two tracks of powerful, driving, melodic and intelligent techno. thoroughly road tested by the label heads themselves, and found to meet with aplomb, their exacting standards. we are happy to present it to you as the next release on green

this is the second 3 track vinyl sampler to the forthcoming sound of speed circles cd. and yet again, the up and coming sound of speed label have pulled 3 excellent tracks out the hat! first up tom szirtes aka shur-i-kan sticks to his signature deep house sound, keeping things musical with an afro vibe. tom’s acclaimed productions are in heavy demand having remixed the likes of akabu, trackheadz, miguel migs, fred everything and motorcity soul amongst others with releases on top labels such as simple, nrk, urban torque, physical graffiti and winding road.

ltd 2010 repress !! ultraphat deep spacy detroithouse at it best !! true deep house shit !! decks tipp !!

to celebrate the birthday we are releasing a series of five singles, available on 10 inch vinyls (1-5). the series will be followed by the huge 10 years clr compilation with a special collectors artwork. it has been mixed and edited by chris liebing and all the 10 tracks, which appear on the singles and later on the compilation are exclusive and specifically produced for this purpose. chris liebing and green velvet teamed up for the first time pretty much by accident. dustin zahn actually became some kind of obstetrician when he started this mash-up. alex bau is known as one of the long time clr artists and obviously had to contribute a track to the series. both tracks are road tested and guarantee serious damage on the dancefloors!

support by radio slave, 2000and one, anthony collins, nico purman, kreon, martinez, vincent lemieux, michal ho, agnès, seuil, varoslav, andrade, ilario alicante..

stellar cast for buzzin flys fiftieth single, as german sound pioneer stimming teams up with label guru ben watt and esteemed folk electronica vocalist julia biel for an emotive landmark release. bright star, the fiftieth single from ben watts respected imprint buzzin fly is a special collaboration from three of the labels cornerstone artists and djs. road tested throughout summer to great acclaim, the 12inch features deluxe collectors artwork on a foilblocked gatefold sleeve with 180gm heavyweight vinyl, pull out poster and a free mp3 voucher.

great road songs are driven by a yearning for the distant city that can only come from those that dont live there and like all the best ones, way to la feels dreamlike and timeless. claremont 56 start 2010 with a single from their latest signing, bison, made up of holger czukay, ursa major, paul mudd murphy and benjamin smith. the first release takes you on a trippy rock fuelled journey to the west coast of america, via stuttgart and holloway. on the a side, way to las bass throbs insistently, engines growl and bubble and tom petty power chords flash by in a swirl of czukay reverb, fading like treacle. ursa major is at the wheel, her voice soothing. she knows where shes going. cocooned in the cracked leather of the passenger seat beside her, nobody can stop you. you re on your way. side b takes to the highway with a darker sound. holger czukay puts his foot to the floor, pushing his mix up a gear and rounding off an essential debut release. like the perfect road trip sunset, this release is epic and unforgettable. like all claremonts this will be fly of the shelf...again!

in japanese niwa means garden. the concept of what an album should be is really taken seriously here. with >niwa< what you open your ears and emotions to isnt just another loose bundle of tracks. all the single stories, element by element, are constantly fusing together into a greater whole. this is rippertons world. he draws on all the influences that have journeyed with him as a passionate musician on life’s long and winding road. influences far beyond dark booming warehouse parties abound, and are just as likely to conjure up vivid images of dewy lausanne sunsets. folk tinged downbeat experiments peacefully co-exist with delicious jazz blueprints and sublime ambient soundscapes, sitting in harmony with deeply hypnotic house grooves.

since his last release on circus company (fleurette ccs033), djulz add been quite busy in the sutdio. he did a lot of remixes for slam on soma, matthew dear on get physical, 2000 & one on 100%, arnaud le texier on 20:20 vision and spencer parker on rekids. hes now back with a freshly baked 3 tracker called rotondo. thats also the track title of the a side. rotondo is techy and slightly dark. there you feel a constant pressure that will leeds you to euphoric pad which is just a simple saxophone screaming sample. on the b side we are getting into some naïve and housy feeling with on the road. then ideas are fishes is closing down the record on catchy vocal hook. that king of track to keep the party rolling. once again d julz delivers some great cuts that should be soon on rotondo everywhere

dirt crew, hot from their recent 5 years compilation and the >blow< album on moodmusic, is again on the wall with another hot remixpack ...
>deep cover< was the standout track on the album and gets the remix treatment from 2 of the brightest stars on the deep house scene.
roberto rodriguez builds up a massive groover with similarities to mid 90s deep dish sound but injects a slice of analog funk to it, showing the talent and nourishment in his music.
vincenzo takes a deeper road, teasing the groove to slowly evolve into a tastemakers choice as we know him. deep, yet driving his mix fits perfect those early morning hands-in-da-air moments.

