williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

taken from the forthcoming album !!knives was produced during the album sessions, but works best as a single for djs as its a massive club track. paul woolford has been the track playing in every set recently. this is the first single to be released from >the truth<, paul woolfords new artist album, and this is the only way vinyl fans can get hold of tracks from paul woolford presents bobby peru >the truth<. knives is purpose built for sound systems the world over. direct floor techno with some quick edits and quirky touches.

sometimes, its still worth not to waste your youth with nonsense but to learn to play an instrument. like in the case of sebastian mullaert, who has learned to play violin, organ and piano, while his partner marcus henriksson rather came from kraftwerk and human league to electronic music. as son kite, the two swedes have already a well-known name in the psy-trance scene, and as minilogue, they now start to conquer the minimal and house world. with their rather unique sound, they manage the tightrope walk between minimal and trance and never allow us to put them into a drawer. especially with their debut on cocoon rec, minilogue present themselves in a different way, compared to their releases on traum or wagon repair. >jamaica< is a calm track at the first hearing and is perfect for building up a set. beginning with bird-like sounds, the track builds up slowly and quickly becomes very interesting and tricky, ramifies as organic as a climbing plant, and when the tribal sound emerges from the underground, this track has exactly what makes minilogue so special: organic matter and groovy sounds, worked into a minimal labyrinth with very much love for the details. all of that can also be found on the b side which seems to be more adequate for the morning hours, with its somehow spacey sound. with >jamaica<, mullaert and henriksson prove that they are floating on the very surface of the endless minimal ocean. and with their album >animals< being already in sight on cocoon recordings, one can be highly anxious of what is coming ahead, by minilogue and techno made in sweden

paperclip, flexo & selector kick off here with some dark neuro vibes all the way from russia! a progressive intro builds and heavy crushing drums come in before it breaks down into an eerie build-up. the bass comes in giving a hint of what?s on the way before the drop arrives and explodes in a wave of neuro sickness

mr. fuerstenberg is back on the mojuba sublabel. this time with a musically kind of repentance! this two-tracker convinces by mr. fuerstenbergs capability of making his very own and always reliable way through the worlds of techno and dub. on the a-side we have a bouncing peak-time track, that will shake the floor! and the flipside comes along as a delightful and reflective tune for the more relaxed times in life!.

excellent deep space media compilation!! an adventure into future dub, spacey vibes and abstract grooves..

no worries! theres no doubt the last fred falke project still reaches the same quality as all of his collaborations with alan braxe over the years, reaching the same height of catchiness that omega man did a couple of years ago. this cut is off the music for my friends ep and every joint on the ep is just as great in its own way.

with his now second release on mauritius, marc vision might still be a newbie to the label, but definitely not to the scene. apart from being an experienced dj since ages with a deep bond to germanys superclub >tribehouse<, he can look back on diverse releases as vision & canedy (on scuba, avalanche, plusquam & hadshot rec.), vita (together with trance pioneer taucher on labels such as tracid traxx & on a mission), visiontool (together with marc o tool on andry nalins label superfly rec.) and finally as marc vision himself (on mauritius, poison, underworld & earregular rec.). >obsession< leaves no doubt being a sure floor filler. subtly but effective the track begins with a deep bassline and develops into a kooky rave-house-monster. >the finest< on the flipside tackles things deeper and more atmospheric, but when a bulky bassline suddenly says hello half way of the track, the unmistakable command is hands up!

huge twisted emotional electronic-/tech- house !! support from sven väth, garnier, tiga, digweed and sasha.. finally this massive releases see the daylight after months of being played by top jocks

remixes are courtesy of roland dark soldier appel, and norwegian remix master prins thomas in his amazing balearic disco way. welcome to an exciting and innovative artist for 2008.

the rereshingly prodigy esque ripper will ravers old & new quaking in their boots. a short intro gives way to a heavyweight knarly b line & beats combination to knock your head off. not one for the faint hearted. on the flip sees the return of the mighty dopamine for remix duties. warping meaty synth lines & chunky techy beats are the order of the day.

welcome aboard flight ryr013, departing from jfk and taking you on a turbulent and twisted journey from the aviary at the brooklyn zoo to the waterfront at portsmouth. there will be several layovers along the way.

