played by: tensnake, the revenge, aerroplane, erol alkan, diskjokke, 6th borough projekt, toby tobias, faze action ...
anyone in the dance industry get soft knees remembering back on this one. >jam on it< is one of that eras biggest tunes, period. its in the same league as >rappers delight<. newcleus was a pioneer in the electro-hip hop-boogie scene back in early 80s. >jam on it< sold more than one million copies world-wide back in 1984. so guess how excited we are to present this little gem to you. we invited the high and might chicken lips and they delivered what they do best, spaced-dubby disco.

limited 2011 repress in white coloured vinyl !!! incredible techno record, quo vadis, el jem and sparticus was made in 1994/95, and released in 95/96. you can feel the influences of classic maurizio and dbx here. already one half of lfo, gez varley definitely proves with this record that he can be a genius...

with surely one of the most exciting releases ever dial presents the heavenly dreamteam dj koze, portable and efdemin himself remixing chicago. and when three brightest shining stars collide- the explosion is louder and more colourful than the most magnificent fireworks. stefan kozalla aka dj koze has always been a part of the dial family somehow so it was just a matter of time to ask the pampa label owner for a remix. the beloved chicago album was the right work to involve the most incredible soldier against boredom. knowing alan abrahams aka portable from his first süd electronic parties from london, phillip sollmann (efdemin) and alan always kept exhanging music and friendship

recorded in the winter/spring of 2009, first released in june 2009. at the time i called it my failed kompakt techno experiment, i started out with that minimal beat in mind but ended with something different. the title was the first thing i started with after watching some miss helen mirror on tv at the period, still love the title really. songs became longer and i discovered the delay while recording. this second record was the first one were i started settling on an sound of my own. some weeks after recording the screaming girls on the last track during their sunday afternoon youth group activity a baby fetus was found on their field with the mother being one of the girls

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

clinton said it best, jerry j is the hook master! mastered from a cassette mixdown of the legendary session with maurice ortiz, alive wilton, members of rick james band, roy ayers band, >spider-man< robinson, engineered by jess osborne. jerry had been holding on to the tape for years, it was the only master that survived since that 1980 night, he recorded it when he was only 19! expect some tape noise, this is a demo jam

lime dubz keep on cracking with another too hot to handle release.. the long time duo jade & matt-u are reunited once again but not for getting back to their dnb roots. no jade teams up with matt-u for some highly technical dubstep sounds. grindhouse on jades venom lp was just a taster of what was to come..

7 inch featuring 3 tracks by the bewitched hands, taken from the album >birds and drums<.

repressed - white label - red vinyl - d5, the artist formely known as dimension 5, returns to the label where he started. three times deeply smooth funk techno tracks. his last track >floatation tank< on the >planet delsin< compilation, was favorite along a broad range of deejays, and licensed to josh winks mix compilation. this neutrino ep brings us three times deep funky warm minimal/techno. sounds along the lines of luciano and aril brikha, groovy late night techno. very deep

new label that was was recommended to us by hotflush label owner paul rose who knew recondite from a local berlin hangout. we immediatly liked it because this is clearly done for the love of the music. pressed in a ultra limited 200 copies run (of which a first batch have been given away already to friends of the label owner) we managed to get the remaining copies for you. four tracks of deep techno that is a collection of snapshots of recondites daily live. somehow melancholic, adventurous and lush tracks that also can be found in the productions of labels such as dial. dont sleep on this one!!

another stars is a new interpretation of the all time classic by steve wonder that was already re--vamped by salome de bahia & roger sanchez back in the day we couldnt say no to this 2011 versions for a purple music release.a choise of 4 mixes all perfectly harmonized with the superb vocal performance of myles sanko, vocalist of the english funk/soul group bijoumiyo, who gives his best to bring this production to a high level. produced by pagany & roby arduini who have been responsible for a lots of the biggest european club hits: such as cappella, 49ers, anticappella, superstar djs, su su bobien, house bros and remixers of the memorables kaya, king unique, hatiras, jakatta, de lacy, innervision... also essential team-up and productions for artists such as kym mazelle, barbara tucher, taka boom, su su bobien, joy malcolm: absolutely enough to proove their musical knowhow in the club music scene. fantastic job

