slamming 1978 disco!

we’re back with our fourth offering, welcoming british up-and-comers swales and tom jarmey for a v/a packed with deep house music of the highest order.

this is the latest release in orlando voorn s neverending collected serie, an anthology of music produced by one of the most original and trulypioneering artist in the world of electronic dance music. flipside with fix - flash classic

early tom demac production , timeless , fresh back in stock

180g 4lp mit buch !

acid electro alert!early support: dave clarke, marcel dettmann, laurent garnier, red rack em, hunee, john osborne, ame, vin sol, domenic capello, dubfire, tom trago, james zabiela, cinnaman a.o.

the incredible debut album from barney artist finally available on vinyl!

brill minimal house with a jazzy feel

limited and numbered pressing on transparent green vinyl.

incl claude vonstroke remix

2019 repress! minimalistische grooves die zu einer fahrt mit dem audi tt einladen. also anschnallen!

african-influenced jazz and funk (dokkerman & the turkeying fellaz, the mabon dawud republic), head-nodding hip-hop beats (abase, tom caruana), straight dancefloor friendly pieces (bete aka suhov, umoja, m.w.d, chilum trio & auto reverse) and also, laidback grooves (freakin disco & crookram)

180 gram vinyl

deeply falling in love sleazy mcqueen remix

cool breakish / electro cuts

motion sequence ist zurück mit dem fünften kapitel

great african disco

zweiter teil der reighe mit noch mehr melodien des grauens auf limitiertem vinyl.

labelchef tom joyce trumpft mit einer gruppe an künstlern aus frankfurt, paris und casablanca auf.

dies ist die 10. veröffentlichung bei riot radio records, einem unabhängigen, in schottland ansässigen techno-label.

new york producer and pianist eric maltz lives in berlin. he produces and mixes his music in a simple, subtle and elegant way and puts his music out on his own label - flower myth. in 2017, eric maltz released his first record on levon vincents novel sound, including the splendid we have power, an ode to freedom and celebration of life, featuring the warm vocals of peruvian cristina valentina. on the brooding rhythmic dancefloor, cristinas voice opens up and reminds of the power of a meaningful lyric, how a loving message can touch the heart ever so strongly. over the past year, we have power has become a permanent fixture in the possible futures record bag. the two had to learn more about eric and cristina. naked broken is the first engraving of this newly formed and inspiring musical friendship. a hot groover rooted in a rich ny house tradition, featuring di erent versions for the adventurous dj. eric maltz & cristina valentina played live in berlin on september 2nd, for the hot run! the annual possible futures open-air summer dance, along with elena colombi, kassem mosse, sassy j and tom trago

detroit’s pioneering techno giant robert hood is next to take the reins of the dj-kicks mix series.
download card included within lp.

005 is the second release on valby rotary for label co-head tom vr. “angel” is a euphoric and elegant club jam with intricate details dazzling throughout. the b side “getting the best of me” is a shuffling garage track built around an improvised arp synth line, with nostalgic chords for a tearful send off into the depths of winter.

san proper, hreno & the mole on this superb house ep

at the forefront of the irish electronic music scene, sligo-born berlin-based duo brame & hamo, aka tiarnan mcmorrow and conor hamilton, announce their hotly anticipated fourth ep, celebrity impersonator. via their own imprint, brame & hamo. the title reflects the duos personality and playful energy, nodding to their love of celebrity impersonators whilst growing up. we have a bit of a soft spot for impersonators as it is a pretty ridiculous way to earn a living. a bit like djing! our favs were those of tom cruise, bill gates, gordon ramsay and johnny depp. opening with ‘midnight express, the rolling melodics nod to the early sounds of prog house and italo, acting as a transitional opener to their signature trance via techno scores. on the b-side, title track ‘celebrity impersonator, is a moody four four that edges into the darker realms with their love of breakbeat shimmering through, resulting in a club ready anthem. melting down into a rolling trance groove with a late night heady feel, ‘request rhythm closes the ep. with an impressive discography of eps behind them on their own imprint - trants, club orange and the dj favourite, limewire, as well as bookings worldwide the irish pair are set to propel onwards from sligo to berlin and beyond.

this record is a bomb! it had to be said.. telegraph is proud to present tom ellis new ep. a four tracks project (+ 1 digital bonus) that showcases the huge talent of this special uk house producer. all tracks are dancefloor killers, always funky and groovy they are full of creativity evolving into different atmospheres. a tribal exotic flavour on some tracks bring a fresh vibe into his productions, tom s music definitely is very human and always musical. tom s highly acclaimed and ever growing discography spreads far and wide through labels such as hartchef, minibar, trimsound (his own imprint), logistic, archipel, floppy funk, morris audio and telegraph. he regularly performs live around europe and can be witnessed displaying his bass guitar skills along side label partner leif with their trimsound live project.

