classic disco anthem

reconstructions and interpretations by fsol.

lft has already made a sizable impact on his gnarly, muscular brand of weathered electro and techno, and now hes been snapped up by zement to deliver another four rowdy roundhousers. nucleon channels the best of minimal wave and gives it a deadly dose of modern acid revelry that will incite fevered responses on the floor, while wounds takes things in a spookier b-movie direction without shaking off those powerful 303 demons. the cure for my kind manifests as a kind of nightmarish electro, and hypno haniwa takes another route into machine funk for malevolent souls, with stunning results.

ninja tune presents the 3rd album from jordan rakei. limited pressing on clear 180 gram vinyl with download code included.

sudd wax is a vinyl only label of sudd records family. third release, norm talley. a deep house icon, also from detroit, presenting his major feeling into three emotional tracks from the deep underground into the brilliant house vibes.

solar phenomena releases solar02, solar03 & solar04 bundled up for a special price.

over a year into living in the hague, international weirdo and film composer antoni maiovvi begins receiving instructions via his dreams from jaz coleman from killing joke instructing him to make a project called ye gods in order to unite the universe through electronic sound and then to deliver these recordings to guy tavares to desseminate through the world.

limited , part 1 of 2

music is nice f/k/a fantasy f/k/a snippets (of life, love & everything in between). produced in 2013, but shelved by the label. now finally out through omena. one could argue that these tracks mark the beginning of a creative journey for hnny. it s a brilliant parade of wonderful beats and melodies and a glimpse into the producer s musical thought process. for every track that delivers the expected, the next one does something quite extraordinary.

golden-era, 1977, brazilian jazz-funk-fusion album from the legendary, azymuth. lush rhodes, soaring synths and fusion guitars from malheiros and bertrami combine with the inimitable drum grooves from ivan mamao conti that create the signature azymuth sound. the album moves from mellow soulful moods, into screaming disco-jazzfusion, samba funk, synth boogie and ends with a tough 160bpm batucada workout.

the allergies new single is 2 much! literally. between mc andy cooper s opening count in, to the memorable end credit shout outs, their latest feel-good hip-hopper crams in more breaks, more funk, and more raps, into a single than the group has ever dared before. built around an earworm double bass lick and some neck-snapping drums, the track forms the perfect backdrop for the la rhyme-slayer let us know that, -on stage i m calm as a decepticon/that transforms from gandhi to genghis khan-, before dropping his fastest verse…ever. yes! and if you ve heard their blistering early sure shot collabo, rock rock , then you know that s no mean feat. sweating as their go-to mic man ups his game, the production duo of rackabeat and moneyshot dutifully raise theirs, digging harder and chopping wilder with the music. they swerve in slick samples and cheeky vocals. spin back cut sections and take breakbeat u-turns. yet the ex-ugly duckling frontman never falters, relishing the challenge. it makes for one wild ride, leaving you panting for more. proving that sometimes 2 much! is never enough. the vinyl release of 2 much! comes with the exclusive b-side, special 45 . here the allergies and andy cooper wax lyrical about the 7- format over a smooth hip-hop beat and the cutting of guest scratcher, dj robert smith. one for the dusty donuts crew and record heads, worldwide.

koenigsforst – following the 1997 release of zauberberg (kompakt 370.1), wolfgang voigts gas project returned with koenigsforst, a full length that has stood the test of time as a template for introducing fundamentals of 90’s techno into the principles of contemporary electronic music.

the very best from italian house project black box - remixed, remastered and with unreleased tracks. the double vinyl is housed in a gatefold sleeve.

dustin zahn returns to his own label following last years big releases on rekids, mistress, and parabel. zahn heads straight into the tone zone with three emotive and uncompromising techno cuts. with >juvenoia< zahn has made a clear statement that signals a new era of his musical and artistic direction. support from: dvs1, efdemin, truncate, joel mull, and more

underground mainstay leonardo lands on his own etheric label with two more of his hotly anticipated tunes that this time show off his dub techno and melodic credentials. perfectly hypnotic rolling drums and gorgeous pads layered up into a deeply intoxicating rhythm that really encourages your mind to cut loose and wander. these latest two tracks are sure to make a huge mark wherever they are dropped and further cement leonardo’s place in the electronic landscape.

