phillips is the magnificent debut album by phillip lauer on running back. frankfurts melody man has amassed a body of work that includes the adventures of arto mwambe, top singles (delta nrg) on his extinct brontosaurus label for permanent vacation or live at robert johnson as well as remixes for the likes of maxmillion dunbar or with the tuff city kids project. the twelve songs that make phillips have been described as 808 state kissing movin records while cluster are in the room –, or a dolby nr tempest. whatever you want to call it, it has all the ingredients and romantic notions that can make dance music oscillate between the sacred and the profane: house, gloomy gothic grooves, cock-eyed electro, new wave trance and lots of songs without words. the power of lauer. available on cd, nine track gatefold lp and digitally. escorted by two tensnake remixes of trainmann on rb032 and more to come…,.

the new ep by harmonious thelonious called ting tong ep is ready to be released. its the second record on asafa. this time its getting melodious, especially on track one and four. almost a bit like holger czukays genious song called persian love but without the short waves. the track a.o. seems to play in the jungle (its a street jungle in whereever) and profaner tanz starts with a noise pad and ends with repetitive guitars.

rene pawlowitz aka shed returns to ostgut ton under the new moniker the traveller and delivers the first 12 inch of this new project. under his new guise pawlowitz picks up at his roots and delivers a deep techno record made for the floor. the beats on the a-side >a 100< are fierce, the melodic synth line lifts you up while everything around appears to be burning down. the experimental first track on the b-side >ber< meanders without beats and full of broken chords around that moment of ecstasy without ever reaching a break. on the b-sides second track >bypass< rene says hello to the techno-heroes, rolls out a red carpet and shows them what he has learned. pack your bags and head for the dancefloors.

leskin, massimo di lena, joseph russel and rio padice (aka the early sound collective) deliver four outstanding deep & raw house/techno cuts. of course, shitloads of records come out these days that fit the deep & raw house description, but this stuff just goes beyond. without falling back into cliche, their characteristic use of analog equipment takes you right back into the early days of hypnotic, raw & soulful machine music competing with the detroit/chicago cats from back in the day.

since the last studio album from pupkulies and rebecca three years have past in which things have gathered momentum and gained a life of their own.countless concerts in renownedclubs throughout europe were held resulting in an ever growing, snowballing fan basis a certain hype has arisen around the band occurring totally organically without being triggered by the press, self generating and in real time.the recent years have shown that pupkulies and rebecca have an appeal which covers all age groups, territories and scenes.

vessel returns to left_blank with 3 tracks of mind bending house & techno for the labels 5th release. after inaugurating the label almost a year ago with his critically acclaimed nylon sunset ep, vessel aka sebastian gainsborough went on to release a sold out split cassette with fellow left_blanker el kid, and a stunning digital only set for a future without. as a result of this the all conquering tri angle records snapped him up in early 2012 to release his debut album. this eps title track standard spans the length of the a-side: 5 minutes of low-slung, smacked out death disco, coming over like john carpenter meets newworldaquarium, pure valium vibes. merge on the b-side is positively sprightly in comparison, all rattling and metallic before a drop at the halfway point brings a welcome dose of detroit influenced machine funk. zero closes the ep in abstraction, whirring and stumbling along while showcasing sebs intricate sound design, a teasing glimpse at what is in store for his album later in the year.

generic modification in effect here on this 3 tracker from seasoned producer and remixer travelling incognito, hush-hush and strictly on the q.t. . straight out of east london, pacific rim dubs mix up deep, bumpin house with soul and boogie, rude acid with funk and fidget grooves with pure disco. in a mash-up style, but without the comedy beats and not a whiff of irony in sight, pacific rim dubs vol1 takes a selection of infectious snippets from the soul/ boogie vaults and blends them into proper house floor fillers

jack fell down are a slight adjustment to the generic format presented by producers and djs who. through conformity and expectance stand without exception in the fog of musics popularity led culture. opting instead to work in obscurity and anonymity jack fell down have signed a deal with one of the worlds longest standing and respected dance labels, southern fried records along side some of the industries biggest artist. jack fell downs debut release is a limited edition 12 inch extended player and will be in shops april 2012, this will be followed up with remixes for the 2 bears and a second ep with southern fried. jack fell down have an exclusive track on the upcoming jaymo & andy george compilation and have confirmed radio shows and blog podcasts with platforms such as ibizas sarah mains syndicated radio show. jack fell downs approach to a performance is purist, exchanging the mac book pro for the 1210s and the digital effects unit for technique, they are content to share the love at a dirty bog stomp or a world class club.

