bill browns super rare brownstone release is one for the deep heads, less well known than label mate everyday people but just as rare and collectable. shuffling sunshine soul its all about the groove and feeling. 500 copies only. one for the heads. bill brown and al hall jr met around 1971, they were both in south central l.a and shared the same apartment building, also in the same building was doug carn and brownstone singer billy wilson. these studio sessions were done at paramount studios hollywood where al hall jr was working for producer art smith a&c music. the main distributor for a&c was accent records.

one of the most coveted unreleased low rider / soul ballads. a huge tune, up there with darling dears (google that shit). only released on a japanese compilation 20 odd years ago without the bands consent (and with some of the channels missing) we bring you the full unreleased version for the first time. this is a big one for people who know the score.
if that’s not enough, we found this rather good unreleased disco gospel number on the master tapes of their private press lp sessions (also coming soon) but we had to give the ballad to the a side, roll the windows down and blast it.

anlässlich des 50-jährigen jubiläums von trojan records veröffentlicht bmg diese in bester pressqualität gefertigte picture-vinyl, die auf der a-seite den ikonischen trojan-helm und auf der b-seite das markant gestaltete »trojan 50«-logo zeigt. das album enthält ein dutzend der größten charthits des labels aus den 60er bis 80er jahren, dargeboten von den größten stars der jamaikanischen musik und gibt eine perfekte einführung in das legendäre reggae-label.

its done. the final, last and endmost volume of remixes for tuff city kids (aka philipp lauer and gerd janson) unique debut album adoldesscent are here. featuring kink, prins thomas, sascha funke, shan, justin strauss whatever/whatever project and brussels bohemian mugwump, tck originals are treated with acid, balearic rhythms, lean berlin grooves, new york city dubs, uk breaks and belgian new beats. there is something for every taste and one for each situation. the vinyl edition carries kink, prins thomas, sascha funke and the previously unreleased proto-rave rocket icebot. for the rest, hit the download button, please. thats all folks.

look we re five records deep and yes, we arent sure which tune is on which side. but luckily, this release is as high concept as speed 2: cruise control. on one side you will find ad, which samples an inspiring speech given by the heroic angela davis at southbank in 2017. listen to her wisdom as you play this in your front room at 7am to people who suddenly can t quite look at their hands properly. the other side pas greets you with warnings of atomic explosions over a riotous jam between a yamaha cs-10 and a sturdy analogue 808 clone. if you have a pressing need for air raid sirens, this is for you. we hope you like this west friends release. there will be more.

aussteiger is a berlin based german dj / producer. he runs the dub disco label in berlin and dj’s around the world. zusammenkunft is his debut album released on copenhagen’s music for dreams. once upon a time a golden boy came back from the shadows. rumors were told that he once left the big city in a time where the music scene and clubs were dominated by cold music and average beats. he left behind civilisation, living withdrawn in the woody mountains of a covert place. from there on people talked about him as aussteiger. connected to the nature and deeply rooted in the harmonic essence, aussteiger became a part of the great whole. in a full moon illuminated clear night while experimenting with various unique herbs he accidentally found a recipe to create warm and ravishing music. he firmly believes that music is his infinite source to gather strength and positive energy after years of strengthening himself and shaping vibrant sounds aussteiger decided to share his delightful music with the world. he returned from his retreat in order to enchant the music lovers all over the world with his feel good approach and supernatural sounds. coming back to the city, he also co-founded the awesome dub disco label with his buddy serj nosé.

jonny drops debut, sub plot, was the very first album release on the fledgling alberts favourites label at the beginning of 2016. the initial offering, a 7inch of album favourites mind field and this is the one had quickly been picked up on by the good people at bbc radio 6 music as well as some of drops personal heroes including kenny dope, mr. thing and nightmares on wax.

