new don diablo project ft dragonette animale is set to be massive across the globe. mixes across the board on this 2 part 12inch

nonplus+ label owners instra:mental have been working away on solo projects in 2011 with al bleek working under his boddika alias and kid drama as jon convex. here we have boddikas first output on nonplus+ after his debut on naked lunch in 2010 and prior to his forthcoming ep on swamp 81. his work has been supported by djs across the board such as benji b, oneman, scuba, shy fx, martyn, ramadanman, joy orbison, leofah, skream and zed bias amongst many others.

headcuts #2 new 12 inch out now! with new remixes by luca trevisi aka ltj xperience and al kent aka million dollar disco featuring ray harris on keyboards !

coma - the cologne based duo marius bubat and georg conrad have grown in leaps and bounds since their 2008 debut for firm recordings. since then, they have followed with highlight contributions to the last two total series and of course their acclaimed single crystal (kompakt 199) - both of which were released on kompakt. their live shows have established the act as a leading duo locally not to mention earning them fans across europe and asia. on famous , their new 12 for kompakt, we see coma embrace the art of melody and warmth more so than in past releases - an endearing maturity that you hear thoughout this gorgeously produced ep . starting off with playground altona - coma bring their techno/house euphoria to new levels in shimmering bath of disco glow. the ambient warmth of fameless succumbs to a floating bass kick as the sound of children play in the background. as raindrops fell outside of the studio - the boys used it as inspiration for raindrops - a sure winning track on this single as a familiar voice carries you amongst a severely catchy rhythm. a set ender of all set finales

just close your eyes and listen to these three lush compositions, while your imagination paints brilliant abstract visuals deep in the alleys of your mind. keeping consistent with the previous ten aesthetic audio releases, the formula for this new gem remains an uncompromising plethora of very raw substance, innovation, and timeless music that will clearly stand on it own amongst deep dance aficionados across the globe. deep roots: begins this journey with this intense and twisted deep banger that is simply a dancers dream. thumping drums and melodic string arrangements get things jumping as you are very quickly taken to your special place. the dark symphony: is a sinister and grimy yet gorgeous piece of work all at the same time. lush chords and dark electronic sculptures spark an imaginary sense of euphoria as the art of dance holds your body ransom. climates: captures the sheer art and raw essence of deep underground dance. this dark beauty continues to build until your body renders itself to the rhythm, and then ultimately it fades … leaving a beautiful memory on the canvass in your mind.

coin operated continue their quest for domination of the bass frequencies and rave stabs at a relentless pace, this time with londons very own pirate soundsystem! fresh form their >wiley - rolex< remix as well as great releases for wide, mad decent, shiva etc. they give us their 1st solo vinyl e.p. - coin operated being, of course, the finest home for such mentalism...... across this slate you will find the roughest beats in the capital - with a nod and a cheeky wink to all manner of rave, dubstep, cockney knees-ups, the one and only kool keith and even a snippet or two of tigas recent killa release.... ltd 2011 repress

>13.0< is the reduced title of the original track, which reflects as well the puristic approach of the sound. oldschool manner meets analog waves on swinging grooves, that cleares the way across the galaxy. gabriel le mar pitches down the velocity and touches down on the magical fairys planet! his silver bullet is the game of dice and conjures the fairies with an ocean of moments in happiness, what ends up in joyful dancing. playing games has ever been his passion! the trip goes on in low level flight mode. the smalltown collective offers clearer strings with a dose of deepness. on his remix of >29.0<, steve coles shoots the fire with wide-opened claps and crunching the gear, while spreading the music by the machine into the width of the universe.

sublimely convulsive shangaan electro-gospel by a pastor from giyani, limpopo, recorded in 2008, brimming with aching, plaintive, mournful spirituality. however fractured, multi-faceted and fresh the music comes across ù that signature whistle and sampled marimba, a little wonky high-life, rough, skittering drum patterns, no bass ù the surging vocal lines and harmonies are unmistakably rooted in traditional south african music.

magic wire present the second release on the label from co-founder lone. following up the huge debut release >pineapple crush< comes >emerald fantasy tracks< - an 8 track mini album spread across two 12 inches, housed in a full colour gatefold sleeve.

