the final track of this release is an unusual track with at least an unusual name intelligent gum, which took a worthy area of the second side of vinyl. first of all, this track is remarkable duration of sound. despite the fact that it’s track so long lasting, but this it wants to listen again and again! it is quite hypnotic. soft as wadding and tasty as a chocolate with a delicious taste of liquor. in the course of listening you will find a lot of mystery and surprises for you, just enjoying the taste of chocolate with liquor.

sashas ever growing label last night on earth presents the first in a series of releases from electronic wizards ghosting season. the growth of ghosting season came naturally from their previous project worriedaboutsatan, in their own words: our work was still a network of dark, brooding - yet euphoric - electronica, but there began to appear towering, vibrant, and inescapable moments of dance music

early support by adam x, kyle geiger, jonas kopp, and, arnaud le texier, freddy k. resiliens recordings is not only a simply independent record label but it presents itself as a project much more detailed and complex. it wants to be an idea, an impulse: the paradigm of artistic, visual and sound contemporaneity. the purpose of the group is to reinvent, assimilate and re rework the contemporaneity according to an independent and multifaceted artistic sensibility. according to its intrinsic meaning, resiliens was created with the intention of creating a new way of thinking and making art, able to react to external influences of modernity, transforming it without getting stunned. the genesis of a movement that embraces every artistic aspect, in a profound synergic interaction and collaboration between heterogeneous parts whose point of arrival is a complete artistic experience, in its deepest sense. the final goal of resiliens is therefore change the existing schemes, through clear and obvious messages around the entire artistic path: from production to exposure.

das indie rock-quartett the plea stammt aus dem kleinen irischen dorf ballyliffin, und nachdem sie im letzten jahr die ep >nothin but trouble< veröffentlichten, erscheint nun ihr debütalbum auf planet function. produziert und abgemischt wurde >the dreamers stadium< von chris potter, der unter anderem auch the verves >urban hymns< oder i am kloot produziert hat. the plea überzeugen mit druckvollen, hymnischen songs voller hingabe und dringlichkeit.

soon-to-be-stadium rock ... it could be played to fireworks on the pyramid stage at glastonbury. (q magazine)

full pupp helps another new outfit into the saddle. even though esteemed norwegian dj ole martin vilberg aka omar v and robin craaford, one half of dance disorder with baby g (bpitch, eskimo) are hardly young guns, they gang up together for the first time on complete: a blinding cut that harks back to the time with good ol jack was still the young buck and closely associated with uncle electro funk: tough beats, hyperactive claps, a jittering bass and a catchy, squeaking melody are still rattling bones if masterfully pieced together as it is done here. the guy most closely related to the italo sound out of the whole norwegian disco bunch chucks the more intricate original rhythm but goes hypertechnicolor and widescreen on the synth parts boosting up the originals melody, throwing in a nod to happy station and a hi-energy bassline.

formed somewhere in the 5th dimension, acid mondays is the cosmic coalition of fellow psychonauts negghead and lex wolf. brought together by their love for fat beats, inter dimensional travel & cups of tea, they are on a never-ending journey exploring inner and outer space. expect altered states of hallucinogenic house and reality bending techno. it would be a cliché to say they have a great future, but they’ve been there and beyond and have returned to the now to do it all again…

limited edition of 300 copies. pressing on pearl white translucent & marbled vinyl.
to commemorate the x anniversary of the festival electrónica en abril (http://festivalelectronicaenabril.tumblr.com ) born in 2003 at la casa encendida, madrid, we have invited some of the artists that left their personal and sound mark in our event, right now the oldest music festival in madrid. all of them have contributed with exclusive tracks to this double lp that does not pretend to become a scanner of todays electronic music scene, but just an insight to the quality and diversity of our festival.