the legendary gig that joe strummer, singer from the punk rock band “the clash” attended and inspired his writing their classic ‘white man in hammersmith palais’ took place on the 05th june 1977. at the hammersmith palais venue on shepherd’s bush road w6, london during the height of punk mania. the full line up for the show were all jamaican artists dillinger, leroy smart, delroy wilson (all the first time from jamaica) and ken boothe. “ken boothe for uk pop reggae” who had already scored some hits with ‘everything i own’ and ‘crying over you’ in 1974. joe strummer was expecting roots, rock, reggae but the sound system this evening ‘admiral ken sound’ was playing ‘four tops all night’ as in soul and northern soul that were staple crowd pleasers at the time to warm up the audience, but in joe’s eyes the music should have reflected more jamaican roots based music. the song also deals with bigger issues of black and white unity, but some people including the punk rockers. “they’re all too busy fighting, for a good place under the lighting”. joe strummer himself was looking for fun. “i’m the whiteman in the palais... just looking for fun”.

a lot of people been asking where s the rest of the circuit shock productions? well heres the next installment selected by electro wayne 5 incredible disco and electro cuts!

tk disco the miami disco and boogie label, dominated throughout the 1970s and 1980s with back to back classics revered by dancers and disc jocks alike. it s no wonder the labels catalogue still gets played today and still makes people dance, inspiring new fans and the old school alike to hunt down the ubiquitous yellow labelled 12 inch singles with fervour. it s in this spirit that tk present some of the finest contemporary reworkings from their legendary catalogue, classics reimagined with todays dancefloor in mind, nipped and tucked in just the right way by some of the finest names to flirt with the discotheque. across 2 lovingly mastered and selected slabs of wax we have versions from dimitri from paris, norman jay, todd terje, late nite tuff guy, kon and danny krivit a truly allstar cast right there all showing their love for this sunshine state disco powerhouse. resplendent in original tk disco label art and with the classic palm tree sleeve this 100% legit and official selection of re-edits is now available for your disco dancin pleasure. dig in, and enjoy!

this lp includes misterios cosmogaficos remastered album, originally released in 1983, plus 5 tracks taken from espiritus unreleased cassette originally recorded in 1984: chile was a place where very little space was given for artistic creation, sometimes it was forbidden to create. however, with a determined inner strength, mr. valdés decided to take this project forward self-producing his own tape cassettes (diy culture). he wanted to show the young people, his friends and family that the chilean could create music at the best level in the world.

this is the debut release on noir music from brazilian k.a.l.i.l. we have been working quite some time to perfect this first release from him on the label and give it the edge needed to stand out. after tons of road-testing and going back and forth with production ideas i am now happy to have 2 perfect tracks ready from k.a.l.i.l. that really showcase his super solid techno sound and production flair. “involved” (co-produced with any mello) is a quite simple trip with any’s spoken word in center of industrial elements wobling it and out. this track works really well in the clubs because of its on point minimalism, the high intensity stacatto synths and the catchy vocal line from any. it’s not easy to do big tracks without big basslines – but that’s what k.a.l.i.l. and any mello truely achieved with this one. “revolved” is a track i signed already last year and since then k.a.l.i.l. has been perfecting everything about the track from small details to bigger arrangement improvements. this track has that big bassline that sits right in your face. it also has the right build for those peaktime moments in the clubs. i have been playing “revolved” a lot over the past months and people go crazy for those big bass drops. we are honored to have another great producer join the noir music family and proud to have another belter of a release ready for you.

hard, banging industrial techno ep

contemporary disco remix guru moplen steps up to the salsoul archive and turns in 2 absolutely stellar reworks of some solid evergreens. always remixing and reworking with the utmost respect and understanding moplen takes these classics into a new direction, working from the stems and retaining the funk, soul and grooves of the og s. the disco mix market is a busy one these days with lots of people taking a shot at the classics in their bedrooms, but not these, these are legit, heavyweight mixes created by someone who knows! candido s jingo sounds completely fresh, beginning with a totally unheard first few bars, rearranged piano motifs and dubby sounds bristle up against the percussion, all with an even heavier focus on the cuban, latin roots of candido camero s sound, amazing! you ve heard this one before, but not like this. on the flip is first choice s all-out anthem let no man put asunder - again a truly original reimagining of a stone-cold classic, using the percussions and infamous vocal vamps to devastating effect, absolutely essential versions here. moplen has truly done the business. this limited reissue has been made in conjunction with above board distribution and salsoul records, 100% sanctioned and lovingly re-presented for your dancing pleasure. this one is hot. sleep at your peril!

