the 1st from a new latin project of john beltran is a stunning tune thats got plenty of swing, instrumentation, and features jeremy ellis aka ayro. the main vocal mix resides on the a-side while the drum junkie mix is on the flip. limited pressing of 300 copies with picture sleeve.

newcomer ricardo rae with a straight stomper on this hot tango solo debut. >hold on< is a tangy gem of crisp, clean and snapping deep house - loads of thick basslines, key stabs and some jazzy elements working nicely in the mix. on the flip the hot chuck love kills it with his mix - toughening up the percussion a bit, laying down a buzzing bassline and throwing down a tasty breakdown, all with that trademark chuck love funky strut. solid stuff for the youngman, heather and fred everything fans here.

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

kate perrys album as double 12 inch in gatefold cover. incl teenage dream, last friday night, firewrok and more !

incl. daniel stefanik edit , pressed on marbeled red / black vinyl! special marbled black-red colored vinyl with a huge edit from daniel stefanik of the butch summer hit no worries and johnny d. power to the people remix with live vocals by himself from his last hit love or leave me. watch out for this cecille special release !! ltd to 800 copies ww

nice price deal !!! charted by reboot !! niveous records proudly presents the first split ep with massive bangers by max piske and marquese, who built a tag team for this release. already played by robert dietz, ray okpara, livio& roby, alex celler, boris werner and many more

limited to 300 copies on yellow vinyl!
remixes of tracks from anthony collins >dreaming of running ep<, which came out end of last year.
nina kraviz from moscow must be without a doubt the hottest producer of the moment, after her work on underground quality and rekids. she gives her own personal touch to another lonely night. get prepared to hear a lot more of her in the future!
los updates, originally from chile and now residing in spain, are close collaborators with ricardo villalobos and have released an album on cadenza. they loved bruised inside so much they offered us themselves to do a remix. thanks again jorge y loreto!

murmur has become a gem in the stone path of electronic music labels, a consistent voice of quality through their series of vinyl and global events. no fit state is a vinyl sampler for the label, bringing together some gifted artists and insightful music to celebrate the label s journey. claire ripley opens the package with a solomun remix of slow loris , released earlier this summer on timorous ep. best known for releases on steve bug s dessous recordings, claire is an undeniable talent with flair for getting the feet moving. solomun pulls the trigger with his remix in a capricious whirlwind track setting the skies alight with energy. label head geddes pairs up for another collaboration with the skilled young australian, mic newman, after big releases on the tsuba label as well as murmur. rework is available on digital only release, a rattling snake of a record alive with chords and softly spoken calls.

carte blanche (mehdi and riton) crank out a top-shelf banger, already getting big plays by tiga and brodinski. aeroplane slows down the tempo and glides the waterbed out onto the dancefloor. h.i.t.

q-base is a concept from q-dance that has evolved in the years to be one of the biggest harddance festivals that is held in germany.
the track >lost in dreams< by mike nrg has grown into the official q base anthem throughout the years. also this year the track is used as theme song and being released with some fresh new mixes.
a new big ep on the q-dance label.

the locke saints band out of watts, california created deep jazz mixed with soul & heavy funk. similar to the kashmere stage band albums, young talent is highlighted under direction of veteran producer reggie andrews.the 1978-79 locke saints album is considered the holy grail of school-funk albums, the original pressing fetching upwards of $1000 on auction. a heavy dose of school band funk!limited 500 copy pressing.

>smiling faces< – with this all-time house classic romanto advanced to one of the favourite deejays in the dance and club-scene. this song is still a club stomper in germany and uk, you can still find it on realms of compilations. now his new release on young society records >burning< comes with this well-known fantastic hook including incredible vocals by gordon bad.

