winter 2015 is here and drumcode continues to release the hottest new tracks that make waves within the techno community. releasing tracks from artists such as adam beyer, alan fitzpatrick, joseph capriati, maceo plex, luigi madonna, ida engberg, joel mull, sam paganini, harvey mckay and dubspeeka.
moving into the latter stage of 2015, drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout heading into 2016. steve rachmad is a name familiar to everyone within the electronic music scene. he has been a big part of the scene for over two decades and boasts a whole host of records and shows.
he has been remixed by the likes of ricardo villalobos, joris voorn and more. rachmad is now hosting his own studio 80 based club night kis where he plays mesmerising extended sets. steve rachmad is welcomed to the vinyl-only offshoot drumcode limited. disturbance is a punchy little number that has a stuttering synth that rises over the top of the pounding kick drum. steps takes it up a notch with a simplistic bleep pattern that modulates throughout that is awash with a throbbing undercurrent.

jesse calosso is a bronx-born dj and producer, part of a tight clique of new york artists that includes such luminaries as the martinez brothers and filsonik. 2015 has been a busy year for him. not only has he completed a mix-tape style album as masters at dutch with the martinez brothers and blas cordero, but also his tracks serving size and whatever right now appeared on the tuskegee ep the come up vol 1. he has dj-d at output in brooklyn, circoloco in ibiza and at seth troxlers acid future party in london to name but three. now, he releases a brand new four-track ep called the incoming on cutting headz.

following up the fantastic summer re-release of upsetting keys “empathy” ep, path records follows with its first new catalogue number since 2006. path 008 marks the return of artist fate 258, whose 1999 “why 2k” path 001 ep has been a hotly sought after item on discogs. the three-track ep contains two exciting new mixes of cult classic techno track “the path”. the a-side version “path to hell” is the harder of the pair, a dark edgy journey into the unknown with shuffling 808 rhythms providing much of the melody. “path to heaven” slows the groove down and adds warm juno pads throughout the mix for a very deep detroit flavored techno style. on the final track “heaven or hell” sort of a broken beat downtempo piece, sparse vocals and bladerunner samples mix to complete the dystopian concept. these mixes of “the path” are considered pre-mixes, as they were completed in 1998 before the original release of path 001. fate 258 is a project from brooklyn producer reade truth, known for his work over the last decades on labels such as planet e, sonic groove, n-syde, wurst and strictly rhythm to name a few. limited to 250 worldwide, with the first 100 including full black and white cover art.

ltd nice price, last copies left... m for music and m for moguai. he has been a leading figure in the electronic music scene for more than a decade, setting new standards in production. no introduction is needed for ramon zenker, after having released already successful cuts with their own mark ,now this great new combination. on the two originals diamond back and ray we received 3 such great remixes, that nobody wants to miss one of them on the vinyl. we present here part 1 of a two vinyl set, containing andrea doria and pierce remixes

livejam records is proud and excited to announce the release of its 6th instalment. five years have past since the last release and despite the label’s long period of -inactivity-, its main characters’ productions have been consistently appearing in affiliated outlets such as relative, warm sounds, experiential learning, appointment and sperimentazioni sonore. 2015 marks the year of the long awaited comeback seeing founder emg delivering livejam’s peculiar sound along with label co-owner john swing. lucretio and marieu s undercover touch, in collaboration with emg, is also present in this dynamitic 12-. “awareness” is a four track ep designed for the dance floor: a blend of analogue-cut house and techno surefire party tracks permeated with soulful vocals and that characteristic raw feeling. limited hand numbered

si king aka chemical play has been involved in the underground electronic music scene for quite some time now and releasing material under this guise since 2012 via imprints such as bulletdodge, low battery and of course his very own hide + seek imprint launched in early 2015.

the chicago based perpetual rhythms label welcomes trinidadian deep to the family for their 6th release, native bush ep. trini is known for his deep, spiritual, and tribal sounds on labels such as ron trents future vision records and neroli.the same holds here for his ep three deep house tracks exuding love through percussive and atmospheric vectors.

