new zealand based crate digger frank booker invites good friend julien dyne to drop the second release on his new imprint down in the basement. jd picks up where the man called booker left off on vol 1 and gets straight up to speed cutting up rare boogie, disco and afro jams and employing his trademark raw cuts in an old school style, while lacing oodles of fx n stuff into the mix. the overall sound is reminiscent of the early idjut boys material, which is so close to mr booker s heart.

red laser seems to be attracting a wealth of young parisian talent as they release more heat from paris via red laser new comer romainn bezzina. bezzina has worked closely with bent producer simon mills to create and compile this ep of sultry analogue baleario disco especially for the manchester label. bezzina s remix of gary low s i want you has already appeared on the recent red laser disco compilation and now gets a re-press on this heavyweight twelve for increased sound quality. bezzina also drops fly away jack, a splendid shuffler reminiscent of van mccoy or bebu silvetti with a touch of love unlimited thrown in. these accompany 2 more tracks of sensual synth deepness including an exclusive vinyl release of bent s exercise 4 to make even the icy sleet of salford turn into the sweltering sun of st tropez.

toronto hustles kick their ep off with the classic house sound of in your mind . mr fingers style bassline over chunky chords and a well chosen rasta vocal sample builds an infectious house groove. just enough is perfect terrace material and will keep those early morning deep house heads happy. the raw cut brings a tougher groove to the ep, reminiscent of that roper mid 90 s us house sound from chicago.

from deep within the shadows, grant steps out with his debut album *the acrobat* on enigmatic label the lauren bacall. lush atmospherics lift up each of the high-flying tracks on *the acrobat*, crafting a sense of euphoria and ease that is reminiscent of such deep house from late 90s early 2000 inspired by labels such as early plastic city, deep4life, and svek.

cool peepl’s free part ii features additional vocals from the original session in two contrasting mixes. amp fiddler is in the drivers seat first with a spiritual organ workout reminiscent of the 3pm service in detroit’s baptist churches. mr. g’s remix starts out innocent enough until the bass rumbles in, before you know it his signature ride and high hats have you an a twisted journey

on the day today tonight, ethyl & flori launch their own imprint, e&f records. with dancefloor focus, efr001 guarantees crowd reactions reminiscent of clinton s welcome home after machine-gunning 400 buffalo.

the mysterious dream lovers arrive on uber with the super mellow brasil. a tropical reggae disco tinged balearic shuffler, all loose percussion and soft guitars. reminiscent of studio in their heyday. abel from the redlight records crew dims the lights and strips the og back. layback and feel the sunshine on your eyelids. the second remix comes from maciek sienkiewicz of very polish cut-outs. a quirky almost off beat stripped back version bringing out the guitars and adding extra synths pads. uber warming us up with some balearic heat.

ukrainan born, rotterdam transplant antenna came up with four house and techno hybrids for the royal oak series. raw machine driven tracks with a melancholy feel very reminiscent of early 90 s english techno.

in flagranti/craig yamey/andy butler/wolfram/dinamo azari. in flagranti prove once again that their knowledge for quality disco grooves is consummate, showing off top notch use of reminiscent samples and funky synths in new single double talk.

uk funk connoisseur duke slammer takes the driving seat on the 303-fueled ‘bangkok skytrain’, with remixes from moscow based simple symmetry and returning artist tony g. inspired by tropical heat, bangkok skytrain utilises 303s, analogue drum machines and mixes in field recordings taken from an excursion to thailand. the result is a heady concoction of warm basslines and humid atmospheres, with a groove reminiscent of early 90’s melodic techno and a cheeky drum track that wouldn’t be out of place on a larry heard record. simple symmetry, the lipski brothers from moscow, slowly rebuild layers of the track like a locomotive building up momentum, and in typical style simple symmetry style finding the perfect vocal sample and pan pipes that help propels you into the foreign lands. before you know it the track is pumping at full chug! tony g’s take goes a bit further afield than the original. a dub rhythm sets the picture in outer-space. hihats stutters like cosmic dust rickashading off the nosecone of the space ship while longing strings take us deep into a distant nebular before the 303 bring the thousands of new galaxies into view. definitely music to listen to in the dark! look out for the secret dancefloor weapon ‘just drums’, an industrial drum machine workout for the freaks!

deleted - einer der besten lounge-serien der welt, hotel costes, bringt nun in zeitlicher reihenfolge alle 15 bisherigen folgen auf schwarzem doppelvinyl heraus. jede der von stephane pompouganc zusammengestellten ausgaben hat ein individuell-exquisites tracklisting. vol.3 kommt mit 15 tracks feat. shirley bassey, gotan project, a reminiscent drive, lustral, coco steel & lovebomb, u.v.a.

