an absolute bombshell, *o meu estilo* (my style) is lisbon-based dj nigga foxs record debut. real name rogrio brando, nigga fox came to our knowledge a few months ago, and we were immediately floored by what we were hearing. still in his early 20s, rogrio has already played in all sorts of the greater lisbon clubs, while discreetly refining his own productions. on this 12 inch he presents parts of his unbelievably vast pallet. as the title implies, there s nothing quite like this, even in lisbon s ever more productive and creative beat-based music. vinyl 12 inch limited to 300 hand-painted, hand-stamped copies.

hectic dystopian stuff abound as last known trajectory proudly presents the very exciting >nuclear invasion< ep from jauzas the shining. featuring once again the seductive vocals of victoria lukas alongside the remix talent of none other than heinrich mueller. from the bustling drama of the title track, to the highly hypnotic >crockett<, impending doom of >reality< and stark, edgy shenanigans of >bohrium<, this ep has it all!

hot creations hit us with another monster of a release this time from tom dinsdale (ex-audio bullys) under his new project mineo. title track turn out the lights is an intoxicatingly deep groover with a dense low riding bassline, punchy warm chords and an infectious dark male vocal adding a real standout element for the dancefloor.

northern irishman ejeca makes his second appearance on london based needwant after his highly successful horizon ep. title track together showcases the talented producers style when it comes to combining a new twist on 90s garage with a 4/4 beat. the tracks huge euphoric breakdown cleverly reference the past whilst still keeping the future in mind, a signature sound that ejeca has become so well known for over the past twelve months.

mr. afro bionic djinji brown brings us an eclectic palette of grooves and sounds that breathe deeply from the soul of music. djinjis corner cleverly reaches though his diverse influence creating an ep that is deep, primal and soul filled. his gift lies in the ability to take music to the edge, stretching beyond the limits of any one genre. as a tribute to his father, jazz artist marion brown, he used a song title taken from marions album titled afternoon of a georgia faun written in 1970 in honour of the birth of his son

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

the track 303/303/303/606/606 is heavy, slow grooving techno that brings the listener back to the dark emptiness of the plastikman consumed era. on the b-side the tm404 project is allowed elevated to new levels. with a yamaha sy-1 and a yamaha tg33 entering the machine park, tm404 for the first time, breaks his roland oath and opens up the project to a future of new po ssibilit ies. during the development of the svans ep this track actually went under the working title the summer hit. take a listen to the fine bassline, airy production and the selected ambient works-inspired harmonies and sounds and you will know why. welcome to over 12 minutes of pure old school bliss.

kasket (aka charlie baldwin) returns to apollo with his second ep. warm regards, a collection of four songs left to simmer with traces of ambient, jazz, and dance rhythms, opens in dramatic fashion with a majestic title track of billowing synths and plaintively struck chords that serves as an ideal introduction to kaskets most realised work yet.

roskas shocking ep is the latest release from the long-running rinse producer and his firstfor the label since last years rinse presents: roska2 lp. it finds the uk innovator on his usual fiery form, drawing for his characteristic deftly swung percussion and grime-infused sub-bass pressure. the explosive title track is the most overtly grimey roskas sounded for some time, slow-building intro giving way to a pulsating bassline and caustic laser blasts.

in 2011 when mad mats and tooli went to sonar festival in barcelona they met ludovic llorca aka art of tones outside a club. little did they know back then that two years later on they would release a 12 inch together. the same thing ep opens with the title track and kicks pretty damn sweet with its strong vocal, the guitar, bass and rhodes jamming on top of a tight groove, there is also a dub version included on the b-side. last but not least, the great sgatmi is a jazzy and bumpy house take with lots of samples perfectly balanced. all in all, classic art of tones material and the work of a producer firing on all cylinders.

seb zito steps up to the plate for the next release on fuse london with his never ep. title track never delves deep with a moody atmospheric groove whilst sub dubs 111 toughens things up with a stripped back flavour. on the flipside, remixes of never see enzo siragusa and rich nxt inject a d&b style b-line whilst ben rau brings a melodic vision to his version.