big band jazz meets hip-hop - abstract orchestra’s hommage to madvillain goes into it’s 2nd round. the vinyl lp includes a download code.

an excursion into the acidic and industrial with justyna banaszczyk aka foql.

detroit native javonntte, keyboardist to the late aretha franklin, delves deep into the jazz fusion vaults with primetime voyage. waddup doe!

the horrorist with a new album for aufnahme + wiedergabe. limited edition of 500 copies on double vinyl, housed in a gatefold sleeve.

introducing this first look at the vision, a bristol boston collab with a locker of funk ready to go. dusted up from endless years digging this pair of record enthusiast’s productions are full of the flavours of original disco and soul. this debut outing sees the pair dive deep into their record collections and add their unique stamp on personal house & r’n’b classics.

outro tempo ii: electronic and contemporary music from brazil, 1984-1996 is the second installment of music from memorys brazilian series. this volume picks up where the first outro tempo left off, shedding light on a new wave of experimentalism that emerged in brazil in the late 1980s and 1990s. the twenty tracks collected uncover another area of brazilian music that looked to the future for inspiration. this time it drifts beyond the rainforest and into the pulsating heart of brazil’s great cities, where it meets a generation of young artists eager to radically change the face of contemporary brazilian music. in outro tempo ii the avant garde and pop worlds meld in a haze of percussion and electronics. it presents another uncompromising and magnetic reinterpretation of the limits of brazilian music. outro tempo ii is compiled again by john gómez and features original artwork by alice quaresma.

charles duff and daniel fisher have known each other since well before their respective forays into dance music. they serendipitously crossed paths at some point in the early 2010s with mutual friends in the nyc club kid scene. shortly thereafter they realised they both were keen to ditch the vapid hipster bullshit that had fueled their early careers thus far in order to pursue something pure: techno. mind you, this was at a time when it was not terribly cool to be into underground dance music. if anything, they both were greeted with massive skepticism from their peers but that didn t ultimately deter them. both went from relative obscurity to regular slots at berghain. and for two american kids musing in a pathetic bedroom studio, this was nothing short of a dream come true. a prophecy had been fulfilled. the two tried their hands at numerous attempts at collaboration over a 5 year period but nothing seemed to stick. most of it sucked horrendously according to them. but not on this occasion. the stars finally came into alignment and they were able to execute a concise group of tracks that finally made sense together. which brings us to threads. threads, an homage to the uber-dystopian bbc docudrama from the 80s, sums up their dynamic approach to tracks. it s an alienating, sinister take on techno that somehow manages to not fully lose faith in dire times. much like life today.

deleted - limited & hand-numbered compost box, with 10x12 inch vinyl, 2 mixtapes, logo pin, jute bag, sticker pack and liner notes.

hot house & dance tracks from the 90s, including atlantic ocean, basement jaxx, faithless, felix and many more! the 180 gram double vinyl is housed in a gatefold sleeve.

slacker melts electro, acid & dub into one heavy 4-tracker for lobster’s undr series.

rings around saturns debut for voyage delivers four spacious impressions of classy techno & idm. from the swirling melodies of circling architecture to the introspective atmospheres in decompression and the edgelands, ras taps into the obscure-ozone of the outer limits.

a prelude to their upcoming second studio album, scar present the hide in plain sight ep on metalheadz. now 5 years deep into their collaborative project, survival & script have continued to forge their own sound resulting in an illustrious back catalogue most could only dream of. the hide in plain sight ep is a fitting addition, encompassing some of their best work yet with 4 tracks primed for the dancefloor.