barker & baumecker and ivvvo remix 2 original tracks from the groovement catalogue and contribute with exclusives for the “10 is not enough” compilation to celebrate the label’s 10 years journey. these 2 reworks are dense, dee023p and rhythmically strong. being distinct, the tracks complement each other giving this 12” a coherent authorship. already being played in clubs such as berghain (berlin) or lux (lisbon) this release marks the label’s longevity and also its connection with the main music cities of the world

the berlin-based label forbidden behaviours welcomes aboard the romanian talent zefzeed which has previously released on labels such as all inn, bodyparts, untold stories just to name a few. the ep is composed by three tracks that showcase perfectly the refined ears and tastes of the artist. this is a must for any serious vinyl pusher! don t sleep on this one..

uk techno stalwart ben sims adopts his ron bacardi alias for an outing on bass culture records, bringing with him three varying slices of 4x4-based music. d’julz has a deep penchant for bass and funk, and this is evident throughout the ep. we get off to a rugged start with ‘rock your body’, a deliciously dark slice of grumbling techno. intertwined with the morose bassline is a mysterious, tribal-esque female vocal, warped and twisted to add a primal feel to the track. on the flip, bacardi puts his a different hat on giving us ‘first effort’ a vivacious funk-laced hybrid, which teases you spitting out intermittent trumpets and other such live instruments. finally, ‘the money/dub’ goes straight into disco territory with that oh-so-familiar entrancing rhythm that will keep you fixed to its beat from start to finish. that filtered wah-wah guitar is impossible to resist, especially when combined with such crisp percussion. sheer quality from monsieur bacardi…

behind is an expansive collection for hackford, who draws from experimental, process-oriented composition techniques to create sensorially engaging dance music. an ethos of presence, enrichment and dissociation pervades behind - by stripping away the constructed-ness of so much dance music, hackford allows himself to produce music that is as much a joy to create as it is to share. an ambassador of -ecstatic states- as he calls them, hackford s music suggests heightened temporal zones may be ubiquitous if you allow them to be. behind is a proposition of such ecstatic states, its music pulsing vitally at opposite ends of the bpm spectrum. distinctly unmotivated by polemic dialogues around dance music, behind seeks a more soluble musical space for unmitigated engagement. it is music inspired by transitions, no less vital before sunset as it is after the curtain call.

gari romalis keeps on surprising us all, with his amazing ability to produce solid chicago laced beats, full of groove and brimming with soul. so far his music has been released on some highly respected underground imprints, such as rawax, rue de plaisance and bosconi records amongst a long list of others we couldn t be happier to have gari joining us on our vinyl catalogue, plus, along side him for remix duties, esteban adame, half of the renowned los hermanos. esteban is a key member on the ur crew and has been also releasing incredible music on labels such as underground quality, or his own ican productions, which he runs in collaboration with santiago salazar.

bruno pronsato’s debut album as archangel, the bedroom slant, released in 2014, saw the producer update the style he has developed over the last decade on labels such as hello?repeat, perlon, dfa and thesongsays, and in the process, manifesting his love of pop, rock and post-punk in his music for the first time. on this ep, selected tracks from the debut album are reworked by dean blunt, peter gordon & oliver coates. the vinyl release includes a downloadcode.

house is oks seventh instalment goes kraut with a three tracker from chris beiswenger formally known as tcb (the citizens band). since the split up of arto mwambe, chris has been slowly building a sound of his own. instead of sticking to standard templates he has gone deep into modular synthesis and his music can be described as futuristic, kindred and cerebral. labels such as live at robert johnson, tasteful nudes and story already recognised tcbs unique twist and rather happy songs is just another proof of his unquestionable quality. these three mid-tempo techno ballads will get your mind moving and spirit floating while your body will fall in instant trance dancing to these highly hypnotising pieces. a remix from roman flu?gel on top makes the ep a 100% frankfurt affair and when it comes to house and techno, we frankfurters take our green sauce serious, dont we? cheers, hiok team

dark. loud. immersive. lÄrm, or >the black box< as hungarian clubbers started to call it is most definitely the hottest spot in budapests electronic music scene right now. the club now turned to local house-techno heads to create its first vinyl release with names such as imre kiss, route 8, andras toth or s.olbricht as a mission statement and the result is just like what they imagined: a compilation of 13 varied tracks from classic drum machinery through acidic house to toned-down thumpers which demonstrates the very attitude of lÄrm.