rising out of helsinkis local electro-pop-punk scene in 2007, sisters emma and mia kemppainens musical vehicle lcmdf (le corps mince de fran coise) was quickly picked up by blog gers and music fans across the globe. their incred ibly vibrant, left field pop gained them count less fans, earn ing them the top spot on the hype machine, out-ranking even kanye west.

after five years of experimenting with a string of different singers, chromatics introduced ruth radelet as the lead actress to star in their films in 2005. forever standing out from the crowd, chromatics imagined the soft rock focus of hall & oates stretched over a fleetwood mac beat. trading the dancefloor for gorgeous chords & melancholic strings. they lived where it was always late & neon lights glimmered across the wet streets. this record archives studio work between 2004 & 2006 leading up to the now infamous >night drive< album.

fagget gairys hail from denmark, a female dj/production duo whose unique take on urban and electronic music comes from their work as artists, their experiences as fashion models and their inspired lives in india training as body coaches.
dj hell first came across >feed the horse< whilst preparing his musical mix for michalsky 2010 spring summer show. needless to say it was love at first sight, immediately making arrangements to remix and license the song to international dj gigolo records.

>france 2< deservedly takes the headline-grabbing attention-seeking lead track position: pure mediterranean melodrama with a bold approach to gut-wrenching operatic melody that vangelis himself would be proud of. on a further anthemic tip comes the atonal melancholic vocal symphony of >voci giaga<, whose delicately constructed layers of harmonic voices build up to form something very special indeed. >h2< meanwhile is an exuberant explosion of arpeggios underpinned by an insistent analogue club groove, whilst to finish, the heady, disorientating >oceano< promises to be a key component of many a dj journey over the coming months, leaving your faithful disciples just-the-right-kind-of-lost within the cosy dancefloor bubble. already homegrown heroes in the club scene of their native italy, with the >france 2 ep< the time has come for margots 21st century krautrock message to reach out across the rest of the world.

with this release sinan kaya, an istanbul based dj and producer, is becoming a fresh member of the berlin tonkind crew. since 2001 his passion became also his profession, which he continuously dispread with dj-ing and scores of releases across the bosporus over to europe. his productions and sets can be defined as deep and playful. so aswell this release, which comes up with three variable tracks. something else in the front, shows sinan kayas touch for the impulsive sound.this track becomes a real trip on the dance floor and reflects a farsighted feeling for elctronic dance music. on the fells operates more the minimal genre and adepts a symbiosis of many samples, a duby bass and a bumpy rollin groove. as last but not least there is bloom, a rather charming and friendly tech/ deep house track consisting all required ingredients to make it work as dance floor teaser. in all three tracks its possible to notice some eclectic material of jazz, funk, chigago and jackin fragments put together to a unique sound and providing a different vision for life

lukes anger back with a brand new 10 track lp !! killer tracks feat. full colour sleeve art !! keeping true to his techno sensibilities (or non-sensibilities?), live wrong and prosper is a full- length-album sized collection of lukes finest recent work along with some massive exclusive tracks, including an extra special 2010 vip re-mash of his 2 biggest tracks to date! (see: >working on the floor<). expect ultra-heavy bass juggernauts in >gross negligence> and >bruce wobbelaar<. sexy acid swing-time in >nice car< and >tombstone trax< and all out wonk-factor-10 with >worried sid< and >beebop drop< and many more percolating slammers to be discovered! fans of the trademark >lukes anger charm< will have a field day with this release, with every track dripping in fat, tasty analogue lushness! lukes previous releases have always been picked up by a plethora of across-the- board dj’s, receiving support from the likes of laurent garnier, detroit grand pubahs, kid606, jerome hill, dj warlock, dj zinc and michael forshaw to name but a few.

stroboscopic artefacts rip into autumn with a masterful split vinyl. sa006 sees jonas kopp taking to the a-side with the punishingly good >alkitran< and the flip side picks up where the monad series left off with markus suckuts >vary<. >alkitran< writhes hissing and spitting into existence. snares lash across the opening, to be replaced by subaqueous grumbles and whirling from above. the title >alkitran> begs no translation, the tracks sticky, black palette and viscous textures effortlessly communicate the notion of tar. markus suckuts >vary> takes the opposite tact, his dark tones are built amid structures that are suffused with light and dappled with the grindingly ecstatic. this is superbly elegant techno that has refused to sacrifice any of its hardness in order to achieve elegance.