supported by: chris liebing, cari lekebusch, joseph capriati, the advent, technasia, alexi delano, dustin zahn, daniele papini, monoloc, audio injection ...
sasha carassi is on the road again!this time he proposes an ep full of techno funk with modern grooves and hypnotic percussive sounds. incl. 2 excellent djs tools extracted from the original tracks.
to complete the package is a killer remix by brian sanhaji (clr / enable). already supported by chris liebing and many more!

nach dem ueberwaeltigenden erfolg des ersten samplers dirty laundry aus dem jahr 2004 gibts jetzt mehr country songs interpretiert von afroamerikanischen kuenstlern...

ltd one sided 10 300 copies only, first come first served! track taken from originals 4. when i was growing up, the only rock record in the house apart from the beatles was a christian rock record: straight talker by bristol band amaziah, my dad was a huge fan. my brother and i listened to it each day, as our matchbox ferraris traced intricate road networks on the patterned living room carpet. soon we knew every word, wah wah solo and squiggly synth noise off by heart. we loved it. and who could thought fifteen years later, while picking through piles of junk in the shed we found this forgotten treasure and searched for the owners and finally gave it a release on our label. so paul and jez, along with dave steel, derek elliott, richard grinter, phil williams, gerald davies and keith loring – and most of all my dad - this is for you.

label chief guy gerber returns with a stunning 12 inch double ep on his own >supplement facts records<. all seven original mixes in this release were written and produced during the summer of 2009 and each one captures a particular aspect of this period for guy. summer time meant busy time this year! apart from touring and being based in ibiza for his weekly residence at space, guy managed to find studio time to work on his album (scheduled for 2010) and this release. my invisible romance is an intimate glance into the seemingly borderless music production world of guy gerber. whilst delivering gerbers signature production style this release also surprises with its romantic elements and as usual he teases the listener with his trademark dream-like adaptations. the inspiration for this release came from guys regular performances and majorly from the time spent on the road- as a guest artist in friends studios and from his work in >improvised studios<. >my invisible romance< is a release close to guy gerbers chest, filled with emotions and surprises- a truly intimate collection of musical works

nice7 are mostly known for their successful remixes and they recently had great success with their scappiamo track on klimaks. they are now ready to follow up everyones expectations with this infectious ethnic tech house tune on noir music.
elisa has been road-tested all summer and now comes with 3 spot-on remixes courtesy of: pirupa, david labeij and daniel kyo.
supported by: steve lawler, sebastien leger, martin eyerer, edu imbernon, lauhaus, dj madskillz, aki bergen, prok & fitch, kim fai, kammishake, carlo lio + many more.

palette recordings celebrates its 13 year anniversary with a release by the duo that started it all for the label. no giant mix compilation or collection of remixes, just another example of what has built the foundation of palette over the last 13 years. john tejada & arian leviste have been collaborating for over 18 years now. with this release the duo in a way come full circle, combining some of their oldest production techniques with newer ones. its been a long road for these 2 seeing styles and trends change, equipment and technology come and go over the years, but what has remained a constant is their vision of electronic music. >messenger< with its subtle intro of modular synths and rhythmic pads breaks out of its sinister drop full force into a multi dimensional crowd pleaser. the stabs continue to build energy while layered drum programming and modulating synth lines escalate the tracks energy. on the flip, >observer< continues with a fierce pace that harkens back to the days of palette 4, combining vintage synth stabs and drum machines recreating that classic vibe which is gaining such momentum again these days. the difference here is these guys were around at the time already releasing music that would garner them such high acclaim over the years.

absolutely superb debut release from paul bennett on the new modernista label. he shares his love for raw machine music as exemplified by mid to late eighties labels like trax, dj international, dance mania & hotmix5 across these four tracks of expertly constructed retro deep house, acid and emotive electronic disco timeless music, which totally redefined the clubbing soundtrack, revisited and rendered in glorious modern production technicolour homage, yes... but with enough noughties nouse to win over a whole new generation.