the first years, from his first album in 1976 to his 7th in the middle of the 80’s, were fuelled with an exemplary sense of creativity and a free-spirit vision. against everyones advice, cerrone was never reluctant to compose long and pure trance disco tracks, not exactly radio-friendly at the time, but which did incredibly well because they encapsulated the hedonism of the day and were far more than a trend. for instance, love in c minor and supernature have become unbeatable classics, featured regularly in the best pop, disco or dance selections, such a success would have burnt most of the others wings, whose career would have been ruined. at the beginning of the 80s, when he decided to unleash his creativity on stage, cerrone managed to rebound with you are the one studio album.

following on from his releases on kolour recordings and profound, berlin resident ant orange’s latest 12“ on karaoke kalk is an innovative record packed full of diverse and lively tracks. the five tunes on the single take in an extremely wide range of styles, fusing elements of tribal drumming, funky soul, nu jazz and deep house. omi gets the ball rolling with groovy off beats and a wonky kalimba melody to get your feet tapping. yesterday is a funky dance-floor track while tunes like are you alon and the look are filled with romance and vibes under the careful guise of eclectic electronica. the track hands together brings the 12” to a close drawing inspiration from the same marlene shaw vocal sample that st germain used to such great effect on their hit rose rouge. ant orange brings a new twist to this iconic soul-jazz voice embedding it in a contemporary down-tempo groove. although originally from leeds uk, ant orange has such an mixed range of influences and styles present in his music that the result in a truly global sound. ant orange relocated to berlin some time ago where he now plays out at any opportunity, and with this new single he is again giving something back to his fellow vinyl junkies.

sean hernandez, a.k.a. chicago skyway presents * empty patterns* on emphasis recordings. in the past, chicago skyway has recorded for labels such as eargasmic recordings, m>o>s deep, uzuri, altered moods recordings, and machining dreams, to name a few. empty patterns is a collection of tracks named after empty, programmable user patterns founds in most modern sequencers, synthesizers, and drum machines. we can only speculate which instrument was used for these tracks. all tracks are dj tools and is geared towards djs and dance floors. lots of chicago jacking house style drum patterns and bass synth stabs, with added reverb and distortion for grit and color.

insideinfo & mefjus together have been smashing up headline slots at festivals all summer and as the fields start to empty they re now ready to fill your speakers with their latest collaboration: pulsation / talisman. fresh off their recent collaboration footpath on virus recordings, and a slew of hits such as mythos and repentance, the two producers once again join forces, perfectly melding their unique dark, underground sounds.

we re very happy to announce the re-lauch of klakson, the legendary electro/techno label run by steffi and dexter! klakson was one of the major west coast labels during the second wave of dutch electro/techno heydays at the beginning of the century, releasing several classics such as dexter s i don t care or fastgraph s systematic . now the time is right and a return in style it is... without mercy dexter drops four of his trademark razor-sharp sci-fi electro p-funk bombs that will make dancefloors explode worldwide... listen and learn ya kiddies!

matt edwards (radio slave) returns to his rekids label under the guise of b.a.d.s (berlin amateur dramatics society) - a new project cooked up with spencer parker and francesco de nittis aka mr ties, in order to release this track he made especially for an appearance at de nittis homopatik party at berlin s about blank last year. since debuting the track it has gone on to become not only an anthem for the part itself (the a capella has become a regular a favourite mr ties opener for homopatik sets), but a goto crowdpleaser for the handful djs such as nina kraviz who have drawn for its infections energy over the past year. imbued with the with all the infamous mischief of homopatik and the historical clubbing lineage the party is rooted within within, hous-o-matik hom-o-patik does everything you would expect it to: it gets the party started. b.a.d.s will return later in the year with spencer parker and mr ties own versions of the track

ltd warehouse found! markus fix definitely belongs to one of the best new artist this year. he impressed people like ricardo villalobos, onur Özer, radioslave, monika kruse, karotte and luciano with his first release on cécille. cannibals is not only a three tracker. its three records in one. every track has such a strong character and an awesome vibe. but make your own decision. hope you enjoy

jean claude gavris restore label returns with their third release featuring four brand new reworked edits by some of the leaders in the scene such as opolopo, ezlv, jean claude gavri himself & sleazy mcqueen & vinyladdicted.

rising british artist alexis raphael has come a long way over the past few years since initially stepping onto the scene via jamies jones hot creations in 2011, since then raphael s name has graced the catalogue of leftroom, culprit, lower east, moda black and of course madtech where he returns to here. with such an impressive list of affiliations and an already noteworthy back catalogue under his belt, alexis is undoubtedly a driving force in the world of contemporary house music out of the uk.

