the alfur ep is the second in the trilogy of records written by individual members of the old apparatus collective, which will be released in three month-by-month instalments.
alfur, produced by a. levitas, offers a view of the rusted old apparatus universe from another angle, a suite of songs that weave together deep feeling and influence into a complex and very listenable ep, built for deep listening at loud volumes. alfur is a mystical, deeply atmospheric five track set, recalling the spooked ambience of third eye foundation and earlier tricky material, with gauzy layers filtered through electronica and hip hop’s modern digital mechanics.

the stone roses were the leaders of the britains late eighties madchester scene, merging pop, dance and indie rock in a seemingly effortless manner. their sound resonated with a number of bands that followed the stone roses in their footsteps: the charlatans uk and happy mondays among others. when released in 1992, turns into stone functioned as a sop to stone roses fans expecting another smash album like their eponymous debut album from 1989. silvertone records released turns into stone as a comprehensive collection of early stone roses material, hits and b-sides of exceptional quality. includes their biggest hit >fools gold<!
pressing on 180 gram audiophile vinyl.

following on from a pair of extended players released in 2011 (passed me by / we stay together), andy stott returns to modern love with luxury problems, an 8 track album of new material recorded over the last 12 months. five of the tracks on the album feature the voice of alison skidmore, andys onetime piano teacher whom he hadnt seen since he was a teenager back in 1996. there was no grand gesture in mind, it just sort of happened – but after almost a year of studio work the result is really quite unlike anything you will have heard from him before.

djs is a label focused on releasing original material from timeless artists. our releases will be only for djs / limited edition, no promos. for our 7th release, we are bringing you again the best of the best & obviously the rarest 12 inches around, expect this time some deep house killers. a side comes up with two monstruous track from the great bobby konders as jus friends (feat robert owens) & as massive sounds with their deep reggae house trademark called >expressions (flute mix)<, intense, dark & luminous at the same time ! on b1 & b2, we get 2 tracks from the masters master armando >worldbeat< & >real jazz (brighside mix)< all full of sax & sexiness. maybe your last chance to get those, be quick

hi. this is dompteur mooner. my new record is coming out on my sublabel super tahoe edits, and it is called girls girls girls. just like my previous record, greatest hits, and music for espionage it s a concept album: this time, only girls bands were used as sampling material. because girls like to dance and girls love pop. and us boys, too. put it in the drawer new wave / dance orientated rock / proto-house. limited to 500 handmade copies. hope you like it.

>a correction< is the new album from fieldhead and continues the dusty, bereft sounds of previous releases – they shook hands for hours (home assembly 2009) and riser (gizeh 2010). 2010 saw paul elam depart the uk for vancouver, canada and there is no doubt that the vast northern candian landscapes have influenced the new fieldhead material. the familiar tape hiss, scratchy, decaying atmospheres remain in place but with a correction elam has managed to sculpt a vaster, more expansive palate of sounds. minimalistic on first listen, a correction is a record which slowly unfurls on multiple listens to reveal subtle melodies and details that dont distract from the overal ambience but in fact set apart fieldheads music from many other, safer artists within the genre.
limited edition 180 gram vinyl, includes code for free mp3 download of the full album.

super-limited exclusive three track vinyl sampler ep from the upcoming l.i.e.s. >american noise< 2xcd compilation! this sampler expands upon three completely styles reflective of the diverse l.i.e.s. catalog to date. torn hawk pulverizing the entire a-side with his most unclassifiable material to date, marcos cabral returning to the label with a sinister 110 bpm techno track, and delroy edwards doing a blown-out barneys workout. a strong finish to the year.

