italian dj and producer manuel fogliata hasnÕt released a lot of records over the last ten years, but the few he has put out have always been worth tracking down. perhaps best known for his work alongside donato dozzy in creating the much sought-after aquaplano records at the tail end of the last decade, nuelÕs solo outings have been just as consistent and just as impressive. whether taking on metallic electro or syrupy, bass-heavy ambience, nuelÕs attention to detail and his keen ear for a groove has made each release something to treasure. nuelÕs only previous full-length, trance mutation (further records, 2011), was a masterpiece of minimal repetition.

our favorite lush, back with further idilic musical visions. living it more hassell free than kenny gcz. double sided silk screen sleeve designed by cosmo knex.

after the late nite, neon-red funk of his last release the digital fantasy (which picked up support from the likes of benji b, alexander nut & ross allen), quaid returns with a new ep: cfe. ain contrast to the strung out, hazy eroticism of the digital fantasy, here the heart rate has elevated and the signals pushed further into the red nightlyfe best illustrates this with its rough hats, minor chords and irrepressible rhythm. body forms is a nod back to the hydraulic, locked funk of quaid s previous releases, whilst tango offers huerco s style synths under subverted prince housequake-era drums.a 99percent weaves around a driving bass algorithm and the insistent vocal refrain supplied by longtime collaborator dziko.atheres a change in mood here, the night has passed and sunrise is moments away. lights on tomorrows horizon glint endless glass, dust and chrome.

dead fader returns with his new album *glass underworld*. dead fader is the alter ego of john cohen - former brighton resident, now based in berlin - who has worked relentlessly since 2007 to realise his vision of electronic music. his tracks are characterised by pioneering sound explorations, which on one hand oscillate between sonic extremities and on the other hand carefully craft cinemascope sound worlds. *glass underworld* became a very personal exploration for john, developing further his emotionally tinged brand of techno which he established with the previous ep sun copter. furthermore, the film interstellar visually influenced the album, mapped as an image for cohens tracks to exist in. the vinyl release is limited to 300 copies and comes with download code included.

brooklyn based producer shows off his knack for rich grooves, & melodies that are intoxicating in nature. the drive, & atmosphere are what led deepblak’s aybee to his work, & these ingredients on display as they speak to the head, & the feet.

nice price deal !!! david moufang has been creating electronic music for over 20 years. he djs and produces under the name move d. jordan czamanski records as jordan gcz and as part of juju & jordash (with gal aner). lp with deluxe printed inlet poster and download code for the album plus bonuas material.

the odd music camp is ready to take you further down the rabbit hole with its latest music imprint tapes of old. always in the studio creating new recordings the odd boys danny and damian don’t often get all their music out to the public. tapes of old is a new outlet for the boys to release their most prized treasures from tape into tasty white labeled wax. the latest concept looks to bring you more of the funky, tripped out, and odd music you’ve come to expect from the powerhouse duo. it’s time to dust off the tapes of the past and bring them onto the dance floors of today.

in april of this year, donato dozzy took a set of mouth harps back to his parents house in the italian countryside and set about exploring the possibilities of that most basic of instruments. the mouth harp had been calling to dozzy ever since childhood, when he had discovered the marranzano on a holiday in sicily with this parents at the tail end of the 1970s. almost four decades later, dozzy had begun to see in this peculiar, ancient sound, the roots of the music hed been making and playing in clubs all these years.

in april of this year, donato dozzy took a set of mouth harps back to his parents house in the italian countryside and set about exploring the possibilities of that most basic of instruments. the mouth harp had been calling to dozzy ever since childhood, when he had discovered the marranzano on a holiday in sicily with this parents at the tail end of the 1970s. almost four decades later, dozzy had begun to see in this peculiar, ancient sound, the roots of the music hed been making and playing in clubs all these years. it was time to find out how far he could trace it all back. the loud silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia.

float records first vinyl release is a fact. and what could be better then divide it in 2 parts. the first output reflects the second. label owners twr72 presents you *reflect*.
the 1st remix comes from berlin based markus suckut. a subtle angle is taken on reflect which makes the remix feel sustainable. just the perfect remix to include in his impeccable oeuvre. all the way from finland is analog devotee samuli kemppi, who takes care of the 2nd remix. samuli creates a sudden tension with builds up until the very end. a001, from amsterdam, turns the original reflect into a obscure remix with an perplexing 2nd half. a001s mysterious and quiet appearance is a paradox compare to his musical output. twr72 closes the ep with the bonus track *response*. a solid and barbarous answer to reflect. no words are further needed.