>that placid track< has been in the hands of some lucky individuals for some time now, making its way across dancefloors from berlin to new york, bristol to tokyo.
dark disco references are heavy throughout with a great use of strings licks, a slo-motion vocal sample and a classic cowbell keeping everything nicely in check. as with most of octobers productions though he still has one foot firmly inside berghainrendering this essentially disco track into something with more of a late night, broody edge.

anmade 009 is about to hit ya ll, expect one of the best manmade releases so far! 5 banging tracks with different styles and tempo, but they all have some things in common: they are big, fat, funky and a guarantee to move the party peoples butts.

mr konfuze & lunatic as known from manmade feature funk and for their sureshot track >on the beatbox< come again with their first extended player! employing the original techniques and artform of sampling they bring the bomb track >dont wanna lose it< in two different versions for your dancing pleasure.
mixing uplifting disco piano, slamming breakbeats, electro-synth, funky rhodes, and pop vocals to create a catchy sound chopped up inna hiphop style - familiar to anybody and outstanding at the same time.

dark and cinematic electro, made by microthol for austrian pomelo label in 2004.

deeeeeep ... and we love it. vinyl only! we predict future classics with these 2 tracks from comfortable records new secretive line of 12 inches, infectious vocals, dusty cord stabs and ride-the-horse grooves ... yes!

murmur return with a brace of killers, their first new material since mean 011s split release with bovill back in 2008. over the course of the half dozen years since beginning their meanwhile imprint, murmurs output has been so sparing, evanescent, and epitomising the labels low-key approach to steppers house music and horizontal techno with an implicit electronic beatdown sound, that acknowledges their pitched down sound, so heavily influenced by their early south african adventures and exploits.

congrats! suol has just become a proud parent to yet another great artist ... trickski! please to meet you.. i m sure you will love our playground! trickskis last release on jimpsters imprint delusions of grandeur has left an impeccable impression on many floors ... and we are happy to welcome daniel & yannick aka trickski to our suol family with an outstanding release by the name of >before & after ep<!

like >the final breaths of a game boy caught in the reeds and burbling under the waters< (nme), luke abbotts >holkham drones< has been making waves in all of the right places, and now as it finally drops in your record store of choice, the ripple effect begins to spread out across the world. >holkham drones< looks set to catapult luke from his provincial norfolk outpost of the uks burgeoning electronic underground straight into critics end-of-year best-of lists, in one fell swoop.

beg to differ is a dance music duo comprised of house hero nick chacona and wurst label boss roy dank. the two longtime friends started tinkering around in the studio last year, remixing the likes of detachments for thisisnotanxit as well as nicks solo outing with kathy diamond for moodmusic, and quickly finding favor with fellow new yorkers james murphy and holy ghost!. influenced by talking heads, my bloody valentine, and paulsimpson, beg to differs work is characterized by big hooks, live instrumentation, and lush production. the duos wurst debut features two massive - and decidedly different - reworks. parisian afrobeat masters bibi tanga & the selenites get the full beg to differ overhaul on >be africa<, complete with infectious arpeggios, killer keys, and an entirely new rhythm section, with nick himself on bass duties. the pop rock of the hours >ali in the jungle< is transformed into an epic, string-laden anthem taking in disco, rock, and even trance by the end of the mix. heavy to say the very least.

remixes by karizma and bugz in the attic.

2007 papa records release, remixes by the ramp and rainy city music.

mlms live show now incorporates a full brass section and drummer, accentuating the elements of carnivalesque ska and heightening their collective energy. this, combined with johnnys unique lyrical style, sees the band form a new fuller sound, merging their playful melodies with a powerful back line. young british singer, jessie ware (who has also sung for jack penate), a bright new talent, has also joined them to offer soulful vocals. the >lovestruck< ep reveals a more refined method of writing infectious and original british music. their new approach to composition harbors their recognized style, whilst showing a progression as serious songwriters. for the release of the ep the band has been working with producers such as clive langer (madness) and charlie hugall (florence and the machine).

two tracks taken from the turn the page lp. a side >release< - calming things down a little, >release< continues the tempo with a bouncing bass and booming sub to match as delicate synth stabs and vocal washes trickle over the top to make for a great cut as the lp journey picks up pace. aa side >the sleeper< is anything but with its rollin? bassline and stepping drums that smash any club when dropped. a sure-footed crowd pleaser that shows the guys getting seriously engrossed in some vintage d&b vibes.