2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word

after the big succes of hi tech booty, we searched for some really special guys out there to put hand on ahmets bomb. well here it is. a1 comes from maetrik which was a strong desire of ahmet and for sure an excellent choice. he totally brings in his own style while getting a little bit closer to the darkside of the track. a2 is a special collab between rainer, which we know from the last regular stock5 record together with cesare vs disorder and viudez, a mexican guy that seems to have a very nice influence to the production style. the vocal is very present but placed, arranged and transformed geniously. for sure a weapon! b1 is written by our special friend chris sylvester aka inxec. starting with a very housy groove, it falls quickly into a hypnotic mood that is unique in inxec productions. he really knows what the dancefloor requires and for this we are very happy to have him again in our release roster. b2 presents a very new and fresh artist called rico casazza. he interprets the track in a very detroit way, works verz little with the vocal but hits it very perfectly for the sense of the track. after this debut on our imprint you can be sure to hear more of this young guy in the next time!!!

terrence parker presents music works volume # 1 (catalog pmw001) is a special project featuring tps favorite picks from his parker music works label featuring house fused with disco, funk, soul, gospel and jazz. tp chose these 3 tracks not only because he likes them personally, but they were also among the most requested tracks by tp fans for a vinyl release. the a side features tps gospel-disco-house production of >let your love show< which was produced in 2010. the b side features a jazz-house fusion track entitled >soul juice< by dj leandre of paris, france. also featured on side b is a disco-house stomper entitled >lets get some love< produced by matt veloce who is a new producer from minneapolis, usa. for fans who like the sound of tps classic tribute ep, this special release is a must have!

here comes our second vinyl. it is also a va as our first vinyl was. containing tracks from fog & arara, monoroom, manu-l & paul cart and remixes from sasch bbc & caspar, yapacc, mahony & bog. we think this vinyl will suit anyone tastes, containing tech-house, house & deep house tracks. enjoy it.

it is no secret that bloop has gained a cult following in the few years that it has as a label. release after release, the portuguese imprint has put quality over quantity. and by doing so, it has earned the respect of the djs. one of the releases that made it gain that status has to be anonyms >fazer-me a cabeça ep<. its two tracks from an anonymous producer from detroit, that had just released an acclaimed ep on sushitech, was so well received that it helped in raising the profile of both anonym and bloop. so it is a great pleasure to have anonym back on bloop with >a is for acid, b is for bass<. two raw jabs of techno and rave, two strong statements of how detroit techno has still a lot to say

right after the success of his massive crude ep on adam beyer s famous drumcode imprint, patrick comes up with the titletrack dome - and boy what a follow-up it is! over ten minutes patrick keeps the tension high, teases us with the raw force of dome over just a few little kickdrum pauses until the track goes through the roof in on hell of a break! on the flip we have hot mess, another primetime weapon, and this one patrick produced together with per hammar, who made a name for himself with releases on great stuff, starlight and kant over the last year, but it was especially his track el salvador on mija rec. a few months ago that introduced per to a bigger audience, causing quite a stir on dancefloors worldwide!

to kick-start the fina campaign we literally hunted high and low to find an artist and sound that we felt would represent us and give a statement of intent. what we didnt expect was for this search to take us south of the equator and into to the deep southern hemisphere. this is not the first place that you would expect to hear warm, deep underground house but this is exactly what you get with the melbourne based mic newman. and thinking about it, it doesnt get warmer or deeper than melbourne does it? mic is a young producer who we believe is destined for greatness. at the age of 29, hes already had a string of underground smashes on labels such as murmur, tsuba, dirt crew, freerange, and now for fina records. the intriguingly named live east, die young ep (mic riffing on his time spent living in london) sees what mic doing what he does best and demonstrates why his future is so bright. on die young, the tougher a-side, mic keeps the beats solid, and the groove tight and hypnotic, while the smooth chord stabs get right under your skin. prolonged foot tapping ensues. on the flip side, live east, mic takes it a little deeper with ever so subtle disco touches. the vocal sample asks what your name is and to take off your jacket as if to welcome you to a very messy after hours on this mcde-esque low-slung house groove. on remix duty, the on-form jacques renault and marcos cabral aka runaway, lift the track out of the south hemisphere and take it in a north easterly direction all the way to the caribbean – adding plenty of steel drums and pads on their interpretation of live east

