ann aimee goes darker and more minimalistic than before with this debut release by area forty_one. this unknown producer gives us his personal interpretation of modern techno. this double pack contains five solid techno cuts, filled with spacy and robotic sounds, together with one imminent ambient track. discharging clouds gives us tracks, each one containing its unique vibe, and will please anyone with a preference for the dark, sinister techno sound. the mysterious area forty_one is one to keep an eye on

summer release for apersonal music comes with the debut of james teej on the barcelona-based imprint. teej, a canadian fine style producer who has been gaining attention in the scene for his complex and personal productions, releasing on labels as rekids, my favorite robot, rebirth, and recently under the aka of the king arms on wolf+lamb. teej now amazes us once more with 2 high caliber bombs for the season, >fame< and >city celebrity<, long and elaborated disco-tech tracks that wont let down his fans nor the audience looking for strong and complex slowmo nudisco & tech-house music. completing the release with the remix from cisco cisco (labels usuals) to >fame< with a sound stronger and more aggressive than what we are used to the portuguese duo, but with out loosing their dreamy-disco characteristic sound

all tracks written by mika vainio, except open up and bleed by iggy pop / james williamson. whereas previous works by mika vainio have utilized guitar life (… it eats you up) is the first to use the instrument as its primary sound source. a fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of vainios previous works with some stunning surprises, such as his cover version of the stooges open up and bleed. tracks such as mining hark bark to the banging beat excesses of pan sonic, with crashed and and give us our daily humiliation and the opening in silence a scream takes a heart reveal a new intensity to vainios work and is yet another superb addition to his already brilliant catalogue

something so personal which features vocals from rain phoenix comes from a collection of unfinished unreleased tracks and is a smooth soulful track. on the flip, what is false gets an extraordinary remix from machinedrum. another great installment of the 4 seasons series.

with upcoming releases on top class labels like american standard, sleazybeats and ene tokyo, edinburghs lord of the isles ventures forth with the debut 12inch on his own limited edition imprint little strong recordings. what you get is three excursions into deeper territories. the a sides >hot blob< is a slice of detroit inspired wonkiness designed for dancers. with a seriously seductive bass line, acidy techno flourishes, underground keys and soulful ghostly voices, the track heads off into the deepness with all the class of a planet e classic. on the flip side, deep house track >tell your soul< pitches that perennial question (and sample) which asks >what is house music ?< across a frozen lake of reflecting and melting keyboard maneuvers, with a definite nod to larry heard, this psychedelic shimmering beauty is made for afternoon drifting. last up >this way< is the gem at the end, built for early morning sub club styled revelry, this stuttering, sub aquatic jam is strictly for the heads. deep, churning and soulful in the right way. with this ep, lord of the isles offers us a glimpse into the mighty depths of his personal catalogue and its very deep indeed!

what a day indeed! fresh blood on the label puts a smile on our faces. this young italian had us dancing from first demo and here is the finished result. welcome to the family riccardo! deep, sexy grooves with that vital element of funk weare always on the hunt for. a modern sound palette sporting percussive grooves, vocal snippets and soulful harmonies. the title track comes with a rolling bass line, disco licks and an organ hook to get the groove on. typinic on the flip is built beautifully around vocal stabs, filtered keys and floating harmonies. the sound is very personal and riccardos mature sense of arrangement and room is impressive. quality deep all the way! equally exciting is our rmx pack from up?n coming producers mario aureo out of berlin and dimitri andreas hailing from brussels. mario turns up the heat on the title track with a firm beats package and very tasty use of the original keys. a true viber now, irresistibly funky. dimitri takes typinic to peak territories with a shufflesque groove, thick bass and sax stabs. just wait for the drop

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business … it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solé, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

cascabel gentz is an ambitious side project of two producers who are always on the run - los angeles resident apendics.shuffle and dilo from buenos aires. since 2009 they get together in the studio and create an individual mix of house, techno and minimal spiced with their own vocals and guitar riffs. this very personal and organic mood reflects on the new record >electric high<. the original tracks are complemented by an excessive remix collection. gurtz and alejandro mosso play their part to make this ep a prime example for todays music culture network.

ahead of a shake it summer residency at amnesia in ibiza, alongside his dj/production partner layo, bushwacka releases his first solo ep of 2011 - the two-track west side / energy ep. westside - this monster is very personal to bushwacka! inspired from the sound of the biggest german techno dj on the planet, sven vath, and the musical magic he wove on the decks over the last ten years in ibiza, bushwacka! has drawn his feeling from this and countless memorable nights there and created a massive dancefloor weapon that has been tweaked and tested around the world. westside creates chaos and euphoria in equal measures and is pure peak time magic. energy is a very different breed of music, again influenced from parties, but this time his own - the morning sessions, the after hours, the dawn chorus - deep, sexy, melancholy, but tough and naughty - this is serious underground tech acid get down dirty music.