real house master phil weeks makes his debut on guy gerbers supplement facts imprint with a trio of dancefloor bombs packed with his signature bump, funk and bass. title track sharks looking for fishes is a fuzzy, warm affair with warping pads and shimmering cow-bells building with dusty samples combined with a jacking bassline. on the b-side bees assault is pure heads down techy business, unhinged and driving its the peak time banger of the release and an assault on the senses. lastly, hold onto the memories brings back the french deep touch with another solid jacking groove and faded vox.

berlins new hottest residents eric volta & sebastian voigt team up once again, this time bringing their infectiously deep and dark edge onto the visionquest imprint. with intoxicating dreamy synths, title track words and chance opens up into real groover with the seductively haunting lyrics from rising artist forrest adding a new dimension. on the flip one quarter of the visionquest power force lee curtiss takes the reins to deliver a chugging dancefloor ready remix with effective play on the vocal. eric volta then goes solo with one last more? riding out through rolling percussion with beautiful textures

second in the series of sandwell re-releases on rroses very own eaux
the very first rrose title
printed eaux sleeve
a much needed re-issue of this first ever sandwell rrose title on his own re-issue sub series of the label of the moment – eaux

geddes first single is impressive with the title track remedy sure to be a pinnacle in many dj sets. remedy is laced with house rhythms and uses a melodic synth and stabs to create a tough house groove before the vocal gives the track the unique flavour and character geddes can produce. shout sleazily rolls along being joined by different instruments to create a funky club track that will turn dance floors upside down

ltd yellow vinyl 2013 repress !!!
the title track tin of worms showcases crisp, tight linear drum programming a ribcage shaking sub base & supernatural sounding synth sounds which build & drop in a question & answer format over its 8 minute cycle displaying the original principles of minimal techno alongside forward thinking sound design.
for the flip side we proudly introduce westway which is original baby ford material written on the eve of the millennium, recorded on fordÆs now defunkt hardware set up and mastered from dat. this track conjours images of smoky late night jazz clubs with its smooth intermittent piano chords & strings that seem to float in an out of the mix like the warm breeze on a long summers evening set starter, nightclub techno lesson, afterparty showpiece the choice is yours!

introducing the highlife edits from h&p affiliated artists after the party of the same name. as the title suggests, both tracks by resident dj auntie flo are rooted in african music and designed to set dancefloors alight.

limited vinyl reissue of this obscure and incredibly rare production by the legendary disco pairing of rinder and lewis. released in 1977, the discognosis project is definitely one of the powerhouse duos more experimental offerings - a wildly eclectic yet inspirational mix of styles. of course the biggie here is cosmic floor-filler step by step, a chugging synth monster layered with chunky beats, grooving piano, great vocals and of course those searing synths. but the album is packed with other highlights including the super-funky horror-tinged title track discognosis, slick jazzy delight one on one with its superb brass and dark flamenco overtones, weird slo-mo space-groover movette, the sweet summery 60s pop-soul of love belongs to everyone and disco-funk stompers love shortage and good time man. dont miss this superb disco gem.

3rd title from this new collaborative techno label from london, another fine bundle of established artists go head to head on this fine ep

goldffinchs well received model ep from 2012 gets a rework for 2013. on the a side dutch house and techno legend, dexter, turns let me see into a driving, analog beast. while on the flip fresh faced finnish duo femme en fourrure take on the original title track, model, and inject it with their signature gritty and sleazy sound. the remix 12 inch comes as a yellow coloured limited edition, hand-stamped vinyl only release.

