight from outta space.

recorded in denmark in 1986 by the then up and coming afro pop singer kojo antwi from ghana, the tunes were issued in limited numbers as he was leaving denmark, sparking his international solo career after he left the classique vibes. though a popular favourite on cassette in ghana his debut album was only released in small numbers in europe and never achieved the same attention. the tracks selected here showcases kojos transition from the highlife sound of the classique vibes to the more drum machine driven highlife disco on ‘hini mi as well as the deep, computerized reggae

rhythm is life and life is rhythm. not only is it our mantra here at neighbour recordings, it s also inspired the title of our debut release from brand-new production partnership and label owners base pilot aka quantec and birke tm. featuring four original tracks, the life is rhythm ep is a full thirty minutes of dope, low-slung house that perfectly unites the duo s many years of shared passion for deep electronic music. identify is the ideal introduction, swirling synths and deceptively hypnotic, it s a proper crafty cut, whilst ghosts leans towards a more emotive and subtle groove. title track life is rhythm is a warm and inviting ten-minute epic of chunky beats, quirky distortion and vocoded vocal snatches, whereas closing number on the early is seriously heads-down and deep. repeat after us, rhythm is life and life is rhythm.

articulat is the (new) artist name of ovidiu stanciu, a romanian dj/producer living in rotterdam. under the moniker manikin, he worked on several concept albums with titles like popular mechanics, taxim and grandma s attic revival over the last couple of years. while selecting tracks for this debut ep it felt like curating a best of , and we chose to put three thriving and pounding slow-beat bangers on the a side, and to show more of articulat s versatile style on the b-side. expect experimental electronic songs inspired by themes like steampunk and romanian folklore, very precisely engineered to experience storytelling in the most physical way.

first ever vinyl reissue of the 1967 debut album from wynder k. frog. limited edition of 500 copies only with remastered sound and a bonus track not on the original lp.

external assessment vs. self-conception by robag wruhme: people always think, im that serene and quiet guy, but actually i’m quite a noisemaker. could be that the majority of the material he put out in recent years, most notably the thora vukk album, led to the overall apprehension of robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. well, thats far from being a misconception, but still just one side of the coin. the other side is embossed with his most current productions, consolidated to a double ep, captioned with the enchanting name wuzzelbud ff. wait a second wuzzelbud devoted fans will instantly prick up their ears. we’ve heard that before. back in 2004 robag wruhme released his first longplayer named wuzzelbud kk. as theres no such scenario robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. and it is. wruhme presents wuzzelbud ff as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. wruhme cuts to the chase: i wanted to put out some straightforward music for the dancefloor, something for the primetime. well, for the primetime of my sets, at least.