just in time for summer, pampa issued aimlessness, the long-awaited new album from dntel aka los angeles producer jimmy tamborello. his latest electronic suite brought forth stronger leanings toward house grooves, building upon the pop and idm approaches he explored earlier in his career as half of the postal service and a member of figurine - with a healthy dose of pampa otherworldliness on top. now, robag wruhme steps in and recontextualizes two aimlessness cuts for a remix ep. wruhme is already a beloved member of dj koze’s extended family, having released the full-length thora vukk about one year ago, which was deemed another success for both him and pampa” in resident advisors four-star review. first up is robags kloff mottüré mix of bright night, a starry-eyed transformation of dntels work that twinkles like fireflies in the clear midnight sky.with symphonic splashes, playful pitter-patters and a tranquil breakdown, it sounds a bit like teenage toads skinny-dipping amongst the lilypads. next up, robag finds inspiration in dntels jitters,not once but twice: the marf labo mix takes the title quite literally,offering a jittery breakbeat interpretation with a metallic angel chorus swirling over the haphazard beats. finally, on the flip side,the emmens worsch mix brings things more closely aligned with the grooving, heartfelt house thump that pampa has engendered. its the eps most dj-friendly cut, while at the same time showing off robags gentle production touches and letting tamborellos sweet, subdued voice shine through.

bliq are proud to present bliq05:nicuris paradigms fresh out of union city, ny. the paradigms of which nicuri speaks are darkness, deliverance and determination, modal expressions delivered on three cuts of resonant electronic music. on doldrums nicuri plays with paradox,combining staggered, dreamy synths with unnerving bass rumbles. to reinvigorate the doldrums, or as he puts it replenish the earth, the producer implements a menacing analog rumble in the style of new york greats dj qu and joey anderson. but to ensure that the ground is re-imbued with rational vitality, nicuri adds a layer of baroscopic viscosity: smog surrounds and engulfs, a suppressed vocal intermittently choking. on the flip, parrish adams – aka intrinsic of emphasis records in chicago – gives the earth an even harder, more insistent techno edge. he introduces melodic light flashes at the edges of urban darkness, and rumbles it like a train escaping grand central station. bliq05 is on the run.

we are proud to welcome simple & thigpen (aka helix) from detroit & a small town in southeast georgia on ilian tape for their first collaboration eva. as peanut butter is a national dish in the usa since ages, every real american knows how to lick and swallow it the perfect way. so here we go with a 134 bpm swangler that funks from your backyard trying to get your arm hard while you are playing a bit of dart! freak seven from manchester is transforming the original from ying to yang through adding his personal slang while designing men strings with jewelry for alexander wang. and last but not least the zenker brothers adding their incomparable dust in which you all hopefully trust. hugs & slugs from the bavarian headquarters of love.

it has been nearly two years since superpitcher released his equally lunatic and magistral album >kilimanjaro<: an eternity for club life, but not more than a stones throw for legendary producer axel schaufler, whose idiosyncratic mixture of yearning romance and hedonistic folly repeatedly stunned the public with its perceived timelessness.

harvey mckay has recorded quality music on soma and lately on 8 sided dice. he has already done a remix for trapez, but this is his first solo 12 inch vinyl. the two tracks can loosely be considered as dub techno although they bend the genre in an nice way.
played by: luciano, umek, kaiserdisco, stephan bodzin, gregor tresher, florian meindl, orde meikle, hermanez, agoria, paco osuna, dubfire, justin berkovi, taster peter, ronan portela, someone else, steve lawler, mauro picotto, scott byrne, electric rescue, noah pred, arjun vagale, nick warren, raw hedroom, markus kavka /mtv, johnny d, danny tenaglia, blind minded, axel bartsch ...

