1 per customer, ltd 500 copies

limited to 100 copies. be quick.

fresh from starting his own label insult to injury, timothy clerkin returns to ransom note records with the knife edge heart ep. three tracks of stirring techno for dark basements and warm hearts. timothy is a very interesting man, but hes also the sort of person whod rather let his music do the talking, so well move on swiftly. the mvp here is knife edge heart, an unabashed pop song whose shimmering exterior is cut through with flashes of steely darkness. frequent collaborator natalie reiss’ glacial voice is held at the perfect level of remove, while timothy allows his love of shoegaze to blossom with a guitar line that seems to extend like a ladder to the stars. with you bridges timothys opposing impulses, balancing sparkling synths and a celestial vocal sample with churning low-end, while divisive is paranoid warehouse techno at its very best. with his debut solo album out soon on phantasy, gabe gurnsey of factory floor stops by for a lurching, seasick remix of knife edge heart that sounds like the onset of the robot apocalypse weve all been promised for so long. after cutting his teeth as one half of eskimo twins, timothy launched his solo career in 2014 under the now-retired heretic moniker. hes since released on labels including throne of blood, hard fist and days of being wild. timothys last release on rsn was the serenade ep, which brought us plenty of special moments last year - most memorably andrew weatherall closing out his houghton quarry set with execute. heres to many more this summer and beyond.

it’s a return for norwell, and a debut for mr. fairplay: their dds09 split ep is here to present 4 tracks full of outer space lights, eerie vibes, mesmerizing beats and cosmic energies.

timothy heretic’clerkin has a new record out. this new record is called serenade. it is out on ransom note records. it is three tracks from timothy and one remix from marlon hoffstadt. all four tracks are winners. they sound like the 90s remade by people too young to remember the shit bits. there are breakbeats. there are acid lines. there are weird samples about drugs. there are things that sound like orbital. there is no time wasted.

timothy j. fairplay spielt regelmäßig live shows auf festivals wie dem digital tsunamis camp dt oder dem intergalactic fm festival in den haag. seine neue ep why are they here? ist der nachfolger von chariots in the sky auf archaic future sounds, der von lauer, jennifer cardini und curses supported wurde! kosmischer und kinematischer acid house, produziert nur mit synthesizern und drum machines.

der britische studiozauberer timothy j. fairplay kehrt zu italo moderni zurück. remixe gibt es von dj overdose, intergalactic gary und univac!

180g vinyl / transparent purple in clear vinyl

only 150 copies

die chariots in the sky ep wurde mit kultigen hardware-synthesizern (roland tr-808, sh-5, sh-09 u.v.m.) produziert und ist die erste vinyl-veröffentlichung auf archaic future sounds.

finest jazz / coloured repress edition

raw and dirty

reissue

electronic masterpiece!

limited edition - single-sided 7 inch double vinyl, 1x blue and clear / 1x orange and clear split-coloured.

limited reissue on translucent double vinyl, housed in a gatefold sleeve.

reissue of the 2016 debut album from duval timothy.

80s leftfield pop-rock..

timothy j fairplay/job sifre/das ding remix

brand new label featuring some heavy hitting electro and industrial legends such as das ding and timothy j fairplay.

incl timothy j fairplay remix

2 sim is a phrase the references mobile phones with two sim cards to describe people of mixed heritage, dual nationality or multiple residence. after being called 2 sim in conversation with a stranger while on a walk through freetown (a recording of this moment features on the record) duval began to explore what the 2 sim experience is in contemporary west-africa. 2 sim ep was created from 2 months of field recordings and interviews with family, friends and peers in freetown sierra leone. these site specific recordings are collaged with solo piano recordings and production recorded in sierra leone and the uk. the ep is accompanied by a short film/ music video of the same name which duval shot and directed whilst making the record. 2 sim ep is the second release from carrying colour which follows on from 2017 s sen am -

wonder stories heads over the pond for their 24th release finding the aussie/uk collaboration between dawn again (returning from his excellent ep on ws019) and uk underground champion rothmans (known for his vinyl only label of the same name). psychedelic, melodic, and grooving are the name of the game here with timeless odyssey venturing into melancholic ethereal territory while rainbow perch is an uplifting and bubbly affair. on remixes, timothy j. fairplay submits a jacked up sleazy version of timeless odyssey while emile strunz tackles rainbow perch into a 4/4 techno stomper with a new wave ethos.