>that placid track< has been in the hands of some lucky individuals for some time now, making its way across dancefloors from berlin to new york, bristol to tokyo.
dark disco references are heavy throughout with a great use of strings licks, a slo-motion vocal sample and a classic cowbell keeping everything nicely in check. as with most of octobers productions though he still has one foot firmly inside berghainrendering this essentially disco track into something with more of a late night, broody edge.

like >the final breaths of a game boy caught in the reeds and burbling under the waters< (nme), luke abbotts >holkham drones< has been making waves in all of the right places, and now as it finally drops in your record store of choice, the ripple effect begins to spread out across the world. >holkham drones< looks set to catapult luke from his provincial norfolk outpost of the uks burgeoning electronic underground straight into critics end-of-year best-of lists, in one fell swoop.

the heat of summer into an urban canyons night of fresh air. in berlin. or manchester. maybe in budapest even. it is warm, but not that close and hot anymore. a soft wind blows through the leaves and ripples the surface of the small puddles the rain left on the streets. with relaxed enthusiasm a man walks up to his house where he will decant a well-tempered sangiovese while waiting for the woman with whom he will chat till dawn.
with three reworkings of one of their tracks from the full-length album >13<, the trio from manchester conjures such an atmosphere on their vinyl release on binemusic, inviting you to (day-)dream or relaxedly bob across the dancefloor. and maybe even bear the waiting time while stuck in traffic.

phonica records limited offshoot returns with a second 12 inch from the man that kickstarted the label iori. the okinawan producer, whose >galaxy / urge< 12 inch won praise from across the board, has been working prolifically and this is only a brief glimpse of things to come. first up is >spatiotemporal< - a ten and a half techno odyssey towards the deeper echelons of the genre. starting off as a simple drum attern, >spatiotemporal< slowly but steadily builds up, with iori bringing layer after layer of synths proper mid-paced cosmic techno!! its definitely one of those tracks that need to be left to do their work preferably on a loud soundsystem! on the flip, weve secured the remix talents of one of the hottest names in techno at the moment. all the way from cold sweden, skudge have made quite a name for themselves in the last year, with solid releases on their own imprint. their remix of >grit< more than exceeded our expectations. its a masterpiece of stripped down techno that brings to the fore all the parts we like from the original, while taking it in a completely different direction. special artwork by pedro carvalho de almeida.

first on decks.de !!! heavy beats with an analog feel and loud drums keep spinning and building around noisy crisp techno athmospheres until furious hi hats unleash the very last drop of energy around. the titel track >12 monkeys< appears in three mixes. the rawdub is maybe the toughest emerson track for many years. he already produced a whole series of rawdub techno remixes that will be released soon and this is somehow the blueprint for his new rawdub techno project. the original track sports industrial fueled beats and soundscapes. cut b1 is a remix by the one and only argentinian stallion juan pablo pfirter. he had his latest outings on labels like figure, clr, stockholm ltd & his very own mind trip music, his latest addition to the infamous clr compilation called miestudio had him supported all across the board. here he delievers an outstanding rework playing around with the beats and parts from the original forming it up to a deeper techno anthem with huge impact on the floor. supported by: oliver ho, slam, technasia, terence fixmer, lucy, mark henning, two em, pig & dan, cio d or, danny howells, daniel sanchez, echologist, ...

eglo records reaches its tenth release, with another acid dripping banger courtesy of west londons funkineven aka stevie j. taking things a little harder than on his previous two records, heart pound jacks its way across the dancefloor, in a collision of chi-town and ldn beat based funk. another space comes even harder, drawing on a touch of early rave and hardcore, its twenty tenà it just went on a journey before it got here. funkineven has been busy of late, remixing for hyperdub recording artist ikonika, darling farah and practicing as part of the fatima live band, who made their debut appearance for deviation at fabric on wednesday, supporting bilal