new bomb from west london don phil asher..... phash continues his raw fusion escapades with this recycled and well improved reggae groove made in a true restless soul spirit. together with uk singer shea soul and mc motet of the bugz crew, phil rocks the joints on this original brentford all stars sample and reboots it into the future of cyberspace. with nice punch bits like baby girl, im looking at the front door, motet slices it up and gives room for shea soul as she melts our hearts with her smooth vocal chords. and dubbed out of his mind, phil keeps going for an instrumental dub version where it (by way of the tape delay inferno) gets the true king tubby treatment.

episode two of this new saga from a.paul, which has been one of the most busy techno producers this year. 2008 will surely bring an even stronger stream of releases, but this will be the best way to finish 2007 with this 3 track ep.

excellent 4 tracker by label head honcho joey youngman himself. double stacked and suck that binky kick asses in fine cut up, filter and sample madness style. while murda on the mountaintop and truth & lies go the more deeper way of house music. quality stuff again from the fetish camp

a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. we re gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut : ) just the way we like it... second release up is a taste of what s to come later in 2008 when we drop windsurfs debut album. these 4 tracks where initially planned for release on sentrall but where for some strange reason scrapped and made available as mp3 only. too sad as this is some of the finest heady downbeat electronic music to appear in the current baleric,cosmic blah blah blah call it what you want scene. windsurf consists of 1 part sorcerer and 1 part hatchback, both has records out on tirk and thisisnotanexit respectively and they ve also managed to deliever killer reworks of lcd soundsystem and shawn lee s ping pong orchestra(to be unleashed early 2008). crafting their own musical universeout of layers and layers of guitars and synths, never going for the obvious... well, im not gonna spend more time trying to convince you, check it out at wordandsound.de(paste in appropriate link here f.ex....)

as we found this fabolous track from bruce lenkei, we couldnt believe that this was not an original from the cosmic era, instead it is a new production. this track immediately came on to us very strong with its magic sounds and the great atmosphere, which describes the title best. after we included the moonlightzombiedance into our mix for the d.i.r.t.y soundsystem from paris, we got crazy feedback from around the globe and so we decided to put it on wax. on the remix duties we have the hot talented michoacan, who earned himself a very good reputation with 12inches on labels like bear enterainment, grayhound recordings, tiny sticks and lektroluv under his belt. most recently he also got remixed by the almighty dj harvey and the glimmers. he speeded the tempo of the original way up and transformes it into a crazy krautrock stepper in the vain of goblin. it makes the people dance like zombies on speed - we experienced :). if you dig the zombiezombie stuff you will love this one.

death is nothing to fear 3 is the third installment of spectral sounds compilation series, focused on bringing forward new voices in the world of techno. brought together by an equally brash and nuanced take on tonal manipulation, the four artists presented here - finlands sami koivikko, berlin- by - way - of detroits seth troxler, chicagos kate simko and ann arbors 2am/fm (james t. cotton and d marc cantu) - contribute a vast yet tightly controlled understanding of the compilations theme. what unfolds is a tough and modern ride through international techno and house.

the beginning of year three in the adjunct chronicles is marked by a 12inch by our own apendics.shuffle. kenneth james gibson has been bombarding the techno scene consistently for the past few years. u_derline, orac, friends of tomorrow, mos ferry, sunset diskos among other labels have served as the carrier for kens deadly weapons. remix duties are taken on by the one and only mathias schaffhäuser , a renowned techno superstar and the founder of ware records. there couldnt have been a better title than >no reduction< to literary describe this monster of a track - ken has unleashed the entire arsenal of his studio for the creation. stern synth patterns pizzicato their way through the track, deep sea signals ring in the background, distorted vocal snippets insist on taking >all the money<. energetic and magnetic dancefloor number dedicated to the real freaks. mathias approaches the rework with smooth drumming and a velvet bassline. the cheeky cabaret vibe however never settles: the diabolical pizzicato of the original returns and the voices continue their demands for (what all adds up to in the end) >no reduction<. oblivious filth brings yet another layer to this joint. beautifully crafted sounds mingle with electro-mechanical noises, layers of melting textures lure the listener into a late night wonderland