excellent classic blaze deep house ...

max graef and julius conrad are ratgrave. electronic p-fusion from earth. recorded over a period of 3 years in different locations. stop wars and investors.” all tracks written, produced, mixed and performed by julius conrad and max graef additional efx by ludwig l. made on earth, recorded over a period of 3 years in different locations. stop wars and investors.

your new shit. four new faces, four new sounds. artists from edinburgh, glasgow, dundee and london on one record. basically, it s a quadruple a side bbz. j wax provides a classy african vocal laced rhythmic work out, a bold statement in loopy hip movement. ted jasper follows with a beautiful instrumental double bass led playful house experience. think house meets mpc meets nu-jazz (*tip*). on the flip gavinco comes powering through with a deep guitar riff over some strong drums. this has made it into a few sets recently around town and really turns heads. finally, swayed drops a tune that is as exciting as having your bday at wimpy. a new york paradise garage vocal laced with fine horns and a baseline made to shake. these tunes make people not want to go for a fag break.

strut presents the brand new album an angel fell from cosmic jazz travellers the pyramids, led by saxophonist idris ackamoor. produced by malcolm catto of the heliocentrics, the album was recorded during an intense week at quatermass studios in london. some of the many highlights include the poignant title track depicting a fallen angel in purgatory, outrage and grief on the powerful, hard hitting soliloquy for michael brown and the lilting, beautiful album closer, sunset. the pyramids originally came together in 1972 at antioch college, yellow springs, ohio where teachers included renowned pianist, cecil taylor. after forming in paris and embarking on a cultural odyssey across africa, the group recorded three independent albums,‘lalibela (1973), king of kings (1974) and birth/speed/merging (1976) and became renowned for their striking live shows, mixing percussive, spiritual and space-age jazz with performance theatre and dance.

with the masters at work name under contract elsewhere at the peak of their career, kenny dope and louie vega had little choice but to work under other names for their strictly rhythm projects. hardrive became popular, largely thanks to the iconic ‘deep inside’ whose vocal hook (from, barbara tucker’s ‘beautiful people’) and bass line helped made the track become one of house music‘s most memorable hits. “sometimes a record just manages to capture and distill the true essence of what this is all about and deep inside is one such record, it bears all the hallmarks of golden era masters at work, all the signposts of what was happening in nyc s clubs in the early to mid 90 s were there within it s grooves. you know a record is good when it s still being, quite literally, hammered nearly 25 years later”. it’s no surprise even kanye west would sample this classic to make another chart topping track! this one s a straight up essential for any self-respecting house music aficionado. availble for the first time as a 7”. original mix on the a, dub on the flip. you know what to do!

you know when the dj drops something so special you’re mentally forced to ask for the track and the reply you get is ”its my own unreleased track”. that’s how i (art alfie) stumbled upon all three of these. about ten years ago i witnessed van rivers & the subliminal kid (peder mannerfelt) turn berghain upside-down with the dark techno epos ”mars attacks”. around the same time i had the luck to see nils westerlund boogle minds with the broken beat psychedelics of ”suspiria” at a stockholm open air. last but not least, a couple of years ago i heard ”thicker than blood” for the first time, like the sirens in greek mythology, it lured people on to the dance floor at stockholms classic summer hot spot f12. i’ve been playing these tracks ever since and im beyond happy i get to share them with the world at this point. //art alfie

2018 re-issue of the legendary 1979 greatest hits album (#1 us billboard charts, double platin). pressing on coloured double vinyl (1x pink, 1x lavender), housed in a gatefold sleeve

repress - ein hip hop klassiker von pete rock aus dem jahre 2002 - endlich wieder auf vinyl erhältlich. gatefold

after his great debut on rawax with the -knorke ep-, alex gave us his groundbreaking release from 2008 called -ñ-. he felt it s too good to be forgotten. we felt the same and now this beauty is ready to make people happy again - not only those on discogs!