nice price deal !!! helping listeners to escape reality, which has been known to grate, on occasion, has long been a noble aim of many musicians. one of the most effective ways to do that is to create imaginary soundtracks for impossible science-fiction films, the darker and more un hollywood-like, the better. another method is to take inspiration from great works of architecture, which, as goethe cogently noted, is frozen music. the latter route is used by brooklyn producer jonas reinhardt (aka jesse reiner) on his sixth album, palace savant. reiner undergoes a profound solo odyssey on this album. the vinyl lp includes a download code.

parisian artist nautil is a music student specialising in acoustics, signal processing, and informatics. his debut single, canopée, utilises analog synths, sampling and personal recordings to emphasize the geometrics of nature and music. on the a-side the lead track, canopée, is a cavernous, pulsing, low-frequency techno colossus destined to hypnotise dark warehouse spaces. on the reverse galdae is a propulsive tecnoid tweaker while mue is designed for head rolling after hours with mesmeric synth drones suspended over a brain melting sub-bass pulse.

nice price deal !!! do you ever listen to a record and worry about its creators sanity? granted, it rarely happens, but in the case of innercity (antwerp producer hans dens) it is a legitimate concern.
the limited vinyl lp includes a downloadcode.

bristol s kamikaze space programme joins the trust family with a blistering ep of industrial bass music. stokes croft opens with none other than prolific ninja tune artist emika as a guest, whose haunting vocals turn choke into an ear-catching hybrid of industrial bass electro and gothic pop. three percussive bangers further elaborate chris jarmans philosophy of crafting hard-edged beats from found and self-recorded sounds rather than worn and tired presets, head-strong, futuristic, and ready to obliterate stylistic stagnation with sonic innovation

rrose is a recording artist for sandwell district, eaux and stroboscopic artefacts labels - james tenny was an electronic & computer music pioneer and one of americas greatest composers short info: rrose has found her own niche in the american techno underground. her hypnotic tracks incorporate ideas from ambient and minimalist music as prominently as they do the history of dance music, operating in the same fruitful cross-section between techno and the abstract as many other further records releases. the vinyl ep includes a postcard and download code.

the most interesting, advanced electronic musicians create unique, hermetic soundworlds that seem to emanate from unknown realms. see/hear aphex twin, autechre, farmers manual, iannis xenakis, and bernard parmegiani, among a handful of others. if chloe harris isnt quite in that echelon yet, she is quickly approaching it with dose.(this album was originally issued on very ltd.-ed. cassette in 2012 and is now getting a vinyl release, mainly due to the urging of italian techno magus donato dozzy.
the vinyl lp includes a download code.

liverpool-based producer bantam lions has long been part of the scenery records family, helping label boss asok launch the imprint with 2012s one to one ep. here he returns with his third 12 inch for the label. lead cut *recollections* is particularly good, delivering a deep and attractive fusion of fuzzy analogue warm, dreamy melodies and intoxicating chords. he ups the tempo further on *many years later*. which layers dubbed-out chords and swirling textures over an energy-packed techno groove. the accompanying remixes are pretty tasty, too, with the cyclist particularly impressing with his detroit techno-goes-lo-fi interpretation of *recollections*. that said, the dreamy, new age-influenced downtempo take from mood hut regular cloudface is pretty darn good, too.

afr welcome uk based producer tomas rubeck for their 4th release with the fm ep. rubeck serves up 2 slices of dub infused deep techno, laden with atmospherically processed field recordings, crisp beats and sub aquatic synthesis. two special remixes are also included which are an amalgamation of both tracks. spanish duo exium are first up who take things down a more trippy, hypnotic road, followed by animal farms quail whos pulsing, broken beat effort further deepens the ep. all tracks mastered by conor dalton @ glowcast mastering.