ly sander & michael j. collins join forces to bring you raoul06 via raoul, a deep, soothing ep. no response is a laid back and haunting piece, featuring warm bass and soaring pads. percussion is kept simple here, with the focus on the bass groove and introspective wording. home listening and chill out sessions arent complete without this air-y number. to bring it up a bit, the >deep space orchestra remix< lays a beat and a groove under the track and takes us to galactic depths. a cool energy is spread throughout and saucy percussion takes the levels higher. this is a late night dance track that gives goose bumps. it will certainly help to reconnect senses in the early morning. >russian roulette< displays nice use of delay and relaxed percussion. this hasnt got the boom of techno, but it does have the space-y synths and ambience to bring you up to your feet. when everything is in place, it feels right an afterparty delight.

after countless collaborations with george in apparel music is consecrate time to this amazing artist with a vinyl. yapacc is a trademark sound that mixes techno and deep so masterful and unique. every breath of his soul shines in his works that transmit to us lot of emotions in one hit, an orchestra that in the song earth race reaches its peak, showing us new worlds, becoming glue wet, wrap around our ears. a magic stamped into the groove. rhythm to dakar is a flight for dancefloor. funky bass takes us back in time, but without losing the essential direction of the grooves fresh and spreadable. alejandro mosso to close delight us using a toll seamples. the culture changes, the rhythm as well, but not the pathos that yapacc has created for this release. alejandro breaks down and reassembled to create a whole new world, parallel but different from the original mix.

ihr eher kindliches, mal zart hauchendes, mal schrill piepsendes stimmchen erinnert an plastik-pop-acts der 80er-jahre - ist aber nur der zuckerguss auf ihren grandiosen tracks.

my man by the american dj aakmael house mixx right here for you, sure thing. support by scott groove detroit. peace. on the recommendation of mr larry heard, george kagais sun of the suns mother land. one of his first track let you know that he made this track the year of 2000 his track methaphysical vibe played by danny tenaglia. futurisms cd on tommy boy. a dj since 92. the beginning for bugnology3 steve bug ? you know. check also the b side. massive. laidback porny usual jazzy hipster drumbeat-jazzy thing with on his third wax track of the season mannmademusic, the slow motion early or totally late night, or whenever you want baby, oh yeah. england north east place called sunderland near newcastle. and you know what? paradice is closing those marvelous, without a kick drum, shaking heads all around on the snare thing. how delighted could we do more, than getting this record played all around the world for the greatness of life. lets celebrate, the second welcome back to the underground release. the vinyl cover is hand stamped with the a logo designed by street art painter: william thelineau.

ultraphat prime time uk techno , incl truncate remix. decks tip , without any doubt :: this one is a floor monster

m_rec ltd is proud to welcome on board cassegarin, greek-british producer tsiridis and berlin/vienna based composer and producer evirgen. in this new vinyl m_rec ltd, they show two original tracks and a remix by ed davenport. the a side opens with a painter of modern life, a track where they paint their perfect rhythm of modern life. a sequence of hypnotic techno where the rhythms are never heavy, clean sound. a brilliant and apparent melody seems to revolve around. a touch of class that only few can maintain.complete the a side, a remix of an artist who has a lot of quality: ed davenport (figure spc, liebe detail, nrk music, etc.) he drags the original track into a vortex of syncopated rhythms and deep atmospheres, the groove that comes out is amazing. on the b side cassegrain show one track. palette is very techno, the rhythm is direct and straight without stopping. light and soft sounds rise up slowly. everything is transformed into a pleasant trip, exciting and alive.