ambivalent & michael l penman debut on ovum with *shimmer*. having found a very fruitful collaborative friendship, michael l penman and ambivalent (aka kevin mchugh) have begun exploring the intersection of their approaches to music-making. they originally connected when kevin discovered michaels music in 2010. after playing many of his productions in his dj sets and including them in a mix-cd (_ground) release for minus, kevin made contact and the pair began exchanging files and swapping ideas. this led to time in the studio together and yet more file exchanges. quickly a natural creative balance emerged as they found that their production techniques were complementary as is their shared love of groove, bass and musicality. for their ovum debut the duo have delivered a trio of tracks that have those three elements at their core. title track shimmer brings together raw jackin funk with a warm driving bassline and scything techy stabs whilst chevalier matches its fun bouncy groove with an infectious and spritely melody. final track memogram comes heavy with the oldskool, delivering a bed of beats and samples beneath the very heaviest of acid-kicks. not for the feint of heart!

ltd summer sales - nice price
a retrospective tone of synthesizers reminiscent of ymo, a bouncy rhythm with the structureof click house, a familiar vocoder vocal, a nostalgic melody sense of 80s disco pop, the title track, >you are always on my mind< is just like giving you the answer of the idea if ymo covered daft punk >one more time<. it was the tune heavily played for several music scenes in japan when the album was released, and immediately became a favorite track for djs but has never been released

three years ago, baths dropped his startlingly beautiful debut, cerulean. released on anticon, the record blurred the line between post-modern pop and the la beat scene with devastating emotional clarity. its tone was as celestial as its album title, taken from a shade of blue typically used to describe the sky.
cerulean earned year-end best-of recognition from pitchfork and the onions a.v. club and established chatsworth-raised will wiesenfeld as one of the finest young composers (and falsettos) in los angeles. his sophomore album, obsidian, finds him emerging as one of the most complete artists of his generation. as you might expect, the name hints at darker overtones. the mood is shimmering and pitch-black, the lovely blood flow has turned into lava.

the release kicks off with title track find my way which features exciting young vocalist, ria morans heartfelt tones. cade opts for swinging 909 drums and a hooky bass-lick as the driving force, while morans voice sporadically eases in and out of the groove and understated chord stabs and tension building strings fuel the musicality, resulting in a classy, deep-house workout. up next is dr. fox, embracing a similar deep, contemporary house aesthetic, with saw-wave bass hits, cosseting pads and hooky vocal snippets acting as the fundamental elements of the cut, cade then plays on subtle variations in the groove throughout its near seven minute duration, to maintain an evolving dynamism and enticement. entering the latter half of the single we have ghostryder up first, cade opts for a more upfront approach this time, bringing busy drum programming to the forefront, alongside sweeping synth tones, a tom-driven bass line and dubbed out vocal licks.

following the success of the consumer ep by fellow label owner james johnston comes the praise ep by alex agore, and its a true return to form for him on no matter what. the record opens with the title track >praise< - an inspired tribute to gospel music, keeping all the soul but reimagining it into something more infectious. uplifting keys combine with vocals that will have you trying your best to sing-a-long, over a bass groove that holds it all together. >falling< is a slower affair, with its dream-like chords, airy synthwork, cowbell hits and seamless hats. a perfect track to start a night or to end one. the b-side completes the package with two undeniable house jams. you will soon realise how much you like >theres no love< when its skippy vocal is stuck in your head, hours after hearing it for the first time. >i can feel you< closes out the ep on a deeper note which will have you thinking of moments when the sun is about to rise, yet the night is far from over.

rsi is a new label affiliated to the tusk wax empire, and for their first release they look to the unexpected choice of the posthuman duo of rich bevan and josh doherty. hecatism sees the pair wander into deeper corners than their music is usually known for, trading electro breakbeats for a mid tempo production filled with resonant textures and vocal chunks that could nominally be described as house, while helioshock sees them break out the 303 for some heady acid grooves. the remixes of the title track come expertly chosen also, with disco bloodbath resident damon martin taking the track even deeper into something approaching balearic groove, and pork intl, who adds a distinctly more interstellar flavour to the original with its danny wolfers-style analogue house chords.