to mark its 11th release ce launches a new v/a compilation series featuring exclusive material from some of the hottest names in electro from across the globe right now. the world electronix series will be strictly limited to 4 x single press 12”s with no re issue. the first instalment of world electronix aims to showcase the darker dance floor side of the genre. the series kicks off with parisian resident carl a finlow aka silicon scally who turns in a signature style machine tech roller reminiscent of his early scsi av works. the duty then shifts to spain s number one electro export boris divider with a clinical, tight, rother-esque groove. on the flip we see london based ce label head sync 24 join forces with australia s abstract forms label owner deixis. the debut release for these 2 artists is a spooky,spacey affair with haunting vocals and a killer sub!rounding off the ep are finnish duo morphology, who alter the proceedings with a freaky 4/4 electro piece. the following editions of world electronix will include tracks from e.r.p, versalife, gosub, the exaltics, crc, dynarec, fastrgraph, plant43, defekt, steve allman, sync 24 & deixis. watch this space!

die musik ist eindeutig an den heavy-jam krautrock der fruehen 70er angelehnt, ueberwiegend episch, spielfreudig und angeheizt von treibenden vintage-fuzz/wahwah-gitarrenriffs und einer massiv marschierenden rhythmussektion. ihre psychedelischen improvisationen von teils weit über zehn minuten lassen auf geschmackvolle art ebenso platz für experimentelle passagen in denen sphaerische orgel / sax / gitarren soundeffekte dominieren, um intensive, originelle und facettenreiche klangbilder zu erzeugen. hier erscheint nun erstmalig das komplette neu zusammengestellte material von spaceship landing inklusive drei bonus tracks mit einer laufzeit von 79.5 min, welches auf authentische art, rein analog produziert und re-mastered wurde.

following his successful dj mixes ambivalent returns with more studio material on minus.

elbee bad is another great underground house pioneer from the formative days of nyc house in the late eighties. the true story of house music finally gets told... tip! like the burrell brothers, elbee bad aka lamont booker, is an early house producer from new york city. and the comparison doesnt stop there. elbee bad has also recorded under different aliases and has also remained largely unknown to a wider audience. he has also recorded for nu groove records, for which he has recorded his most famous material, but like the burrells he wasnt a nu groove fixture. bad recorded for a slew of other independent new york house labels like bassment, city limits, easy street, red heat, united states of america and then there was his own larhon records

the layabouts are anything but. 2012 marks leigh darlow and alex paschalis 10th year together and they have never been so in form or demand. their cast iron reputation for quality deep soulful house – house music forged with feeling and real purpose – continues, impressively, to grow.
rhythm master darlow and guitarist cum orchestrator paschali first met in 2001– in home city london – off the back of various projects in the same studio space. in time, their mutual love of expressive house music would lead to cult licks feelin right and the way i feel, sizzling material for kenny dope gonzalez and hot-to-trot remixes of dj spinna, da lata, dj spen and robert owens, and soulsearcher.

electro rapide is a collection of rare and unreleased archive material from the studio archives of legendary french orchestral pop composer jean-claude vannier. taken from the period before and during his revered creative relationship with serge gainsbourg (reaching their halcyon with 1971s histoire de melody nelson) these tracks reveal a rare glimpse of vannier’s self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of frances most in demand arrangers and composers of the post mai-68 generation...

six artists remix the rich sound material from sven kacireks lp >scarlet pitch dreams< (pingipung 32, april 2012). svens original percussion recordings and his densely layered melodies invite for a rework which fo- cuses on the single elements. robert lippok (to rococo rot, raster noton) turns the title track into a balearic sunshine dance until the voice and synthlines evoke a deep and driving witchhouse at- mosphere. absolutely awesome remix! opiate aka thomas knak from denmark (morr music) is one of pingipungs favourite artists in the world and we are very happy to have his remix included here. his highly individual syncopating beat works dive into the pool of svens percussions, with the snare and marimba always in the foreground.

stepping outside the realms of talent hothouse wolf + lamb and engaging in a rare bit of extraterritorial chemistry with bold boutique label somethinksounds, gadi mizrahi delivers his long-awaited solo material under the alias baby prince. the nobody ep, featuring lonely c and hot property miguel campbell and lucky paul on remix duty, carries the unmistakable hallmarks of mizrahis unique and kinky productions.

true school house and techno joints for the dj who wants to rock the dancefloor. ricardo jefferson has appeared on labels such as third ear recordings, nang records, 22 digit records and many more. he has also had his music championed by the likes of ricardo villalobos, laurent garnier, ben watt and graeme park. ricardo has set up art-star recordings to release more of his own material and as a platform for new artists wishing to get their productions heard.