3x knackig frischer techno aus frankreich!! das jahr fängt ja gut an!

big with steve bug, jimpster, ewan pearson, james holden, kiki, sebo k, crock, marc romboy, agoria, mike monday, 3channels, fabrice lig, 2000andone, james flavour, pascal feos, philip sherburne,… big! plasmik – our connaisseurs for deep and oldschoolish techno tracks, were quite successful in 2007. their interswap release from april 2007 found its way in several top dj charts and on great compilations and mix-cds. due to this and also our celebration of our 20th catalogue number, we proudly present an extraordinary remixpackage, split into two parts. part 1 features supertubos in a remix by another king of oldschoolish techno – matt o brien. on side b, afrilounge gives mindpattern a special string treatment. part 2 has to be in no way inferior in the choice of the remixers. on the a-side, claude vonstroke goes with pitch it as deep as he has never gone before and on the b, perspectiv newcomer minz gives the dancefloor a lesson in hypnotizing state of minds

played by claude von stroke, jeff samuel, john tejada, mike monday and mike shannon !! back on the label after their acclaimed cp styre ep and a few releases donk boys delivers here a four tracker ep with their own approach of weird bleep tech house starting with a1- doozer track (also tilte of the ep) an original piece of mental deep atmosphere mixing with a disturbing heady melody ...completely addictive! follows a2 rufs a minimal bleepy jackin house track as the donk know to do... on the flip b1 broke steak more techy beats and crispy sounds with an impressive groove..shake shake !and on b2 vaseline on toast in a more freaky twisted house way with cut voice and irresistible groove ..donk boys definitely strike again.

this selection is based on over two decades of deep dj experiences. the impact of seeing jazz dancer, michael knot of idj, dancing to acid trax by phuture, in the back room of a pub in teddington, produced one of those seminal moments that, gilles maintains, radically changed his view of acid house. it is important to say that this is certainly not a club album as some of the predecessors in this series have been.

following releases on delsin, nrk, morse and even josh winks ovum recordings he is now back on orlando voorns triangle! it is crystal clear that this man is working his way towards the top regions of todays techno scene - the way just about everything which sprouts from his mind and his machines, turns into solid gold! here we have another winner, with mr orlando voorn reworking the original! superb!

with blind way, franck roger is going back to the early years of house. in fact he shows a lot of himself, musically and vocally, taking us onto a fascinating night-tracky journey. some may call it old school, franck simply calls it 100% pure house music. i dream of u is a little shout out to the wonderful & inspirational detroit scene. the hypnotic chimes loop, turnin around a looped bass, whilst stabs drive this riveting track along its way. only for real house lovers! call it detroit house but why not also call it paris house music!?

supported & played by dave clarke, paul mac, angel molina, dj shufflemaster, mark broom, laurent garnier, cari lekebusch and many more.. after the storm one year ago, caused by inigos >identify yourself< (token 1), we just had to have a follow up. and not just a regular follow up.. token 5 contains 4 individual floorfillers that are each special in their own way.

big nasty electrofied beats with some oldskool flavour on top, yeah baby this is the way we like it! soul conspiracy adds some dirty funkness with his mix. getting down in the breakdropping some oldskool hip hop beats.

>life is the only drug i wont ever give up<. this is probably the most life-affirming claim ever forwarded by ware- labelboss matthias schaffhäuser and its made to fit the party. and as hes being the guest on a very special label hes going all the way. totally in accordance with the wir-label-philosophy, the title track shows off lots of modern producing skills, never sticking to just one rigid idea but coming along with a whole bunch of attitudes. pop-induced vocals are artfully woven into minimal beats, housy strokes meet sound concrète, and the whole combines to one neverending track, leaving the elitist style ghetto behind and delivering itself to the pulsating life outside, leading to a truly beautiful work clearly thats one hell of a challenge for every remixer, but lovable atom smahing mathias kaden is the right man at the right place, as he knows how to deal with emotional content under the influence of the contemporary raw. his eleven-minute-opus tightens, focalizes, piles and moves around the original material, but without betraying its spirit. this remix seems larger than life but still maddingly gripping and you get the overwhelming impression that here every angle leads to another, every bit communicating. its a nation under the groove, all in one track, and its here to be heard

budai and vic are amongst the most successful producers and djs from hungary. they met in 2000 and decided to produce and promote their music by their own. the results are two fine respected labels, international productions and support from the likes of cox, the timewriter, terry lee brown jr. ,or valentino kanzyani. after getting signed at plastic city they are on their way to the top of the hungarian dance scene. they present techhouse at a new stage and follow their own path of pleasure!