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

from the very start, track one the first thirteen minutes of love opens the album with over ten minutes of ambient unlike anything you’ve heard in years, a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. it’s a warning: take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig, linking them via soaring trance, carefully-crafted minimal, the sound of the 90s, the sound of the new millennium. it’s hard to imagine the strike force and heart pangs it will inevitably inflict on any club in the know

the mex machine ep features 5 original tracks, each showcasing a different side of the toy selectah sound. >sonidero compay< is a big meeting of the minds, featuring the reggaeton king dj blass over a proper cumbia beat from toy. toy revs all the way up to 150bpm territory with >la ravertona<! (strap on your glow in the dark cowboy boots). most tracks fall somewhere in the middle of >sonidero compay< and >la ravertona<. toy teams up with mad decent label-mate mumdance for >anni riddim<, a good example of toys personal hybrid land. mex machine is a milestone release for one of the most exciting and influential artists coming out of mexico today!

bedroom community broadens the scope with their newest release: en garde by puzzle muteson, a mysterious, intimate record by a fearless songwriter and lyricist from the windswept isle of wight. arranged and produced by collaborators and labelmates nico muhly and valgeir sigurdsson, en garde is a strange, comforting and alarmingly personal record. driven, spare lyrics are hoisted high by vocals of steady, sturdy tremble. each tune swells with plush guitar pluck in a sea of orchestration and electronics. recorded in the greenhouse studios in iceland, the album collects puzzle muteson s odd and beautiful stories - about love and horses, rust and polar bears, heartbreak and birds. puzzle s songs are curious sounds from a troubled heart and his lyrics are urgent and open, striking a note with their vulnerable memories. i was once a horse is an unforgettable song about nostalgia. the first single and title track, en garde , pits puzzle s longing against waves of dense strings and jagged rhythm, while perspex disguise sets his naked, translucent vocals against shimmering piano that refracts off epic chords. in flamingo head he sings, i left your house. you let me. i left you ugly , buffeted by guitar and distant murmurs. not a single thing could take this magical sight. i ll find you still , he sings in medusa , the story of a man tracking down a lost love. like many bedroom community recordings, en garde takes an unexpected and unique voice and elevates it out of any easily discernible pocket. puzzle muteson could be folk or something completely different - instead he s an intense stranger from the isle of wight - at once both familiar and unfamiliar. en garde heralds a haunting and essential new voice, beautiful, earned and yearning

if we add a new label to electronic music, is it really needed, wasnt music originally unlabeled? - lads contemporary productions could be called anticipated techno, architect techno, or architechno. these two tracks are simply brilliant and beyond what i have heard to date. the way lad is building space procures the feeling to be part of the music, to be in it, swallowed by it. >isolate< and >bergvall< are just two hypnotizing masterpieces, transporting you into unknown and untamed territories. deep, soulful, cinematographic, intriguing, moving. my drug is music. from 2d to real 3d chills. vanina hänin woods, forests, deep and dark spaces, like if kubrick, kurosawa and marinetti would have gathered together to produce music, simply highly cinematographic and futuristic. lad builds up organic visions, redefying sound in such a personal way. definitively two superb, soulful, finely shaped and constructed electronic pieces which will undoubtedly make you dance the night away. (dan lagardere)

jari mrjamäki under his zentex alias creates techno sounds with his very own style thats influenced by both his cool scandinavian and funky latin backgrounds. he has released music in labels like traum, kickboxer, resopal, minisketch, archipel ... in this special 12 inch we find two exclusive new tracks plus remixes by fluxion and javier orduna. zentex has blasted his sound into deep/dub space, adding his personal techno soul.