layo & bushwacka are set to release the first wave of material from their forthcoming long-player >rising & falling<, with a remix package of the track >dancing in the dark<. contributions come from guy gerber & dj tennis and audiofly, and constitute a package that leaves the listener with a building anticipation for subsequent releases from the album, which will be out this autumn.

legendary sound research proudly presents its first vinyl release! considering the success of our two edits compilations we decided to feature four of them on wax!the a-side is dedicated to the two busiest edit masters of the past couple of years:rayko and alkalino, while the b-side features a highly anticipated combination: 78 edits and the legendary 1979 orchestra, or simply put 78-79! the package is strictly dance floor material with flavors of disco, balearic, funk, soul and electro boogie! we guarantee it to either get the party started or make it hotter than july.

nathan fake schlug mitte der nullerjahre mit seinen releases auf james holdens label border community ein wie eine bombe. sein clubhit the sky is pink im james holden remix definierte das neue genre neo-trance. der tune wurde von den groove-lesern zum zweitbesten remix des jahres 2004 gewaehlt, das darauffolgende debuetalbum drowning in a sea of love war für das mixmag das zweitbeste album des jahres 2006. fuer steam days zog sich nathan fake aufs land in norfolk zurück und kreierte mit seinen vintage-bandmaschinen nagelneues material, das wieder sanfte,melodische genuesse mit starken dancefloor-attacken vereint, und die technische professionalitaet des produzenten erneut unter beweis stellt.

nice price deal !!! a uk dance music legend and pioneer, wookie returns with his first new material in 6 years with >2 us<. first making a dent with big club tracks such as >scrappy< and >storm<, his crowning achievement was top 10 hit >battle<, brand new label space + time snapped up >2 us< to be its first release as soon as they heard it. radio support has come from: annie mac, skream & benga, rob da bank, toddla t, nick grimshaw & friction.
the legend is back! – annie mac
set to be one of the tunes of the summer – mistajam
a massive influence on us both – skream & benga

killekill 009 comes from alex cortex again. a techno personality that shouldnt need no introduction. we are happy and proud to release some of his vintage material recorded in the years 1998-2000, raw and substantial.with future acid the a-side features a bomb acid track recorded live at the legendary hd800 club in mannheim, which displays the raw power of alex live sets. the b-side features r-byte, a minimalistic chicago-style stomper and mem, a hood-like abstract and minimalistic techno piece.
this is the standard pressing on black vinyl.

basic soul unit has been a fixture on torontos techno scene for the best part of the last decade, with releases on mathematics, crème organization and mule electronic, while skudge have made their name with a unique sound and an independent approach which has seen most of their material released through their own imprint. both artists show an interesting insight into boddikas curatorial approach for the label, and are indicative of the move towards 4/4 techno that the producer has been making for a while now – with both producers sharing a similarly weighty, yet deep approach to the genre that boddika has been moving towards in his recent collaborations with joy orbison

killekill 009 comes from alex cortex again. a techno personality that shouldnt need no introduction. we are happy and proud to release some of his vintage material recorded in the years 1998-2000, raw and substantial.with future acid the a-side features a bomb acid track recorded live at the legendary hd800 club in mannheim, which displays the raw power of alex live sets. the b-side features r-byte, a minimalistic chicago-style stomper and mem, a hood-like abstract and minimalistic techno piece.
this is the limited pressing on transparent dark green, smokey marbled vinyl.

after the trippy translations of the helium robot space trip called jarza, theo parrishs second and very welcomed visit to running back is all new material - almost. black mist in its extended version is just that: an extended take of the already released version on the rare-as-hens-teeth sketches pack. cut on 45, its a hard punch in the gut. techno-not-techno-house-not-house parrish power. previously unreleased and no less persuasive are pop off and wild out. while the first one centers around an endless piano and sucks you into the corny, but magic of repetition, the second one sounds like a theo parrish demo for dance mania after he came back from listening to lil louis at the bismark pavilion. mosh pit music. limited pressing in full printed sleeves.