uk house music and disco superhero rob mello has been instrumental in shaping the evolution of the uk sound since way back when. through labels like classic, luxury service and the way ahead of its time disco elements series on azuli in the 90s, not to mention countless innovative remixes and collaborations, his production output has shone out like a supernova for well over a decade. this is a return to songwriting, to tracks with longevity and a timelessness which transcends forgettable vogues. butterfly is the debut release from this dynamic quattro known as beulah heights - three producers/writers and one singer. a dream team collaboration between royal college of music and child prodigy lyn goddard, dj/producer and film scorer rob mello, producer/dj nathan boddy aka the illustrious office gossip and the amazing vocal talent of singer katie beadle. so here we have it, the majestic first release on beulah heights. a slowly pulsating monster of a cut, shot through with a futuristically executed homage to early 80s productions and more than enough girth to guarantee a powerful response from the floor. already road tested to rapturous response, this is an absolute beauty.

very soon after the release of shelf life vol. 2, calibre stated he would be releasing his long anticipated non d&b album shine a light. dj support from mr scruff, laurent garnier, rob da bank, benji b, presha...

co-producer of the lastest tiefschwarzs bomb >trust< and full-time member of souvenir, philipp >sante< maier spent the summer with ali and basti on the road, every time warmly praised by the crowds of fabric in london, watergate and weekend in berlin or sonar festival in barcelona for his highly physical live-set. santé, together with adam port, rampa or &me is also part of a new school of producers from berlin, all fully dedicated to the delights of foot-stomping, straight- and four-to-the-dancefloors and already gathered under the standard of souvenir booking. so for this 22nd release on vinyl, ali and basti clinked for the third time glasses with sante, but this time, they chopped the magnum, and offered their round to rampa, re.you and david mayer

the freaks are on the road again, ready to refuel your empty dancing-tanks! the 15th freakshow release should seriously be on the wantlist of everybody who is searching for timeless electronic dancemusic that is aiming at the peaktime moments of the night. it is grooving like hell by having a minimalsitic approach wrapped in carefully crafted high class arrangements, hypnotically pushing & uplifting all of your senses. on the a-side, fausto messina comes up with >bafile street<, a proper microphunk stormer slightly sounding like a tribute to baby fords alltime classic track >make a move<. bafile street, is a track that is more than predestinated for being found in the peaktime moments of one of ricardo villalobos dj-sets. the flipside track is a contribution coming from 2 real techno-wizards. on the one hand jackspot, whom we know from datapunk or highgrade releases alongside his mate diego. their track called >muchen< slightly reminds us a of evergreens in techno history from mathew herbert mixed with a bit of wishmountain. all in all one must quote that if-15 is crossing the borders of techno, techhouse and minimal techno, thus making it possible to satisfy the needs of a lot of deejays playing different and versatile styles of electronic music

cobblestone jazz founding member danuel tate is back on the solo tip with his newest project for wagon repair - wag055 >doesnt like you back ep< - and this time, probably as a result of spending so much time on the road with bandmates mathew jonson and tyger dhula, he is bringing it harder. although some familiar elements from his first ep, >pushcard<, can be found in the horns and synths mixing together to form the beds for the quirky vocoder, this five-track release comes more direct. >doesnt like you back< reflects the moment on the dance floor when you realize the woman next to you is way out of your league, which we guess isnt a bad feeling as long as you like dancing with super hot women.

dj f-one delivers >omenz< and >road block< for the 2nd wax by dubstep soldjah and he keeps it deep and evil!

techno god man-d.a. is back on the road again to make even bigger footsteps than he had left with his release on pre-tone last year - already played by adam beyer, gregor tresher and many more...