180gr! this 12- features remixes from henry wu and ben hauke, two rising south london natives whose dusty house sounds are reminiscent of the jazz-wise swing of the west london broken beat sound, a movement sean khan himself was heavily involved in.

uber bring the new mushrooms project ep. a slight diversion for uber into the cosmic afro infused musical stylings that the mushrooms boys are masters. madrugada s tribal energy is reminiscent of tony esposito or tullio de picopo. the italian afrobalearic groove that we at uber love so much. the big boobs is a slower more contemplative track, still holding onto the percussive feel but with hints of the east. i suspect the title is influenced by last summers trip to the great outdoors in birmingham. finally we come to the epic musical journey that is african obsession. continuing the fine italian tradition of tribal dance music this is a tight superbly produced trip into afrocosmiche. 15 minutes of hypnotic beauty. uber hitting the spot again.

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

a separate lineage is the brand new ep on ownlife label. this release retrieves leiras usual footprint sweeping through different intensity levels and soundscapes. genetics supplies the right amount of energy to open the record while no partial truth evokes a rougher sound reminiscent of the 90s. a separate lineage is a showcase of contained pressure, guiding the listener into a hypnotic state. the final track, dry ocean, rounds out the ep as it dives deep into an otherworldly sonic plain.

title track joyride kicks things off with a straight up 909 beat, complete with scifi sweeps and classic wood block percussion, quickly working its way into an very subtle groove with every element working effectively to keep it fully funk laden. sideways completes the a side of the release and gets going right from the beginning. pumping percussion takes hold and hits the ground running before a perfectly weighted synth hook lashes over the top with henning playing with the synths lfo to creative effect. dust takes things down a notch as swirling pads drape themselves over a serious 909 beat. henning lets this one loop out, letting the subtle variations in the synths do the work as the 909 holds the beat solid and reminiscent of early berlin/detroit dub techno crossovers. mars attacks closes of the ep and does so in particularly fine fashion. a more broken beat affair this time from henning and he really works his machines into a sonic warfare of bass tones and tweaked out synths that sear through the crashing percussion workout.

a1 - the newness- combines dystopian sound landscapes with dubby atmosphere and whoopy beats. b side opens with - g.i.r.r engine-, reminiscent to -never engine-, one of cristian s best works up to date, blueprint of minimal techno with no additions. last but not the least, - box engine 124- slows speed down a bit and finishes the ep with dark and funky though spacey trip to another dimension.

following the success of the first three releases, polish imprint transatlantyk is back with more playful dance floor jams. this brand new offering showcases the unusual production talent of a well known polish hip-hop beatmaker lukasz maszczynski who until now was best known for serving fat beats for best underground rappers under his kixnare alias, under which he also released 3 solo albums on the polish u know me imprint. his new alter ego - universo - is dedicated to deep and raw house-oriented music, leaving soft, r&b infused electronic jams and raw sample-heavy beats behind. the ep opener amazones fuses rolling bass and synths with heavy drums and mind enhancing soundscapes, creating beautiful late night jam. chrome takes its sounds and inspirations out of chicago house playbook and works them to great effect. yebo is the perfect peak-time banger. its rolling, irresistible groove and chords are reminiscent of motor city drum ensemble s finest moments. fat, fresh and funky! closing the ep is sus , a deep ambient track with liquid-like synths pouring bits of melancholy on top of delicate drums. all four tracks have been road-tested by the transatantyk family and will be the source of endless fun for you and the dancers on the floor. ahoj!

get wet is a new label formed by a group of friends based between milan and berlin and dedicated to release 12inch mixes intended for club playing. we are interested in pushing new languages of expression, reminiscent of the best traits from old-school influences and on the lookout for a contemporary meaning of the dancefloor, exploring further motives in club music.