french dj and producer, sebastien san, whos been releasing house records under one name or another for about a decade, has taken the next big step forward in his lauded career and started his own label. after releasing material through a venerable whos who of labels like planet e, poker flat, rush hour, we play house, and echocord, it only makes sense that sebastien take matters into his own hands and helm an operation independently. the imprint, cheekily called ab initio, will predominantly function as a vehicle for the man to put out his own records.

square room heroes are back on claap with their debut ep. after releasing now is the time, back in september the heroes, george and george, have been busy working on new material.the two tracks featured on this ep comprise mainly of works from thessalonikis native george boronas.crashed detail with its enchanting string arrangement captivated label head gummihz who immediately rushed to provide a powerful and dramatic interpretation of the original.we are also very excited to have a remix from one of the grooviest house heads around, none other than ekkohaus. with a string of releases on labels like moon harbour, liebe detail, morris audio to name only a few, kostas tassopoulos has established a signature sound full of swing and shake!and his remix on crashed detail does exactly that. ekkohaus takes the stabs and chord arrangements to another level over his characteristic swinging beats. on the flip side pitch the feelings is rough n tough funk reminiscent of early 90s beefy sampling. srhs george boronas has chopped a funk groove up to the point of delirium in an effort to pay his dues to influences such as dj sneak and carl craig!

the second instalment of the limited edition, single-sided vinyl-only wx/wl white label series sees compa come with another serious remix to put any sound system to the test, a: >fear<. with support from some of the scenes most influential djs, mala (digital mystikz), chase & status, kryptic minds, joe nice, youngsta, razor rekta, goth-trad and j:kenzo amongst many others, its no wonder anything compa touches right now is considered essential material for any djs record bag.

platz für 248 cd s oder dvds - platz für 10 cd s oder dvds im favoritenfach - 2 au?entaschen + 1 innentasche + 1 notebooktasche -robustes nylon-material -robuster reissverschluss -gepolsterter schulter-tragegurt -abmessungen (bxhxt): 38 x 20 x 31

alberto tolo & matthew skud: ...in this ep we followed up our sound project that continues to evolve in the european underground trip, to complete this project and we finalized to make it took about a month, we have added almost all the material that we collected along our path...

strut team up with new yorks knitting factory for the exclusive worldwide release of >live in detroit, 1986<, the first new fela kuti material to be issued since his final studio album, >underground system<, in 1992.
code for free mp3 download of this release included.

maeve is the new label from man of the moment mano le tough & his friend since the schoolyard the drifter. in an age of endless releases and labels maeve aims to release beautiful, special records that will last in the hearts of the public. maeve 01 comes from the enigmatic baikal. a berlin-based friend of both mano and the drifter, his unreleased material inspired the pair to launch the label. following huge responses worldwide in manos dj sets over the past few months, the duo are very proud to be releasing these tracks on their new imprint. the drifter provides guest vocals on >just you and me<, which is a tripped out banger in the best possible meaning of the word. the other side of the record might actually prove to be the hit, >why dont ya?< is a deep psychedelic masterpiece. the breakdown reaches a point that is both transcendent and captivating. there is clearly the work of a master.

limited to 200 copies worldwide! two debuts in one record!musicistheanswer (a sublabel of beatwax records) introduces itself as a house music label. then we have the vinyl debut for lars of italy (he is the half of le french brasserie (viva music, material series) who presents four house tracks.

new clone basement series (lucky number 013!) with the long awaited return of a made up sound (aka 2562), following up on his archive ep/cbs02. written as a counterbalance to the more experimental releases on his own amus label series, archive ii finally unleashes whats possibly his most banging, straight-forward club material to date, while retaining the trademark a made up sound funk and swing.hang-up is all about the irresistible herbie-injected groove, cut-up and layered to great effect, whereas things get darker and bass-heavier with technotrack sweetback on the flip. keeping the tension high till a drop towards the end, seven minutes never seemed so short. a great first number 013 release and we cant wait to hear some of our favourite djs play the tracks out loud. another proper banger on the clone basement series!