played by move d., deetron, agnes, lerosa, quarion, … attention: limited to 350 copies! hot on the heels of his real soon limited release, berlinbased producer hauke freer offers another fab piece of deep house music! hauke has an old-school production approach, working with contemporary software but using a palette of mainly vinyl samples to give a loose, rawsounding edge. all 3 tracks maintain a deep, dark yet smooth feel, using some lo-fi percussion. hauke is keeping a >minimal< edge, fusing detroit flavoured electronics with a rough berlin feel. old-fashioned in a good way - just the way we like it! hauke freer grew up in a small town near hamburg and moved to berlin in 2000 to work for the techno label kanzleramt. after spending a year in australia djing and working for the label future classic, hauke returned to berlin to work for the resopal schallware label

this time again offering some delightful grooves that will be appreciated both by the dance floor crowd and home listeners. nicely starting off the ep is berlin based greek producer ekkohaus - on his second tune for the label with a very detroit-influenced track, massive elements of groove and funk, exploding half-way through and teasing the listener as the snare/clap comes in on the half beat. this tune will be largely enjoyed by both techno and house fanatics. next one on the list is italian marco shuttle, offering a slightly different approach with his deep, long & repetitive journey of soft synth chords and elegant elements that remind of cadenza releases, providing a perfect tune for the after-hours or stylish warm up. on the flip we find ourselves with a huge tune from queen atom, perfect for the peak time hours in those big packed club rooms: a combination of detroit-esque funk, with trippy back melodies and percussive 909 toms waving through the atmosphere, resulting in a dark yet groovy slow-tempo techno piece. strikingly finishing off the ep is argentinean artist rudolf, already known for his previous releases on sthlm, who delivers an enormous experimental track with intensely layered vocal melodies: eerie, ghostly and combined with many industrial aspects, the result is an immense bubbly, watery track that will indisputably drive clubbers insane throughout the globe.

well known and classic acapella tools. feat acapellas by todd terry all stars feat tara mcdonald, pete doyle, copyright, lisa millett, djd feat phillipa alexander, johnny corporate, kings of tomorrow, osunlade feat divine essence, quentin harris feat margaret grace and lenny fontana

genialer epic / proggy techhouse infected 4 tracker

maybe you remenber of first release by delete on safari (saf015). this ep has his first hit for him... ever repressed more 2 times...it was one of the powerful release on sf. now they back with more experience and for this new ep... hes loking for a hypnotic minimal bliss. >what are you laughin< .its more housey minimal dubby sound like chilian boys can play in long set. you must check this track... its really interesting ! what are another different way but sill in the groove

finally we manage to get a new ep from the man carl falk. he was the first on the label with the great hz-1 and hz-3-eps that we repressed all the time. you know what to expect and this is no exception, full on tribal-party-techno all the way. the first track is with a little acid twist. the rest is just full-on massive grooves!

repress !!this time the mojuba sublabel brings us the second part of the detroit-series by the label owner don williams himself. this one-sided record features two fine examples of music inspired by the city of d. the first one is a pumping peak time cut to hit the dancefloors and might become an essential tool for the ambitious dj. the second track convinces in its very own character, providing a feeling that many will recognize from the early years of techno, when this music was connected to the listener more in a deep and emotional way than we know it from today!