already known as one of the most influential artists in the dub techno scene, with releases on labels like styrax, echocord and quietus, quantec delivers analog responses first release, that will be an authentic masterpiece for the well estabilished collectors as well as for any farsighted music lover! his already demonstrated versatility in the fields of dub techno and dub ambient, extends this time with a personal intepretation of higher level dancefloor music, as you will notice on this 3 tracks ep. the resulting record is a real must, but its only available on limited press!

big with: koze, adam port, alejandro mosso, mandy, anthony collins, sebo k, troy pierce, arnaud le texier, rozzo, axel bartsch, benno blohme, cesare vs disorder, dubfire, gel abril, james teej, jimpster, julietta, kabale & liebe, mark henning, meat, .. for this 3rd release, raoul records brings us some very personal stuff from no other than the label s founder himself: gregorythme. two long tunes in which he shows us that there are no limits as to how far he can go with hypnotic synthesizers and reduced rhythms. the a-side brainstorming features very rich house tunes with a mental twist. it s a track with a big, edgy potential on the dance floor. one part old school, one part avant-garde - this recipe is sure to create confusion on the dance floor and make a little storm in house music lovers brains. the b-side is almost a love song! a hypnotic and melodic tune. gregorythmes juno does its best to give you the shivers. the track is called some more and that is precisely what you will be asking for after you have heard the song... who said 10 minutes were long enough?

amazing records is proud to present its first vinyl release: a great four tracker from label heads, minicoolboyz. lost in lodz opens the ep. a minimal / housey track with a catchy, hypnotic groove and charmingly deep vocals. this is my acid house has an exciting blend of classic house rhythms and acid basslines. a modern and personal reinterpretation of acid techno, with some powerful and exciting breaks. excuse me, has been designed specifically to entice wildness on the floor, with its filtered, deep groove: perfect for the peak time! feel my drums is the perfect mix of techno fx, house drum patterns and rhythms. this tune is 100% minicoolboyz style: deep, catchy and fat! a superb ep to launch the first in a series of vinyl releases from the label. supported by: anton pieete, paco osuna, someone else, stacey pullen, karotte, popof, markantonio, monika kruse, nic fanciulli, anthony collins, michel de hey, richie hawtin, umek, mauro picotto, and many many many more!

played & supported by luciano, sis, adam beyer, laurent garnier, pan-pot, agoria, timo maas, maceo plex / maetrik, luca bacchetti, kaiserdisco, gregor tresher, konrad black, kabale und liebe, chris carrier, oxia, joseph caprati, alexi delano, salvatore freda, fabrizio maurizi, martin eyerer, arnaud le texier, danilo vigorito, mihalis safras and more... as he is preparing for the release of his debut full-length album, >tripolarity< (due in june), amam founder and dj/producer alessio mereu offers three new original tracks as a preview. after setting up his own label just over one year ago, he felt the time was right to capture essence of the clubs he has played in, filter them through a spectrum of emotions, and make a personal statement that aims to resonate with both the body and mind. the title >tripolarity< refers to mereus three musical personalities, and with >on the way to tripolarity<, he focuses on his grooving house (and tech-house) tendencies.

stephans latest something vinyl series includes the mighty deep jacking stl business as well as experimental home listening adventures under his synthonic matter project. again a very personal feeling snapshot of someones life, transformed into sound and groove. use your ears and enjoy!

time 2 express is on a roll! sqeezing out harsh yet hypnotic techno of the highest order. the 4th instalment in the 61 center returning series is an all belgo-italian affair. as on vol. 3 the a side is taken up by peter van hoesen and donato dozzy. with >dock< they present a dense, psychedelic track: bubbling percussion works its way through swirls of oscillating soundscapes. >dock< envelops the listener in a thick, gentle blanket, slowly increasing the pressure as the track unfolds over 9 minutes. on the b-side stroboscopic artefacts main brain lucy reports for remix duty. >defense against the self> was originally released on peter van hoesens >entropic city< album. lucy provides the track with a solid dose of steroids, injecting cavernous kicks and bleeps. his version widens the impact of the original, while adding his very own personal take on techno. viva italia...

hailing from cheshire, submerse is an esteemed dj/producer with a distinct and recognisable sound that traverses two-step, garage, bassline and funky whilst being punctuated by a myriad of unique and personal influences.
the 4 tracks on offer here are probably his strongest to date, ranging from the demented bassline bounce of mecha to the blessed out, yearning garage of searching and i can, via the arcade game tropicalia of fruit salad, co produced with partner resketch.