plenaque: heavy focus on the bass from the get-go sets the platform for a muffled kick drum to evoke a sense of impending danger. accompanied by effective synth layers the track bounces to a shuddering alien/deep marine sound, reminiscent of the productions dvs1 is known for. support by: seth troxler, stacey pullen, agoria, nick warren, dubfire

12 releases strong already, a:rpia:r has been silent for the last 2 years, since petre inspirescu’s gradina onirica hit the shelves of your favourite record shop. it is now raresh’s turn to release something special and indeed he did. vivaltu is an old gem, a subtle uplifting track driven by a powerful resonator, perfect for that “special moment”. the male mumbling voices provide the track with that extra eclectic feel. this is in fact raresh’s only track on vivaltu ep, the rest are remixes. side b presents a minimal house interpretation remix by none other than chilean legend and friend, ricardo villalobos. the resonator is still here but in come some childish voices to make it all perfect. perfect for the dancefloor. side c brings forward another member of the a:rpia:r family, none other than contemporary wizard petre inspirescu. his take has a very cinematic approach, building and building for 4 minutes before the kick even starts. the rich percussive atmosphere is completed with a brilliant melody reminiscent of his classical experiments. this track is an absolute masterpiece ! aloe varu is the third chosen for this remix pack and indeed he was chosen wise. his stripped down remix spans for 13 minutes and completes the story of a:rpia:r 13.

happy skulls first release of 2015 comes from uk based artist creta kano, who first impressed with his 2013 debut on rotterdam’s pinkman records. he showcases his highly melodious and deeply textured sound across three tracks for the bristol imprint. *skyway motel* is an emotive, detroit inspired amalgamation of warm chords and rolling drum machine rhythms. the tracks romantic qualities are emphasised on *skyway 81*, a screwed, pitched-down version that re-casts the original as a serotonin fuelled slow jam. *false water* completes the package. a sprawling trip in to broken techno territory, reminiscent of 90s era rephlex.

indulge yourself in breakbeat nostalgia expertly crafted for the 21st century. japanese artist missqulater aka keyday kirze delivers 4 tracks of playful rave-influenced braindance. human traffic sampling *bruva gonna take you there* is bursting with the infamous hoover sound from the roland alpha juno (second phase - mentasm et al) and the rest of the ep follows suit with tracks reminiscent of the likes of t99 and djs unite. they rave us reboots a genre from the golden years of electronic music and has lots of fun in the process.

tight house tracks with spicy basslines reminiscent of old school chicago groovers. the healing company brings s/o/m, a long lost project from southern germanys legend sascha vucko. three strong and timeless tracks out of a obscure and deep southern dungeon.

a collaboration between elias landberg and nihad tule. they started this conceptual project in november 2014 with the goal of record and master a complete ep in one day. the resulting analog jams are pretty different from each other. the a-side terrorfish is reminiscent of simplistic acid rave tunes from the 90s while the b-side halcyon is a dreamy ambient trip

2nd volume of our series -moog your body-. this time we have the french minimum syndicat who bring us a techno-acid-rave theme with samples of v (tv series), with fellow frenchman umwelt, with electro dance hall with acid lines and reminiscent of the -final frontier -ur. on the flip side we have 6tma, repeating with another neoacidrave pump house brand and to top the album, another lash of breaks, acids and impossible melodies from german roger van lunteren. limited edition of 300 copies (150 black vinyl / 150 yellow vinyl) pressed at record industry. mastered by yves roussel mastering

vinyl only release
concept e25 is back! wax classic 15 sees concept e25’s third release on the label in the space of just a year! the demand has been overwhelming for more garage house hits with that added subtle, french flourish. we heard those cries, so here we have another slammin four track record from the man himself! the opening track of the ep, sing!, is destined for greatness this summer on dance floors everywhere. for me, this will be the go-to track of the record for most djs out there. on this track, concept e25 combines a pumping kerri style bassline with beautiful sustained chords, feel good vox cuts and the occasional sax line. proper hands-in-the-air vibes here! giving it takes the ep into a deeper realm, one that evokes images of late evening summer sunsets. however, the garage swing and signature concept e25 bass sound is still present. lies leads with moody chords before introducing a vocal that will be stuck in your head for a long time! again, we have a smooth sax line to accompany the vocal up to the track’s climax. rounding out this solid release is feel this way. here, the punchy bass hits are united with an acid line that bubbles underneath, before being unleashed halfway through the track in a warehouse-reminiscent burst of resonance.