after a fantastic debut on tusk wax the uk producer drops this 4 track ep on glenview originals. features a remix from the tusk label mastermind of the title track along with the original version, alji and magic castle. all tracks mastered by kuniyuki takahashi! going to be big. dont sleep.

the swiss techno veteran quenum sweetens our catalogue number 073. we are trying not to go like a bull at the gate with its cock ring on but yes… this one is about sex. the title track on a1 *zone erogene* is a soft voice that salaciously whispers into your ear, while *pornflake* on b1 will set your hormone bells to ringing. the artist, who has made a name for himself through numerous outstanding releases in the past, is not the only remarkable element of this record. upon you is introducing a new concept: vinyl only tracks- meaning that the a2 track of our release *intimate immensity* will only be available on vinyl.

after several digital references and with great effort, we are pleased to present our first release on vinyl. tba is the title of this release that holds the participation of eiht, hanchi, scalameriya and astronomical telegram. the colombian label moleskine music expects continue to strengthen vinyl limited edits. vinyl only!

hot on the heels of dj deeps inaugural kern mix for tresor comes *kern vol.2*, selected and mixed by gigolos boss dj hell. the second 12 inch – the rarities – is a precious collection of forgotten early 90s grooves. on the a-side, none other than mr. daniel bell contributes to this special kern vol.2 with a track that has never seen the light of day since its year of production, 1992 – the chicago style version of his legendary blip title. a collectors piece. the b-side starts with nyc 90s lenny dee and ralphie dees (aka major problems) overdose, a 1990 relentless number originally released on nu groove. back to 92 with sub-cultures - dreams released on hayden browns own imprint strobe. all mixes on the original and rare 12 inch are simply excellent, and dj hell chooses here the forgotten tribal life mix.

belfast bass producer unknown who has built up a huge following with a steady stream of tunes on youtube and soundcloud, made his vinyl debut with last years #001-010 series on champion sound recordings, and now he returns to the label with his best and most diverse work yet, the i cry ep. the unknown trademarks – waves of sub-bass, expertly swung percussion and a dark, seductive and tense atmosphere – are all there, and he is pushing into new and fascinating territories too, with some brighter textures, house vibes and his first ever vocal collaboration on the stunning title track, *i cry*.

while awaiting the upcoming album scheduled for september, a first maxi with the sweet title daniel will have you watering at the mouth! deluxe wants you to discover, starting on the 13th of may 2013, the first three titles from the album and, as a bonus, a remix by chinese man of one of these songs... a family remix symbolizing the vitality of the chinese man records label!
daniel, once again, the name of the first supercharged song of the disc, is a wild ride on which mc youthstar joins the group for a track that exudes the energy of live performances and the madness of the groups last tour! in bleed on we find the incredible funky feeling that delighted fans with deluxes first ep, catchy melodies, 70s brass sounds and a sense of groove that has become unstoppable. reflecting the promised diversity of the album, the last excerpt of the maxi, pretty flaws, surprises the listener with its melancholic atmosphere and emotional charge that emerge as a symbol of the groups desire to continue experimenting with sounds and styles.

feelharmonic records proudly presents its first double-header, the depth & weight ep. kicking off proceedings is dublin-based duo jervis drive with their raw as title-track that finds its deadly groove immediately and stays there to great effect. italian maverick marcello napoletano provides a twisted, fuzzy and leftfield alternative of the same track. on the flipside comes manchester’s tomson aka tom lynch (development music/we_ctrl) with the tension-building and euphoric in a house on a street, while for something more heads down and deeper there is the dj aakmael mixx

the deep house is the genre of reference that the author aims to customize in his title track >say what<. it is a ganglion of rhythm and foggy atmospheres where a voice reproduces a sort of rhyme. it is pretty similar to >revenge<, where the loop cyclic effect is preferred to another though, and where the voice (reduced to a sharp tip) pierces the four quarters in place of the snare drum. both tracks are presented in their remixed versions: the first made by julie marghilano and the second by matthew burton.