acht jahre müssen gefeiert werden: kompilation zu ehren des “best chicago dance music label not based in chicago”.

planet e are proud to present aw18 collection, a 3 track ep from british producer tom flynn. drawing upon a broad and learned musical understanding, aw18 collection fuses disparate strands from the worlds of fashion, club culture and sound design to forge a highly atmospheric, singular release. packard, the title of which is inspired by parties in the historic detroit power plant of the same name, establishes an unrelenting energy from the get go. a bouncing kick lays the foundations for rolling synths, unnerving vocal samples and delicate piano refrains to wander. anna is an indulgent nod to the catwalk, marching with intent amidst immersive chords and subtle melodies. the b side hosts a trippy cut full of interplanetary glitches and melancholic harmonies. drawing upon hints to the extraterrestrial, marx creates a dizzying swirl with glistening textures. carl craig was sold straight away: when tom sent me his demo of packard i knew i wanted to release it on planet e. the mix of looped electronics with soul of the piano brought me back to when i first heard the post-disco classic beyond the clouds. i can imagine the kids on the scene rockin hard to this.

die drei stücke auf white flowers bringen ein feines amalgam aus schnell verzehrter ekstase, frischem herzschmerz und zitterndem trost hervor, alles auf dem scheitelpunkt von euphorie und verletzlichkeit. der essay des titeltracks führt in tiefe, streicherreiche minimal-techno-terrains, während die träge stimme von kev kharas dem instrumentalbild eine weitere dimension verleiht und es zu einer klassischen kompakt-affäre macht. betont club-freundlich hebt demacs felix den groove mit einer mitreißenden mischung aus synthie-glitter und 303-bässen hervor, bevor die ambient-version von white flowers alles auf eine ruhige, melancholische note bringt. eine stimmungsvolle geschichte von verlust und sehnsucht, weinerlich und jubelnd zugleich, ist white flowers ein track, der die emotionale bandbreite vom dancefloor auszuloten vermag.

the secret seapony debut ep with 4 pieces of varied cuts. joined by hillevag dwellers: afrahis jj, tom ace & ulli. introduced with scattered morse codes pumped into deep turquoise oceans from the acidic dubmarine. chiming lost triangles of bermuda-trance w/ solid squared tb 303-bubbles and deep ms10 waves. b-side greets nature with an uplifting melodic percussion session lead by jjs solid dxing and playful muranidaes. last cut comes with full blesselse and merges into a bliss trip w/ tom ace & ulli. norwegian seapony power!

yes, one hundred! wow! morris audio s 100th release is a milestone for one of the most productive labels from switzerland. morris audio started 18 years ago, the sublabel morris audio citysport 15 years ago. with a total of more than 150 releases, the labels have been making their marks by presenting different types of electronic music, from techno to minimal to deep house with everything in between. combining established producers and youngsters, morris audio has an impressive artist roaster. remember the likes of dub taylor, jackmate, hakan lidbo, burnski, till von sein, kris wadsworth, iron curtis, oli furness, dash dude, tom ellis&leif or brame just to name a few? it has been -club and home entertainment- for years and we celebrate this 100th release with two parts of well-crafted tech/house tunes. part 1 is the more techy one and features morris fella iron curtis, new signing anna wall & corbi, and swiss boys replika and elvis cassetta. collectors item!

nice price deal !!! tom tragos first release of 2011. this limited promo precedes his new album >iris<, which is to drop in march. for now >shutters< should keep you going. this joyful house nugget comes as main and as dub.

limited repress! for the third mouche release dutch artist ivano tetelepta has invited some of his closest friends to create not less than four fantastic dub infected and hypnotic grooves. his ep also marks the third edition of the so called -ivano tetelepta & friends--series. it all started with a record on highly acclaimed label fear of flying a few years ago and continued on rue de plaisance in 2016. now ivano brings out the third part on mouche. on the record he collaborates with the likes of ben buitendijk, tom liem, jocelyn abell and steven siwalette.