ranges is back with a new chapter of purest dub techno. four tracks based on reminiscent chords and melancholic moods, imagined and modeled for connoisseurs. tape processed and pressed on 180g vinyl only.

music that keeps your body busy on the dance floor while it takes your mind to exotic places far away: timboletti creates a tense atmosphere between the stripped-down power of a kickdrum and the intricate network of sounds and melodies. during the titles murrakus and wüstenlauf your inner cinema will show mysterious scenes from an oriental bazaar, at the same time your body will have to deal with a pleasant feeling of restlessness. the frequency spectrum of makrovic is invaded by tripped-out samples, reminiscent of radio transmissions from some odd parallel dimension, resulting in a groove that is deep yet uplifting. barfussbravo sounds just as alien and is just as compelling, as delirious melodies and delay cascades unfold upon tight, driving rhythm sections. mollono.bass delivers a remix that is probably even deeper, a stardust phantasy flying high upon the solid foundation of a standing bass line. in contrast, carlos shifts down a gear and reflects on the multi-dimensional anatomy of barfussbravo during a smooth downbeat version.

reminiscent of a time where we were releasing 4-tracks sampler every month (remember the secret gems from the vault) it is naturally that we thought about a various artists sampler in order to introduce the new wild bunch. julian m, is french and is taking over right now, releasing here his first track on briquerouge, but the man is no beginner, having released on catwash, homecoming, denote, to name but a few and of course recently on our own rz muzik, his music is deep, acid, techy and ready to please any crowd, ange siddhar is working for laboratory records and works with legendary artists such as ron carroll, paul johnson or chris count and now teams up with illan nicciani on several house project, they have a strong vinyl lovers community following their releases and just joined the label with the show

londoners kiwi and ashworth return to sneaky for a follow-up to dawn ep, the warm, dusty and at times experimental release, championed by the likes of daniel avery, eric duncan and tiefschwarz. the past few months have been busy for both halves of the duo, with kiwi signing to duke dumont s blase boys club and remixing for house music super-labels bpitch control and get physical, whilst ashworth has signed music to tomoki tamura s holic trax and needwant. second ep takes a new format, with two original tracks alaska and na am on the a-side, backed up by a nicholas & marcoradi remix of cux3 and ranacat s remix of zubr. alaska could be described as an amalgamation of the inspirations that lead to the first sneaky release, combining the pumping house beats of cux3, the comforting wurlitzer of zubr and the ethereal movie-soundtrack dusk. na am is something totally different, existing mainly as a collage of recorded and found sounds, avoiding the usual structure of house music in favour of something reminiscent of the weirder side of the chemical brothers. strange though the track may be, the climax would undoubtedly move a room full of pilled up ravers to a state of frenzy. the b-side remixes both hint to dance floors of the 90s, with nicholas and marcoradi making you wait and wait before dropping an unforgettable piano hook, whilst sneaky s ranacat lifts zubr out of context and into peak time territory.

number 3 on ruff draft comes from louis guilliaume. having met louis back in 2009 and followed his music since way before then, it was an exciting day when we received these tracks from him. known more for his harder edge techno productions on labels such as soundtravels, bio rhythm holland, teng, sd holland and a remix on skudge, here he edges slightly away from that harder sound. the tracks vary from deep, groovy and meandering house to a beatless soundscape reminiscent of early larkin and pullen to a powerful kick drum driven sermon.

pipe scuttleworth & jeremiah klinger team up for this detroit labels 2nd release. scuttleworth distills frenetic beats & chirping melodies klinger complements the spastic w a calm reminiscent of caribbean waters.

to celebrate our 10th release we would like to welcome back our favourite outboard loving russian, semerka. two tracks of the highest order include lead track *triptych*, a 9 minute masterpiece in 3 parts, plus *more* which manages to be beautiful but deep with a creepy acid line. and synths reminiscent of the twin peaks theme track. dorylus take triptych into dubby territory with distorted but gorgeous synth lines not a million miles from early underground resistance. includes code for free download of 5 exclusive remixes.