soulful, west coast hip-hop. a sound unique unto itself. a sound that recalls a classic era nostalgia. a sound steeped in the deep roots of gospel, funk and soul. low blow builds on that tradition with his debut album first book of timothy. the inglewood native embraces the sun-drenched, southern california sound and pushes it forward with intoxicating ows and a soulful musicality that the los angeles music scene is so well known for. consisting of 10 tracks, first book of timothy nds low blow reecting on his life, recounting stories of hardship and loss, relationships and social issues over soulful beats with his unique brand of melodic rhymes and cadences. the album includes production from luke ellington and trevin hickman, with additional production from allakoi mic holden peete. the lp also features musicians miguel atwood-ferguson, uncle chucc (1500 or nothin), jose rios (free nationals), ernest tibbs, jamire williams, jonah levine, jimetta rose, and more.

timothy j fairplay with the first release on nyc label body works. 4 tracks of electro madness with influences ranging from new wave, italo, gigolo/ebm, chicago (acid house & early industrial) & 1890s haunted brothel vibes.

we welcome tim fairplay with his track key to paradox with a remix from iron blu. pressed on a one-sided, hand stamped and numbered standard weight black vinyl release. accompanied by a printed info sheet insert.

slamming legowelt style

weve been huge fans of tims work since the release of his first self-titled ep on astrolab. his analogue sound has been described as both death mulch and rare gloom. for his second work for love twelve, he continues the journey into dark spaces with four more deep synth freakers from his fish island school of synthesis studio. after releases on esteemed labels including emotional response, world unknown, bird scarer, hoga nord, rotters golf club (as the asphodells with andrew weatherall) and his own label crimes of the future which he runs with scott fraser, his debut album where is the champion? was released earlier in the year to critical acclaim. tim will continue to push forward and we feel privileged to see him return for a wfl round two.

sen am is the third album by london/ freetown based artist duval timothy. drawing upon his sierra leonean and british identity, sen am which means send it in krio is duvals most personal album to date. the album continues duval s work on solo piano on tracks such as whale as well as introducing layers of vocal samples, software instruments, field recordings and whatsapp voice notes from friends and family sprinkled throughout the record. the project hosts one feature from longtime collaborator nicholas mandalos whos slide guitar duval layers on the track language. sen am is duval s first release under his own label carrying colour. the album was recorded, mixed and designed by himself. in this way the project brings together the many disciplines duval work s across into one wide ranging proje

while they may have landed a fair while ago, it’s great to see emotional response revisit timothy j fairplay s crucial early eps with an absolutely on point remix package. scientific dreamz of u brings his distinctive signal chain to -stories of prison-, using grinding synths and some snaking broken beats to create an early 90s trance mood to die for. alessandro parisi keeps things on a distinctly new wave tip for -aim for the yellow sector-, and perseus traxx brings a bold set of machine beats and technicolour synths to -saco bay-. antenna finishes the ep off by creating a winsome, wavey version of -night ferry- for sensitive souls to do the robot to.

for the past two decades, ivan smagghe has perfected the art of making spaced-out clubbers dance, has ridden a fine line and run his label les disques de la mort. rupert cross is a london-based composer who has worked with michael finissy and julian anderson as well as writing music for television and theatre. before/after ma, an album which sat on the fringes of experimental music passed through an industrial particle accelerator. s&c give you the tracks codenamed timothy dalton (according to ivan, the laser sound in the track reminded us of flash gordon). neither pop, nor psychedelic, nor ambient, nor house, nor techno, nor post punk nor even new wave are spared, but none are singled out. to nurture this proto-album, the duo also called upon the talents of tim felton, the outstanding guitarist from the cult band broadcast.

das neue studioalbum des prämierten filmkomponisten timothy fife, ausgezeichnet für seine soundtracks zu den horror-movies -murder university- (2013) und -frankenstein’s wax museum of the hungry dead- (2013), enthält drei darke synth-monster mit einer laufzeit von 3 bis knapp 18 minuten länge. lp mit download-code und einem exklusiven bonustrack, limitiert in europa auf 250 stück.

timothy j. fairplay is revisiting hoga nord rekords to release the 12inch ep mindfighter: photosensitive electronic music from one of the pillars of the modern meaningful dance music scene. together with scott frasier, t.j.f. is running the record label crimes of the future and he is also known as one half of the asphodells together with andrew weatherall. this is his second release on hoga nord rekords and his first ep on the label.

nice price deal !!!

selected advent deal. charlois present where is the champion, timothy j. fairplay s first full length solo album. twelve shifting, shuffling and shimmering tracks make up this debut. cruising the highways and byways between proto-techno, horror disco and forlorn wave, fairplay conjures up his creations from metal and smoke. saturated snares, clipped claps and warbling chords are dusted with distortion. and this idea of distortion, manipulation and the blurred line is omnipresent. innocent and sinister, cruel and playful, accepted boundaries are brazenly ignored as engines growl and synthlines soar.

hot on the heels of the co-release between especial and cocktails d amore music of the sfire remixes ep (ees023/cda013) comes an accompanying release with a pair of deeper, stripped back remixes from the inimitable timothy j fairplay and willie burns.