home taping is killing music is a fresh new imprint that is all about a return to house music. producer of the moment the revenge (instruments of rapture/jisco music) kicks things off for the label in fine style with the stunning >forever in their debt<. a homage to the house producers that have influenced them and the artists whose samples have continued to drive house music forward expertly channeling the spirit of early chicago warehouse music, but with a modern production twist that truly captures that classic sound, but packs enough punch to wipe the floor with most of its peers. on the flip, maverick producer and dj red rack em (tirk/untracked/deep freeze) takes the track on a road trip to detroit, and produces a deep, moody and atmospheric version which brings to mind the work of pepe bradock and theo parrish. two sides, two flavours. both 100% house

heavyweight vinyl. in this light and on this evening, the new album from editors, represents a significant step forward for the band following the huge successes of debut album the back room and the number 1 follow up an end has a start. there have been many changes to life in editors since an end has a start broke the band worldwide and established the then birmingham based four piece as one of the uks most prominent bands of recent times. bassist russell leech and guitarist chris urbanowicz are now resident in new york while singer tom smith has become a father. these changes added to the sense that in this light and on this evening is the start of a new chapter for editors and the band came together in london for the recording sessions with producer flood at the start of 2009 with a determination to push their sound into wholly new territory.

zoot woman present their third album. things are what they used to be has by no means strayed from the dark and atmospheric, hooky and melodic road, but what we now hear is a strikingly upfront, passionate, and mature development.the euphoric title track emphasises the want to return to how things once were in another state of mind, time and place. while this album takes you on a journey, sometimes introspective and often drenched in desire, each track is unique. from the pulsing hook line of we wont break, feeding an addiction to emotional melody in lonely by your side and more than ever, then to be shaken up by the pounding stadium electro of witness.

history has spawned hundreds of genius double acts – where two minds and talents collide to form something innovative and artistically challenging. unfortunately, spirit catcher are just a pair of european weirdos. jean vanesse and thomas sohet have collaborated under their spirit catcher guise on such notable labels as 20:20 vision, silver network, missive, winding road, and nrk. their electronic disco tech dancefloor bombs get play from an immensely wide range of djs looking to help their crowds freak the funk. we are proud to have this highlyinfluential duo on our 15 year anniversary compilation. beezy operator is pure spirit catcher, and this time they bring an infectious soulful vocal to really spice things up,

dizzee rascals fourth album tongue n cheek , features the huge uk number one singles dance wiv me and bonkers and the soon to be massive holiday.

the souvenir family grows this fall with two newcomers, two new remixes and four new essential tracks. please welcome warmly the global vibes of cj jeff, m-in and the remixes of kreon and sante on souvenir021. on the a-side, souvenir celebrates the talented greek electronic scene. c.j. jeff aka nikos safiris gradually built his sound through releases on his own label rythmetic or modern love. he signs a remarkable entry on souvenir with the a-side >got 2 b<. wave your arms! take a breath! a tribe of incredible bongos players is surrounding you, when the vocals of an androgyny shaman start compelling you to a never-ending foot-stomping dance. you are right, where you want to be. damn, it s >got 2 b< a hit. kreon has been raising a fair share of interest lately with appearances on cecille numbers, resopal or robsoul. he signed a dub remix and a perfect spell to push to the party to the early sun shines of the day. back to germany on the b-side! m-in aka marcus ferdinand from frankfurt has spread his talents of producer with releases for off or get digital, and early supports from josh wink, johnny d, thomas schumacher or dj t. again we are talking about deep sensations, haunting vocals and afro rhythms. the tiefschwarz brothers have hammered >capetown river boating< on the road this summer. now its your turn to send a blessing from south africa to your crowd. studio partner of ali and basti, philip sante maier has barely released >dambalaa< last month, that he is already back in production. nobody will complain. his trademark, a clearly percussive approach and a dizzying groove particularly fitted with >capetown river boating<. 2 - 2, we gladly go overtime!

perc trax returns with its 30th vinyl release with a split ep showcasing the works of both its newest and most established acts.
first up is ben gibson with 2 tracks that feature on his forthcoming perc trax album >in a realized luck of immanence<. both tracks instantly demonstrate what made jeff mills sign ben to his axis offshoot 6277. bens sound is a dense, atmospheric take on the now-classic uk techno sound of surgeon, regis, ruskin etc and both the rolling bass of >vanished between< and the sharp stabs of >wirklichkeit< prove that he is an artist to watch out for.
on the b-side label boss perc hooks up with the labels canadian connection metalogic to deliver 2 tracks that flit between broken beat and 4/4 rhythms with ease. both tracks feature an attention to detail that both perc and metalogic are known for with endless dubbed out synths and effects keeping the tracks interesting but never getting in the way of the crisp beats. these tracks have already been road tested around the world by perc in recent months and will be a key part of a launch party for this ep in toronto in october.