hailing from leipzig in germany is an artist whos music has been pricking up many ears across the global underground over the last few years. its hard to put a finger on what it is about kassem mosses productions that make repeated listening a must, but the intricacy, fresh arrangements and musical depth definitely play a part in attracting labels such as the highly respected techno imprint workshop, the legendary soma records and now nonplus are honoured to present his latest 12 inch. a) kassem mosse – >we speak to those< first up on the a-side we have >we speak to those< a 4/4 track of the highest quality that keeps you guessing from start to finish. the rugged and raw kick and bassline immediately set the foundations for the incoming awkward chord stabs whilst reversed beats lazily slur in and out over the main groove giving the track the unnerving feeling that its almost changing tempo. random sound effects and a non conforming arrangement make this track about as predictable as the english summer. one listen to this and youll immediately understand why this artist is getting love from some of the scenes biggest players at the moment. aa) kassem mosse – >hi res< phased drum machine breakbeat patterns and stutered percussion redolent of the early detroit techno uprising give this track an outstanding quality of being able to conjure up the same feelings of hope and optimism for electronic music that the aforementioned era managed to. thought provoking chord progressions take your mind on an excursion to the future and leave you gagging for an extended trip. think skyways, flying cars and towering metal buildings footed with dark abysmal underworlds and youll get the drift. they don t come much deeper than this one

for remote areas 28th release we welcome back production duo makcim & managemend. moscow born makcim has been djing since 1999 and is known for producing and playing deep, rhythmic, sexy, music. his music partner in crime - managemend (aka roel van otterdijk) is always on the hunt for brilliant loops of chunky, deep, soulful, minimalistic sounds but firmly believes that humans -not computers- give music the magic touch. they are back again with two quality tunes for the dancefloor. fur cage presents the deeper, funkier side of techhouse life with its rich, dark chocolate vocal snippets melted across a belching bass. fraggle stick car û high hats peak on top of warm percussive expressions to create a rolling dance rhythm packed with warped sounds and distorted snippets

full support by dubfire, ritchie hawtin, dj sneak, mandy, sis, hugo! finally here it comes! after his über-successful last album >grosstadtmärchen< including the singles -hypnotized- and -u-bahn- oliver koletzki is now releasing the first single release of his new album lovestoned that is set to be released in autumn this year. for the album, and subsequently this first glimpse of the album, oliver koletzki has teamed up with singer and girlfriend fran, who previously hypnotized listeners across the country with her magical voice.

leave it up to nyc label on the prowl to score some authentic yet modern day latin freestlyle. hot latina corinne croons about love and nightlife while her partner brooklyn producer josh anzano does the dirty work. the result is a heart felt dancefloor banger that will sure to be thumping out of car trunks this summer. for this single we get the original, a dub mix which nods to 80s style tape edits, and of course the mighty runaway bomb of a remix. runaway takes the vocals and lays them across a hands in the air chicago-esque drum machine groove spiced with live bass and speaker blaring pads. very big indeed!

just across the main, lies offenbach, a place where many of the kids of frankfurts inspirational house and techno scene call home. two promising producers - florian and marc - who hail from this hood, have within one year caught the attention of labels such as levelnonzero, off, below and cécille.

on the lake people a relentless hard-hitting bass underpins a masterful mix of vocals, curious percussive snippets and twisted chord jabs. on a slightly deeper note, you will find the deepgital area with its deep sensuous vocals across throbbing beats

limited edition clear red vinyl album by much overlooked detroit power pop/rock band outrageous cherry!
11 new songs recorded in outrageous cherrys studio ... an analog cave in the shadows of abandoned factories ... distant bubblegum sounds echoing across vacant lots through darkness and subzero temperatures ... released just in time for disoriented summertime hypnotized listening.

as 2010 rolls on, breed 12 inches has every right to be excited. after a fantastic 2009, which saw the breakthrough of russian duo utopia, support from the scenes biggest, new merchandise and the release of brd005 to much acclaim, breed 12 inches is excited to introduce yet another dynamic youngster ? gemini. hailing from leeds, gemini showcases his debut release on brd006, with a staggering 12 inch that appeals across the board.

repress, including download coupon!
lover. fighter. prophet. freak magnet. time-traveler. musician, photographer and designer jimmy edgar is a wayward prodigy streaking across the cosmic dance-floor. in 2001 at the tender of 18, his hyper-sexed microchip stylings caught the ear of warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic >color strip< (2006). now 26, edgar is shaking things up at !k7. on new turf, edgars sonic prowess takes on a leaner, more radio-ready shine and what edgar does essentially and very well is make your body move.