with its first 4 singles the spanish label apersonal music made its way rapidly into the highlights of the modern nudisco scene. on its 5th effort they release their first all original tracks ep betting hard on the dynamic and innovative melodies of volta cab, a young producer from the russian city of ulyanovsk. volta cabs music pieces have been gaining attention in the underground music scene through out the internet for some time now, a sound strongly influenced by the 80s sound and pop-culture which will finally hit the stores shelves this year. for apersonal s 5th volta cab delivers 4 original & unique tracks which gives form to this very musical and personal ep. standing out is the main single of the ep >why you come back here< on which volta cabs original vocals play along with catchy elements of disco and soul wich he masters with his unique style. feels like starsky & hutch on acid. >volta cab comes from mother russia and brings us into the neon future. into the times when the war is over and everyone in the universe loves one another in the interstellar dance to synth pop music.<

the old stager and stuttgart-representative of the minimalistic house and techno scene vladimir corbin and his ally peddy collaborate on mos ferry number 55. the icing on the cake is the label owners appearance as remix producer! >sinner city (feat. sackjo22)< is a variable and very synthetic techhouse track with a good deal of detroit – a big-time rave tune that should be fitting in any setting from intimate clubs to big festivals. no hesitation! >the grid< comes with a driving, beautiful, rambling stab. an abused tr909 makes this one groove as hell! in conclusion dapayk gets his hands on >sinner city< and gives the track his very special personal note, a dash of warm kick-drum and a hand full of >hands up< – you know the deal!

comes in clear vinyl. with over 30 releases behind and over a decade of running his own label, jacek sienkiewicz persistently followed his very own path, creating music that very soon began to be impossible to define. friendly, but not fraternizing with everyone and his family, modest, but stubborn only in a positive way, jacek is an individual with clear, personal vision and an unorthodox approach to music - light years away from the hectic, utilitarian ethos of club-derived electronic beats. >on the road ep< is the preliminary 12inch for the homonymus album which is another collaboration with cocoon. the cycle is now completed with one of the most experimental albums to appear on sven väths label to date. this record is not easy and is definitely demanding attention - but its also rewarding like no other. new sounds, voices and brilliantly clever arrangement patterns are revealed with each new listen. its not detroit nor santiago, not sheffield nor berlin, its not even the sound of jaceks home town of warsaw - this is the real music of the spheres.

another fine third ear release to start the new year! demetrio with some blissful house tracks that are rooted in the american house traditions of some detroit pioneers as previously nicely documented on the third ear beatdown series!. jazzy, intens and bright sounding tracks with a personal demetrio giannice twist that deserve to be on that everlasting black wax!

edu continues to demonstrate his personal artistic development on niquel. staying loyal to his unmistakable groove, he explores a more a progressive and melodic style and sound. diynamic artist david august again shows his midas touch. with a simplicity that belies its effectiveness, david plays heavily on the melodies, creating a most precious of remixes. quite different, yet equally as impressive is the remix from dosem. beautifully emotional, and laden with synths and semi-acoustic guitar lines, it is a mix for the purists, without a doubt

in each song seuils personal experience completely merges into the club music experience. leaving no rest or residue, he becomes a real clubber and played aready at rex club, nouveau casino or la scene bastille...

new kanada enters 11 with a an alpha ep from tolga fidan. haunting, percussive and emotional - tolga trots his mystical funk down the old thrace streets, and emerges with an ep full of personal darkness. >berg< is a mesmerizing monster of a cut, bristling with surprises. tolgas own vocal plays masterfully with dusty rave samples and woodblock jazz. watch this jack the shit out of the advanced dancefloor. >old< is a golden working tool, made for the mix. pounding drums and crashing chords. ottoman mathemetics gone wild.

if it is about contemporary house music, there is no way of avoiding the northern djs & producers. first and foremost with roberto rodriguez aka manolo, who has shaped his personal funk infected old-school vibe over the last years and helped the house revive without forgetting from where it came from. his future beat investigators strictly followed the detroit heritage and his acid kings membership gave us lust for the roland tb 303 again. the bermuda project came back to cosmic again and had more than an impact on the nu disco styles. it is his pertinent mix of soulful, funky & functional dancefloor and his his effective productions who convinced the tastemakers worldwide and prepared his ground for top notch releases on labels like compost, 2020vision, freerange or delusions of grandeur and remixes for acts like yoko ono, tigerstripes, jay shepheard, the timewriter, marmion, crazy p, bellringers or vanessa daou. now the time has come for his own platform called serenades, featuring the manolesque ep - for those who like it deep, down & funky!