capital bass continues to gather russian names under one roof and expand stylistic variations. next big thing is a three-track ep from ponty mython (alex). this is the second ep by sir ponty mython on capital bass. it has been two years since his bulletproof jesus ep in 2013. during these two years ponty mython has been working with such iconic house imprints as arma, quintessentials, dirt crew and others. his new adverbs ep is a quite eclectic thing. side a is a filtered house banger gracefully - a result of sampling games with moscow house star lay-far (local talk, in-beat-ween). side b - afterwards tune is a real one-loop thriller, dirty and raw, with african samples and invisible sub bass line. on b side you can also find a psychedelic version of afterwards by saint petersburg techno artist nocow (roots united, fauxpas musik). (roots united, fauxpas musik)

luigi madonnas production talents are glistening with releases on well-known labels such as drumcode, octopus, analytictrail, sleaze, suara and more.

toby tobias has been responsible for some fine quality music over the past 10 years with labels such as rekids, nang, let’s play house and quintessentials all dropping his unique brand of raw, analogue house and techno. a dj’s dj who always seems to pull out a lesser known gem and make it sound like a classic, toby knows his music as well as his studio, inside out.<br /the 2x12 inch lp includes a cd-copy of the full album.>

from deep within the shadows, grant steps out with his debut album *the acrobat* on enigmatic label the lauren bacall. lush atmospherics lift up each of the high-flying tracks on *the acrobat*, crafting a sense of euphoria and ease that is reminiscent of such deep house from late 90s early 2000 inspired by labels such as early plastic city, deep4life, and svek.

fernando pulichino, the argentinian multi-instrumentalist and producer, has been releasing music since 2001. he is part of silver city, and was one of four members of the infamous 20:20 soundsystem (alongside ralph lawson & co.) and his own solo productions have featured on labels such as international feel, redux, under the shade, nang and many more.

will sauls aus music has seen a number of new additions to the roster this year as the label continues to prosper. now - adding to names such as timothy blake, geeman and escape, aus welcome in another auspicious producer by the name of fold. having released records on man make music and electric minds - fold lines up his netflix & chill ep: a potent stack of hip-hop indebted house tracks backed up by the extolled and shady kassem mosse on remix duties.

distant echoes is back with his second ep for dystopian – blending pounding precision with shady noisescapes and sublime melancholia.

detroit techno meets pop house: zurückhaltende discohits aus neuseeland. die vinyl lp erscheint inklusiv downloadcode.

emotive and raw: this is how house music should be. after some amazing releases on labels such as freerange and hivern discs, kresy comes back to bons records with two tracks: -ridmix (feat. the blacksun)-, a 90 s-feeling house track that will kill the dancefloors of the nightclubs this summer and -bubblegum diskzhouse-, a perfect disco-sample bomb. on the other side, guim (one half of we like turtles) presents -walking in the rain-, a kerri chandler influenced track and -love & fascination-, which combines a romantic vibe with a punchy bass line. you better dance!

this is ponty mythons first appearance on the swedish brandy productions label. expect a wicked four tracker of dirty lo-fi sounding deep house grooves packed with samples and sturdy analogue bass lines. vilnius based dj and producer aleksandr pletnev aka ponty mython is known for his many outstanding releases on labels such as tusk wax, no more hits, dirt crew, quintessentials and many more. besides spittin out goodies on a regular basis ponty mython runs his own imprint beats delivery releasing the most interesting artists and producers from russia.
the title track * i wish* starts of the ep with its deep and fumy organ chords combined with filtered hats, clever vocal samples and harsh bass lines. next up on the a side you will find the pumping head nodder * holly fm*. swinging hats, guitar stabs, smooth pads with simple but very effective hook on top. the b side starts off with the slightly minimal track “keep on using me” (brother). this one with grim beats, organ pads, off beats punching in and out as the track steady builds with a rock solid perfectly tweaked bass. the last minutes on the b side is reserved for the dreamy yet hard hitting and raw gem * new toys*. pure basement love.