palms out is proud to present the second ep from austins dubbel dutch, the throwback ep. on a wave hype from every corner of the globe, across genres - foregoing any remixers, this three song original ep - has been described as >everything thats exciting about music right now<. a hybrid of genres peek their heads out- uk funky, classic house, baltimore club, tropical, bashment rhythms, drum n bass & dubstep - this is music that defies description.

h-productions has cultivated a reputation over the last two decades for consistently delivering cutting edge material across a diverse range of styles.
the titling for the second single taken from cari lekebuschs forthcoming album >state of the art<, continues in the horror tinged theme opening with the epic >bodysnatcher<, a nine and a half minute odyssey into the outer realms of rolling, glitchy techno. tight percussion and deep end bass set the tone for a fervent mix of resonant and modulated riffs and fx, exquisitely produced and deftly mixed this is another great example of lekebusch at his best.
the flipside of this release brings us the excellent >shivering<, a heady blend of oscillating bass and relentless synth lines over minimal drum patterns that has you hooked from the off. this is a big record that is bound to find favour with techno jocks and house djs alike with its perfect balance of dark and light.

catcalling from the depths of a city seen from the outside as crumbling, sonic grooves carve a path to the soulful detroit duo known simply as the oliverwho factory. first noticed across the primitive music sharing plateaus of a decade past, the oliverwho factory quickly gained notoriety overseas with a glasgow based distribution, and a keen sense of product importance, releasing rich, mood-driven tracks on vinyl, inspired by and resonating the roots of rock, pop, jazz, and r&b. earth near-silently stumbles with the distinct yet mysterious, funk laden blend of house and techno that oliverwho and shonie c. so naturally provide. like stepping into dreamscapes of unknown desire, the obscure flavor of owf s tunes keeps unconventional beauty and otherworldly adventure at the forefront of this duo s detroit-based soundboard.

nice price deal !!! this is dasein, the opening potion of milyoos (aka tommy wilson) debut ep and the second release on subeenas new opit records. dasein attempts to grapple with existence, temporality and substance and what could be a more perfect description of these warped sonics- perpetual motion purely of the moment. multitude makes you feel like a tourist at an off-world bazaar, a strange landscape with a slug-bass bubble undercarriage and inquisitive wide-eyed synths. fayoh leads in with in a harold budd doing house piano before being pounced on by clipped vocal tics and odd blocks of cubist sound all underpinned by a funky beat and quite frankly its gorgeous. if there is a strand of coherence across the ep then its an almost exotic one- these are curiosities, virtual ships in bottles, they are not narrative pieces even if they are in constant motion. only two releases in and opit records is clearly going to avoid easy categorisation- milyoos debut is something to get mighty excited about and i await further transmissions with baited breath...

it is no secret that the 1980s was probably one of the best decades. 1986 was in particular a very memorable and historic year across the world. it also happens to be the year delete was born and the name of the groove laden a-side. >1986< does not boast any sci-fi effects or other worldly sounds, it does however have one of the catchiest bass lines out there. >our generation< pours a real telltale chicago house vibe, complete with derrick carter style vocals and a bone-chillingly infectious four-note pad melody. this is eyes closed, hands in the air euphoric house. the 12 inch rounds out with delete still showcasing his knack for creating funky bass lines with, >lunchbox<. this number runs a bit deeper than the first two tracks, as it is rolled along by little percussion edits and snippets that evoke a more subtle laid-back vibe.

bop doo is a hot tempo dance slammer that scorches across cut up vocals and sensual synth treatments. intense and relentless, its definitely a tune for those with serious energy to burn. do not cross brings deep, warm edged stabs to big room beats to create a melody marathon for those who like to get funked up

another killer double header from that man eric prydz under his pryda guise tearing up floors across the world.

its been a heady few months for d julzs bass culture imprint. the response and support from the dj world has been overwhelming, and this is of course down to the wonderful a&r skills of the label chief. now, with bass cultures 8th release, we are pleased to bring you the slit e.p. - greek producer, john dimas is well known for his live performances, as well as his djing skills in his town of thessaloniki & throughout europe. his sound spans the styles of techno, acid & more specifically – house music, which he performs in the club, across 3 turntables. stil quite new to the world of production, john dimas has his sights set high, having remixed the likes of fischerspooner – and now, he comes with his very first release on bass culture, adding his grecian flavour. the >slit e.p.< is a package that spans tech house, house & deep house… the original title track is dark, but rich & rides the groove nicely. the chez damier >late night mix< is exactly that – supple and full of just the right touch of deep quirkiness for late night sessions.

