piano motifs, structured around emotive melodies and sparkling arrangements - this is luke abbotts contribution to piano day 2019. the vinyl release includes a download code.

dixon & luke abbott remixes, the morning dew is courtesy of dixon and luke abbott, who both puts their respectively unique touch to the originals 8 minute and 8 second long lesson in blissful weightlessness - a true terjerine dream.

border community betritt new-age-klangräume und widmet diese split-lp dem us-minimal-komponisten terry riley zu seinem 80. geburtstag. während james holden und der tabla-drummer camilo tirado zu einem meditativ-hypnotischen trip einladen, lebt luke abbott seine liebe zu metallischen drone-sounds aus. beide tracks haben eine Überlänge von 30-45 minuten und wurden für die beiden 180g vinyle jeweils geteilt. aus diesem grund liegt ein zusätzlicher mp3-code mit den einheitlichen versionen bei.

limited edition of 500 copies on 180 gram vinyl with download code included.

nach seinem vielbeachteten einstand 2010 mit *holkham drones* liefert der engländer luke abbott nun den langerwarteten nachfolger auf border community ab. dabei erzeugt er aus improvisierten liveaufnahmen eine stürmische bewegung, die *wysing forest* zu einem album macht, das größer ist als die summe seiner einzelteile und auf jedem fall in einem lauf durchgehört werden sollte.

dj support from james holden, ewan pearson, dj three, trans forest alignment is taken from luke abbotts critically acclaimed >holkham drones< debut album, which appeared in end of year best of lists in magazines such as mojo, amongst others. a remix from dfas synth overlord gavin russom takes the mystical, ceremonial undertones of the original to the next level, layering eerie synths over a proto-kick drumcircle to epic effect.

like >the final breaths of a game boy caught in the reeds and burbling under the waters< (nme), luke abbotts >holkham drones< has been making waves in all of the right places, and now as it finally drops in your record store of choice, the ripple effect begins to spread out across the world. >holkham drones< looks set to catapult luke from his provincial norfolk outpost of the uks burgeoning electronic underground straight into critics end-of-year best-of lists, in one fell swoop.

luke abbott is one of the most exciting prospects in electronic music today, with two dazzling eps under his belt and a forthcoming debut album all on james holdens border community label, as well as one of the last ever release on trevor jacksons highly influential and much missed output recordings, we at amazing sounds are overjoyed to welcome luke into the fold for a 4 track ep of delicious kraut-tech mayhem.

whitebox stereo is the type of driving, subtly uplifting dancefloor dependable that border is loved for - the former output artist continues to cement his relationship with border, and is currently putting the finishing touches to his debut album.

first signing for new label absolutive records brings us english collective micromattik. and now go out and dance with your feet under and your head over the clouds!

die neue border !! ohne worte !!

phreaking minimal acid electronics for fans of rephlex and analord / afx twin...

repress 2022 - future sounds of jazz vol. 14 - compiled by permanent vacation benjamin fröhlich & tom bioly! 28 tracks by move d, roman flügel, slowdive, isolée, cobblestone jazz, luke abbott, remixes by avalon emerson, russ gabriel, kassem mosse, i:cube a.m.o. including 3 exclusive and previously unreleased

black vinyl

coloured vinyl

4-track-remix-ep zum debütalbum von dead light (aka anna rose carter und ed hamilton) mit seinen entschleunigten klanglandschaften aus klassik, ambient, pop und electro-acoustic. die remixes stammen von luke abbott (border community), dem us-ambient/showgaze-musiker rafael anton irisarri (aka the sight below) aus seattle und dem italienischen neoklassik-künstler andrea belfi (float).
die vinyl ep erscheint inklusive downloadcode.

before coming back in september for a new year of new releases, lddlm gives you their current mood and state of affairs in the form of a sampler 12inch grieve not, but try again. luke abbot s mix of easters champagne has been in our drawers since the very early days of the label but still shines as new. no dust gathered. easters synth pop is turned into a slow, yet nor chugging, futuristic r n b number. this is our conception of sunrise music. tom of england grasps the metallic fury of mutado pintado s classic lazy boy and chops it in a grinder. decomposition / re-composition with of high industrial standard. a scene from a future, a from-a-lost-tape edit by our underbuy manfredas has been one of our biggest club tracks for the last year. check his recent boiler room ending to know how warped yet strangely hit-like it is. finally, cowboy rhythmbox decided of their own accord to do a club edit of golden bugs physical disco. we liked it, we release it. simple and effective. jugular attack

incl digital download code
exactly one year after the release of their second album m eanderlust, randweg r elease their first ep with remixes - by nick höppner, alex.do, luke abbott and in a left place. the double-a-sided anderlus t / requisetales ep appears on funken records to understand how this record is intended, take a closer look at the artwork: no matter how you turn it: a backside does not exist. on their upcoming anderlust / requisetales ep, randweg present rearrangements of tracks from their two former albums. the new versions clearly bear the signature of their producers, but the tracks also reflect the full range of the duo, which has found its very own sound with clarinet, bass and cajon. for the remixes of two tracks from the ir album m eanderlust, randweg attracted nick höppner and alex.do. you can hear the joy both producers had playing with the original material, which was the basis of their versio ns for the anderlust-side. while nick höppner transfers the calmly prancing wokules walzer into a subtle but euphoric house-track, alex.do slows down the tempo in his version of pool, and plunges down deep into a warm downbeat-bath. randweg ’s debut-album equisetales was released in 2013, and it would have been a pity if the two remixes from the early days of the duo remained unheard in their private archives. luke abbott surprises with an abstract-pl ayful version of the track ball a nd in a left place turns y ofa into an atmospheric club-track.