skylax welcomes f.t.g., known to house music scholars as freddy the groove, and his many friends for our next release in 2014. last year, f.t.g. and his italian partner in crime, marco riff (who also appears on this very record), pressed a very limited run of a single-sided, special throwback tribute to late 80s chicago house music. the track was aptly named ‘tribute ’89’, and it put a more dancefloor oriented twist on a track by a certain originator with the initials r.h. needless to say, it became highly sought-after incredibly quickly and fuel was further added to the fire by the repeated club play by none other than the dj idol ricardo villalobos. luckily for our followers, that original mix appears on this ep with another unreleased mix of the track and 2 originals featuring belfie and alex tea alongside f.t.g.with enough said about ‘tribute ‘89’ itself, the unreleased mix maintains the warehouse vibe with a heavy kick and bouncing bass pattern but takes it to another level with the introduction of rolling vocal cuts and a rather ravey synth line. flipping over the to b-side, we are treated with two tracks by f.t.g. and alex tea, named ‘public enemy’ and ‘bango’, with the former also seeing belfie lend a helping hand in the production. both of these originals round out the record nicely and cement it as another skylax release that is definitely not to be missed

british musician jo johnsons debut solo album for further records, weaving, betokens an exciting presence in the world of minimalist composition. the vinyl includes a download code.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

with dominik eulberg and arne schaffhausen (of extrawelt) we welcome back two longtime cocoon heroes to the label.

scotland-born parisian paradise 100 (a.k.a. dj africa, a.k.a. graham peel) has been percolating stripped-back, bouncy-castle house constructs onto the web for a few years but never locked them in wax until now. high time. following his minimalist dictum *more than three tracks on a song is just indulgence*, his debut eps four cuts share a sleek, spare design, jigsawing slinky bass, classic keys, lean drum programming and flashes of synth mirage into fluid, aerodynamic patterns. touches of melodic acid and crossover new wave color the mood an exotic, hedonistic hue (further evinced by titles like the loin king and french kissing in the house of love). his own vision of the project is appropriately fantastical: *the image in my mind is of tropical forests at night, torchlight, distant sounds of tribal ritual dance and ghosts.* regal music for pleasure domes.

those who know the respected irish producer john daly for his bubbly, melodically nuanced house and techno tracks may get thrown off balance by his latest work under the smoke clears handle. while his 2011 release for further, sea level, hinted at his fondness for manuel göttsching/klaus schulze-like kosmische ambience, on listen daly veers off into more introverted and arcane abstraction terrain. the title track kicks off the album on a decidedly downtempo, contemplative note while maintaining dalys knack for understatedly beautiful melodies. it sounds like the best song morr music never released.

gutts are a jaded wrestling double act that were much celebrated in the golden era of uk wrestling in the 1980s. after a slow-decline into inactivity and relative obesity they decided to make a comeback in 2013 as an electronic music band called gutts. both neil landstrumm and alan hostage have recently reached peak-fitness through circuit training and eating salad for dinner, toning up for this new heavy-hitting vinyl release on glasgows horror boogie. both were last seen, exiting landstrumms analogue graveyard shouting *not the ears, not the ears* and *i demand to be treated like a sultan*. no further details were available at this time.

the star eyed condition is chameleonic effort in the impossible to pin down trajectory of loden s career. the belgian-based producer and musician has already proven his facility for glassy disco and droning ambient on his 2005 debut valeen hope, and glitchy hip-hop via his work with sole and thirsty fish.
on his new album, koks goes even further beyond his already drawn boundaries. there is a touch of robo-electro to tracks like *optimist never cries* and *sanesserarian* (a play on the phrase *ça ne sert a rien* or *it is useless*). he brings the ghostly sounds of german electronic pop into the dirtiest of hip-hop beats. and on his collaboration with rhymer doseone, *future confetti*, he gets lost in a psychedelic wilderness worthy of dj danger mouse.

nice price deal !!! no-neck blues bands pat muranos rigorous & freewheeling cavalcade of bizarre sound events baffle & beguile. 21-min a-side is a fungal, fractured, dream-fever soundtrack. 20-min flip starts like a minimal techno banger & morphs into ruptured ambiance

special nice price deal !!
-rolling out with the amazing debut of 807 recordings by labelhead shamus coghlan. the a-side track is cerebral, complex and innovative, showcasing true artisan skill and passion. >5000 miles< delivers a thick, raw and pulsating drive that demands attention from the first laid beat. this no-nonsense, classic techno track is already gaining industry acclaim and, as an explosive introduction, sets the tone of (807) recordings. >further<, as the name suggests, aimed for perfection

incl. timewriter !!