2018 repress , genius of time for running back! finally making the esteemed juno jam - known and dearly loved since john talabots dj-kicks contribution - available to a wider public for the first time, the gothenburg couple draw a whole tribal-vodoo-house-ep around it. percussion happy and as spiritual as a green mass, it would make joe claussell proud. bass drum, djungel muzik!

from playing acid house at the legendary haçienda to residencies at a number of the world’s super clubs and a grammy nomination, sasha s career trajectory is pretty much unparalleled. his contribution to electronic music in the 90s is synonymous with the rise of progressive house. as a producer, his vast discography includes a number of studio albums, remixes for madonna and the chemical brothers and soundtracks for computer games, whilst a long list of acclaimed mixes are heralded by many as some of the greatest of all time. as well as his work as a highly visible public figure, he has an extensive history of mentoring other artists behind the scenes, running his own management agency and a studio in new york whilst introducing a wealth of acclaimed artists via his last night on earth imprint. here, across 4 plates of vinyl, all but 4 of the 20 tracks on sasha s fabric 99 mix are available in their full-length glory. featuring his own exclusive track smoke monk (fabric mix), his moog-apella edit of george fitzgerald s echo forgets, and his fabric1999 remix of baile - amae feat. felicia douglass.

limited edition of 2000 copies on transparent blue 180 gram vinyl, housed in a gatefold sleeve. the electronic music duo groove armada released their fourth album “lovebox” in 2002. the album includes some of their best tracks, ramping through genres from rock ’n’ roll to the psychedelica and ska. it also features collaborations with artists like neneh cherry and richie havens, who ads some soulful voices to the whole. opener “purple haze” introduces us to a giant guitar riff and highlight “madder” takes the groove out of the clash’s “magnificent seven”, before moving on to the raps by m.a.d. they’re incorporating a lot of samples in the fine structured melodies of soul/funk/rock and hip-hop. after playing at club nights for years andy cato and tom findlay joined forces and created their debut album northern star and breakthrough hit “at the river”. it was the start of a collaboration that brought them hits like “my friend” and “superstylin’”.

limited edition of 2000 numbered copies on pink and yellow 180 gram vinyl, housed in a gatefold sleeve. groove armada’s fifth studio album “soundboy rock” is an unpredictable mix of breakbeats, trip hop and electro-driven songs. the diversity and continuity of their previous work lovebox is combined with some exciting heaviness. they offer so much diversity that every musical fan will get it’s taste of their great production skills. mc stush shares her vocals on the hooked single “get down”. the eighties pop and new wave comes together on the glorious “song 4 mutya (out of control)”. the productions sounds perfect and the vocals turn out well.
the electronic music duo andy cato and tom findlay took their first step in the music scene when they were working together in the music club groove armada. later on they released a couple of big hits, including “my friend” and “superstylin’”.

tom hodge’s collaborative relationship with czech producer tomas dvorak, a.k.a floex began with a chance meeting in berlin. after a series of initial experiments in making music together, in 2016 tom completed a remix for floex’s “samorost 3” pre-remixes ep.
over the last three years, tom and floex have been working on “a portrait of john doe”, an album collaboration created with the prague radio symphony orchestra.

a producer, dj, nts radio host and label head, finn has come of age representing manchesters underground dance music scene over the last four years. showing up with a timely debut for defected that will stop you in your tracks, hes now turning heads way further afield from the north west. this 7inch features an exclusive instrumental. the formula for sometimes the going gets a little tough is beautifully simple, exposing an intuition beyond the producers years. at 135bpm its a straight pumper in theory, playing directly into the hands of festival sets over the summer, with its vocal loop and heartfelt lyrics it becomes so much more. gathering over 2m spotify streams on its initial release via tom leas london imprint local action, the track also received radio support from the likes of annie mac, skream and monki and support from djs as diverse as tqd, diplo and martin garrix. the appeal is universal and the execution is perfect, making this the kind of life affirming record that 2018 needs.

incl dl code, dam swindle present ‘high life, their second studio album due on the 28th may on the duos own heist recordings. the heart of the album was recorded over a three week period at their amsterdam studio in march 2017, and the release will coincide with the fifth anniversary of the label. since forming in 2011, the dutch duo have carved a unique place for themselves in the scene. their sound - which merges references from multiple decades into one smooth aesthetic - quickly rose to popularity for its careful blend of soul and rhythm, taking cues from their passion for obscure records, with influences ranging from house and funk to afrobeat and soul. dynamic live shows and dj sets afford them a packed touring schedule across the globe, whilst their label heist recordings is credited with consistently breaking new artists. the album explores the intersection of live and electronic music, with much of the improvised material left largely untouched to maintain its organic sensibilities. dam swindle describe the album as an electronic album with a live approach, combining our love for house, ambient and jazzy harmonics, making it a record interesting for the club, as well as a pleasant album to put on at home.

tom dragebo is a norwegian born dj and berlin residential producer whose love for techno and house music is infectious and radiates through every set he plays. hailing from a small leafy town in norway, dragebo has been djing for over 10 years and has been producing tracks since 2008. his latest release being the critically acclaimed so good ep on cleanroom records. his emotive and powerful debut for full pupp is a real tech treat well rounded by each a sparkling, driving pt diskomiks and forcefully clapping and delicately swirling prins thomas pure acid rett i fletta versjon.