when it comes to deep and soulful inspired house grooves with a touch of sweat and grit we like so much, few comes close to soulphiction. this four track ep got that and more. ear-grabbing opening track bizzness starts things off in classic soulphiction mode with its deliciously bass-heavy funk stomp. cart people is a fine slice of deep house going deeper and deeper as the groove develops. the first track on the flip, slow glow , brings warm vibes and great melodies together in a clever way. finally sweet dreams is another fine example of house music that is deep, full of soul and comfortingly loose, mr fingers style but done the soulphiction way.

the first in a series of compilations by jura soundsystem is a blend of dub, ambient, downtempo, boogie and proto house with a focus on music never before released on vinyl, sought after out of print titles and some special versions edited specifically for the album. . the intention with this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. highlights include smackos (aka legowelt) ambient epic ‘we can watch alf in the hotel room’, never before released on vinyl, the dub / psych hybrid of minus group’s ‘black shadow’, kash’s sought after ‘percussion sundance’ and special edits of ken dang and tabou combo. the end of the album includes some soothing ambient tools.

a1: the exceptional producer stenny has been a munich resident for a few years to be as close as possible to his musical home port of ilian tape. here he once again proves what a perfectly mixed supergroovy breakbeat board is.
a2: janis and fabian from the live duo aka trap10 do not hide their musical ideals. in “people zoo” it’s classic but classy, &#8203,,&#8203,,according to old detroit style and chicago tradition.
b1: jonas friedlich’s eps on molten moods and four triangles are a good example of what techno’s style is all about: tape delay is his weapon of choice, often with vocals and rarely straight beats. with “jazzersizzzze” he ties in masterfully to it.
b2: p-t2 has become an integral part of the red sun (club rote sonne) in just a few years, indulging her fondness for the harder pace of club music. accordingly, their rfr post is an acid board, as it is written in the book.

a great collection of classic roots recordings from the mid-70’s for the singer who came close in challenging bob marley & dennis brown for reggae’s crown. all re-mastered recordings available as 23-track 2lp-set in a gatefold sleeve, with in-depth sleeve notes by noel hawkes. the release is supported by several summer festival appearances.

180 gram double vinyl with download code included.

johannes albert is a producer as diverse as they come. comfortable across all sub genres of dance music from deep house to italo disco, in italy they call him giovanni alberto. hes been praised by the likes bicep, gerd janson, lauer and the keinemusik crew, and he’s only just getting started. the dancing plague ep is summer music for summer people. opening with the hefty, wonky basslines of the club ready, tpts. gravy train is a combination of grooving bass-lines and disco drums, the end result is a solid dancefloor stomper. the uniquely titled pachanga follows, abundant with nu disco and italo references. this is a real summer track, as the sun sets in the city ahead of a huge party, the one that will entice the shyest of dancers to move. keeping with the off the cuff track names, the ep finishes with the dusty, sun tinged rainbow pan. over the past ten years the needwant mantra has been to push the very best in new talent, having provided the platform for the likes of kiwi, the mekanism, maxxi soundsystem, the revenge and many more.

after previously releasing starship commander woooo woooos mastership lp, left ear records have continued excavating the archives of the artist more formally known as omer coleman jr. the result is two handpicked mid 80’s instrumentals salvaged from the original master tapes, as well as an extended vocal edit on the flip for good measure. after laying his alter ego to rest omer made a handful of electronic releases on his own kansas based remo label. of these releases left ear has selected their two favourite instrumentals: lovin babe sure is fun and so good. lovin babe sure is fun was originally released in 85 and was created to celebrate a time in america where the economy was good, people were happy and love was in the air, the essence of which omer captured using his roland 808 and 303 in what may best be described as acid-boogie. so good on the other hand is a sensual downtempo cut shaped with heavy-bass, telephone samples and guitar solos that conjures images of late night rendezvous and compromising scenarios.

fuego international is very proud to welcome automatic tasty aka jonny dillon in its worldwide roaster ! the fuego 003, coming under the name of -confessions of a recovering optimist- not only aims to be a solution to all your love issues or social neurosis, its also a well balanced record that will perfectly fits differents kinds of moods, from hi-nrg electro gem to sweet & melancholic song ! following his inspired outings on lunar disko, wrong island communication, sleepers, the infamous irish producer brings here an organic vibe of progressive love that all types of dancefloors in the world will need! cheerio!!