after the debut release of the excellent track hizou on the claremont 56 label last year comes another outing from the enigmatic newcastle outfit four hands. working with original material from the manchester-based experimental producer caro snatch, four hands creates a subtle and beautiful, cinematic piece of work that tugs at the heart strings like some long-forgotten adriatic getaway. taking the four hands mix as a source the cryptic and hugely influential group zoviet france, offer a very rare appearance on vinyl with two mixes that bring the listener right back to the sublime and epic landscape of north northumberland. a limited press on clear vinyl this 12 provides a deep and moving listening experience

with material from hyetal, bashmore, headhunter, joker and more in their discography, soul motive have established a reputation for seeking out the various strands of music blossoming both close by their bristol hq and far (cosmin trg has also featured on the label) arriving at their eleventh release soul motive further indulge the sounds of local talent coleco, a producer who contributed to one of the labels early, split releases and is now granted the full grip of a twelve inch. lead track >hypnagogia< takes its cue from the loose percussive style of shackleton, gradually weaving in a thumping half step groove and intoxicating layers of eastern strings - accomplished stuff! on the flip victoria klewin adds her floating, slightly saturated vocal tones to the galloping mysticism of >find me<.

ladies and gentleman: der dritte raum is back - and this time, its not only with new sounds in well known krüger style, but also with a new label platform: der dritte raum records! fresh and dreamy, thats the sound of the first release, with four tracks full of groove, warmth and the distinctive der dritte raum-funk on board. on all tracks of this release andreas krüger proves he has a firm hold on his analogue machinery - as always - but also shows his connection to contemporary machine music as well as krautrock and psychedelic sounds. inspired by his band project von trips, numerous analogue recordings entered the new material. wre ready to take on summer with this first release on our new label: warm layers and playful details skillfully surround the swinging grooves - you can almost feel the soft breeze of a beautiful summer night touch your skin. just wonderful.

dutch master orlando voorn with a two-track release containing some of his pioneering material as format. rightly recognised as one of a handful of artists who built the early, crucial bridges between europe and detroit in the late-eighties and early nineties via collaborations with juan atkins and output for kms, voorn’s legacy is unquestionable. winning hollands dmc championships in 1986 and 1987 was the real career catalyst and there seems to be no let up in quality since then, either as a dj or a multifaceted, multi-genre producer. these two tracks are produced in 1993 and still didnt loose their magic!damn right and jam session have that the raw charm, edge and vibe sounds so current. energetic, melodic and broken, both tracks touch on a myriad of styles but what shines through is how modern electronic styles can be traced back to this sort of fantastic, unique output. format remastered could be sitting snuggly alongside modern house, techno, uk garage, uk funky and many more contemporary styles. this is a rare chance to grab beautifully treated versions of classic voorn material.

these days records presents the latest argy dance-floor compositions. after a thrilling array of high profile remixes in 2012 ranging from osunlades envision for defected to material for shlomi abers be as one imprint, its time for the artists return to his own imprint with 3 original tracks characterized by the cross-over house music soundscapes that argy is well known for. the ep includes a special collaboration with the parisian dj/producer amnaye.

in june 2011 subtext recordings was restarted after a six year hiatus for the release of the second lp from emptyset, titled >demiurge<. this album represented a transition from the first two subtext releases, a pair of seminal experimental recordings from the groundbreaking duo vexd, switching path into a new terrain that allowed for the distortion and dissolution of the sequencer grid and shifted the focus of the label from the programmed to the composed.
through this development subtext recordings has evolved into a conversation between emptyset, the ex-vexd artist roly porter, and composer paul jebanasam, who has spearheaded the revival of the label. this new release continues this dialogue by commissioning both porter and jebanasam to respond to the material contained within >demiurge< and develop their own interpretations of the original album.

coming back with a bang in 2012, craggz & parallel return with some eagerly anticipated new material in the form of the product placement ep. released on their own product imprint, it consists of two tracks that while different in style, still retain that certain kind of funk that has permeated through their music ever since those early releases on valve recordings right up to the guys most recent full length effort, the critically acclaimed turn the page lp.