nach der veröffentlichung von nils frahms solo-synthesizer-ep juno in einer heiß begehrten 7”-edition erscheint nun eine neuauflage der zwei original-tracks mit gastremixen vom modular-meister luke abbott (border community) und dem warp-veteranen clark. gleichermaßen bekannt für den einsatz von analogsynthesizern in ihrer musik, sind beide künstler prädestiniert für Überarbeitungen der stücke.

taken from pvts album homosapien, vertigo is remixed by hype williams, van vizintin, lukid and luke abbott.

big with james holden, rub ntug, daniele baldelli, ivan smagghe, lauer

james holden may not be a household name, but to fans of adventurous, progressive electronic sounds, the british techno sorcerer and psychedelic shaman is renowned as a genius. so revered are his talents that he has been tapped to remix some of pop music most eminent stars, including madonna, depeche mode, & britney spears, though as this mix demonstrates, his tastes tend more to the cerebral than those associations suggest. head of the zeitgeist-defining label border community which boasts fellow forward thinkers nathan fake & extrawelt on its roster, holden can count himself amongst that very modern breed of dj with a special knack for layering the most surprising of records with an unparalleled musical ear. his status as a free-spirit unconstrained by genre or scene is now championed by independent stalwart !k7, who have called up holden to deliver the next installment in their definitive mix series dj-kicks. holdens masterfully eclectic mix includes the first solo holden single in four years >triangle folds<, and his exclusive previously unreleased remix of mogwais >the sun smells too loud<.

deacon is the salvador dali of electro... a refreshing example of someone rewriting rules of music as he goes along the guardian by now youll know baltimores dan deacon. dubbed >oddball< by many, >inspired< by more hes one guy treading many thin lines - confidently straddling between nutjob and genius, downright brilliant and insanely mind-bending, and with a live show from another world inducing more audience participation than a seriously skewed pantomime. the label amazing sounds has brought together kindred spirits hudson mohawke, allez-allez and luke abbott to create a rich and varied ep which mirrors dan deacons rich and varied music. this is only the second release on amazing sounds, the first being a 12inch of remixes from the krautrock classic harmonia & eno 76 album tracks & traces (with remixes from shackleton and appleblim & komonazmuk). this next vinyl release is a one time only pressing of 500 copies

the mfa return in style with synth-pop spectacular throw it back - a timeless squelchy acid, crunchy guitar and vocal blend worthy of classic new order

2cd set , one cd = unmixed , 2nd is mixed

the second in the all gone series sees electronicmusics most revered spokesman join forces with one of the worlds leading live acts to create a mix spanning deep tech house, though acid grooves and all that lies between.

future sounds of jazz vol. 14 - compiled by permanent vacation benjamin fršhlich & tom bioly! 28 tracks by move d, roman flŸgel, slowdive, isolŽe, cobblestone jazz, luke abbott, remixes by avalon emerson, russ gabriel, kassem mosse, i:cube a.m.o. including 3 exclusive and previously unreleased tracks!

der umtriebige frankfurter dj, produzent und running back-labelbetreiber gerd janson hat sich zu einem der profiliertesten connaisseure und trendsetter der elektronischen musik mit weltweiter ausstrahlung entwickelt, was nun in einer eigenen fabric-cd-ausgabe gipfelt. auf dieser bietet janson ein stilsicheres, fabelhaft fliessendes mixset aus cosmic-disco und acid-house, das sommerliche sonnenauf- und untergŠnge perfekt in szene setzt.

das sich selbst und jeden floor antreibende aufeinanderhetzen von genres wie disco, funk, punk- und indierock ist nur eine von ihren disziplinen. ok, man darf es paradedisziplin nennen, immerhin ist das bandgefŸge aus tomas barfod, dem drummer mit dj/producer-expertise, sŠnger/bassist tomas hoffding, der als bon homme eher in den subtileren gefilden des dance-pop zuhause ist und jeppe kjellberg, der die vergangenheit als jazz-gitarrist bereits mit seinem zappa-schnurri highlighted, ein genre-Ÿbergreifender thinktank. andererseits gibt es einen wesentlichen grund, warum whomadewho, anders als geistesverwandte acts wie the rapture, lcd soundsystem oder radio 4, die so genannten nullerjahre Ÿberlebt haben. es ist ihre unbedingte neugier gegenŸber kontemporŠren clubsounds und ihr ansatz, einem eigenen song oft auch die funktionalitŠt des clubtracks einzuarbeiten.

top-compilation aus dem hause needwant (siehe future disco) mit einer exzellenten auswahl an zeitgenšssischer listening-electronica (idm), die von apparat und luke abbott Ÿber alt-j und lanterns on the lake bis zu nils frahm reicht. cd1 mit 16 tunes in the mix. cd2 mit zwšlf ausgespielten vollversionen.