for atrophic societys 10th release, simply titled x, material object has delved into his archives to uncover a previously unreleased co-production with audio injection in the form of cwejack. effectual and triumphant. marching forward with purpose. a treasure. a perfect fit. grindr, material objects other contribution, takes us to the wild edge of sonic exploration and back again. music poised to push us into the abyss with acidic snarls and overwhelming drones, a writhing black sea swallowing everything in its path. married with vohkinne’s vestigial structures and device one (risualistic), the theme of the ep takes shape. non-standard music for non-standard people. x marks the spot. get lost, drown, buried deep. go beyond.

two incredible 70s soul cuts from the o jays get the reissue treatment for 2018. the a side contains the mighty for the love of money, a near 7 minute cautionary tale to the dangers of greed and exploitation. for the love of money. people will lie, lord, they will cheat. for the love of money. people don t care who they hurt or beat. as pertinent now as it was in the 70s if not more so considering current affairs. a much sampled record, loved by many! on the flip darlin darlin baby (sweet, tender, love), the second hit single off the o jays album message in the music, is a romantic soul serenade with that killer gamble and huff production philly s finest!

no money, no honey goes the saying. so with that in mind, honey soundsystem returns to the aisles of your favorite (and least favorite) record stores with a money shot 12 inch, four tracks that bring all dance floors into states of full release. honey soundsystem has been on the road seemingly non-stop, visiting foreign cities and meeting delightful characters on the way. this ep is a tour diary of sorts, 4 tunes that we have been road tested to the 9th degree and now we want our friends, fans, and foes to have them too. a1 features a track by san franciscos sepehr - the most id requested track from our chapter 10 boiler room finally revealed. a2 is by stockholm&#700,,s henrik bergqvist, a tune jackie got his hands on after a crazy night of rolling and accidentally voguing on top of henrik&#700,,s computer bag. derrick carter approved the use of his voice as long as it said snatched from dc thanks derrick! b1 is by the twink-porn worthy bio-brothers from berlin: morven son - a horny moderne electro classic featuring a secret sample from one of the more fabulous 90s movies about a sex worker. b2 is a hidden gem demo from bogotas lunate. while visiting bogota to play a gig at the legendary video club, locals kept pointing fingers at one guy when referencing the man in town making the music we needed to hear. that guy was lunate and this one of those beautiful and simple tunes you can play at the beginning, middle, or end of any night. the best news about this release? everyone behind these tracks are genuine people with great hearts. the honestly comes through when listening and playing them out, youre gonna love the way you they sound, i guarantee it.

evod music is glad to welcome binny and dj surgeles on its limited catalogue. the english dancefloor killer and the dutch sci-fi master fused perfectly together on this split ep. organic by binny is a perfect tool, thanks to its mesmerizing acid sequence, masterfully fused with powerful drum patterns and hypnotic drone raids. missing link is another killer tool, perfect for a dance floor full of people. its old school sound and the various changes make this track a must have. the b side is managed by dj surgeles, with three outstanding sci-fi tracks. science fiction contains a randomic, spaced out sequence blended with heavy drums and various drum patterns variations. commander pete is the most millsesque track: in this piece there is a real space ambience, thanks to a its far pads, the electronic ringings and bleep sounds incursions that create a constant suspense, broken by the interruption from an astronaut radio message. the ep is closed by message to earth, an ambient outro that fits perfectly with all the other tracks.

as a dutch label, were proud supporters of the homegrown sounds of guys like nachtbraker, frits wentink and fouk. adding another dutchie to our list of exquisite producers, we present you pitto with his debut on heist recordings. pitto is a musically omnipotent creature, venturing into deep house with the underground hit richklap on wolfskuil back in 2012 and dreamy electronic pop with his album breaking up the static on sonar kollektiv and virgin. he has also moved beyond producing his own music, running studio stekker, a dutch music festival that focused on freeform creative interactions between musicians where the artists performing on the festival locked themselves up a week in advance in kytopia (colin benders synth paradise) to make new music together. through this, hes worked with people like kyteman, matthew johnson, sebastian mullaert and colin de la plante, better known as ‘the mole, who is also present on pittos heist debut with a remix. the ‘late night studio moves ep is one of varied styles, where pittos inspiration from african music, jazzy and soulful samples becomes evident. he finds his ‘funk in repetition, clever sample combinations and combining electronic and live elements in the most organic way. ‘late night studio moves finds its basic groove in an african percussive loop.

duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the osiris myth. the underworld was also the resi-dence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night, and it was where he battled apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where people’s souls went after death for judgement, though that was not the full extent of the afterlife. burial chambers formed touching-points be-tween the mundane world and the duat, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the duat.

attention: the case has a broken corner. ltd 180 copies - incl dl code , this cassette collects some of these stills, or better said freeze frames. freeze frames that become almost landscapes that one can enter or not, listen closely to or use as mere background ambience. wilson went in and untied the knot, yet while investigating the situation, posing more questions. this is as open-ended a release can get, so captiously simple. i met andrew wilson, (aka berko, art wilson, andras), a few months ago in tokyo where we were both to perform on a sort of balearic ambient variety show in the heart of shibuya. at some point andrew was telling me about his interest in youtube videos of truck accidents, animals attacking people and bloopers. with creating one-shot samples of these sort of popular fringe finds he started creating long-form drones of harmonic beauty, without being overtly and subjectively emotional. wilson presented some of these pieces on said night in tokyo, in a dandyesque manner all dressed in white, sitting behind a small restaurant table

modd finally arrives on the label after swinging by on last years summer sampler. four beautiful compositions come together in harmony. beautiful music for sure but its the lead track that youll most likely be hearing across numerous continents this summertime. well leave it up to you to explore the eps nuances and blissful charm. if youre simply looking for a track to play in the clubs then be really lazy and just listen to salomeya.

after breaking out of our holding facility in early 2017, we tracked the humanoid alien lifeform known as darling to a deep bunker in amsterdam. while we were unable to gain entry tio the inner chamber, an operative successfully placed an eavesdropping device close by. while monitoring the lifeform s movements, we were able to record eight musical compositions of varying lengths that it had created using a range of analogue and digital electronic instruments. we have called this collection tulipa moves. you will notice that the tracks utilise a variety of rhythmic patterns, explore unearthly but attractiuve sounds and are capable of stirring strong emotions in human listeners. we direct your attention towards the lilting, softly spun melancholia of composition 03 (codename so did we) the fluid, beat-free bliss of composition 05 (codename the m song), and the up-tempo positivity of composition 07 (codename kiss the glass), whose chiming, intertwined melodies and snappy rhythmic energy reminded us of so-called intelligent dance music. we were astonished by the quality and intricacy of these alien creations and those we have not described in detail. it strengthens our belief that darling is a lifeform with higher intelligence and otherworldly musical ability

joe powers is from edinburgh, far outside the network of the grime capital of london. his caffeinated productions as proc fiskal are faster than usual, with many clocking in at 160bpm. ‘the highland mob’, his 2017 debut ep, opened up his music to open-eared footwork and drum’n’bass fans as well as the grime crowd. after following that up with a jungle-inflected ep on cosmic bridge, ‘insula’ switches the feel and intention towards a personal, and melodic music with one foot in grime, infused with often comic, often wistful recorded moments from his environment. he says ‘i wanted to be aware of where the music is coming from, referencing things i’m presently experiencing, like making grime, my radar radio show, phone addiction, alcohol, my surroundings, girls, depression, positivity, being unemployed, being employed and hating it, my friends etc. trying to be true to myself instead of relying on other peoples’ nostalgia, and focusing on now.’ the record is a huge leap in vision, with delicate, pointillist melodies and intricate edits reminiscent of grime producers such as terror danjah. it also resonates with japanese video game music like that recently explored on the ‘diggin in the carts’ compilation. ‘i think i probably make tunes to get out emotions i don’t express in day-to-day life. i used clips of my friends talking, drunk folk, and general scottish life to preserve and represent what my experience is like right now, like a time capsule. social media notification sounds are designed to release serotonin, which is what i’d like my music to do, to make me, and other people happy, and in using these manipulative noises in a positive way, i like to think i’m taking back the power of the manipulation.’ proc fiskal is adventurous and thoughtful as a producer, and at the young age of 21, his debut album is very advanced in its ideas and execution