the case (nabis) ep is the debut effort from brooklyn-based hound scales, releasing on his own fifth wall imprint, which he runs with fellow brooklynite divvorce. the two originals and two remixes are driving but subtle and textured techno. remixes come courtesey of icee hot co-founder ghosts on tape and swiss producer isolated lines. support from george fitzgerald, locked groove, sei a, goldffinch, tiga, sinden, xhin, troy pierce, moerbeck, totally enormous extinct dinosaurs, breach, randomer, hackman, and more. the title track case (nabis) was featured in george fitzgeralds essential mix for bbc radio 1. coverage by xlr8r, resident advisor, mixmag, earmilk, hyponik, and more.

breaking crowns with their smooth, synth-struck melodies since launching in 2012, jack fell down are making some serious waves on the deep house scene right now. with four tracks in total, this ep shows the duo at their most extensive and comprehensive. boasting the distinctive confident laziness of vocalist stee downes throughout, across the ep you will drift away to a whole new world on the deep, dubby title track, you will bump and grind to the 2 bears-style *no way* and you will lie back and receive a full mind massage from *just begun*. jack fell down ... and the vibes came tumbling after.

i am sure joe goddard needs no introduction, the co-founder of greco-roman and leading member of hot chip + one half of 2 bears releases this stunning 4 track ep. the title taking over is, as joe says: a reference to that moment when the music at a club starts to really hit you, when it forces you to focus on it and the night ahead. featuring collaborations with boris dlugosch and mara carlyle, taking over is an attempt to make synthesizers sound nice. the lead single from the ep is the step together which was premiered on the b traits (in for annie mac) on bbc r1 last friday. since that announcement step together has received more plays across the bbc networks. we have big plans radio wise for this track and we expect to see a lot more plays forthcoming across, bbc r1, 6 music, 1xtra, xfm and kiss fm.

tornado wallaces massive thinking allowed ep gets a nice re-rub! side a brings mysterious bella, nina amnesia, on board for a crispy 909 workout of bit 1 - a nice float on the breeze, ready for summer! on side b, pharaohs do what they do best, adding warmth and live instrumentation to the title track while losing the original vocal altogether - a welcome transformation. time to get wet!

dj hero, dance music trailblazer, french canadian heartbreaker… you see the hat, you know it’s a-trak! he’s been hard at work cooking up new music just for you, and fool’s gold is proud to present them as the tuna melt ep – four tracks of inescapably catchy, high-powered electronic jams, hand grilled by trizzy in the studio with his buds tommy trash, gta, galantis and oliver. just like a-trak’s dj sets around the globe, the ep masterfully flips between styles, with the title track’s enormous festival riffs breaking down perfectly into the half time slap of landline, while the rave bounce of jumbo builds up to the ecstatic, hands-in-the-air anthem disco nap. tuna melt is easily the funkiest meal since tom’s diner, bring yer appetite and come get greasy ...
prerssing on (orange)red coloured & marbled vinyl.

slinky title trk w/quirky synth, chants & huge stereo field. ‘freespin’ is dubby slow house w/swimming chords’evil outing’ is darker tech-house w/percussive energy. q-burns abstract message remix trades live house beats, backwards pads & spiraling synth.

seattle based artist (force inc, swayzack). title cut slo mo w/stylish synths over deep house. mineral scan puts acid into smooth soundscape. black mondial pushes tempo up with dreamy bouncy vibe. ltj xperience remix brings vox, guitars & all around funk.

one of the scenes true veterans, justin richardson aka genotype has released music over his career on a who is who of the most influential drum and bass labels including reinforced, moving shadow, renegade hardware, & of course dbridges exit records label, who released the debut genotype artist lp ritual dance in 2010. lessons in depth sounds like no one else in drum and bass right now, and truly lives up to its title fusing multiple musical elements into one deep sea musical experience. this is not a collection of instant gratification dance-floor tunes, and like all truly good music, lessons in depth is most rewarding after the listeners full immersion. don your mask and snorkel and dive in.
pressing on transparent dark green, black marbled vinyl. download code included.
dj support from dbridge, spectrasoul, doc scott, bryan g, john b, loxy, consequence, clarity, btk, hybris, c4c, ruffhouse and more.