ltd 2012 repress ... incl stunning joris voorn rmx!! new york city based dj/producer/remixer/ harry choo choo romero brings us his debut single release on ovum. harry has been on board for remix projects on the label, but it is finally time for him to unleash a monster single on the label. on the a side, harry brings us >phuture<, which is a main room monster. this has been josh winks secret weapon for sometime and now it is available to you. built around a computerized female vocal, harry shows why he is the master of a driving groove. this driving track should destroy any dance floor. on the b side we have enlisted label friend joris voorn for the remix. joris has taken an already big sounding track and added a turbo charger. the remix is a complete roller and joris has taken a dubbed out approach with it, but still keeping the main build vocal. two great tracks that should be rocking all the festivals and ibiza all summer as the 15 years of ovum celebration continues on

>we can fill a stadium anywhere in the world. but can we still make music that means something to people?< (bono) monkey maffia can easily fill a club just about anywhere in the world. however, he is also looking to make music that means something to people. his debut was a search, and his second release fit right along with this theme. his competence of variations is a characteristic of the dj-dervish, yet he now exercises restraint and follows the right track. over there, three maffia lions roar monkeys coming home!

we think everything we release on frijsfo is fresh. at the same time we believe it doesnt hurt to stay in touch with your roots, which is something buzzin10 does in a fascinating way. we cant tell you much about this young producer from east london, a publicity-shy individual whose music we first heard thanks to his older brother. but we do know he pieces together rhythms by sampling fragments from old tape packs – mainly garage nations late 90s recordings of some of the best djs of all time, including dj ez, karl tuff enuff brown, dj luck & mc neat, and ray hurley.
dj support so far comes from sully, desto, oslek, warlock, kingthing, resketch, rk and ltf (wifey ldn), cardopusher, valta, dusk & blackdown

label chief master-h stepping up and not for the first time, raising an already high bar, once again skyward. >stabs call< sees h team up with the wonderfully talented saxophonist, geoffrey secco. not only does geoffrey play regularly with the legendary tito puente, but he has now joined h is their own band ... more on that, very soon
support from deetron, len faki, laurent garnier, slam, steve rachmad, nuno do santos, soul clap, samuel l session, rainer truby, sis, norman nodge…, ...

ok, to call this album long awaited or highly anticipated would be a non sequitur. what lies here before you is sculpted out of the blood and tears of 5 years of life, and all the dreams, imagination, tristesse and longing that goes along with it. the name orgue electronique shouldnt be new to you, cause it isnt. for over a decade it has been lurking in the periphery of house music - forever too early or too late for the trend, be it as a solo artist or working alongside legowelt. but it seems the apotheosis is finally here, in the form of this mesmerizing double album: wholly matured and further enhanced by collaborations with luminaries like robert owens, alden tyrell and cult hero fre2k. but to just dismiss this as a retro house record would be to sell it short in a big way. sure it was influenced by the usual bunch of pioneers and icons, but this is not an epigone, this is music that is. its warm and generous, made up of real emotions, of moments frozen in time and of the impassioned cries of a soul on the run. thats right, this aint no hipster shit dime-a-dozen facebook house gonzales! to finally let it go after so many years is - for all the parties involved - a strange yet exciting moment, not unlike the birth of an elephant baby. out of a human female

origo means beginning in latin and marks the point where two coordinates meet. it is also the name of lisa & kroffes debut ep. the four tracks got created during improvisation sessions in the small stockholm apartment where the married couple lives. the music were originally composed for live purpose but during the recording sessions the tracks organically grew into something new and unexpected. the music spans between dark hypnotic drones and light airy melodies.

second part of recycling a la bau, heavy food this time with heavy percussion and rassling rides throughout the whole track. trikeracing is far beyond control, this track is a soundexplosion, nothing less. shuffleracing is a bit more reduced featuring a different groove and focussing on the sawtooth theme of the basic version. two more killers, no fillers, again on credo! nice feedback and support by faki, liebing, bodzin and many more, but the most defining feedback by mr. gary beck, no other words could describe it in a better way: by goodness me the trikeracing is wicked!! thats some heavy shit there. at the right moment i cant wait to play this! ... word!