during their european tour earlier this year, canadian duo jokers of the scene stopped over for a couple of days at club bizarre studio in northern france. the two pair of producers locked up and came up with betaville and breakwater, two killer lo-fi and spaced out tracks. betaville is a fuzzy dream that will make you dance in slow motion with your head in the clouds. boasting a strong melodic and nostalgic feel, it unfolds its warm analog synth pads, old school sequences and drum machine to psychedelic effect. imagine boards of canada wanting to make you dance. even slower is breakwater, a dirtier, chunkier track that ditches the softness of betaville in favour of a more in your face bass line and all together rougher attitude. it chugs along to old fashioned beat box claps and percussion and quirky synth melodies. lastly betaville gets the timothy j fairplay treatment of being violently pulled apart and chucked in all corners. reminiscent of early chemical brothers music, a heavy beat slaps over agressive drugged up analog sound effects while a repetitive, haunting melody screams on top and reverberated vocals whisper in your ears. scary.

repress !! following 2013s fantastical heat crime, tim further explores his unique take on house music with two original tracks which make stylistic nods to the past but lead us elatedly to a place of uncommon and personal vision. on the a side we have squiggles, a late night piece of tentacled whimsy. a joyful frolic in a fishy stream under the stars and in the japanese garden of your soul. like u want me 2 is a missive from yearning loins to a beloved recipient, whilst were both on earth in these fleshy suits.

#name?

exclusive 7inch single in conjunction with mount alalog los angeles presenting crimes of the future label bosses scott fraser and timothy j. fairplay with 2 exclusive cuts of leftfield house and electro psychedelia, very limited copies!

first outing for newly minted glasgow-based label work for love. the inaugural strike comes from none other than timothy j fairplay, the synthesizer warlock known for his involvement in the axis, a loose unit comprising of mutual interests revolving around the studio complex timothy shares with andrew weatherall and his own partner in crimes of the future scott fraser.

aus music continue to bolster an ever expanding roster in uncovering an adroit and overlooked producer - the dublin born producer timothy blake. in amongst those in the know, blake is an artist whose reputation reaches back over 20 years and one whose releases have touched the likes of dirt crew, fatty fatty phonographics and kleine reise.

after seducing the likes of optimo, horse meat disco, rub n tug and bicep with their floor-friendly reworks of classic disco, funk and electro, the lads over at fatty fatty phonographics are expanding their repertoire with their first 12 inch of original material.

with releases on dirt crew, klein and soon fatty fatty, irishman timothy blake drops a 4 track ep on lectric sands that ranges from dancefloor friendly house with disco connotations to really different sounding, weird shit -according to a jet-setting dj. hand stamped white labels

stories of prison sees timothy j fairplay returns to emotional response having helped shape the identity of the label in it s infancy with the release of somebody, somewhere back in 2012. a lot of music has come from both artist and label since then, with fairplay s reputation as a solo artist fully established thanks to releases on a myriad of labels. stories of prison is a mini lp rich in the musical intensity fairplay has instilled in all his music to date, yet there is a daring sense of diversity at play too. from the effervescent dubbed out house toughness of opening track -the quay-, fairplay veers into subaquatic breakbeat, deep synth love from outer space chuggers, and other late night sonic treats

the pinkman sister label charlois continues its journey with a four tracker by gearfreak timothy j. fairplay. this time the operator is pushing his machines into the depths of late 70s giallo scores, which resulted in four haunting, rough house and disco cuts. limited edition with silk screened sleeves!

following 2013s fantastical heat crime, tim further explores his unique take on house music with two original tracks which make stylistic nods to the past but lead us elatedly to a place of uncommon and personal vision. on the a side we have squiggles, a late night piece of tentacled whimsy. a joyful frolic in a fishy stream under the stars and in the japanese garden of your soul.

collaborations are often the fortune of timing. with andy having moved on since closing the dissident label to launching his cave paintings project to tim s departure from battant and striking out as andrew weatheralls engineer and soon to be co-member of the asphodells, an alliance was born between the two to undertake a series of live jam sessions at eachs respective studios. a love of new wave, new beat, uk bleep and detroit techno all feature in b-ultras and the aptly titled, neu beat. both cuts are heavily soaked in the pitch black, smoke machine funk and strob-laden fug of andys (and co-hort joe hart) infamous world unknown dancefloor. running at around 10 minutes the tracks are essentially an examination of acid houses ideals. clattering hats, throbbing basslines, stabbing keys and doses of 303. keeping it pretty simple but all about a pure groove on and on. backing these up is a remix of b-ultras from jamie paton that accentuates the groove and drags the acid deeper down to some b-boy dub throwdown - with more to follow from all protagonists in 2014.