nice price deal !!! coruscating cut-ups yanked still dripping and yowling from the belly of the beast. dazzling and invigorating, scary and discombobulating. ‘psychic driving was a psychiatric procedure in which patients were subjected to a continuously repeated audio message on a looped tape, in order to alter their behaviour… often hundreds of thousands of repetitions of a single statement over the course of their treatment. they were also concurrently administered muscular paralytic drugs such as curare… the psychic driving procedure was a chronological precursor to cameron’s depatterning, involving massive doses of ect combined with similarly large doses of psychedelic drugs like lsd. the intent was to break down the subject’s personality — theoretically psychic driving could then be used with some efficacy in establishing a new personality’ (hanson records).

eleve welcomes leonid into the family with otherworld ep. the madrid-based irish producer has deployed during the last years some of the finest records of the house panorama, for labels such as sistrum, dolly or more recently freebeat. this record fits perfectly in the red series started in eleve 02 by dj f and jose rico, with the focus on the dancefloor. leonid brings a three-track ep whose amazing sound and percussion, trademark basslines and detroitish leads and pads promise to transport many dancers to other worlds. a side starts with xana, an esoteric house excursion with a mechanical edge. next track is púca, in the spirit of his deepest previous work with a characteristic syncopated bassline. b side long track is embarr, an adventurous imagination trip across the sea, classic leonid elements such relentless percussion and heavy bassline meets acid elements to create a one-way ticket to universal sub-conscience.

spherical collections of stars form around black holes in situ, that is, locally to their cosmic neighbourhoods. it is said that future space colonization will rely on sourcing supplies in situ. construction in situ uses raw materials at the site: colossal sculptures such as naqsh-e rustam, the leshan giant buddha and mount rushmore were built in this fashion. wild, organic machine grooves, with a mind’s eye on naked treetops and an early sunset. melody breathes out from dubwise fx, percussion by turns sinewy and floating, sub blasts and stripped synth arrangements. keys on air. spacious, witty, melancholic, deadly.

moscow label grow continues in fine creative form, seemingly not sticking to a motive or trend but rather concentrating on the strength of character within the music it releases. for the labels eighth release the artist is berlin based the marx trukker, who over the last 10 years has been developing his very distinct sound and recent output on labels like pluie/noir, the untold stories, and most recently noorden, have all been especially impressive. now on grow comes the 4 track vinyl * heavens crackling*, from the title one is expecting something awesome, and the album does not disappoint, right from the off, the first track: * a time well spent*, begins with celestial tones ringing out and the performance develops with great synth work, enlightened and very enlivening, spring is in step and something is beginning. the record continues at such a level throughout, overflowing with rich tones, warmth, and raw sounding percussion. in the second track, * all the boating still a tide to go*, deep warm bass and strings reverberate, as if amidst a hot harbours summer, then the ethereal synths return as magical breezes of cooling wind on a june day. on the bside comes the title track * heavens crackling*, the tone has cooled, there is an autumnal vibe, extended tones of an eerie but reassuring nature provide the ground, from under which a molten bass flows playfully. the final track, * i do anything but its so cold*, as the title would suggest, again time has passed, gone are the warm relaxed echoes of the the opening tracks, winter has come, and a strong percussive energy becomes the driving force of an especially deep and more introverted last track. in heavens crackling there is an uncanny understanding of time passing and representation of being, its present in the patience and performance within every track, and the effect of the album, which seems, like the seasons, to naturally come full circle, is for the listener indeed to experience a time well spent. top marks for the marx trukker!

karat welcomes the talented losoul! we can say it’s a honour for us to release 2 tracks form this great artist who managed to stay fresh even after almost a 2 decades career. he already produced so many good tracks, so many classics, and now such a delicious 2 tracks ep on karat. hope you like it!

singapore-based producer eddie niguel drops two remixes of electro-pop group riot !n magenta on 8ko&#772,,,,, records. niguel s past releases has seen industry wide support with reviews in publications such as groove, resident advisor, xlr8r and ibiza voice, as well as support in the likes of heidi’s radio 1 show and on both kink s and disclosure’s debut essential mix. available on very limited (100) exclusive hand stamped and numbered vinyl copies, niguel’s remixes of ‘voices’ strips off the organic elements of the original to transform it into a enthralling house cut. marking the debut release on 8ko&#772,,,,, records these two remixes are a testament to the producer’s talent and creativity when adapting an existing piece of music and a forecast of positive things to come from the imprint. early support coming from ewan pearson, dubfire, danny howells, clive henry, chris fortier, adriatique, villanova, tini tun and many more.