excellent selected 6 track vinyl compilation with slamming tracks which are exclusively produced for this album. incl track from steve bug, patrick chardronnet, d julz, jay tripwire, donnacha costello...

a twinkle, a spark, and there you have it. many will say they saw it coming. at some point you could no longer ignore the signs, and actually youd suspected it all along: glamour is back in the club. berlin has become what new york was in 1981 and aÚrea negrot is the eartha kitt of the post-techno age. as part of hercules & love affair, perhaps the most enigmatic disco-ball band of the present day, the venezuelan disco diva has tackled issues of gender code through a four-four discourse and convinced the world that a slick performance under a strobe light can outdo than anything that has appeared in the light of day. now - as a taste of whats to come on her album next year - she is releasing her first ep on bpitch...

the heat of summer into an urban canyons night of fresh air. in berlin. or manchester. maybe in budapest even. it is warm, but not that close and hot anymore. a soft wind blows through the leaves and ripples the surface of the small puddles the rain left on the streets. with relaxed enthusiasm a man walks up to his house where he will decant a well-tempered sangiovese while waiting for the woman with whom he will chat till dawn.
with three reworkings of one of their tracks from the full-length album >13<, the trio from manchester conjures such an atmosphere on their vinyl release on binemusic, inviting you to (day-)dream or relaxedly bob across the dancefloor. and maybe even bear the waiting time while stuck in traffic.

vinyl only! debut-album by quinto. soulful, emotive, string and synth-driven stuff with a fine detroit flavour. supported by laurent garnier, misjah, wehbba, franco bianco, oscar, uglh, the glitz, dave fields, dave mothersole & more

alan abrahams is portable and this is his second 12inch for perlon. a pretaste of his forthcoming album, expected sometime in 2011 through this channel. after spending some time in london and berlin, alan recently moved to lisbon, where he continuously works on his very own definition of house. while the a-side, life magically is a stripped down mental monster, the b-side offers the perfect love song entitled >find me<.its all about soul and if you have the chance, we highly recommend portables current live show, its a trip!

next slamming cocoon 10 inch , this time with >simon wish vs cruz & lati< and >maetrik feat. kule runner<. a side with dirty groovy techhouse, flipside (maetrik) with more techno flavour... booth are perfect for full of prime time pleasure

tiefschwarz and souvenir records proudly present: tiefschwarz >melted chocolate 1<. no summer break for tiefschwarz!

piemont have worked for the last months on the aspect of leaving the trail of minimal by injecting a stronger and more noticeable note of soul, without becoming one of those adult house guys who sound as if they skipped teenage nihilism in favour for a perfect sound.&#8232,,so please listen to chair or throne with its irresistible vocal snippet-collage, where three different sources of vocals clash with each other in a funky way... creating madness and deepness. this is a a techno house stormer for peak time moments!

who wouldnt want to be kept by a beautiful rich woman? no matter how you look at it, its not the worst way to make a living. in 1982 the german new wave quartet ideal even wrote a song about it. >schoene frau mit geld< is thestory of a young man without any other drive or desire in life than to find such a woman and turn this state of utopia into reality. tough goal! twenty-eight years later, one of germanys finest and merited producers decided to do afresh interpretation of the song. sir losoul of playhouse fame presents two mixes (a dub for the faint of heart) that hone the hook and tag line of the original for maximum dance floor and repeated listening pleasure. and that, ladiesand gentlemen, is sometimes really the only thing you need in the world…

originally recorded between 1974 and 1978 at industrial records studio in london >the space between< album was first released as a 90 minute cassette in 1980 on throbbing gristles industrial records label. it wasnt until 1991 that it was again released by mute records on cd. although tracks from >the space between< have appeared on numerous compilations since its release, the album has never been available on vinyl until now.

do you remember why you started going out in the first place? if not, the maze will remind you with the largest feedback overdose since jimi and miles devastated the isle of wight. recorded in one take in an all-analog set up, stefan hooked up drum machines, distorition pedals and a theremin-controlled fuzz box for the ultimate screaming machine jam. now spanning two sides of a 12inch.