you won’t find many producers quoting plato - ‘inner symbols’ takes its cue from the philosopher’s words “music is a moral law. it gives soul to the universe, wings to the mind, flight to the imagination, charm and gaiety to life and everything”. influences are many and all, ranging from colonization and african diaspora to korean shamanism, doug hammond to junior byles.

next up is berlin s christopher rau with his -f.m.e. hustle- long player. the long time firm favourite delivers 11 tracks full of hiss and soul. from driven dub techno to cool house and ambient excursions rau travels far without loosing the interrelation.

analogue club fire coming straight at you in form of a full cover double 12 inch, designed by rahel süßkind, including as special insert.
united people.

m$r.

the edit service is back and for the first time in album format (2 x lp): -special delivery vol. 4 - a collection of dysfunctional edits by cv- contains 8 tracks spread over two records: long edits, reworks or even remixes made from obscure music by the enigmatic cv (it shouldn’t be too hard for people to figure out who is behind it).

sub-heavy, dreamlike ai techno from the mysterious yugen disciple. ‘ibex 2’ is hypnotic techno that would kill in a big-room, ‘luxury flat’ is a pulsating, monotone banger. on the b side ‘pattern recognition’ is a timeless slice of electro finished with the a late night trip on the japanese bullet train with ‘shinkansen blur’ for fans of shinichi atobe, donato dozzy, dj sprinkles, lee gamble, other people place. played by pearson sound on rinse fm kowton/livity sound on nts tony poland on netil radio

giovanni damico keeps amazing things coming and takes it with this release on the mighty label kalakuta soul records to the next level. joining forces with the mighty gabriele spagnuolo and francesco di domenico on guitars and saxophone, the italian boogie doctor brings to life three filthy stompers inspired by amazing artists from the african continent who have shaped what we now call (dance) music. to felas people is one of three stompers delivered for this joint teaming up with mr. villy odili - lead singer of the amazing nigerian band villy and the extreme volumes - whos precise lyrics and drifty voice joins forces with a charging afrobeat rhythm hailing from giovanni damicos bad ass laboratory. afro stomp and baba on the other side come with the most furious drums and bassline one could ever imagine accompanied by a celestial instrumentation that hits the mind, the soul and the hips.

those who preordered, do not have to do so again - we will contact you when we have stock! this ep is a collection of songs that were recorded during the past couple of years, says baba.they all represent things ive been going through, just day to day stuff travelling, djing, meeting people, being alone a lot, falling in love, parties, hang overs etc. showtime as a title just means its showtime. before every gig, every day of travel. always somewhere. pressure, stress, excitement. gig-economy self-loathing and megalomani. swedish-born 24-year-old baba stiltz (real name) has been steadily releasing his idiosyncratictake on dance music to growing fanfare. a playful brand of electronic music that crosses boundaries and genres unlike many before.opening the ep withjazz inflected slow-jam showtime and peaking with maze-the kind of summer floor-filler babaissucha natural at crafting-his range is fully on show for the showtime ep.

two collaborations between two people vibrating on the same frequency. spacious grooves on the aniara tip!

dino lenny returns with a new dark dancefloor drop, ready to cause a stir after a string of on-point release over the last year on the likes of innervisions, diynamic, ellum and sapiens. title track techno is dead lands on his own fine human imprint and takes a play from people sentencing the end of a style, but the truth is the floors are having it like no tomorrow. sonic wise, its a 8 minute slice of driving, shadowy, electronic sound, with rumbling 4/4 beats and warehouse ready builds working in tandem for a truly standout piece of finely balanced sound, that will no doubt light up the clubs. following up is go down to mexico, with an array of off kilter stabs and trippy vocal elements solidifying dino s dexterous production style. expect to hear these across the clubs in the coming months.