phillys instant funk are one of salsouls most well-known and respected groups. appearing on the legendary tsop label in 1976 the outfit was renowned for their ultra-tight musicianship and for backing disco icon bunny sigler as his group. the late 1970s saw them sign to nycs salsoul label and this is the point where this compilation comes to life. i got my mind made up was the groups opening shot on salsoul and was a huge hit for them, helped in part by a super long, stripped back and funked out remix by paradise garage jock larry levan. this track and a whole host of others feature on this amazing compilation and snapshot of one of disco s toughest rhythm sections, boasting all their hits and some stellar mixes from levan, tom moulton, john morales, francois kevorkian, shep pettibone and more! this whole selection features the mixes in their 12inch glory, unedited, end to end, as intended. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco. fully authorised and approved by salsoul records.

following the massive buzz a round the labels last release (voted the record of 2017 by some 400+ international djs and tastemakers on bill brewster s dj history podcast/poll (2017 furtive 50), hobbes music kicks off 2018 with a heavy slice of warehouse techno backed with deeper electro flavours, a second double-a-side 12inch outing by the anonymous dali. you may remember dali (nb all caps in the spelling) released a debut 12inch around this time last year. support came from ben ufo, laurent garnier, domenic cappello (sub club), john heckle, chris duckenfield, the revenge, tom findlay (groove armada), sean johnston and xdb (among others) and a repress happened swiftly, with laurent garnier and avalon emersonalso supporting most recently (on wwfm and at berghain, respectively). dali has a passion for analogue synths, abstract, hypnotic dance music and all things psychedelic. don t bother looking her up on the net, social media etc. dali is eschewing all that, to let the music do the talking for now

deutschrapikonen in endzeitstimmung vier jahren nach ihrem letzten nummer-eins-albums »rekord« haben die fantastischen vier 2018 den lang erwarteten nachfolger im gepäck. »captain fantastic« heißt ihr neues album, wohlgemerkt ihr zehntes. und mit »endzeitstimmung« präsentierten die stuttgarter deutschrapikonen im november 2017 bereits die erste single, die ihrem namen alle ehre macht. selten hat man die fantas so wütend und gesellschaftskritisch gehört, aber in die aktuellen weltpolitischen gegebenheiten passt dieser musikalische aufschrei bestens hinein. erscheint als 180 gramm doppel-vinyl im klappcover, inklusive cd-version.

from techno to classical, and back again - the versus project continues to morph and evolve, with the release of four remixes from the eponymous album.

fireplays (also spelled -fireplais- on second single) was the moniker chosen in 1981 by italian producer franco pagliaccia foran instant-band project composed by him and a few other musicians. -allein- b/w -hormone- was released in mid-1982, and as can be clearly heard, both tracks clearly show the mutation disco as a genre, started having at the very beginning of the 80s in europe: ablend of electro disco, along with new-wavish elements and some classic era-blueprint sonic elements: synth driven melodies, filtered vocodered choruses, pads, swirling cosmic sounds, cowbells, all topped by a powerful male voice that will give genuineconnoisseurs an exact zeitgeist, along with assured goosebumps.

tom ellard is the creative force behind australian post-punk band severed heads. in 1982 he self-released two cassettes of solo material, “80s cheesecake” and “snappy carrion”. these cassettes document the transitional period between the early experimental severed heads’ albums “clean” and “blubberknife” before the start of something new with “since the accident”. with the advent of the then new roland tb-303 bass synthesizer, a machine synonymous with the acid house sound, tom began to write more beat driven material. the rhythms are made by a tr-808 drum machine, kawai s100f and sh-1 synthesizers, plus various televisions, radios, cassette decks and pedals. two songs from these cassettes would later appear on the b-side of the “dead eyes opened” single.

paradise palms presents a brand new 7inch from rising producer tom blip, who heads up the globetrotting record label blip discs and has found his own productions in hot demand, showing up in sets from the likes of four tet, gerd jansen & pearson sound. rez / crazy arps is a bold 7inch of crunchy drum machine-driven boogie, tracked hot to tape and peppered with toms wormy sh101 riffs. rez / crazy arps is available on 7inch

limitierte edition auf gelbem doppel-vinyl. nach einem „beat-tape“, einer von den kritikern gelobter ep und unzähligen ausverkauften shows vor begeisterten fans erscheint mit „geography“ nun endlich das debut-album des nachwuchs-talents auf dessen eigenem label „beyond the groove“ und wartet mit gastbeiträgen von weiteren loyle carner, poppy ajudha, de la soul und goldlink auf. blue-eyed-soul für freunde von mayer hawthorne oder jordan rakei.