walking a strange line between the asylum and the dancefloor, welcome bob chance. yes, this is an album like no other. but then again bob chance isnt like anyone else. put together in 1980, >it s broken< represents bobs creative juices flowing and then possibly overflowing all over the place.

killekill herewith announces the start of a sub label focussing the housier side of what we like. killekill house trax starts with the release of a great track by alex cortex. quite uptempo but groovy as hell oh yeah comes along with a strong reminiscence to classic chicago house with its strong bassline and the catchy vocal sample. tyree cooper added a simple but well working piano and packed the original into an even more classic outfit. oh yeah!

ltd 2012 repress!! our favourite texas killer funk people go digging in their disco boxes to supply us with a new batch of edits and tracks on a value for money 12inch format.the yanks snip and tuck some of their favourite tracks from the 70s & 80s editing as they go extending, repeating and underlining their favourite elements of each track chosen. tried and trusted on the dance floors of baltimore to boston these cheeky slabs of wax will not be around for long so gettem while yo can!

bokhari records is a vinyl only label. bokhari has been inspired by mo wax of old, and firecracker of present where care was/is also taken on packaging and design. each release will feature a different illustrator / artist for the design. musically we will aim to stick loosely within the realms of house and techno, but often with our own slant on it, and as the first release shows, in this case will include some afro percussion and a touch of acid. bokhari 001 only 300 copies will be pressed. artwork for release 001 is by the excellent illustrator andy potts (former head of design at abbey road studios), and every single vinyl will be signed and numbered. remix comes from the ever consistent mark e, who has taken the shrunken head bassline and made a 10 minute druggy, chuggy, loopy, creepy monster (and anything else you want with a ‘y’ at the end!)

praterei might not be the most prolific of labels, but the quality is always way above the quantity. the fourth release on the viennese imprint comes from local boys done good the new tower generation, with a heady two track offering that fits right in with the labels ethos of focusing on the essence of house. the amusing titled >horny goat weed< is a perm twisting delight, with the grainy string sample remoulded to align with the loose jacking rhythms and rave indebted keys. >trembolon< finds the new tower generation in an altogether mellower mood, building with poise from its sonorous beginnings to a glorious mid point crescendo of rising synth lines.

the next release on the la-based culprit truly represents the new age of global, musical connectivity. a showcase of original material from three artists, separated by locale but united by a like-minded approach to dance music - londoner and frequent culprit flier matt tolfrey, miami-based lazaro casanova, making his label debut, and the local angeleno boy nikko gibler pay tribute to a lifestyle spent in planes, hotel and at airports with the aptly named, lax ep

roman flügel – third take. hot on the heels of >brian le bon< and the >desperate housemen ep<, the man like roman iv, soylent green and alter egos spectacled half supplies four tracks of heavenly proportions. ramona doesnt even know where to start with her eulogy, but at the start.

he works of conrad schnitzler will always be important. not only for m=minimal. ricardo villalobos and max loderbauer were so fascinated by the zug that they immediatly accepted to deliver two reshapes of this milestone of electronic music. (we already released zug on vinyl - mm-001lp) max loderbauer is a veteran of the berlin techno scene, who became known with his project >sun electric<. for his current project nsi and as a member of the >moritz von oswald trio< max loderbauer enjoys a worldwide reputation. his great cooperation with ricardo villalobos, for the legendary ecm label, appears in many >best of 2011< lists. richardo villalobos is one of the leading techno dj / producer / musicians. he influenced the scene for more than 15 years. the >aktion< mix targets with 100 percent certainty on the dance floor, but is also suited to wake you up in the morning. djs need this twenty minute mix as a tool. burner. the >sorgenkind< mix is not for the mainfloor but for fans of the broken beats. everybody who enjoyed the re-ecm work of the two will love this 15 minutes mix. schnitzler / loderbauer / villalobos = dreamteam

its been a long time coming but house sound is back with its fourth release. nicholas label brings together five emerging talents for a huge 12 inch release. mat chiavaroli and massimo di lina take care of the a side with two low down deep house grooves. the b-side is a funky affair with tracks from jordan peak, bubbin dub and yuri shulgin. absolute killer!