2003 release by dj carrera aka paul brtschitsch and roland leesker.

happy birthday pck in party 7 incl big room house tracks and a epic nils van gogh classix track

features 2 new tracks, crunch and munch & master blaster. diz & fiasco totally work out the doubledownin chicago vibe with their signature beats, swinginging basslines and badass mix moves. master blaster jacks with loads of peak time energy kickin from the top, smoothing out in the middle with some soulful keys as the whole thing builds up into a beefy bumpin ride. crunch features some groovy, techy atmospherics and compliments the the flip perfectly.

finlands 501 made his name writing smashers for labels such as chase & status imprint more than alot, but this plate on black acres dancefloor subsidiary will confound all expectation. >short circuit< marries synthetic pop production with dancefloorsensibilities and adds a dash of pure cheek for good measure. an intro of vibrant chords, talkbox vocals and live electric bass sets up the naughtiest of drops - skipping jazzy beats, switching synth edits and snippets of turntablism, all shoe-horned over an enormous warping bassline.

metalheadz veterans & man of the moment s.p.y combined to devastating effect. first up we have >legion< which takes us back to 2000 with total sciences beats and bass line and classic ragga sample. before we re bought right back up to date with >ploc monster< and its growling bass line and skanking beats. release of the year so far!

>listenin to the records on my wall<, the first single from skreams second album on tempa - the much anticipated and highly acclaimed >outside the box< - has long been in demand and is now finally being released on vinyl. >listenin to the records on my wall< is the perfect introduction to why skreams current level of success is just the beginning. its a joyful, ragingly energetic celebration of the last quarter decade of british street music, inspired by the hardcore and jungle records used by his older brother hijak who was part of grooverider<s internatty crew. its also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s ? and to those who didnt.

tolles reissue pack incl one nice pin, 2 high class round sticker from voltage musique, vmr029 (with quality music and artwork) and a spezial vmr cd mixed by marquez ill incl tracks from kombinat 100, the glitz, andreas henneberg, gunnar stiller, marquerz ill tolle sache

the first single taken from the well-received album >black city<, >little people (black city)< comes with the original version and a huge mark e cut.

small low profile run of this reggie dokes >until tomorrow< remix 12. a-side is done by serge who finally did hit the studio with his buddy gerd and played around a bit with the lovely original version. flip side is done by the talented ben sun (known for his tracks on the new voyeurhythm label). two fine house version approaching the original on two different ways. highly limited copies with simple black label and royal oak stamp.

introducing magic wire recordings….. new label from werkdiscs artist lone (aka matt cutler). with this debut 2 track 10 inch from the man himself we are graced with two slabs of nostalgic neu haus and early 90s hardcore, some what of a departure from the dreamy, hazed out hip hop of his albums >ecstasy & friends< and the now classic >lemurian<. >pineapple crush< hits us with old skool 4/4 808s and heavy rave stabs, all drenched in his own unique melodic style. this is music that will destroy the club but will also soundtrack hazy afternoon parties in the sun. gorgeous but heavy and already being cained by the likes of glasgows luckyme crew, alexander nut, kode 9, trg, gilles peterson, joy orbison and mike paradinas. this is a huge step forward you wont have seen coming!

new 4 track disco 12 from stones throws dam-funk! featuring mc eiht on the title track, legend steve arrington from slave on >at my homies<, one jt donaldson & tim k produced track, and the instrumental come on outside, produced by devonwho (all city/fat city)!

bad chemistry is already on its 3rd release and none other then spktrm is on the case to break a new kind of branch to the bad chemistry sound. anomalous singularity is deep, broken and darker then the cave it was made in, rattling drumfunk esque patterns immerse out of the dark pits sucking you into brand new territories, f.w.c. is totally different, staying true to his roots spktrm goes in with guns blazing. hyped up kick & snare switches make sure this one will go down with the core posse with ease!

first on decks.de !!! scalameriyas >samus aran<, a thriving and massively pushing techno-cutlet, makes up eminors first quarter. its getting a solid rework by daegon from denver, who is obviously not afraid of daring to enter the twilightish area of heavy distortion