and here they are: the cream of the crop, first time on vinyl as a limited edition of 500 copies! respectfully remastered and selected by team harmonia, the music of other power sounds more contemporary in 2012 than contemporary music itself does. (take simhaghosha for example. sounds like ultra-advanced instrumental hip hop, doesnt it?) without a further ado: enjoy these intergalactic soundscapes from the mind of a true visionary. this was high tech jazz a decade before underground resistance, and instead of detroit it was recorded somewhere in the foggy forests of finland during 1978-1985.

if you have been following graeme clark in his solo disguise as the revenge or the stream of 6th borough project 12-inches leading up to this one, you should know what to expect here—deep, blissfully hypnotic sampledelia with track flows governed by the laws of extreme repetition. its a shame that trance means a particular subgenre of electronic music, because that term applies just as much to the effects of these tracks as anything tiësto has ever played.
given the space, clark and craig smith are able to utilize this formula over a broad musical spectrum, creating music in the full-fledged sense, one that traces a landscape of tempos, styles and emotions and a menagerie of resurrected sounds conjures up images of dusty record shops and tattered vinyl, musical spirits captured on wax. awesome!

like hardly any other ambassador of modern rhein main house music, christian burkhardt has experienced a true rocket-like takeoff in the last year. burkhardts cocoon debut ep stopover goa has, after one year, still a place of honour in many djs record cases. also his legendary live set in the pouring rain at last years green & blue may belong to the lasting memories of a life dedicated to electronic music. the heidelberg-born producer has already worked for la peña, raum…musik and oslo, and his collaborations with einzelkind and sascha dive became a talking point, too. with his second ep for cocoon, he again sets new standards. theres nobody around who is able to alienate vocals from the collective memory of afro-american culture into a hallucinogenic cocktail without harmful side effects in such a way than burkhardt is. nevertheless, and despite the massive, forward-pushing bass drum and hand claps, he never loses the focus of his soul. so - open your mind, we wish you lots of fun with heart and mind and the considerably acid-like waffles, while the tropical-hypnotic seagull atmosphere of twentysecondcenturydrama already whets the appetite for the upcoming club summer season of 2012.

regulary version without cd !! early feedback...reboot, monika kruse, karotte, tiefschwarz, danny tenaglia, davide squillace, meat, chris tietjen, alex flitsch,.. as often in the past cécille records surprised with new hot talents. this one is a big release from the upcoming producer duo from uk manchester named h2.

this is a 1 off collaborative ep between sonic wizard my panda shall fly and analogue disciple benjamin jackson. mpsf has been on the scene a while, with releases on dam mantle’s growing records & wichita. benjamin jackson is a relative newcomer, having only self-released last year through his own label, ‘thanqu’. the pair recorded the bulk of the ep collaboratively without ever having met. the ep is rounded off by remixes from -no pain in pop’s critically aclaimed patten -r & s’s hyped new signings cloud boat -’my panda shall fly’s material is groundbreaking’

valanx is the new project of arne weinberg. after deciding to stop releasing under his own name, the project is focusing on his new-found passion for electronic music beyond the techno productions he is best known for. this first album is the result of liberation and recovered inspiration in the studio, and the ability to express musical experimentation without boundaries. this is how arne weinberg sounds in 2012. valanx stands for edgy, dark, sinister and thoughtful electronic music without limiting rules such as club compatibility, crowdpleasing or certain expected structures, tempos or sounds that confine most of todays musical genres. everything is possible, expect the unexpected. 300 limited lp copies - no digital distribution.

after a break from releasing new material while he concentrated on developing the freerotation electronic music festival, mindtours label boss steevio is back with a 4 track ep of live improvised modular music. modular techno vol 1 is four tracks of raw, deep, jazz tinged, freeform, analogue minimal electronics, all sequencing and sound manipulation was jammed live on steevios modular synthesizer, without the use of a computer, or eq / compression / mastering or any other processing in a deliberate attempt to capture a live electronic music performance directly to vinyl.

five lines lay the foundation for a new sound community: komaton. tomá ivanov and sebastian lehner are two young austrian sound artists living in vienna and linz. always focusing on their passion to touch and move the body and soul of their audience, they express their musical sentiments through the utter infinities of electronic sounds without compromise.