he is back: snook later, the man who gave us the jazz-ravy madness of the first nice try records release, returns on the zurich-based label. it seems logical then – but only wickedly so - that zurich producer dadaglobal takes up snooks inaugural cue with an irrestible remix of a dancefloor shaker. grooves that let not only your limbs shake but also your spine tingle.
code for free mp3-download of this ep included.

above machine is a record label run by steve lee (the project club). seconds is the alter ego of markus enochson and luciano leiva. together with singer linus lutthi they deliver >another day< which is a breezy, balearic affair with the solemn moodiness of nick drake. it is reminiscent of late end-of-summer days when time seems to stand still, but in the most bittersweet of ways. remixes are provided by lexx - who once again adds that subtle disco blend whilst drinking an estrella at the beach bar. the seahawks dive deep and provide an ambient masterpiece, which lures you deeper into their crazy world of delays, reverb and a studer a80 running backwards in a shoreditch broom cupboard.

on >work that shit party<, a fingers inc. style rhythm buttresses a two-note riff, a crackling male voice filtering in from the ether. a pinging keyboard zips around before that two-note flicker expands and contracts, warps and wheedles. but around halfway in, a female vocal refrain of >gonna work it out< breaks fat lacerations into pinholes, blaring keyboards seeping in through the gaps and crevices. then, as with >d117<, it is the congealing of all these disparate elements: a work it out from fischerspooners lizzy yoder sashaying with the two-note riff, the keyboards bouncing off the ceiling, and flaring hi-hats fraying the surface played by pat mahoney (lcd soundsystem). each portion is given its due, only to make the ensuing combination that much more enthralling.

the winter is cold but the sun warms the days. keymono-music has built a new release for the spring. with the start of the season felix bernhardt serves us a technoid temperatured cocktail against tiredness of spring. ice-cold and minimal is side a going on to the point. stylistically essentialised reduced, even with stomping and rolling bass, >the driving machine< and >ratter chatter< are shaking the last icicle out of us. because of the houseline rekardo rivalos remix on side b you can feel the change of the temperature and you can see eventually the rise of this years summer already on the horizon... supported and played by: richie hawtin, slam, claude vonstroke, paco osuna, rene bourgeois, kiko martinez, boenig & ochs and many more..

borrowed language returns with their second release this year, and the second collaborative effort to date from chicago-based producer/dj jeff pietro & label owner israel vines. following jeff pietros future classic >still< (charted by surgeon, peter van hoesen, silent servant, and many others) and justin iveys exemplary >apparition bay< (which won favor by the likes of rob hall and dj pete) was never going to be an easy task, but vines & pietro prove that they are more than up to the challenge – this is perhaps an even stronger statement of intent than their earlier joint effort, >distance no object< (blx-2).
limited pressing of 350 copies, first 200 on white vinyl).

new years deal - fun analog deep house tracks by italian producers luca ballerini & rio padice, obviously inspired by early us house, but with a fresh and authentic signature which make them stand out, and just perfect for modern club abuse. tip!

astonishing album by mark du mosch, who delivers his first full length album on syncom data records and it s quite simply overwhelming. in a true detroit fashion mark du mosch rides that fine line between techno, house and disco. that line which guides you to the dancefloor as well as a higher musical and emotional level. with salmiak mark du mosch shows he s not only a great dj, but one of hollands finest producers as well. absolute techno house killer bomb. don t sleep on it.