the best is yet to come is the title of the newest release by schallbox records and also stands for the claim of the basel based recording label to continually evolve and develop itself further, thereby upping the ante with each new release.
schallbox014 is a deep and ever grooving track made by berlins michael nielebock and leevey that will definitely see the openair season prolonged until the end of the year. additionally, larsson delivers a dubby remix featuring an electrifying beat and broad synth sounds. schallbox even resurrects some golden memories of legendary bar25 - courtesy of sasch cawa and dirty doerings remix which is furthermore gratifying the vinyl package. last but not least the release is completed by the contribution of newcomer benotmane from basel, who converts the original into a dreamy sunrise tune.

panic girl returns with her long awaited first studio album lowlands to be released on infiltrator records, following the critically-acclaimed burn and rise ep and the panic girl remix ep, which joined together artists like dbridge, phace and duo infernale.
this 12-track lp is a very personal and unique journey into the mind of panic girl, exploring the depths, dark corners and sparkling mysteries of trip hop and electronica and not only thrusts panic girl to new heights, but is also highly addictive and deeply enchanting. with this album panic girl is further developing her own sound, taking in haunting melodies, a love of the bass, heavy synth work and oldskool sounds. lowlands will leave you wanting to hear more and is going to be an album to treasure for sure - if you let her take you on a spellbinding journey into her raw, dark and pure electronica universe.

in the fourth chapter of shaded records denizo continues his journey through the maze of sounds and moods where images and textures get distorted by surrounding architecture. ancient window of the hermitage gives us entrance into the space of 4 stories. edenic dub immerses us within the atmosphere of rolling chords and melancholic melody leads further with heavy roar.

a surreal spark of darkness slowly awakens a monstrous tune that becomes more radical by the second. with soundscapes taking serious shapes, the emotion actually comes from deep within: pointing out to infinity. desolate is a hazardous mixture of sick, twisted growls taking extremely unique forms, sub-driven resonating basslines and spacious soundscapes, which bound you to darkness instantly. as the intriguing second part of desolate flows through the mind and soul, no listener is left unharmed as it sweeps you away from reality. with further developed harsh, sharp percussive elements and frightening samples to accentuate this cold production, desolation will become a step closer each and every time you lose control.

currently two of the busiest men in contemporary deep house, alex agore and james johnston have still found the time to establish their joint no matter what recordings as a potent outlet. this sixth release sees johnston at the buttons for sole control after a couple of split releases and the consumer ep demonstrates a further refinement of his own distinct brand of house music. arriving on transparent vinyl, lead track give him prozac sets the tone with a thick four note synth lead that accrues all manner of dreamlike analogue qualities as it progresses backed by those crisp rolling rhythms johnston is known for. columbo likes the nightlife takes things on a notably deeper path, all dubby chords and intricate skipping percussive touches augmented by epic sweeping textures, whilst face down and they had cocktails maintains the same feel if upping the pace somewhat. johnston ends strongly with the sublime analogue build of the sleepwalker.

hot on the heels of our first release, paradise club recordings are straight back to business with another limited run, coloured vinyl ep that should further establish the labels growing reputation for diverse, forward thinking musicianship and staunch production values.

having spent most of 2012 so far further establishing itself as a global bastion of forward thinking electronic dance music, the rwina label is changing things up a little with an ep from young dutch producer jameszoo.
on faaveelaa jameszoo displays the kind of brazen ingenuity that youth affords by drawing inspiration from dancehall before finding its edge to craft an entirely new take on the genre and using that to paint a colourful sonic picture of what he imagines a favela might look like. sounds mad? it is, in a good way. by his own admittance the picture he paints is also a bit messy, yet there is beauty in chaos. as for the inspiration, it can sometimes be hard to hear at first though anyone familiar with jamaicas dancehall tradition will recognise the instantly catchy quality of faaveelaas riddims.

turbo recordings presents a stellar new ep from emerging uk producer joefarr, the latest addition to the labels new jack techno stable.