evolution takes a lot of time to achieve the best results. in his track, mr raoul k uses the concept of evolution to travel with you through this musical journey. every section of the track seems to evolve. simple patterns grow into complex patterns. more instruments join in. some stay, some are dropped after a few bars. listen closely and you can follow mr raoul ks on his path along the production process. the only sound, that accompanies you throughout the track is the choir that chants in an ancient african language - the world is nothing without humanity. the track closes with some minutes of beats for your mixing pleasure. choose vinyl!

andrew samoyed used to be such a nice young man. when he wasnt wearing lovely jumpers or impressing peoples mothers, he was toying with his synthetic pianos and computer chips to create ambient heartbreakers that could reduce your most unresponsive uncle to a snivelling mess. imagine everyones surprise then, when sometime after the release of his 2007 debut >always from this point<, without warning or reason, the famed samoyed eye-glint started to cloud over.

26 years old andrade is without doubt, one of the most exciting talents from the current crop of young french producers. having built a reputation within the paris scene for his skills behind the decks. releases on dessous followed and last year andrade also made an impressive debut on poker flat recordings. making the first release of his own label street knowledge, its time for andrade to take centre stage himself with the >sugar ep<. its bass-heavy groove is met with a busy vocal sample and refined piano chords, evoking a picture of his street knowledge. sugar is the soundtrack to a loft party. classics snares, mysterious synths chords and crowd noises. fantastic. keeping it old school and rolling with the bass lines and keys, andrade wraps up the originals with irreversible and berlin. for this first release, djulz offers two excellent remixes of sugar in order to confirm the power of this release.

we are extremely happy to kick off 2012 with the second release of good ratio music. after capturing the hearts of audiences worldwide with “money ep” from chasing kurt, it is time to warm up your senses with this emotional “one by one” by our friend tom ellis. a great 2012 starting for this new label runned by carlo and baldo. four evocative songs are composing by this ep which feels pretty organic and sensitive at the same time. you might be ready to embark in such an affecting voyage built upon those ever imperfect harmonies and natural rythm. without any apparent fear we can catalogue this ep in the mood of an experiment close to deep house. definitely it is coming from hundred of harmonic sounds and light melodies, everything mixed up with great sax samples and voices to go further than a dancefloor moving. in this way we need to say big thanks to michiel renger & sammy maine for their contributions in the sax and voice respectively. basically it will be a pleasure to make you feel captured over the clouds after the listening

the sense of palace brothers being a band was dispelled by oldhams second album >days in the wake<. initially released eponymously, >days in the wake< is, apart from the addition of some backing vocals on come a little dog, a solo album.

the reasons of the space probes blackout are still unknown. sharp and synchronised movements revealed mysterious devices and something started to pulse in the cloudy air, followed by upbeat sonic layers. i thought i was listening to a new, indecipherable, form of language. at the same time, without any friction, the nature of the emission changed again into a sort of weaving of sonic textures twisting all around me, fast and shifty. the only evidence of the facts i just reported is what i leave for you to listen to.

as a team, we have renewed our brand and identity: we have grown strong as a musical family, so our name has grown too and become polegroup.for our 11th release, sound architect reeko brings us once more an ep made up of conceptual techno, which is suitable for the dance floor as well as for a quiet listening. he has created three tracks that concentrate on sonic details without neglecting its powerful rhythm.

after a prolific 2011, punch drunk jump straight back in to action in the new year with the searing percussion of new signing tessela. direct from his debut for dublins ever impressive all city label last year, tessela joins the ranks of punch drunk to kick start the year in fine style. with a signature razor sharp rhythmical workout and erupting molten subs, lead track >d jane< unleashes richter scale tremors unto the dance. without a pause for breath, the greased rolling funk of >channel< keeps the pressure at boiling point with its dnd / menta style bass line swagger and punctuated chops. two devastating dance floor tracks that make for an impressive punch drunk debut. expect to hear a lot more from tessela in 2012.