einen abwechslungsreichen soundtrack für die vielen facetten, die eine spaßige nacht oder auch ein spaßiger tag im club zu bieten haben, präsentieren die herren kottlet & zadak passend zur kalten jahreszeit. just wait entwickelt eine minimal gehaltene, düstere und mysteriöse spannung, die sich schließlich in einem stehenden subbass entlädt. dessen vom ohr nicht mehr wahrnehmbare anteile erzeugen eine wonnige resonanz an der bauchdecke, die sich mit öffnendem cutoff über den rücken bis hinauf an die schädeldecke ausbreitet. freundlich, hell und auf anregende weise dennoch einlullend kommt danach der titel sunday daher, der in zusammenarbeit mit soukie & windish entstanden ist. mollono.bass lässt das im original humorvoll angesprochene arbeiten am montag mit seinem remix in geradezu phantastische ferne rücken: dubbige echoeffekte und eine extra portion verträumte melodie erwecken den eindruck von fortgeschrittenen stunden. doch auch die schwitzige stoßzeit einer party kommt nicht zu kurz: mit pulsierendem basslauf, dichten percussions und einem deutlichen anflug von swing vor einer soundkulisse, die an einen exzentrischen trickfilm erinnert, erfüllt hut ab alle anforderungen für das, was man landläufig als kracher bezeichnet.

southern florida, 1984. the sonarphonic sound was pioneered by james mccauley aka maggotron / dxj / basstech. originally produced for bound sound records in 1984, this is one of the earliest and rarest recordings from mccauley and marks the beginning of the underground miami bass electro movement. in the following years he recorded hundreds of tracks including >the bass that ate miami<, >temple of boom<, and >attack on the planet of bass<. maggotron is still active in the genre and is currently working on a new album. if you are unfamiliar with mccauleys musical adventure, let the sonarphonic be your guide. tip!!

cooltool is young sublabel of well-known russian highway records imprint run by rayo & mike spirit. for the debut cooltool release they engaged talented american-ukrainian duo technique & yaroslove. technique & yarosloves duo was formed in 2005 and since that time they released numerous eps on european labels and participated in such big events as kazantip republic. for cooltool records technique & yaroslove provided beautiful track >southwater<. completed with stunning remixes by patrick zigon (cocoon, puzzle traxx, highgrade) and alexkid (f communications, cadenza, rekids), >southwater ep< is perfect start for cooltool records - so this label is definitely worth to keep an eye on it.

2010 was a great year for planet rhythm, solid releases from great artists and a lot of good feedback, airplay and reviews. many djs are happy to play the releases and the crowd reacts in the only proper way,just dancing and showing love. planet rhythm is standing for quality techno releases and will continue doing so for years to come. first up for 2011 is claudio ponticelli showing his look on the italian side of techno, enjoy and play it out loud as usual!

an edit of blockhead was featured on the latest kitsuné maison 10 compilation it is now being released in its full length glory along with remixes by zombie nation, hey today! & symbolone. played to death by 2manydjs.. a great kick-off of 2011!

ltd repress !!! where to begin with >likewise<...from a handful of cds that emerged early last spring >likewise< was by far the record of the night at diddys house party in miami. it then hit the top spots in mixmags charts and became one of the most wanted tracks by every a list dj during ibiza this summer and is still being championed by djs such as luciano and lee van dowski !

supported by loco dice, marco carola, dubfire , danny tenaglia , gel abril , gregor tresher , tim green , daniel sanchez , paco osuna , joseph capriati , luca bacchetti..... new ep for giuseppe on carillon records, this time some different tracks and styles. love transition is the most deep and housey track full of voices and effects with a great restart. i was right is the pick of this ep, a great groove with a classic pad in the breaks. lovers fight is the more tech house track,dark and solid in perfect style with the carillon first release.