90ties techno feeling in modern style 2019, top!

presided by tom kerridge, girls of the internet is one of a few new projects kerridge dug into having spent over a decade running labels such as ramp, fourth wave and brainmath. providing a break from label life, girls is a new creative outlet - a full band with kerridge as producer and band leader, spawning music that pays tribute to a lifetime of collecting disco and techno records. their debut 12? came out on west norwood cassette library, and recent follow up ‘when u go landed on derrick carter & luke solomons label classic music company to sweeping acclaim. girls of the internets latest single ‘love delicious features legendary chicago vocalist peven everett. this single is pevs first venture into the studio since his standout feature on last years gorillaz album, ‘humanz. on remix duties are sully, who drops a storming, retro uk garage version that has been tearing up dancefloors across the country for months, and saine, who delivers a lush analogue house version.

“live in houston” is a new step in the search for a timeless sound stamped secret value orchestra, which draws as much from the memories of the youthful musical loves of its members as from the group s desire to offer a contemporary synthesis where the boundaries between genres are blurred more than ever. in the end, there remains only the extreme pleasure of digging into compositions where the impact of immediacy does not take away anything from the finesse of the composition and the details that staple each piece in the brain, for days and nights, without ever really disappearing.

the story of smuggler brothers starts in palermo, the principal town of sicily, in late 2011. founded by three friends, musicians active in the fertile underground music scene of the city, the band aims to experiment new artistic directions, combining a diverse set of influences ranging from italian soundtracks and library music from the 60s and 70s to african-american music, with groove as the core essence of the band. from the initial nucleus, the band evolved soon into a 8-pieces combo

once upon a time, the footjob crew moved into a new studio space in their hometown darmstadt. this location was previously used by a religious community that found its purpose in the worship of shiloh. phonk d and sascha ciminiera have somehow absorbed the spirit and created this ep as if by magic. in order to enjoy this spiritual journey even more, they asked johannes the wizard albert for his support. he was immediatly hooked, threw a few herbs together and brewed them a tasty remix

from a fascinating yet relatively undiscovered era of experimental music in peru s capital city lima, this never before released split single features two of the foremost musical minds of modern day tropical, electronic and ambient roots music. one song each was plucked from the archives of mutual friends los palteados (tomas tello) & la sonora roza (efraín rozas / la mecanica popular), offering a rare glimpse into the musicians respective productions and group projects at the onset of the 21st century. the pair of selected recordings each have their own hypnotic sensibility, yet both remain blissfully approachable experimentations in the beloved styles of cumbia & descarga.

following 3 maxis on hilltop imprint and the label construct re-form, the producer fareed formerly of the society of silence duo (versatile, concrete music) returns on the new label, maze, dedicated to experimental breaks and cinematic soundscapes. this first ep, with irregular rhythms and metallic sounds, loses us in the meanders of a jungle and transports us into a world borrowed from mysticism.

vernacular is all about loyalty and machines. the cycles of influences and ideals converge to a specific creative bulk. and so from whole emerges few, interlinking, telling its story. stories that are all about dance and dreams need a common core. vernacular collective sequence inks these and spreads them into the wastelands of club-music enthusiasm.

limited 2019 repress - today we are pleased to deliver a new jensen interceptor’s ep recorded together with his friend assembler code.
jensen interceptor has provided his versatile brand of techno to clubs and warehouses around the world. with his selection ranging from detroit electro & miami bass to rolling italo, thunderous 90’s breaks and driving ebm, jensen’s audiences are promised a sonic journey like no other. going further than simply an entertainer, his remixes and productions have been released on some of the most influential labels in electronic music like boys noize records, cultivated electronics, bromance and central processing unit. these releases have been supported and played out by djs such as dave clarke, helena hauff, dubfire, maceo plex, trevor jackson and radio slave. bringing a unique and powerful performance to every dance floor - jensen interceptor: engage clutch, shift into top gear.
the signature sound of assembler code has started gain momentum over the last few years. gritty, rhythmic, raw and pulsing, yet always executed with style. having offered up remixes on raar, mille feuilles, and controlled violence as well as original works on mmodemm, and boysnoize records, assembler seems to just be getting started.