the sixth part of our upon you series takes marcus down the highway to hell. >mad max< will be taking up the fight on the worlds dance floors, battling and swashbuckling against the marauders of the record industry. the original b1 engine of his nightrider has been highly tuned by super flu this time around and the swift frame will be catapulted down the a1 with the >home sweat home mix<. whilst marcus, our after hour glory rider continues to dominate the groove. with his indicator cranked left, he nearly overtakes himself on the b2. the road to >h-end< will definitely stay exciting! our opinion: blockbuster

the count & sinden have been honing their debut album and road testing the tracks over the past year. from the us to japan, australia and all across europe and the uk, mega has been the biggest tune of their sets...

following in the shadow of the jisco music reedit series comes a new home for original music. under the shade hopes to promote new and old talent groomed from the disco underground. first up is new boy chambochÚ growing up sandwiched between the coast and the valleys of coastal mid wales, nature was sams first love. this taste for the epic, organic passages has been fused with pop sensibilities from an 80s childhood to shape a unique musical outlook. regular dj appearances at nottinghams stealth combined with residencies at some of the most forward thinking electronic nights in the midlands saw him develop his taste for the groove. the hooks of producers such as todd terje, toby tobias, lindstrom and ?me soon began to take hold and turn his hand towards crafting slower, more melodic grooves. after completing a series of tracks, which caught the attention of gerd janson and mark e and then road tested with success at londons seminal plastic people û chambochÚ was signed to under the shade with a string of releases in the pipeline. with additonal strong remixes by production team of the moment the revenge and pete herbert this already got huge support from tim sweeney, gerd janson ( running back ) or the horse meat disco crew

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

das zomo p-400/2 ist die perfekte lösung, um 2 pioneer cd-player cdj-400 zu transportieren oder vor fremden zugriffen zu schützen. die zomo flightcase serie ist absolut road- und flugtauglich und schützt den inhalt dauerhaft vor stoßen und sonstigen negativen einflüßen. der abnehmbare deckel lässt sich auch als unterlage nutzen. (maße: 507 x 337 x 179mm)

one of rough trades island 50th anniversary selection - 50 crucial titles, specially selected by us to highlight the unique contribution this seminal label has made to british music since 1959. the results of nick drakes solo sessions were as harrowing and stark as anything by robert johnson or charley patton. enclosed in an inner world of psychological distress, drake recorded pink moons dispatches from a private hell that was simultaneously terrifying and beautiful. both the lyrics and the melodic motifs are pared to the bone here, their simplicity making them all the more immediately striking. the most nakedly emotional and disturbing moment is probably parasite, a visceral but mysterious account of a disconsolate soul roaming through the world in search of succor, with drake taking the starring role, ultimately offering, take a look, you may see me in the dirt. this was the end of the road for nick drake in more ways than one, but just the beginning for the scores of songwriters subsequently inspired by his bleak but beautiful visions.

das ultimative road-case für vinyl-profis. jetzt in komplett überarbeiteter qualität und mit verbesserten materialkomponenten, wie mehrfach verleimte 9 mm starke holzwände, extra-breite aluminiumprofile, robusten stahlkugelecken und hochwertigen butterfly-verschlüssen.

in these >post-heater< days it is not so crazy to hear of a kazoo being used in a track, but when style of eye first released >the big kazoo< on dirtybird it wasnt just a sample loop, it was an incredibly innovative usage of the sound - mangled in all the right ways. in 2009 style of eye returns with 3 more monster club tracks. these are the kind of jams that simply work at the club. they arent hard to mix and they arent hard to understand. they are big dirtybird tracks that simply never fail the dancefloor

nice price deal !!! big with onur oezer, loco dice, raresh, tobi neumann, italoboyz, anthony rother

who the hell are bleep district i hear you ask? well for those of you who havent heard their awsome debut on replay records they are matt powell a founding dj of the legendary quadrant soundsystem and the inappropriately nicknamed matt rhythm who rumour has it spends his spare time pressing random buttons as one half of deep house anti-heroes rhythm plate. coming straight out of leftfield, bleep district have exploded onto the deep house scene like a musical gas leak. their quirky, chunky, dancefloor orientated beats causing serious damage on dancefloors and working mens clubs around the counrty. these two devout christians and still practising altar boys have decided to continue the religious theme of the bleep of faith ep on the highly respected winding road and titled their debut for ornate music… end days ep. revelations (rapture rub) kicks of the ep with a clearly deluded shaun ryderesque gentleman professing his faith over a big moody analogue bass and detroit style stabs on a track that would make the staunchest non believers begging for absolution! and on revelations (pillar of salt dub) they take things nice and deep for those more reflective moments in the evening.