continuing motechs 10 year celebrations and a kick-ass party at londos fabric last month, dj 3000 now presents 10 years of motech (the remixes) part 2 ep ahead of the full length remix cd due this summer. part 1 already saw both dj 3000 and sascha sonido take on gerald mitchells belly dancer from mt-008. now uk techno legend, mark broom takes a brief break from his beardman imprint to add this killer interpretation for an impressive opener. next up we turn to goodlifes kiko who doesnt disappoint with his driving new rendition of dj 3000s defiant (mt-015), toughening up the original but still maintaining its funk-fuelled roots. the rest of the ep features a remix a track taken from franki juncas 2011 album invisible moods. firstly,ill be around gets the remix treatment from detroits luke hess, whose releases have appeared on the likes of echocord, kontra-musik and the mighty planet-e delivers a moodier take on things, with deep pads and a grooving beat.

2012 - we are milleniumized neo, more than ever before. 1993, when techno was all over the place, german experts tommi eckart (at that time not 2raumwohnung yet) and ralf hertwig (at that time not palais schaumburg anymore) released a track, which found its way out there as a legendary underground-club classic in germany,england, benelux and france: the beat just goes straight on and on. its been sold out for years, but djs still play it in the clubs and it never lost its beat. now in 2012, almost 20 years later, the vinyl reissue being released, including the original cut and a remix by matthew styles & tobi neumann. it just goes on and on, enjoy!

this is the debut vinyl release from up & coming producer jim morton. the 12 inch presents two different flavours of the jungle sound. the a side is nyc-dub, a heavy duty track with plenty of pace and energy. an atmospheric vibe is present but the production still carries enough weight with the beats and sub to work the dance floor. think ray keith meets breakage!
on side b, >underwater chord< is again a jungle bass tune but on a different vibe. it is a brighter sounding track, due to the chords and sounds used, which wouldnt be out of place in a liquid style production. with both tracks there is a tip of the cap towards the old skool sound.

die stecker wurden gezogen, die drums in der garage gelassen – hansonis kommt heuer auf ganz leisen sohlen daher. akustikgitarre, zurückgenommener gesang und ein paar tupfer e-gitarre, klavier und keyboards – mehr benötigt der musiker nicht, um “shark week“ zu einer zwingenden angelegenheit zu machen. von folk über country und blues bis hin zur mörder - ballade – hansonis schlendert auf seiner melancholischen reise durch die songwriter-genres, veredelt seine songs aber immer wieder durch die entscheidende prise distinguierten 80er-pops. hier ein unwiderstehlicher melodiebogen, da eine prägnante phrasierung – der kölner vermählt us-amerikanische musik - traditionen mit einem britisch geprägten popverständnis und dreht am ende sein ganz eigenes ding draus.

rob was an enigmatic recording artist from ghana who cut two albums for the legendary essiebons label in 1977. neither of these were big domestic hits at the time and have since become prized amongst collectors in recent years. the title track from this lp was always one of the most popular on the first soundway release ghana soundz and over the years soundway has been asked many times to re-issue the lp in its entirety.

well, the deep, raw and real series has come to an end with volume 4, but quintessentials keep these lovely compilations coming. the thank you freaks series is about hot tunes from hot producers. and part 1 is offering a lot of them: andy ash, uncle deep, chicago damn and marcos cabral! quite essential!

with the beautiful melodic sensibility of borais synth lines meshing with octobers jacking body beats, they fuse to create 2 sublime slices of warm, deep, but propulsive blends of slo-mo house, techno, & bass. >i didnt mean to< has a detroit techno soul feel with bukem style bass stabs and rainforest jungle ambient noises, whilst >palmarosa< is a sure-fire set starter, taking its time to build with cavernous bass stabs adding drama until the heads down jacking ensues.

jay west from argentina has been releasing quality deep house (the real sort that is) for the past decade, last years smile ep on bebr got some serious playlist and chart action from everybody who knows their shit, and were please to welcome him to the moodmusic family. the ep starts with blame the music, the sort of feel-good house music we used to get loads of in the early to mid 90s from the big apple. swinging beats, almost disco bass and a sunshine filled vocal are the ingredients for a tune, and jay has delivered one. this will probably not be belted by the kids house community, but real heads knows what to do with this weapon. down continues the journey with victor simonelli style keys and a bouncy bassline, making place for the low-slung in & out tune which have some serious west coast mushroom influences. we love it! to end the ep the catchy little mean machine finally brings the smile to your face.