first single taken from the forthcoming technasia album, >central<, with a two-tracker in the purest technasia style. on the a, >esperance< is a funky number in constant motion, with huge chord progression, while on the b, the gritty street-level techno of >innocuous clouds< doesnt forget that dance music rightfully belongs on the dancefloor. all in all an ep sure to become a cherished tool for djs across the house and techno spectrum.

twisted friction across a beat with balls, packed with sizzling intrigue, shredded white noise snippets wrapped in throbbing beats - mr. pete tong in love with it!

this third release in the series mostly touches on the magic of jamie principle. however, this ep opens with a sublime deep vocal track originally released on trax sub-label saber in 1991 by ace & the sandman (who are also responsible for the virgo four tracks). featured here are some of jamie principles best tracks, produced by frankie knuckles. as with many trax releases, there are lots of unreleased , reel to reel only mixes around. we came across an unreleased version of >bad boy<. the quality is not at best, but we included it nevertheless. magic stuff!

luetzenkirchen is a musician who needs little to no introduction. whether it be through his blistering studio productions or his inimitable, high energy dj sets his is a name that has become synonymous with quality and consistency. it is these attributes that he now brings to 1605, with his debut release, the >somebody & the music ep<.
striking a perfect balance with the 1605 ethos and his own, modern and fresh approach to techno infused house, these two sterling productions are both surefire dancefloor burners that are bound to appeal to a wide variety of jocks and audiences across the board!
another modern classic and standout release from your dedicated, loyal and always dependable techno provider!

huge trippy robag wruhme remix !! for fans of plastikman & purpose maker.. berlin based resopal label head mri returns with his first remix package of tracks off his album heroes. this first 12 comes with 4-to-the-floor tracks which will kick, but in a very smooth and warm way. robag wruhme delivers a heavy bass driven monster which throws you across the club. crusty starts modern house wise but will blow your mind at least when the vocals comes in and make you go mad

if you thought you knew what jesse rose was about think again as he swings from the big room banger of >(where were you) last night< across to the filtered house vibes of >non-stop<. one minute we are at a shutters open moment at panorama bar, the next grooving in a sweaty disco basement

nice price deal !!! aka jks first release on throne of blood is a reflection of years in basement with sequencers, apartments with macintoshes, van front seats with laptops and international flights with xanex and most importantly his long-standing friendship with the rapture boys, culminating in this vito roccoforte produced stinger. its a world-wide dedication to all his dj friends who rock it out night after night, luring people from their broadband lives to sweat it out and transcend in clubs, bars on beaches and venues across the planet.

ltd 2010 repress !!! marco carolas string of recent releases on plus8 and his own 2m imprint are now effortlessly hurtling forward under the weight of their own momentum and the bloody cash ep shows no sign of relenting. in fact if its possible, this collection of four new combustible tunes adds another dimension to his already substantial repertoire. on the title track bloody cash, carola immediately shows his intent, letting fly with a spiraling tribal groove full of bright, crisp percussive elements that stretch skywards towards the sun. the tough, earthy beats keep everything rooted to the ground as he taps into some age-old hedonistic urge, creating a universal groove that rolls out across the oceans before breaking on the shores of each continent with an all encompassing call to dance. the main body of the track incorporates a straight synth stab doused in reverb that sets the scene for the finely crafted main keyboard riff, which is an accomplishment in itself. alternating between two complimentary parts, it elevates the backing track to another level. perfectly balanced and enhanced for maximum danceability, its without doubt one of carolas finest works to date

having discretely passed from international chart topping success with the ubiquitous >put your hands up for detroit< back in 2006, to establishing position as one of the industrys premier djs, fedde le grand continues to purvey his talent to worldwide dance floors bringing his unique blend of fine house music in all its glorious forms.
split between his title name fedde le grand & alias f.l.g fedde has constructed 2 discs of the worlds finest house music for the next installment on the toolroom knights series.
highlighting some of the best cuts from the album across two vinyl samplers are artists such as funkerman, f.l.g, saeed younan, nicky romero, chipi, noir, westboy & more....