a heavy load of blues from gov’t mule, consisting of 13 originals and cover versions. pressed on black 180 gram double vinyl, housed in a gatefold sleeve.
long lost album from kieran warren aka atonal. originally made in 1994 bridge was to be the edinburgh-born kieran warren s debut release circa 1994 on metatone a short-lived techno label by j. m. adkins (electro music union) and damon d cruz (jack trax, chill). as fate had it, metatone folded before the album got printed, and the music was lost in time.
repress! nina kraviz releases for the first time a full solo ep on her own label т,,,,,,,,р,,,,,,,,и,,,,,,,,п,,,,,,,,. pochuvstvui and you are wrong briefly appeared before on her stand-out fabric 91 mix in december 2016. you are wrong is a new version written for the ep release.
hooverphonic and orchestra live at koningin elisabethzaal, antwerpen, april 28, 2012 - available on vinyl for the first time. audiophile pressing on black 180 gram double vinyl, housed in a gatefold sleeve.
similar to his last foray on motorcity wine recordings beltran has assembled an all-star cast of characters including john arnold, jeremy ellis, james simonson, and kiko navarro to deliver a slice of bright jazzy deep house heaven. kiko navarro’s “motor city jazz remix” starts the release with driving live drums and percussion for discerning dance floors. on the flip john’s original mix keeps the energy moving, before going to the brilliant sol set collective rework which blends live energy with driving production for those special dance floor moments. pressed loud to high quality 12″,, vinyl in detroit.
coloured vinyl - already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated israeli duo red axes make a surprise left-turn onto phantasy with a three-track 12inch, sipoor. unsurprisingly, the results are as pleasingly out-there as the occasion requires. following on from last year’s self-released lp, the beach goths, sipoor immediately announces the axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative bad time story. brazen, brash acid triggers this particular tale, as red axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. sipoor takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. his wish (and we hope, yours) is the axes command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. concluding the 12inch, teroof takes each of red axes signature ingredients - deeply rhythmic ebm-inspired drums, spiralling electronics, unapologetically odd vocal distortions and reconstructs them amid what sounds like the monaco grand prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.
7 DIRECTION(S) (DENNIS FERRER, MATTHEW HERBERT REMIX) (STANDARD COVER)
12 Inch 14.10.21
comes in standard cover! no artwork! you can guarantee that luciano always comes through with a signature tune once a year, and of late has leisurely road tested singles like rise of angel and cachai at clubs, festivals and at his ibiza residencies for full seasons, before releasing the fruits of his labor. and so 2015 throws up 7directions featuring jaw on the vocal, a mesmerizing and low-slung track thats already getting pole position in lucianos sets, ending his momentous off-sonar show at el poble espanyol with it, as well as becoming a staple at his weekly vagabundos residency at space in ibiza this season.
this compilation gathers never before published works that schirren specially composed for the short films dimanche by edmond bernhard in 1963, masques by jean-marie buchet and marc lobet in 1959, and cartoon circus by benoit lamy and picha in 1972. some of the most intense and curious soundtracks cinema ever gave us.
the 1997 solo debut album from robbie williams available on vinyl for the first time. housed in a gatefold sleeve. incl angels, let me entertain you, old befrore i die !
a walking contradiction expands its label family with aa sudd and kombe. having released solely exclusive varuna material before, the basel based imprint now welcomes two close friends for the first installment of their demi monde series. three murky slow techno jams in typical varuna fashion where fascinating eerie atmospheres work their way up through vigorous half paced grooves.
>another psychedelic afternoon< lunges in with minimalistic percussion, acidic bass lines and radio voices. the progression of the track keeps one moving while the fluctuation in the velocity and warmth of the sound keeps the explorative side of the acoustics and rhythm flowing. >performer< switches the mood into a darker tone with rolling waves of industrial synths creating a contrasting groove between high speed lighter synths and heavier drum and bass rolls before the second part of the track reshapes the track into more minimalistic and aggressive dance floor weapon.
IMMENSE (SHED / SOUND SYNTHESIS RMXS / BLUE TRANSPARENT VINYL)
12" 19.07.21
an immense sonic wave rises from the stormy and murky sea and brings a long forgotten rhythm back to life. it is only apparent for a very short time before it again slowly dissapears and levels with the surface. while still visible two unknown sonic vessels are spotted, each containing recognizable patterns from the original wave. you instantly shiver as the mighty and always well equalized shed sets his course for the land of berlin-dub-deepness and you realize that the second vessle is bound for southern lattitudes and will travel many nautical miles until it reaches the electrified island of sound synthesis. limited coloured vinyl.
unruh return with the second volume of their sextant va series. jacksonville contributes a prime slice of deep electro, followed by a dry polyrhythmic stepper from capricorn one. on the flip, tachyon show their wistful side with select a before robotron rounds things off with the broken beats of urlaub in marzahn.
7inch on photoluminescent vinyl. in 1981 walter verdin recorded the demos for two songs of lennon s plastic ono band before he formed the group pas de deux, the belgian entry for the eurovision song contest 1983.the artwork of this 7inch is inspired by the artwork of the original record sleeves.
2021 repress! the third time is the charme...that’s right. thus, the joy about the third album by marek hemmann is huge. likewise, the third album is perceived as an important brand which ought to show the actual extent of a musician’s potential. either hold one’s ground or dare something new? marek hemmann is not deterred by such expectations. he was merely in the mood for new tracks. the eight newcomers on “moments” sound accordingly - easygoing, detached and characterised by the same profoundly and harmonically balanced musicality for which marek hemmann is world-renowned. anyhow, a “just continue as before” mentality is not an option for the berliner by choice - from the beginning, his music effort- lessly blurred the established genre lines. in this vein, his new work is influenced by a great candour. as already accomplished with his highly esteemed albums “in between”and “bittersweet”, in “moments” marek hem- man takes the listeners - and certainly the dancers - on a journey through different spheres of contemporary electronic music.
2021 repress - angola soundtrack vol.2 - hypnosis, distortions & other sonic innovations 1969-1978 - the unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident. an exceptional set of circumstances existed in the history of angola before independence that created the giant leap in the style and standard of bands and recordings of the time.
the piano man of techno, fabrizio rat, is back on involve with four tracks made to expand minds while moving bodies. the vibrant title track opens the ep with sharp cymbals and a synth whose trippyness is underlined by a commanding hypnotic vocal, ordering the crowd to dance till dawn. say word follows up with the same high pace and catches the attention with stabbing, cut off vocals, fast beats and an epic melody. rat’s piano skills take us on a hallucinatory journey with whirring atmospherics driven by the aim of reaching ecstasy on rave runner, before involve records label head regal closes the ep with a remix, delivering what he’s best known for. a slamming straight-forward techno cut with a deep bassline emphasized by rat’s contrasting ethereal melody.
verveine ist ein musikprojekt, das mit joell nicolas (ch) als komponistin, songwriterin und sängerin begann. ihr klassischer hintergrund (klavier) zusammen mit einer starken vorliebe für die pop-, elektronik- und avantgarde-kulturen haben es ihr ermöglicht, mit ihren maschinen und ihrer stimme etwas aufzubauen, das wir pop der extreme nennen könnten.
steve miller band - breaking ground live at capital centre, landover / md, august 3rd 1977. 17 live tracks from the never before release concert on 180 gram double vinyl.
light splitting is a love letter to the purest of sonic signals, to curiosity and to the way we interact with sound. produced & mixed by hainbach. mastered by salz mastering. artwork by nasa. design by aoki & matsumoto.
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