after his debut album connecting the dots at the end of 2010 and several remixes in 2011, h.o.s.h. finally returns to diynamic music with some fresh productions and a statement: life is music is life. thats the name of his upcoming, long awaited ep, showing new sides of his verified and openminded taste in music. h.o.s.h. presents us three astonishing original takes on vocal music, all featuring the soulfull singer malonda. the opener what do you want me to say? is an immediate hymn consisting of an emotive vocal supported by sexy percussions, an impulsive cowbell and a deep, pumping bass. totally focussing on getting people to move. this one will stick right into your head. on the a2 h.o.s.h. again introduces a straight groove but this time he combines it with repetitive vocals, hypnotic synth-sounds building up tension and even some slight strings. hidden pleasures is an instant viber. the finisher high! is slow and a true groover with a gripping bassline, drifting melodies and a vocal singing a short story about those special moments on the floor that we all know. in the end h.o.s.h. has managed to re-introduce himself without even focussing on this.

this one is with morgan phalen, from a band called diamond nights that we love but went unnoticed 6/7 years ago. he lives in los angeles and we had him come over to paris to record. we wrote the lyrics with him and tried, as always, not to sound too stupid, avoiding clichés like come to the dancefoor, but without pretending to be bob dylan either. our lyrics are always a bit quirky. if they sound good and theres a little edge or something fun to them, were happy.

this one is with morgan phalen, from a band called diamond nights that we love but went unnoticed 6/7 years ago. he lives in los angeles and we had him come over to paris to record. we wrote the lyrics with him and tried, as always, not to sound too stupid, avoiding clichés like come to the dancefoor, but without pretending to be bob dylan either. our lyrics are always a bit quirky. if they sound good and theres a little edge or something fun to them, were happy.

marcus mixx drops this jaw dropping follow up to last years use your mouth 2 luv me ep on uttu records. both versions of special creme are chicago house in its purest most original form, by the hands that created without makeup dont sleep!

the moustached disco avengers at sccucci manucci drop their latest missive, featuring more transmissions from the disco underground. argentinean based toomy disco provides >what goes around<, a tightly produced disco-house number with horn snippets woven around low-slung grooves, whilst the glue deliver >without you< a hazy slo-mo looper with vocal teases and hypnotic guitar licks. on the flip, south west seven lock themselves into a fast moving groove with >what have i got to do<, a track that contrasts its fast rhythmic pulse with vocals and guitars that slowly emerge from the filtered ether. aeromaschine close proceedings with >deep champagne<, combining a deep and melodic bassline with improvisational touches and glitchy vocal stutters, it successfully forges its own sound whilst keeping in line with his disco counterparts.

limited restock, blacklabel copies without any artwork / infos.

limited transparent vinyl edition, black labels without artwork or infos.

dubious prey is the 1st release of 2012 on sticks n stones recordings and the 2nd release from the nyc-via-sierra leone dj/producer lamin fofana. lamin is an electronic musician that produces music without category out of found sounds, human voices, digital synthesisers, analogue synthesisers and drum machines. his work can be found on such labels as dutty artz, grizzly and diskotopia the vinyl version of the e.p, contains 2 original tracks and a remix of the lead single by aramac. the e.p has been review on xlr8r and currently been supported by wmfu fm (new york), wifey (déjà vu), matt shadetek, contact and a bunch of other.

so after the elusive triumph of our first release finally came firmly into our grasp, we at sequencias here in new york thought it was time to take things in a parallel direction without retracing our steps. drafting three top names in underground deep house for a label debut is no mean feat, but how do you follow up on a surprise coup like that? we thought it was time to go even deeper, and we couldnt think of a better way of doing that than getting an experienced player to unveil a new alias for our second offering. things being as they are, weare trying to keep it a bit low here, but what we can let you know is that his discography stretches back to 2005 and that he has appeared on the illustrious bunker records. this should give you a good idea of what to expect: deeper-than-deep, dirty, and gritty house that jacks with the best the movement has to offer. we have to say that orpheus firmly delivers here, and we hope you will be as pleased as we are with the three dark and introspective offerings he unveils for his new project here at sequencias.