dj support : matthias kaden, jimpster, italoboyz, karotte, tom clark & amongst others !! a 4 tracker this time called >nautical dawn<, theodors square basses are groovy as hell and as usual the swing notch is turned all the way to 16.e j!!! pieces of short and abstract vocal samples appear here and there and some fantastic jazzy sounding melodies played by old instruments like this pseudo vibraphone-guitar on the strong first track called jazzphysics or this 70s wha-pedal arabic strings on nautical dawn. theodor expands his horizon by developing a new genre that we could name something like >smart minimal melodic dry ass funk<?!? so if you like bouncing beats and want to experience serious booty shaking while you play that piece, then this record is >sans aucun doute<

slamming dark and deep hypnotic techno , a little bit freaky and in the same way techhouse infused

mudd (aka muttranger) comes with some sweet sweet re-edits in a great soulfull way.. detroit kdj kind of feeling and very well arranged (edited). side label of claremont 56... so its all quality stuff!

joel mull, another representative of the swedish techno community, releases his current vision of what is to happen on the dancefloors. it is different from what his fans know from the early days. with his debut single on cocoon >harmonautic string<, joel mull sends us to a journey through the track which is smoothly airy-fairy and thus perfect to dive into the land of dreams after a wild party night. even when speeding up after a short break with the drums dominating – the track remains harmonic and is designed to dance into the sun in the early morning hours. the b-side appears spacy and melancholic, but again, mull is able to layer his music so deep and brillant that the basic mood is still vicious with the track still coming along in a magical and elegant way. >blossom< is exactly the right thing for a cold winter night and reminds of the b-side of beyers cocoon release

hard new stuff by andreas kraemer & thomas pogadl ! this three-track innovator takes trademark german pk-audio nastiness, strips it down and represents it in a completely new way that absolutely demolishes the floor.

back with a bang for the next boka release is manchesters sno. one of the dubstep scenes heaviest warriors, this ep shows snos full range of styles. first up is >cant touch dis<, a track getting battered at every dubstep rave from london to nova scotia. on the flip is >urb<, a track on a future reggae flex. and last but not least is >fear<, a track thats so dark, its hard to listen to it all the way through with out feeling like youre going to be sick.

this is the boss of techno in a way its meant to be! known for his trademark industrial sound and with a superior crisp style that is cleaner than a 100 yard tiger woods hole in one! boss presents his true masterpiece so far called try this. a 4 track ep that blows away his previous work on labels like dole-gate, kne deep, mechanism industries and reverse!

the raw power of this fifth instalment is nothing but delicious! samuel is back with another techhouse record that will for sure be a real wallshaker. just listen to the energy and madness elbee bad provided with his vocals. its insane people! in a good way of course, if there ever was another way. enough said

its magic chicago house !! on the a side you will find a massive acid funk monster a l a wink s higher states of c... flipside with is pure disco infected chicago dynamite vs french house a la the glourious daft punk - sound from da late 90s!!! by the way , love it or hate... i love it

mihalis safras has become quite a hype over the last year. his productions were picked up by many key players and labels and the way thing are looking now his materials imprint is turning out to be a huge success also! mihalis invites dustin zahn from the usa, known from the enemy and enemy limited imprints. zahn comes up with two highly original clean cuts who can come in handy when the crowd needs a good stirr! stockholm limited artist s.linzatti strips the original and polishes up the bare essentials

once again, cadenza keeps the blood flowing frew with th addition of a new artist to its roster - on in this case, three of them: guido schneider, andre galluzzi and florian schirmacher, teaming up for a two-way three way of sorts, and resulting in two absolute stormers, just in time for the stormy season !!!

limited one sided edition !! far out is just that: a track that goes the distance, but without pretension or unnecessary fanfare. more understated than your typical anthem, it cruises in stealth mode, winding a refined, percussive groove ever tighter, threaded onto a pattern of needle-nosed toms that glides almost unnoticed under your skin. unnoticed, that is, until the tracks main riff comes crashing down like an awning full of icicles, sharp and cold and heavy. but sebo ks sense of restraint is such that he never beats us over the head with it, so to speak. instead he lets the groove spiral on, tightening it as he goes and whipping up chilly little sinewave twisters along the way. you can leave your mittens at home, though, because theres enough heat in the rolling bass line to keep you warm all winter long

powerful reduced techno for the peaktime. rasmus hedlunds first release on resopal demonstrates his profound grasp of reduced groove with four powerful cuts.the full e.p. will work on the way up, in peak time, and on the way down, and it is all in all tracky enough and tuneful enough to be a great mixing tool anywhere in the set.