lithuania based new producers debut release on endless flight. they have released from future classic, under the shade, mantis and own imprint silence music. their debut track >test< was licensed for the gilles petersons mix cd and supported from ewan pearson. this time they teamed up with nu-disco diva >kathy diamond<. original version on a side is dark, dubby down tempo vocal stuff and soft rocks remix is slo-mo ambient house. the dub version on the b side is a club friendly edit.

skreeeetch …. de lorean skidmarks scratching the tarmac. it is 1984 all over again. the most freshestest sound ever - even fresher now. as this is the sam with the golden ame! rough electro boogieness in high definition. what happened? running back, the goonies of the clublands, unearthed a treasure from the uk eighties art funk vaults: nature makes a mistake - written and produced by chris bishop, originally released on the cassette sampler >sex & bestiality<, bain total, something so much more streetsounds than thoughtcrime which was restored and remastered for vinyl in 2010. after that the little diamond was given the treatment by those ueber-couturiers of electrical bliss-dom: ame (teaming-up with marcel dettmann in the mix). the result is probably one of the greatest ame efforts ever, maintaining the spirit of the original and teleporting it onto the dance floors of the 21st century, the age this piece of futurist art always was destined to have its true rightful place in time. words by kk.

rockstrohs track licht in 2009 was certainly one of the most striking club tracks. the unusual combination of previously german vocal and smooth house beats made it at once, not in the top 5 of all dance charts but also brought every floor - the club until the metropolitan area - to the quake. the follow up single tanzen was there to seamlessly and made again for many happy faces in the club - not only for ladies. just in time for the new year rockstroh starts the next rocket. wolke 7 will again reach the peak position of the charts with remix support of finger and kadel remix and alex gap remix

for over six years, shadybrain is forcing innovation in drum and bass. with its 10th vinyl this is made clear more than ever. >the panic girl remixes< join various high profile artists who have never been combined on a release before: dbridge, phace, duo infernale, skyence, as well as newcomer sone. the base for all their remixes was panic girls >burn and rise ep<, a trip-hop release which was published on shadybrain in early 2010.

new fresh vinyl only release from vidd based in stockholm - related to farden records. subliminal sounds by the italian marco shuttle who delivers an brilliant executed slice of dark basement techno. on the a-side a track that will creates a stir on the floor and that kills it on prime time with its hypnotic female vocal hookline. one of those tracks that stands out and gets people to the dj and ask what that track was that he just played! the b-side is a dark epic track with a phat metallic detroit-ish basslines and a frantic spaced out athmosphere... perfect material for a deep dark basement session. limited pressing of 300 copies.

what do you get when one of the worlds most in-demand producers and one of the worlds most in-demand vocalists combine their talents?
what if the producer was hit maker and ambassador of club culture david guetta and the vocalist was internationally revered pop/r&b goddess and grammy winner kelly rowland?
following an astounding live premiere at this years winter music conference, david guetta presents >when love takes over< feat. kelly rowland, a song that will cross pop culture barriers from all over the world. backed up with dnb-remix by blame.

schütze dein vinyl – unser limitiertes freude am tanzen sommershirt 2010 mit einer klaren aussage. kurz, knapp und zeitlos für alles was mit musik zu tun hat. alle jungs-shirts sind von american apparell, hochwertig verarbeitet, aus 100% baumwolle und schmal-gerade geschnitten. inklusive rhythmus-statement als minitext auf dem rücken.