in the 18 months since his brilliant debut release for we play house, luv jam has been steadily building his profile with a number of releases, and now he returns on vibrations with his first full ep of material since that auspicious first record. the eps a-side is a typically lush foray into stripped back, slo-mo house, with opener tough future utilizing little more than a 303 bassline and 909 kick to slowly build up to its raindrop crescendo, and >rubber band< employing a number a dreamy synths atop its tense, gurgling bass. the pace picks up on the b-side with >last floor hotel (mega mix)< upping the tempo and going into full on acid mode, with its furious pace accented with frenetic cowbell hits and industrial textures. the ep closes with >elastic band< a deeper excursion into jacking house, characterized by its flurry of handclaps, weighed up by its rubbery bassline.

material: wasserabweisendes ballistic-nylon außen (1682d) gepolsterte midi controller fach (vestax vci 100/300) hält bis zu 39.6 cm laptop taschen für audio-interface und einem kopfhörer retractable griff mit 4-stufiger interner trolley-system

our little dutch sun god onno knows best how to make the kids shine, and as expected, hes put together a breakwater just in time for beach season: whatever makes you happy glides on on the crest of the a1 groove with a heavy-duty surfboard. its laconic vocal work and dynamic drum rolls are echoed in the remix by nicola jah at coordinates b2. this italian producer dives into stiller waters, which of course run deep down into the vibrant ocean of sound. for the b1 onno provides similarly strong dancing material, shooting pool on the sundeck of his boat and knocking “8ball” into the hole of victory. finally, magit cacoon, our latest roster addition and the first woman on deck of the uy vessel, cruises via the digital route for her debut, an utterly deep remix of whatever makes you happy with bass that sets uy061s sails toward a blissful ending to the voyage

abstract modern electronica by heinrich mueller. first new material for the der zyklus project since 2008.

tireless producer, tronic boss and top international dj christian smith here steps up for his first release on plus 8. over the years christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (bedrock, systematic, 100percent pure, soma), so it only makes sense he now finds himself on one of the scenes most reliable outposts for such material. the two track ep kicks off with house is house which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. the devil is in the detail filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. the more forceful indulge me then follows. taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. far from aping the usual detroit and chicago tropes, christian smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of christian smith, one of the most consistent producers in the game.

i light another cigarette in the tittery the sparrow has landed. we have returned from our excursion to the modern and would like to share what we brought with you: some showtunes and a twelve tone row. the show, as it turns out to be, is our very own. we started out writing new material to perform on stage, after we had found out it was great fun to refrain our instrumentation to vocals, piano and bad acting. originally very attracted to the- as our label told us- very clandestine idea of releasing three 12inches with very limited playability for djs, we agreed not to ruin our dial friends and work on an album instead.

instruments of r.i.p.ture. after 3 years and 9 releases covering edits, remixes and original productions, instruments of rapture hammers the final nail in its own coffin with the delivery of part 10. the triple vinyl release includes a special selection of unreleased tracks (with vinyl exclusives) and remixes from friends and family of the label. a limited cd will be released in late june with exclusive material from the labels vaults. the final release party will be held in glasgows infamous sub club on bank holiday sunday june 3rd with 6th borough project and ooft alongside the revenge debuting his new live set.

as one half of the iconic house music duo h foundation and a revered producer and dj in his own right, halo needs no introduction. his surface imprint promises to deliver deep electronic music that retains a classic feel and its maiden release is just that. marascos >cloudy< is heavy set house music with an irresistible hypnotic quality. a rock steady bottom end drives the drum track as percussive elements and tribalesque vocals drop in and out of the mix. highly functional dancefloor material. on remix duties the legendary dj sneak adds his trademark infectious energy to proceedings, inserting a funky basssline and jackin percussion to great effect. halos surface remix showcases his production prowess with heavy processing on the vocals and percussion resulting in an organic rolling tech house work-out. rounding off the ep danilo vigorito provides a brooding tech house take on >cloudy< that will cater for the more discerning floors. surface begins as it means to go on.