italian techno-soul promise roberto bosco has been getting the attention of many legendary artists lately. after his first works for orlando voorn and samuel l. sessionÆs labels, his talent has been soon recognized by be as one, signing his ep ôthe way is always the same , a two tracker of old school flavoured techno. the way is always the same is a stab-driven techno tune with a straight groove and an uplifiting vibe, perfect for those carefree dancing moments. already road tested by a few lucky ones.on the flipside, the slow paced dub piano is a deep number of pure emotionally-driven music, crossing boundaries between dub, house and techno. a wrapping heatwave which will warm up hearts and souls at every airplay

4 track techno & minimal techno ep. first minimal tech compilation from italy with the official exponents of the label

now im on it is classic x-press 2, a strong groove, sirens, and a haunting vocal sample, yet still sounding totally contemporary. already road tested to great response in their recent dj sets this is the first in a series of new singles planned for this year

planet rhythm is on a roll! after very well received techno releases by gunjack / bas mooy / exium and an album by radial its now time for the boys from the east to show their skills! big beats for the masses exclusive for the planet rhythm imprint!!

benny rodrigues produces a package that lives up to its name. ‘i like’ ep oozes influences from detroit techno and masters a current take on an age-old sound. ‘i like’ is delicious, wrapped in vintage sounds, it creates a true party atmosphere. ‘reel’ is coproduced with fellow dutch musician kapuchon. this is the sound of old school flavours, tearing into the past and the present and creating a winning formula. benny rodrigues was born and raised in rotterdam, and held residencies at some of holland most influentual clubs from the age of 17. he has toured with his musical hero, the legendary josh wink, been asked twice to perform at the detroit electronic music festival and headlined and closed the legendary dance-festivals dancevalley, mysteryland and extrema. somewhere along the road, benny met the rookie nick van de wall aka kapuchon (aka afrojack for his more mainstream appealing productions). they decided to combine their passion of music, resulting in coproductions for white noise records, spinclub records and others. this is benny rodrigues first release for the israeli imprint, be as one. his releases have begun to find allegiances with artists such as steve bug, radioslave and be as one’s own shlomi aber. being regularly charted and played by the best, benny is stepping into the global arena.

debuting with >i believe< on the monumental (10 records) compilation >techno 2: the next generation< (alongside carl craig, marc kinchen, and jay denham) in 1990. octave one is the brainchild of the phenomenal native sons of detroit, mi (usa), the burden brothers. the band, (made up of lenny burden and lawrence burden), have had the privilege of touring live and djing throughout the world, including the countries of germany, spain, greece, belgium, vienna, the netherlands, the uk, ireland, scotland, malaysia, japan, the us, and russia, among many other places. throughout their careers they have worked with such artists as derrick may, underground resistance, juan atkins, anthony shake shakir, among others. they have remixed tracks for such artists as massive attack, akabu (joey negro), dj rolando (jaguar), steve bug, john thomas, the trampps, rhythim is rhythim, and inner city. two years of live touring and three years of recording come together for the brothers latest musical offering. reaching back and rejuvenating their pure electronic detroit sound, o1 produce a dance floor heavy techno journey. >summers on jupiter< showcases the burdens signature rough and tumble production style. several tracks are already gracing the decks of the likes of jeff mills, laurent garnier, carl craig, richie hawtin, and claude young among many others. to celebrate their first studio album in four years, octave one take the electronic beat down on the road through 2009.

phonetic are proud to present the follow up to the massive >i wish you would< with bodyroxs luciana. martijn ten veldens new single >together< road tested by mtv for the last 3 months across some of the worlds best dancefloors. one of the biggest records right now for toolroom and phonetic head honchos mark knight and rob roar.. more reactions to follow

carefully arranged minimal electroism meets laid-back vocals by dasha rush. the soundtrack of a day.