being one part of the dj team kassette boys, ferri borbás aka superlover is widely known as m_ferri. he was raised in berlin and after the wall came down he got musically influenced enormously by the then arising techno culture of the mid 1990ies. his early productions have always mirrored the influences of the rough, industrial and dark sounding techno sound which was brought to berlin by artist like jeff mills, laurent garnier or joey beltram. simple, radical sounding and functional: tracks like his >tanzgenerator< or >open the watergate< had shaped these asthetics into a trademark sound. his latest superlover project is slightly shifting his musical coordinates : instead of a reduced and purely funtional >m_ferri sound< his new project presents a rather emotional and energetic mix of warm sounding rhodes pianos and string synthesizers. the three tracks of the e.p. combine those sounds earworm-like to catchy melody riffs and being the metamorphosis of a new disco influenced, poppy superlover sound

bjorn torske is a special artist with a special name. he was born in northern norway where fishing has been the main industry for hundreds of years and his name literally translates as >bear cod<. even making dinner is unique in norway: you put the potatoes on to boil, go out to sea and catch a fish, then return to prepare the meal…this process is known as >kokning<. to say that northern norwegians do things their own way would be putting it lightly … to say that bjorn torske is making music his own way would be exactly right.

for the second release on his own hardrive imprint, terror danjah is joined by joker and nottingham bassline don illmana. a-side >gully goon estate< happened via the power of the internet, td and joker had long spoken about working together, and danjah eventually initiated the collaboration when he sent the jkr the audio stems to his classic >zumpi hunter< riddim. joker reciprocated with the parts for >gully brook lane<, and after much back-and-forth between the two instrumental grime heavyweights, the >gully goon estate< was blueprinted.

in the summer of 2009, gothenburg, swedens jj quietly released one of the years most critically-acclaimed albums. the album jj n? 2 was the groups debut full-length (their first single was jj n? 1). secretly canadian is proud to join forces with swedish label sincerely yours for the worldwide release of this remarkable record.
digital download code included.

super gelungene vinyl ep. eigentlich ist alles dabei was der dj so braucht, mal etwas herzlicher (wie regen) , dann auch wieder dickes dj futter für die prime time(sonne, stronger than pain)

skreams label rounds of 2010 with a classic release. its not often a gem like this comes along and its no surprise that fellow production collaborator skream picked it up for his disfigured dubz imprint. having been a regular floor filler over the past year within the emerging techno x dubstep scene, >voyeur< has been in high demand and finally sees the light of day to many peoples delight. it was one of instra:mentals first dabbles with the 4/4 structure but has the maturity and qualities of a rediscovered 90s classic.

hadrien - maria pamplona as it should be, ladys first: >mary pamplona<. once again the proof that it really is something good to women. even if a man, hadrien, responsible for the development of this woman . yapacc feat. big bully - face to the floor the night is over. the track was amazing. when you go you still can hear him. and who of us do not know. when the sun comes out, sometimes you better turn your face to the floor...

please welcome a new member to the mojuba label family, sirko müller. to some of you sirko might not be so unknown, because hes in the game since the mid 90s and is one of the founding members of the label tokomak records, which was also founded by mojuba head honcho don williams back in the days, and he recorded also tracks for pure plastic sublabel rewired, styrax and milnor modern. after a long hiatus sirko is now ready for some new action, so to reintroduce him to you we decided to put out some of his classic tracks as well as some unreleased bits! its quite hard to believe that these tracks are from about a decade ago, because they are still sounding fresh but also capture that little dirt and roughness which still remembers to the early years of clubbing!

>down there< is a world of nine new songs from animal collectives avey tare. his first official solo full length carries you through a murky world of sound, an alien death world of soul grooves that is both honest and otherworldly. wait for sundown and turn it up loud. take a ride on this haunted boat and let yourself be guided through deep sloshy rhythms, waterlogged bass, and moonlit breaks in the canopy that reveal a crisp crystalline pop buzz. >down there< was recorded in the month of june by old friend josh dibb (deakin) at the good house, an old church in upstate new york, surrounded by the great swamp and visited regularly by monks, white widows, and groan toads.
code for free digital download included.

dj roc, known to his mother as clarence johnson, was born and raised on the southside of chicago better known as the low end. the crack in >crack capone< refers to his style of production. like an underground chemist, dj roc produces variant strains of chicago juke music, the crack referring to the synapse snapping, potentially ankle cracking manipulation of rhythms and the sampling, hijacking and ultra-rhythmic micro-editing of black american pops dominant forms into a style thats been developed and tested on the streets of chicago.