rawthenticity is proud to present this new ep from fulbert - where distorted raw drums meet soulful deep house. powerful cuts.. slamming detroit influenced pernicious planet, gritty deep ghetto-reminiscent ideals, raw drum madness meditation in a forest of shimmering mirrors and the ethereal clouds of as a closing track for this ep.

tekseven records. hailing from belfast n.ireland. the opening track orbit by tekseven is a trip into an off beat world of heavily laden beats, baselines, synths and sci-fi, evolving vocal lines seemingly sampled with precision from an old 50s t.v set somehow reminiscent of robert hood. the remix from uk artist binny continues along the sci-fi theme with a beautifully crafted ambient intro which turns into a thumping good retro feeling techno track! on the b-side teksevens atlas introduces us to some straight up no holds barred high quality light and shade techno that will loosen any dance floors rivets.last but not least is an excellent remix by mattias fridell verging more on the dub side of things with the deepest spacious bass that is a hallmark of his fine techno creations . all in all, a great first release from a brand new vinyl label. expect great things in the future.

well, it s time for the second release. toisvesi joins la beauté du négatif for a tribute to the finest bassline. djs, catch the late night club operator on a-side. afx/namlook/echospace s children will appreciate the lost-on-own-acid-daydream on the flip, reminiscent of the recent collaborative efforts of tin man & donato dozzy. handmade with hardware & passion in finland. strictly limited to 150 copies.

classic is incredibly pleased to announce that a certain man of the moment has joined the classic family. *one* was brought to the attention of classic when it featured on vinyl only release late last year. ears pricked up and more information was sought. who was this man from nowhere - producing music that was modern yet soulful, funky - and best of all coupled with his own vocal talents. luke solomon then championed not only *one*, but the general excitement surrounding something that ticked all of his boxes. reminiscent of the old classic sound that reminded him of iz and diz, losoul and the like… seven was approached and not only offered classic *one* to re-release, but two brand new cuts featured exclusively here. an ep aptly entitled *friends* is the freshest thing that has been around for some time - and classic are proud to welcome seven into their ever expanding family.

cyber dance records are back on the attack with a fresh release from the legendary perseus traxx aka nigel rogers, a 4-track ep entitled after recent scientific developments an apparent horizon . its a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the uk s own rich history of electronic dance music, with elements from the classic warp -deep space sound- prominent as much as the more usual 303-jacking acid house grooves in the vein of baby ford or bam bam. lost dreams opens the record with a floaty dream-like hipnosis from the depths of space and sets the tone in magnificent style, followed up on side a with the irresistible roll of reverse the trend that takes the groove harder, further and deeperstraight off to the beyond. dark strings reminiscent of old lfo, b-12 or autechre vinyls from the early 90s propel us into side b on darkness stalks , and then we re transported onto the concluding track on the ep, distances , an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any m25 rave in the depths of a late 1980s night.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

straight outta glasgow comes a fresh new label with a mindset aimed squarely at the dance floor! the first release comes from detroits acid house maestro jared wilson. three trax of raw analogue emotion, kicking off with the a-side track why trust, an epic and futuristic acid builder, cut loud for maximum effect, it gets more insane as the track progresses. on the flip we have the title track unknown desires delving into deeper, aquatic territories, followed by challenging shadows a gorgeous synth laden track reminiscent of classic mr fingers work. a great first release from a label that is guaranteed to be buy on sight. essential...

cheating ep is the first record to be released by low budget family, an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation. cheating track is a heads down workout, a no nonsense, broad bottomed, synth riffing number with an irresistible old-school rave sensibility. on the flip cheating song strips things back, adds some space and a vox delivery and production style reminiscent of azari & iii. a bold and ballsy debut from this russian collective.