the greatest hits and remixes from italo-space-disco project laserdance on vinyl.

the new album from james blake on 180 gram double viny, housed in a gatefold sleeve

archeo trumps once again with a stunning reissue of riccardo giagni s highly desirable 1988 masterpiece -kaunis maa-. it s a subtle, refined body of work that places giagni s delicate guitar refrains front and centre, with a hazy mist of atmospheric synth pads drifting in the middle distance. the title track is especially sublime, folding dreamy exotica tones into the pastoral sound palette with stunning results. alongside the six original pieces, archeo have also commissioned a special, balearically charged remix from claremont 56 artist simon peter

techno in full on precision. honest, deep and punchy with a raw straightforwardness. simo lorenz on andre kronerts odd even. cut by dubplates and mastering. mastering by markus jogun. artwork by markus suckut and cover picture by verena sturmboeck. manufactured by matter of fact.

cryovac recordings is a collection of artists with a personal style that bleeds through their work. cryovac artists have a relentless energy and passion for the music called techno. they are warriors with a clear vision and discipline on a course that is their own. the cryovac crew believes in the vinyl record and has always been drawn to its unique quality it gives to sound. this e.p. celebrates the record shop, a crossroads of ideas and inspiration, where connections are made solid in the unity of the underground. rebecca goldberg twists the 303 around a relentless 4/4 groove that evolves tweaks and pops into a sonic neurosis. her yin yang approach applies a smooth steady delivery moving parallel to a raucous funk. the collaborative effort of andy garcia and mike kretsch produced a techno with moody rises and falls, stark kicks, and eerie effects held together with heroic energy. toms and knocks, digital barks and farts, random clicks and ticks all fall into a galloping composition.

fifth release in the sonic saga of san franciscos electric noise factory squirrels on film.

helsinki-based duo timo lassy & teppo mäkynen present a new two-tracker on we jazz records and dive deep into different moods on this 7inch

with 10 albums already to her name, muriel grossmann is well-placed to create more sonic waves in 2019. taken from her mesmerising spiritual jazz lp golden rule, we have deep jazz, modal jazz, esoteric jazz, spiritual jazz refined, intensified and concentrated into 2 whirlwind sides.

early 1930s ry&#363,,,k&#333,,,ka recordings from japanese geisha kouta katsutaro. emerging during the early stages of the recording industry in japan, the ryukoka style adopted some western classical, blues & jazz elements into traditional min yo folk music. kouta katsutaro would become one of it s most popular proponents, and along with another popular geisha singer, ichimaru, forms the basis of a period dubbed the katsu-ichi era.

matthias tanzmann has released countless classic tracks on his leipzig, germany based label moon harbour. in the past he has played at claude vonstrokes birdhouse event in miami and claude always seems to run into him in ibiza. we have always wanted to work with him and then out of the blue a demo showed from on our doorstep! this two tracker has a great, jackin dirtybird sound and we are very happy to welcome matthias to the family.

the 1994 emperor album back as limited picture vinyl in gatefold sleeve.

** 2019 reissue ** lcd + pcp is a massive collaboration for this release: carl craigs label planet e is set and ready to rerelease one of the tunes produced as paperclip people, throw. the a-side on this 12 vinyl features a cover of the song by james murphy and his merry band of music makers, better known as lcd soundsystem. lcd soundsystem has been using its cover of throw in live sets for some time. guest of the 2005 lcd live performance at the el rey theater received a shocking surprise. while the band was closing out the night with an extended version of yeah. somewhere around the eight or nine minute mark, bassist tyler pope began jammin on the famous groove from throw. the crowd watched in shock and awe as the band slowly, one-by-one, joined in, morphing yeah into throw seamlessly. by the time james murphy grabbed the mic and declared in full falsetto i wanna see your haaaaaaaaaaand! everyone basically unloaded on themselves. truly a classic act for a classic track! this release will be the first time the lcd studio rendition has ever been made available on wax