with material from hyetal, bashmore, headhunter, joker and more in their discography, soul motive have established a reputation for seeking out the various strands of music blossoming both close by their bristol hq and far (cosmin trg has also featured on the label) arriving at their eleventh release soul motive further indulge the sounds of local talent coleco, a producer who contributed to one of the labels early, split releases and is now granted the full grip of a twelve inch. lead track >hypnagogia< takes its cue from the loose percussive style of shackleton, gradually weaving in a thumping half step groove and intoxicating layers of eastern strings - accomplished stuff! on the flip victoria klewin adds her floating, slightly saturated vocal tones to the galloping mysticism of >find me<.

hush arbors and arbouretum have each been exploring for years now the intersection of progressive folk and psychedelic rock, albeit filtered through their own distinct sounds. it was only a matter of time before their paths would cross. keith wood and dave heumann met at a show in baltimore and discovered their mutual appreciation for each others music. the two bands planned a joint european tour, and recorded aureola to further showcase and celebrate their complimentary sounds.

in essence geotope combines both artists influences and experience into a dynamic, ever-evolving sonic environment.

zopelar is one of our dearest local prodigies. hailing from a small-town at the heart of brasil and devoting his life to music from an early age, his love for this artform grew stronger as he explored the myriad layers that sedimented into today s pop. further developments led him to a classical training in the craft and the result is a burgeoning trajectory to which this ep is a crucial moment. one marked by the inflection on his approach, until then heavily influenced synth pop and post punk to the epiphany that followed his discovery of electronic dance music. a discovery that is translated to perfection, both conceptually and emotionally, by the title track of this ep, >falling in love<.

opus 3 records are both privileged and delighted to release eric bibbs new album >blues, ballads & work songs<, a further enhancement to their association with eric which goes back to 1977 when he was in effect discovered with the success of his debut album >rainbow people<.

deep house veteran john daly (wave, drumpoet, plak & mule, feel music) delivers, with two epic tracks recorded to tape in one take using live hardware. the a-sides haze mix features expansive mind bending synths unfurling over 20 pulsating minutes into an ebbing, cascading dub-trance masterpiece. the b-sides aerosol mix redirects the intensity to the floor with relentless beats & crashing claps complementing the extra melancholy synth refrain on a bin-rattling 45rpm cut.

reso returns with the ishimura ep and further showcases production excellence. resos unique brand of hi-tech dubstep and sinister electronics are exquisitely presented across tracks >ishimura< and >vanquish<. the package is completed with remixes from dnb aficionados evol intent and trouble and bass drop the lime. vinyl comes with a free download code to redeem inside at civilmusic.com

neon dreams is the debut album from london-based producer and night slugs co-founder james connolly, aka l-vis 1990. across 15-tracks and 55-minutes, james distils a lifetimes worth of musical influences and experiences while conveying the story of the last 12 months in his life through vocalists samantha lim and javeon mccarthy. 2010s *forever you* single, which featured mccarthy, was a key jumping off point in establishing the overall vibe of neon dreams. the track features here as a slimmed down, 3.5 minute version. this length represents approximately the average track-duration across the entire lp, and is indicative of james long-held desire to proffer an album in very much the traditional sense of the term. further vocal turns come from co-founder of the sound pellegrino imprint and french hip-hop outfit ttc, teki latex.

a thick slice of deep analogue house from the crew @ machine age in pittsburgh follows their well received debut on uzuri. 4/4 machine funk with more than a touch of kraftwerk / moroder synth burbling. hard screened jackets.

o1o aka aybee with an ep of 7 deep & delicious downbeat tracks for further records.

the intermezzo ep kicks off with we are here, which could be easily described as get out part 2. a spoken word vocal over kerris trademark beats and instrumentation, musing on the subject of a busy schedule and calways available technology. so it begins again takes things down a much more tribal road, perfect for a big room, and the dc10 mix is a nod towards the direction kerri had in mind and the dancefloors he created this track for. the dark mix takes this idea even further with a more progressive feel as the track plays out. red lights explores a more live drum feel with a cut-up breakbeat playing a 4/4 rhythm, and a throbbing bassline and synth pattern. this one is a little deeper but still packs plenty of punch!

bristol based sound artist works with electronic hardware recorded to cassette. although known for his release on punch drunk, this is a recording of his 1st gig, 45mins of totally fried & directionless pulses, bleeps, and atmospheres. screen print sleeve.