parisian acid crew minimum syndicat drop their trademark techno on pareto park, with an ep of industrial beats, evil acid and brooding analog synths. spanish techno mainstays exium remix the title track, fracturing the beat into an intricate broken rhythm underpinning evolving bleeps and dark synths. four tracks of warehouse techno for peak time play.

passarella death squad are back with an new ep and once again open up a world of brooding, twisted emotion brought to life by their unique sound. giant ep commences its twisted journey with french vocalist emilie albisser s style beautifully on blue lips running in parallel across thundering basslines, and clipped layered synth sounds. title track giant leads with a vangelis style combination of fear inducing sounds that entwine in perfect time with emilies ethereal voice, from a future where hope is dwindling the stars and stripes is an enigmatic homage to the home of electronic beats - detroit. where drexciya channels drone in a fiercely uplifting mantra to the power of america. giant ep ends with untitled which aptly wraps off this musical journey using metallic sounds melded together taking you back to that beijing smog with huge led screens and too many people.

the best is yet to come is the title of the newest release by schallbox records and also stands for the claim of the basel based recording label to continually evolve and develop itself further, thereby upping the ante with each new release.
schallbox014 is a deep and ever grooving track made by berlins michael nielebock and leevey that will definitely see the openair season prolonged until the end of the year. additionally, larsson delivers a dubby remix featuring an electrifying beat and broad synth sounds. schallbox even resurrects some golden memories of legendary bar25 - courtesy of sasch cawa and dirty doerings remix which is furthermore gratifying the vinyl package. last but not least the release is completed by the contribution of newcomer benotmane from basel, who converts the original into a dreamy sunrise tune.

limited edition of 500 copies in gatefold sleeve ¹ 24 x 12 inch professionally printed poster ¹ white vinyl - download card.
kenneth anger may not necessarily be the name that will come to mind when listening for the first time - distracted, confused, disoriented - to puce moments debut album. yet it is the only one that will seem relevant upon second listen -narcotic, infernal, fascinating. puce moment does not only borrow a title (of his eighth short film, made in 1949) from the baron noir of experi?mental cinema . ghostly wanderings, satanic masses, mystical romances, mechanical hell: eve?rything in the duo from lille (france) and their album in form of an invocation to ancient sybarites authorities refers to the californian filmmakers obsessions.

one of the scenes true veterans, justin richardson aka genotype has released music over his career on a who is who of the most influential drum and bass labels including reinforced, moving shadow, renegade hardware, & of course dbridges exit records label, who released the debut genotype artist lp ritual dance in 2010. lessons in depth sounds like no one else in drum and bass right now, and truly lives up to its title fusing multiple musical elements into one deep sea musical experience. this is not a collection of instant gratification dance-floor tunes, and like all truly good music, lessons in depth is most rewarding after the listeners full immersion. don your mask and snorkel and dive in.
pressing on transparent dark blue, black marbled vinyl. download code included.
dj support from dbridge, spectrasoul, doc scott, bryan g, john b, loxy, consequence, clarity, btk, hybris, c4c, ruffhouse and more.

pvs is on a roll of lately. with some blasting releases under his belt, he now returns to gynoid audio, where he again delivers a wicked track especially made for their gynoid audio limited series. as the title suggests, its a very hypnotic affair.

this is the third and last release of >unknown possibilities 3< trilogy. >unknown possibilities 3-1<, the first title of the series, was released in 2005, and the second one, >unknown possibilities 3-2<, followed in 2006. both of them were released only on vinyl from torema records. all tracks on this double pack were remastered by rashad of dubplates & matering to offer even more beat-oriented sound