big with: luciano, loco dice, anja schneider, dubfire, laurent garnier, d julz, daniel sanchez, ryan crosson, simon baker, karotte, mathias kaden, danny tenaglia, stephan bodzin, coyu, tim green, julien chaptal, .. jay hazes bearly legal ep was such a success, but with just two tracks, our circle of producer and dj friends were asking us why we didnt release any mixes! well, ask and you shall receive... >no need for loops< was the original eps b-side, but with positive feedback and play from ewan pearson and ellen allien, weve decided this time to let it have the glory of a-side status with a top-notch rework from ilario alicante (cécille, tenax) who combines a busy, pulsating rhythm with the lulling undercurrent of melody for a hypnotic effect. >take your hat off< gets the remix treatment in the hands of several adept producers: first shaun reeves (wolf + lamb) and duo tale of us (barraca music) team up for a sly, seductive version, while amam label boss alessio mereu offers a punchy, revved up take to give the 12inch some welcome contrast.

willkommen fapples auf satr. passend zur kalten jahreszeit, legt das junge berliner label ordentlich kohlen ins feuer. die beiden kasachen stephan sax knyazev and alexander dizzik kovalenko debütieren mit ihrer ersten ep my pink phone auf simple as that records. hier legen die beiden mit ihren zwei energiegeladenen tech-house tracks my pink phone und tasty funkets ordentlich was in die waagschale. beide tracks bestechen durch einen treibenden groove gepaart mit den saxophon sounds ergibt das eine unwiderstehliche mischung. abgerundet wird das ganze mit 2 knackigen remixen, da geben sich der mecklenburger jung sandro schaeufler (satr, acker rec.) und der jenaer jamy wing ( sonido , einmaleins) , die ehre. supportet by the glitz, adam port, rampa, re:you, david keno, andreas henneberg, marc depulse

rabimmel rabammel rabum .... was schledert da herum , flink der fink !!!ackerdub macht nicht schlapp und präsentiert nun carsten rausch & ferdinad laurin mit moving up.. incl mollono.bass remix

was für ein jahresabschluss: beatamines back @ homebase - damm records - part 1 dieser genialen doppel ep mit remixen von martin books, alex q + turm 3!

in 1985 michael soward and shelby hurns set out to create the new gospel sound with their self-released album entitled >real love<. the lp was a progressive mix of synthesized gospel soul and spiritual funk. this heavenly blend proved to be visionary for their time and sounds so right today. ppu22 features three new edited versions from soward & hurns landmark debut, guaranteed to bless speakers worldwide. tip!

the two hamburg based acts me succeeds and arp aubert are responsible for the first part of a ki records split series. on the ep named after the city in the north of germany the two acts combine their friendship and musical preferences to remix each other and contribute one very own track on each side. me succeeds, with their members mona steinwidder, sebastian kokus and lorin strohm, is a part of hamburgs labelcollective i saw music and their songs combine indie pop with electronic beats and chords. arp aubert consists of the two founding members of mirau records: stephan lorenz and marco niemerski. niemerski is better known for his productions as tensnake, but keeps arp aubert running as a matter of heart. the ki-split 1/3 (hamburg) is truly a family matter. because of their close friendship, me succeeds and arp aubert have created a very intense and emotional record. by remixing each other and combining their musical background this release turns out to be a very special one for ki and the acts themselves. the cover was created by me succeeds in well known ki tradition to make this piece of music something special and memorable.

lol is a bit of an unusual project, its just a thing in its own right, its not for anything or anyone in particular, its just an lp made by three bored people who like music that sounds like it did before the advent of the internet. the project was recorded in the bedroom of a warehouse conversion in hackney wick (bedrooms can be incredibly creative spaces, seeing as most of us were conceived in one). they wrote about self-obsession, social anxiety, drug abuse, and failed relationships using pre-21st century recording devices such as vhs tape, 70s valve microphones, analogue synths, cheap argos catalogue guitars, and 80s drum machines.