what needs to be said about move d? overused, though the veteran tag is, david moufang has been producing excellent music for many, many years. yet, the last few have seen him receive particular acclaim, especially for his more house-flavoured work - buoyed by his increased reputation as a dj... already played by ricardo villalobos

fiakun guys,open their home doors,with a first release signed by them.>around your neck<,a track based on a high-weight vocal and a simple piano, moves us to the most underground and contemporary house with a simple but very tasty construction. the first 12inch is complemented by two remixes of many carat: in one hand, penner + muder move us to the cold berlin,with a perfect mix and appealing for those djs who are finding a long and intense mix. in the other hand, roberto rodriguez, reinvents the original,to delight us with a more warm and harmonious track, with his so personal style that the compost guy has accustomed us.

first official 2562 release in over a year, marking the launch of his new when in doubt label. two heartfelt low slung boogie anthems – a taster of things to come. limited to 300 copies for the world on blue vinyl in hand printed sleeves. no digital. no reappearance on future vinyl. 2562 aka dave huismans - from the hague/holland, in berlin/germany – is known for his releases on tectonic recordings as well as 3024 and usually gets classified somewhere in the wasteland between cutting-edge bass music, techno and house. when in doubt is his new imprint, aiming to release personal, formula-free music

the forever-progressive luke slater has plucked a special release from the ether that will impress and intrigue followers of motes approach to underground techno. shrouded in anonymity, shifteds release is fuelled by a personal passion for techno

ed davenport is the next artist to have his say on len fakis figure spc imprint, taking his distinctive slant on late night body music into a new personal dimension. stretching out over 10 minutes, >take heart< throbs like a first love, dizzy on pheromones and the promise of kneetrembling basement action. fellow uk-import-to-berlin mama provides the telling vocal message. on the flip, eds >weird organ< is a straight up floor-troubling weapon - dark, taut and bristling with malevolent energy. perhaps his heaviest moment to date!?

the hideout deconstruction revisited series is going into phase two, here we go: after the french connection (d julz and paul ritch ) , this new release sees a more international bundle of top class producers : to start , we have dusseldorfs master producer martin buttrich (desolat , planet e , ...) put his magic hands on davide squillace & luca bacchetti s around the bay ( ho001). the track starts with an >acoustic style< beat and, a strong sine sub bass line, evolving to a jacking groove with rising vocal sample , intelligent synth lines , and arabic flute break. on b2 , carola pisaturo ( titbit , claque) delivers a more minimal rework , using bouncy sub bass , vocal snipets , 909 snare and clap ... giving davide squillace and luca bacchettis around the bay a rebirth. on the flip side, mathias kadens ( vakant , cocoon ) relecture starts with a strong shuffled tribal beat , 909 toms , synth lines ... mathias interprets the original elements of around the bay in a very personal way , dropping snipets into reverbs and delays in order to create a deep rising atmosphere untill the track peaks.

first on decks.de !!! sirius pandis boss and one of the labels key artists start a series of collaborations to bring their personal formulas into total siriusness consideration. >esencia nagual< is a shamanic, lysergic-spiced, powerful peak time track which comes with a house remix version from jack house killer mathias mesteno from upon you, tic tac toe. just the perfect man to give the original a premium club treatment. enjoy and expect more to come...

arne weinberg delivers a very personal record allowing the listener to enter his emotional world. the title track >chrome< is a dark and sinister piece of deep techno full of nocturnal sounds and textures, driven by a pulsating bassdrum and rolling snares. one of the darkest tracks he has ever written.
limited to 300 hand numbered vinyl copies only. no digital distribution.

with friends and cohorts like these, you can’t be sad for long. after the longest and best-ever and final closing, the saddest, best-ever and most personal record on the bar25 label is here. as pure dumb numerical luck would have it, it is – naturally – the 25th release. and, we’re almost proud to say, it’s strictly family business. the closing record speaks more to the spirit of the bar than any words, spoken or written, ever could. every track unique yet well-rounded, somewhere between universal and personal. awash with emotion, as though the sound machines had begun to breathe.

babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future – its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in

supported by: angel molina, david mothersole, dj tlr, paul woolford, simbad, jörn werner, franck roger, fabrice lig, will o brien, hakim murphy, esther duijn,.. >my electronic soul< is probably one of franco cangellis most personal tracks. slow and almost sensual 909 drums create a sonic canvas on which soulful pads and elegant melodies create a timeless electronic ballad reminiscent of early chicago deep house combined with the melancholy of detroit. as the title suggests, this track pretty much exposes francos true roots and is an ode to those long lost and almost forgotten days. >house for brunch< is another deep house offering with more detroit melodics

monsieur guillaume berroyer — the infamous ark — recently underwent a sort of sea change in both his artistic and personal life. anyone following his career with even a passing interest knows of his long resume (collabs with pepe bradock and cabanne, dolibox, mika weill, releases on brif, karat, circus company, perlon…) and has heard tales of the studio fire and the creative energy shift and all of the stories associated with his frenzied live performances and dj gigs. great stories are fun and build mystique, but as most heads know the music more than measures up to the legend. his recent >arkpocalypse now< full-length showed a matured craftsman that is not so much waxing introspective as he is distilling his signature sound into something manageable enough to truly adapt to all of his musical tastes.

including mp3 download code.
>good things< marks a shift in methodology from personal to political for aloe blacc, who refers to the project as his report on present conditions - the misappropriation of wealth, pillaging of resources, a universal lack of compassion, and the struggle to survive. ethereal production from truth & souls leon michels and jeff silverman mask a foreboding undercurrent in which aloe blacc crafts thought provoking lyrics. nowhere is this more evident than on lead single >i need a dollar< - theme for hbos >how to make it in america<.

the 2nd sampler opens with >mym 230 (rip)<, a track taken from his planet e debut release from 1998. it also features one of his biggest tracks to date, >cant take it< which was the debut recording of soul vocalist dwele. >antares< and >crosswtown< are two tracks take from the artists personal vault. tracks which were recorded back in the day, but remained unreleased ... until now! with this compilation we celebrate reclooses early works from the late 90s, early 00s. this material is often regarded as his best. the compilation includes his best music from that period, both released and unreleased.

this is the first single from dops rollicking greatest hits album is your personal teleportation device into their unique musical universe located in a parallel dimension somewhere between the disco and the drunk tank.

limited white label release. 100 copies only. ever!! from luxembourg but now living in berlin, marc neyen delivers his first album esmeralda on archipel. this vinyl ep is an extract of two of the most touching tracks of his lp. children s corner is a song where marc shows his acute sense of expressing emotions through his jazz training he received in amsterdam. the song might remind you of villalobos or pronsato, but marc finds his personal interpretation to make this smooth, warm tech house song perfect for any moment where you need introspection in a bright way. i move alone shows marc s ability to guitar playing where he brings techno to whole new world with gentle melodies follows tech house grooves

limited to 300 copies on yellow vinyl!
remixes of tracks from anthony collins >dreaming of running ep<, which came out end of last year.
nina kraviz from moscow must be without a doubt the hottest producer of the moment, after her work on underground quality and rekids. she gives her own personal touch to another lonely night. get prepared to hear a lot more of her in the future!
los updates, originally from chile and now residing in spain, are close collaborators with ricardo villalobos and have released an album on cadenza. they loved bruised inside so much they offered us themselves to do a remix. thanks again jorge y loreto!

deca002 is bloodmans debut release and fine example of his skills as a producerdefining his own personal sound within the different branches of his work: remote viewing stands out as a powerful tune setting off the dancefloor with epic, evolving techno synths and heavyweight beats.

detroit artist jason fine is back with a follow up to his critically acclaimed future thought album. the master of the introspective and personal techno sound gives us another killer release, once again transforming daily life experience into beautiful and moving deep techno and house. jason fine continues to play around with layered melodies and harmony mixed with raw and funky drum programming. the ep opens with the track orange, a beautiful monotone organ based techno track, revealing hard times. violet continues in the same vein. blue melodies play around over minor organ chords and heavy kick drum. on the inner tracks blue and red jason with confidence moves into the electro territory, still keeping emotion and atmosphere up front. even though the concept behind this ep is the full color spectrum, the mood is all over blue.