bob dylans >love & theft< was a true return to form, his 30th studio album, with the unfortunate release date of september 11, 2001.
his voice is shot, but he sounds warmer, more relaxed, and old mr. grumpy is as good humoured as on >the basement tapes< (movlp 429). bob is in a wistful, elegiac, playful mood. he has recovered the humanity he lost on >time out of mind<, and is looking on life with loving eyes. he has thrown off the weight of life and is remembering a better self. and that makes this one of his more accessible albums, despite a lack of high-flying hit songs.
with beautiful printed inner sleeves and 180 grams audiophile vinyl, this is the first vinyl re-issue since 2001!

radioblues take me home on fenou no.16 is the sweetest piece of minimalish housy electronica in a long time on this label. as a mere mortal you cannot resist the dreamy voice of sylwia van der wonderland. you just want to fulfil her wish to take her home and get caught up in her world. solely the music itself makes it impossible to leave the dance floor and thats thanks to robert - the rocket scientist - who is the other half of this organic duo. with remixes by umami, arjuna schiks and le prix you can choose from various styles, but when the last beats fade youre almost forced to flip to b side and back to the a and so on and so forth

nastic aka marco nastic has been around the scene for over a decade and for this soweso release this internationally acclaimed dj teams up with dutch underground newcomer rik woldring. on the a side they bring you our love, a driving melodic techhouse track with a warm, sexy and dreamy vibe to it. a2, just us takes it a little deeper. this detroit influenced track is a perfect track for late in the morning. flowy, deep, but with a solid low end are the key words to describe this gem. on the flipside this package also features two remixes by mike shannon and upcoming dutch artist prunk. hope you enjoy it as much as we do!

ultraltd nice price action >>> here an unexpected bonus 12 inch to the clone 56. with an exciting remix by man of the moment 2562! he delivers a mix full of heavy sub basslines that make the house shiver and completes it with fine detroit melodies. 2562 manages to craftly dart between a concentrated detroit-techno drive and a sensuous dubstep swing which is slightly going towards a 4/4 beat.... but then falls back into that seductive two-step pace. bernardi gives us another take on the original version which is on a melodic, moody and even melancholic tip... so sweet! to top things of mark august delivers his bonus beats extracted from his glossy house-flavoured techno track. as usual with the clone x series: limited supplies!

supported by:jamie jones, benoit&sergio, ellen allien, groove armada, maya jane coles, catz n dogz, ben westbeech, sinden, dop, till von sein, deetron, marcin czubala, t.williams and others your mamas friend is back again to tempt us with the forbidden fruit of sleazy beats and warm rounded baselines. to date its been a fully polish affair, with viadrina and chmara winter joining label boss marcin czubala in providing the goods. today its another debutant, but this time were leaving the labels homeland as we head to the uk to meet a star on the rise, resketch.ste burnetts diverse musical range in both his dj sets and productions,find him falling somewhere within the swampy bass realm of house, garage and disco. his own productions have been described as having a unique and infectious energy thats driven by a bouncing sub-bass. a perfect fit for your mamas friend wouldnt you say? the no district label chief delivers a trio of treats in the form of his bound in binary ep

new release and new debut on vae victis, this time from the italian duo die roh. three original tracks plus an additional remix from uk rising star tessela, artist already known for his previous releases on all city, punch drunk and 2nd drop. an ep with emotional, warm, percussive but spacey detroit inspired tracks, where drums and pads are fused together in a one take madness arrangement. ranging from dupstep inspired to the rawer side of techno. all pure analogue tracks recorded without a computer to give them a lively edge. check!