after kicking off with a delightfully classy deep house ep from chicago s strong souls, d3 elements - the label run by the same person as vibes and pepper records - presents it s second ep from brian harden. this long anticipated ep is reminiscent of his upbeat, melodic style that is his trademark. known best known by his affiliations with relief records, underground therapy, nitelife collective, moods and groove and house 4 life records. brian was also affiliated with the well strictly jazz unit as well as wavelength and aura 9. the black 3 ep opens with a1. qunu - a rhythmic homage to south africa s nelson mandela. a complex piece filled with tribal percussions and vibrant melodic sounds that will keep you dancing. qunu creates an addictive rhythm of warmth and color. definitely a club banger! a2. - days of days - is a euphoric affair with lush chords, enticing percussions with ariose bass line. light and airy with a compelling groove. it s a masterful example of genuine house. b1. - the black 3 ep brings the ep to climax with chicago to detroit. this one is a brilliant rendition of original chicago house. the chords are hypnotic, drums are truly crafted to make you move your body. chicago to detroit will truly be onsidered a classic.

special tribute ep by the infamous mr g. for his passed away friend lex.
reminiscent of the mr g. glory days, this release takes you back into the time of timeless house music. feel the emotionz on this incredibly funky 3 tracker ep. a must have for the house music crowd.
vinyl only!

graze minerals possess a superlative lustre, which is most notably seen in diamond. such frequencies are transparent or translucent in nature, and have a high refractive index. tones with a true adamantine lustre are uncommon, with examples being cerussite and zircon. mweapon minerals display luminous bass bands, which appear to move as the specimen is rotated. such frequencies are composed of parallel fibers, which reflect sound into a direction perpendicular to their orientation, thus forming narrow bands of light. the most famous examples are fm and subtractive, but the effect may also occur in other sound banding - such aquamarine, moonstone and tourmaline. scrap minerals consist of thin transparent co-planar sheets. light reflecting from these layers give them a lustre reminiscent of pearls. such minerals possess perfect cleavage, with examples including muscovite and moss opal.

ranges: a new reality focused on 90s reminiscent scraped dub techno. our dub warriors hydergine & ixm provide four timeless jams full of saturated chords and solid grooves, everything processed on tape! ltd 180g vinyl only release. one copy per customer.

maeve 03 is mano le toughs debut on the label, and his first original music since his album >changing days< in spring 2013. tempus ep consists of 3 very different tracks, which showcase the different sides of manos productions. title track tempus is a warm melodic burner. return to yoz certainly a dancefloor moment. sorry is a useless word is mano the haus romantiker, returning to a style reminiscent of his album.

starting off 2014 with an italian/manchester collaboration - the 3rd release on el diablos social club sees dj rocca (ajello, erodiscotheque, crimea x) & chris massey (electric elephant, paper recordings) join forces to bring us a selection of spaced out, chuggy goodness with just a bit of a nod to certain croatian festivals. drug chug kicks things off with a plodding 4/4 infused with cosmicesque swooshes & whooshes along with a bassline to rattle the funktion ones. whilst synths reminiscent of the time & space machine add that much needed touch of psych to proceedings. shone takes the party to late night in the club where spiky 909 percussion meets chunky analog basslines before dropping in with distorted & reverb drenched piano chords that guarantee to leave a lasting impression on both the head & heart! remix duties come in heavy on this release with craig bratley dusting drug chug with his own style of studio fairy dust to knock it up a notch that will surely please those who have followed his sounds on andrew weatheralls bird scarer imprint, robsoul, foto, is it balearic, instruments of rapture and his own magic feet label. lastly edscs very own head honcho neil diablo tackles shone and lays off the epic-ness and brings a straight up basement chugger. this release has grit & oomph balanced with a good helping of sunshine infused warmth that will ensure its place in the boxes of both house heads & balearic boys all over!

we have been a fan of motor city drum ensemble since the brooding and eerie >escape to nowhere< in 2007 - a track that sounded like someone had listened to > french kiss< on acid and then tried to recreate what they heard. so when we started re-issuing romanthonys classics with fresh remixes, mcdes danilo plessow was always someone we wanted to on the project. it has taken 2 years to organise this mix and now it is finally here it doesnt disappoint. taking on > trust<, most people would head straight for the vocal but plessow instead eschews that idea for a warm, low slung dub mix reminiscent of muzique tropique and early glasgow underground releases by studio blue. as a more dj-friendly alternative he also delivered a completely instrumental dub mix.