one of the most gifted sexy deep house producers coming out of greece these days is 9 west and nite grooves is proud to announce the release of his debut ep on the label. kostas tikis, & george exarchos submits four delectable groovy tracks coming off >whats on your mind ep< they all have a bit of a charming, hypnotically appealing feel, some lo-fi, and retain a warm 4/4 that we all love so much. lovely, pumpy, and deep without being sleepy. from his sweet and smooth ep kick-off,protest,to the deep smacker and ep namesake >whats on your mind< to the groover known as >sometimes< and finally the >in love< tune thats absolutely perfect for candlelit a baby-making session.

were you able to touch them – to render them tangible and actually trace the rhythms in yachts i walked alone – the lines would form steep hills and sudden cliffs that rise and drop off, again and again, at steep, sharp angles. the wiry funk and itchy bass move like a controlled spasm, convulsive and itchy, until the breakdown, when the nervous tension gets released in a series of cowbell clunks and a guitar solo that leaks out like a slow moving electric current. on this vinyl only collection of remixes, parisian duo get a room!, aka rove dogs and jeff masson, massage out the herk and jerk, making for a more relaxed and aurally warm take. the sound of things is far housier here – and more pop, in the very best way – owing to synths where there previously were none and angles newly bent and refashioned into smooth, circling cycles of disco-infused sound. and theres more from jacques renault, who contributes a remix both with and without vocals. the new york city dance music stalwart takes his time building to a plateau of perfectly paced beats and a wall of recurring dream(y) house rhythms. feels like music that fills the room, takes over your senses, and wraps you in its effervescence. - kali holloway

after his monster releases on without any doubt (wad001, wad004) here comes his next bomb!! full of primetime techno madness

the lights go dim,the crowd roars and the announcer cries out, ladies and gentleman,its soul time!

cmm va001 is the first out of a two part various artists ep release from this new & passionate uk based label whos aim is to introduce and showcase some of the first signings they made. the labels aim is to be a home for new and established producers/artists who can showcase their talents & be free to express their musical output without being labeled or pigeonholed to one style or vibe. simply put, music is the key not the genre.

samurai vinyl only horo series volume 2. limited multi coloured vinyl 10 inch.
after the success of the last 2 asc singles for samurai red seal and the flood of quality music that was arriving in our inboxes from the man, it was inevitable it was time for another shot of this uk born, california residents vision. the horo vinyl series appealed to asc instantly being a man from a strong techno background and an avid vinyl collector himself. >no secrets< is one of those tunes that touches you deeply without you realising, echoing in your subconscious and drawing you back for repeat listens. >zenith< picks up where >bleep test< left off, stuttering timeless breaks patched together with diving bass and percussive polishes to produce a unique sound that takes the past and hurls it into the future.

for the inside job ep, beat pharmacy leaves dub in the background, taking things in a more straight ahead house and techno direction. percussive without being oppressively banging, melodic without excessive nooding, tracks like >inside job< and >comet< nevertheless retain the intense attention to subtle detail that define moellers more dubwise productions. >in a trance in france< takes things into a deeper more hypnotic realm, and >hootin & tootin< toughens things up with an ominous analog bassline and thunderous kick drums sure to ignite a mainroom dancefloor. yet even here, echoes and melodic elements sweep through the mix, lest you forget who was working the boards.

from celle into the wide world: these days guido schneider is one of the major globetrotters among djs and producers worldwide, but he began his career 15 years ago in provincial germany. however, instead of baking bread rolls, schneider founded his own label neue welten right from the beginning. it was a move that naturally brought him to the capital of electronic music in berlin. what followed was a series of exciting and successful collaborations with other renowned artists, and after dissolving his label, schneider began travelling as a sought after dj, jetting all around the globe. it is little wonder that such a reputable dj and producer also belongs to the diverse highgrade family. he has now produced another ep for the berlin label which brings us the typical guido schneider qualities right before our eyes, or even better: before our ears! the two tracks navigate precicely from the first bar, the minimal sound universe that relies on elaborate percussion, without ever being over produced, and flow into fantastically harmonic vocals that lend the thumping beats an elegant softeness. simply stated, typically schneider.

this is singer/songwriter lachs highly anticipated sixth studio album, titled ramshackle heart, and featuring former member of slowdive and mojave 3, neil halstead as co-producer, vocalist and instrumentalist. the album itself was recorded at halsteads studio in cornwall.
code for free download of this album included.