music for dreams are extremely proud to announce the first-ever vinyl release of *cantoma*, the debut album from legendary café del mar dj and collector extraordinaire, phil mison aka cantoma. left, right and center, phil has been one of the key players in the chill out/balearic scene and today is more in- demand than ever playing festivals and clubs all over europe - recent gigs include playing dj harveys birthday bash at pikes in ibiza and alongside nyc icon justin strauss. his first album, the self-titled cantoma, was originally released back in 2003 and quickly become a modern chill out classic selling over 15.000 copies with tracks featured on more than 150 compilations and supported by quality djs such as ross allen, idjut boys, moonboots, harvey and many many more. triple vinyl release limited edition to 300 copies.

drew mcdowall’s back story reads like a primer of psychedelic fiction woven into statements of the unbelievable, superhuman and outright insane. somewhere in the chaotic madness, comes an artist such as mcdowall with total control and absolute calm within his songs and artistic method.
dais records approached drew to solidify his standing as a leading electronic musician with the recording of new material neatly wrapped up in his debut album entitled “collapse”. recorded in 2015 in brooklyn, ny, mcdowall’s synonymous modular synthesizer compositions are augmented by obtuse sampling cut-ups and contributions from nicky mao (hiro kone / effi briest) rounding out the lumbering sequential knot work that has become synonymous with mcdowall and craft.
the vinyl lp includes a downloadcode for the full album.

100% dynamite explores the links between reggae, jazz, funk and soul. the album is jam-packed with reggae tunes that have crossed-over and become cult dancefloor hits in clubland such as >greedy g<, >rocksteady< and >granny scratch scratch<. fourteen tracks of music that show the influence that american jazz, funk and soul music has had on jamaican reggae. the proximity of the west indies to the usa meant that many jamaican musicians would continue to be influenced by american styles of music whilst at the same time continuing to define new styles of their own such as ska, rocksteady and dub.

kike pravda is an artist and producer who has come to release on labels such as warm up recordings, m_rec, psychoskunk, labrynth and many more which have given very good results by the best djs. all this leads him to create his own label in 2012 to continue contributing to the techno scene, his own sound, senoid recordings. senoid enters into the most modern techno without forgetting where the techno came from, betting on vinyl and digital format with the best producers of nowadays.

limited vinyl only ep. no digital release, no promo campaign. no repress. second part of the cyanide overdose series, this time introducing the talented mexican producer jamin hernandez, well-known after his releases on top notch labels, such as my little dog or tenampa.

first vinyl release by tom smeyers on his new sneakerfreaks music label. this ep features two 90s flavored jersey house tracks including vocals by lex empress. only 250 hand-stamped copies will be available pressed on heavyweight 12 vinyl. so far the vinyl received very positive feedback by djs such as tom trago and kerri chandler

three tracks here evoking familiar feelings heard before but still somehow they all sound fresh and drag you in wanting for more. as if this wouldn t do it, there is first but, not last appearance for barba label by mighty jtc who needs no further introduction delivering a remix. this time he cleverly uses sparse but recognizable parts of title track which he then transforms into relentless floor shaker where detroit meets chicago, if any such comparison needs to be made. aquatic stuff !

new x-masters! after the massive nicholas/morning factory release its finn gold with the 2nd x-masters. finn gold resisted his routines and started working on some other music... opening track is a briliant cover version of the classic atmosphere. pretty bold to cover such a classic, but finn gold nailed it! flip side gives 2 other excellent 90s inspired tracks for the body and soul. pretty amazing release!! recommended.

romanian duo livio & roby make their debut on one records with a solid four track ep for the dance floor, filled with smooth rolling grooves and hypnotic rhythms. having been on the scene for over ten years livio & roby have released on acclaimed labels such as desolat, vakant and fumakilla. making great connections within the dance music elite they were soon signed to loco dice s artist alife agency and the success that followed has taken them to all corners of the globe, showcasing their dynamic dj skills and innovative live set. with their impressive album projects and constant flow of cutting-edge productions the duo remains one of their nation s leading acts in the field. now part of the lola ed agency, they have a new collaborative album concept dropping on desolat in the second half of the year, featuring some of the finest artists operating on our scene at the moment.